<?xml version="1.0" encoding="UTF-8"?>
<!-- ========== Enhanced: ========== 
 Transformed with schema2schema.06_mfer.xsl 
Generated: Mon, 17 June 2013 02:04:19 PM EDT
URL: http://hdl.loc.gov/loc.music/eadmus.mu012010
 ===================================== --><!--name="eadidNode" select="normalize-space(//ead:eadid[1])": http://hdl.loc.gov/loc.music/eadmus.mu012010--><!--name="eadidIdentifier" select="substring-after(//ead:eadid/@identifier, '/')": eadmus.mu012010--><!--name="eadidId" select="substring-after($eadidIdentifier, '.')": mu012010-->

<ead
     xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
     xsi:schemaLocation="urn:isbn:1-931666-22-9 http://www.loc.gov/ead/ead.xsd"
     id="mferd211e2">
   <eadheader repositoryencoding="iso15511" relatedencoding="MARC21"
              countryencoding="iso3166-1"
              scriptencoding="iso15924"
              dateencoding="iso8601"
              langencoding="iso639-2b"
              id="mferd211e3">
      <eadid mainagencycode="US-DLC" countrycode="US"
             identifier="hdl:loc.music/eadmus.mu012010"
             encodinganalog="856$u">
			http://hdl.loc.gov/loc.music/eadmus.mu012010</eadid>
      <filedesc>
         <titlestmt>
            <titleproper encodinganalog="245$a">Burt Boyar Collection of Sammy Davis, Jr.
					Biographical Materials </titleproper>
            <author encodinganalog="245$c">Processed by the Music Division of the Library
					of Congress<lb/>
            </author>
         </titlestmt>
         <publicationstmt>
            <publisher encodinganalog="260$b">
					          <extptr xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" xlink:show="embed"
                       xlink:actuate="onLoad"
                       xlink:href="http://lcweb2.loc.gov/xmlcommon/lcseal.jpg"/> Music
					Division, Library of Congress</publisher>
            <address>
               <addressline>Washington, D.C. </addressline>
            </address>
            <date normal="2009" encodinganalog="260$c">2009</date>
         </publicationstmt>
         <seriesstmt>
            <titleproper>Guides to Special Collections in the Music Division of the Library
					of Congress</titleproper>
         </seriesstmt>
         <notestmt>
            <note>
               <p>Contact information: <extref xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" xlink:show="new"
                          xlink:actuate="onRequest"
                          xlink:href="http://hdl.loc.gov/loc.music/perform.contact">
							http://hdl.loc.gov/loc.music/perform.contact</extref>
					          </p>
            </note>
            <note id="lccnNote">
               <p> Catalog Record: <extref xmlns:xlink="http://www.w3.org/1999/xlink"
                          xlink:href="http://lccn.loc.gov/2012562129"
                          xlink:actuate="onRequest"
                          xlink:title="MARC record for collection"
                          xlink:type="simple">http://lccn.loc.gov/2012562129</extref>
					          </p>
            </note>
         </notestmt>
      </filedesc>
      <profiledesc>
         <creation>Finding aid encoded by Library of Congress Music Division, <date normal="2012">2012</date>
         </creation>
         <langusage>Finding aid written in <language langcode="eng" encodinganalog="041">English.</language>
         </langusage>
      </profiledesc>
   </eadheader>
   <archdesc level="collection" relatedencoding="MARC21" type="register">
      <did id="mferd211e49">
         <head>Collection Summary</head>
         <unittitle label="Title" encodinganalog="245$a">Burt Boyar Collection of Sammy Davis, Jr. Biographical Materials<unitdate label="Span Dates" type="inclusive" normal="1954/2000" encodinganalog="245$f"
                      datechar="creation">1954-2000</unitdate>
            <unitdate label="Bulk Dates" type="bulk" normal="1965/1988" encodinganalog="245$g"
                      datechar="creation">(bulk 1965-1988)</unitdate>
         </unittitle>
         <unitid label="Call No." encodinganalog="050" countrycode="US" repositorycode="US-DLC">ML31.B68</unitid>
         <origination label="Creator">
				        <persname encodinganalog="100" source="lcnaf">Boyar, Burt</persname>
			      </origination>
         <physdesc label="Extent">
				        <extent encodinganalog="300">21 items</extent>
				        <extent encodinganalog="300">15 containers</extent>
				        <extent encodinganalog="300">6.5 linear feet</extent>
				        <extent encodinganalog="300">35 sound cassettes</extent>
			      </physdesc>
         <langmaterial label="Language" encodinganalog="546">Collection material in
					<language encodinganalog="041" langcode="eng">English</language>
         </langmaterial>
         <repository label="Location" encodinganalog="852">
				        <corpname>
               <subarea>Music Division</subarea> Library of Congress</corpname>
				        <address>
               <addressline>Washington, D.C.</addressline>
            </address>
			      </repository>
         <abstract label="Summary" encodinganalog="520$a">Author Burt Boyar is the biographer of American entertainer Sammy Davis Jr. The collection contains draft materials for his books <title>Yes I Can: The Story of Sammy Davis, Jr.</title> (1965) and <title>Sammy: An Autobiography</title> (2000), and taped interviews with Davis used in writing the book <title>Why Me?: The Sammy Davis, Jr. Story</title> (1989).</abstract>
      </did>
      <!--ead:controlaccess template--><!--ead:controlaccess template: otherwise--><controlaccess id="ead.controlaccess_m.2012562129.10001"
                     altrender=":::F005=^20120802015711.0^">
         <head>Selected Search Terms</head>
         <note>
            <p>The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.</p>
         </note>
         <controlaccess id="mferd211e111">
            <head>People</head>
            <persname encodinganalog="100" role="creator" source="lcnaf"
                      altrender=":::PWEBRECON=^Boyar%2C+Burt.^">Boyar, Burt.</persname>
            <persname encodinganalog="600" role="subject" source="lcnaf"
                      altrender=":::PWEBRECON=^Davis%2C+Altovise+Interviews.^">Davis, Altovise--Interviews.</persname>
            <persname encodinganalog="600" role="subject" source="lcnaf"
                      altrender=":::PWEBRECON=^Davis%2C+Sammy%2C+1925-1990+Interviews.^">Davis, Sammy, 1925-1990--Interviews.</persname>
            <persname encodinganalog="600" role="subject" source="lcnaf"
                      altrender=":::PWEBRECON=^Davis%2C+Sammy%2C+1925-1990.^">Davis, Sammy, 1925-1990.</persname>
            <persname encodinganalog="700" source="lcnaf"
                      altrender=":::PWEBRECON=^Davis%2C+Sammy%2C+1925-1990.^">Davis, Sammy, 1925-1990.</persname>
            <persname encodinganalog="700" source="lcnaf"
                      altrender=":::PWEBRECON=^Davis%2C+Sammy%2C+1925-1990.^">Davis, Sammy, 1925-1990. Burt Boyar collection of Sammy Davis, Jr. biographical materials. 1954-2000.</persname>
            <persname encodinganalog="700" source="lcnaf"
                      altrender=":::PWEBRECON=^Davis%2C+Sammy%2C+1925-1990.^">Davis, Sammy, 1925-1990. Sammy : an autobiography.</persname>
            <persname encodinganalog="700" source="lcnaf"
                      altrender=":::PWEBRECON=^Davis%2C+Sammy%2C+1925-1990.^">Davis, Sammy, 1925-1990. Yes I can.</persname>
         </controlaccess>
         <controlaccess id="mferd211e130">
            <head>Subjects</head>
            <subject encodinganalog="650" source="lcsh"
                     altrender=":::PWEBRECON=^African+American+entertainers.^">African American entertainers.</subject>
            <subject encodinganalog="650" source="lcsh"
                     altrender=":::PWEBRECON=^Entertainers+Biography.^">Entertainers--Biography.</subject>
            <subject encodinganalog="650" source="lcsh"
                     altrender=":::PWEBRECON=^Entertainers+United+States.^">Entertainers--United States.</subject>
            <subject encodinganalog="650" source="lcsh"
                     altrender=":::PWEBRECON=^Performing+arts+Anecdotes.^">Performing arts--Anecdotes.</subject>
            <subject encodinganalog="650" source="lcsh"
                     altrender=":::PWEBRECON=^Performing+arts+United+States.^">Performing arts--United States.</subject>
         </controlaccess>
         <controlaccess id="mferd211e143">
            <head>Form/Genre</head>
            <genreform encodinganalog="655" source="aat"
                       altrender=":::PWEBRECON=^Drafts+%28Documents%29^">Drafts (Documents)</genreform>
         </controlaccess>
      </controlaccess>
      <descgrp type="admininfo" id="mferd211e148">
         <head>Administrative Information</head>
         <acqinfo encodinganalog="541" id="mferd211e151">
            <head>Provenance</head>
            <p>Gift, Burt Boyar, 2009.</p>
         </acqinfo>
         <accruals encodinganalog="584" id="mferd211e156">
            <head>Accruals</head>
            <p>Additional accruals are possible.</p>
         </accruals>
         <processinfo encodinganalog="583" id="mferd211e161">
            <head>Processing History</head>
            <p>The Burt Boyar Collection of Sammy Davis, Jr. Biographical Materials was processed by Pamela Murrell in 2009. Marsha Maguire, from the Motion Picture, Broadcasting and Recorded Sound Division, supplied additional information about the sound recordings and the portable hard drive. Christopher Hartten coded the finding aid for EAD format in 2012.</p>
         </processinfo>
         <separatedmaterial encodinganalog="544 0" id="mferd211e166">
            <head>Transfers</head>
            <p>Sound recordings and a hard drive from the Burt Boyar Collection of Sammy Davis, Jr. Biographical Materials were transferred to the Library of Congress Motion Picture, Broadcasting and Recorded Sound Division in 2012. For information, contact a reference librarian in the <extref xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" xlink:show="new"
                       xlink:actuate="onRequest"
                       xlink:href="http://www.loc.gov/rr/askalib/ask-record.html">Recorded Sound Reference Center</extref>, Library of Congress.</p>
         </separatedmaterial>
         <relatedmaterial encodinganalog="544 1" id="mferd211e174">
            <head>Related Material</head>
            <p>The Library of Congress Music Division holds the <archref xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" xlink:show="new"
                        xlink:actuate="onRequest"
                        xlink:href="http://hdl.loc.gov/loc.music/eadmus.mu006002">Bob Fosse and Gwen Verdon Collection</archref> (ML31.F72) which contains photographs of Davis. <archref xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" xlink:show="new"
                        xlink:actuate="onRequest"
                        xlink:href="http://hdl.loc.gov/loc.mss/eadmss.ms008007">The National Association for the Advancement of Colored People Records</archref>, held by the Library of Congress Manuscript Division, has administrative files about Davis.</p>
         </relatedmaterial>
         <userestrict encodinganalog="540" id="mferd211e185">
            <head>Copyright Status</head>
            <p>Materials from the Burt Boyar Collection of Sammy Davis, Jr. Biographical Materials are governed by the Copyright Law of the United States (Title 17, U.S.C.) and other applicable international copyright laws.</p>
         </userestrict>
         <accessrestrict encodinganalog="506 0" id="mferd211e190">
            <head>Access and Restrictions</head>
            <p>The Burt Boyar Collection of Sammy Davis, Jr. Biographical Materials is open to research. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.</p>
            <p>Certain restrictions to use or copying of materials may apply.</p>
         </accessrestrict>
         <prefercite encodinganalog="524" id="mferd211e197">
            <head>Preferred Citation</head>
            <p>Researchers wishing to cite this collection should include the following information: [item, date, container number], Burt Boyar Collection of Sammy Davis, Jr. Biographical Materials, Music Division, Library of Congress, Washington, D.C. </p>
         </prefercite>
      </descgrp>
      <bioghist encodinganalog="545" id="mferd211e202">
         <head>Biographical Note</head>
         <p>Burton Anselm Boyar was born on November 30, 1927 in New York City to Benjamin and Lillian Boyar. He acquired an early appreciation for the world of the theater, eventually working as a radio actor and pursuing a career in the performing arts. His nationally syndicated newspaper column <title>Beau Broadway</title> presented interviews, criticisms, and musings pertaining to the New York theater world. Boyar first contacted Sammy Davis, Jr. in 1957 about an interview for a feature story. One dinner invitation quickly turned into nightly discussions and a blossoming friendship that would last for the rest of Davis' life. Boyar agreed to write the entertainer's biography, and after working on it for six years, published <title>Yes I Can: The Story of Sammy Davis, Jr.</title>, in 1965. The best selling book became a contender for the Pulitzer Prize.</p>
         <p>In the years following, Boyar and his wife Jane collaborated on several books on the life of Sammy Davis, Jr. <title>Why Me?</title>, published in 1989, further explored the highs and lows of Davis' life and career. With the 2000 publication, <title>Sammy: An Autobiography</title>, the Boyars revised material from the two previous biographies. In 2007, Boyar published <title>Photo by Sammy Davis, Jr.</title>, a compilation of black-and-white photographs taken by the performer with text by Boyar.</p>
      </bioghist>
      <scopecontent encodinganalog="520" id="mferd211e224">
         <head>Scope and Content Note</head>
         <p>The Burt Boyar Collection of Sammy Davis, Jr. Biographical Materials consists of drafts, galleys and page proofs for the books <title>Yes I Can: The Story of Sammy Davis, Jr.</title> and <title>Sammy: An Autobiography</title>, thirty-five cassette tapes with interviews conducted by Boyar and his wife Jane for their book <title>Why Me?: The Sammy Davis, Jr. Story</title>, and digital media and text files of Davis appearances, recordings and interviews stored on a portable hard drive. These materials span the years 1954 to 2000 with the majority dating from 1965 to 1988.</p>
         <p>
            <title>Yes I Can: The Story of Sammy Davis, Jr.</title> (1965) is represented by typescript drafts, master galleys, unbound galleys, page proofs, uncorrected proofs, and uncut proofs and signatures. A portion of this material has been arranged under the book's three preliminary titles: <title>Everybody Else Had A Raincoat</title>; <title>Yes I Can: The Autobiography of Sammy Davis, Jr.</title>; and <title>Yes I Can: The Story of a Negro in a White World</title>. Each title contains significant quantities of draft materials annotated by Davis, Burt and Jane Boyar, and others.</p>
         <p>The Boyars conducted a series of taped interviews with Davis between 1985 and 1988 for <title>Why Me?</title>, their 1989 biography of Davis. The recording sessions mainly take place in Los Angeles, with a few sessions held in Reno, Nevada, or at Caesar's Palace and the Desert Inn in Las Vegas. In these interviews, which typically last two hours per tape, Davis is very forthcoming about his life and career. He talks candidly about his difficulties with alcohol and drug abuse, his three marriages, and his relationship with his children. He also shares his thoughts and feelings about politics and social issues, such as civil rights, and his relationships with Robert Kennedy, Richard Nixon, and Ronald and Nancy Reagan.</p>
         <p>Many of Davis' stories focus upon the entertainment business, including his membership in the Rat Pack, performing at various venues, explanations of his signature song "Mr. Bojangles," and his friendships with fellow celebrities, such as Frank Sinatra, Liza Minnelli, Jerry Lewis, Bill Cosby, Shirley MacLaine, and Burt Reynolds. Although the vast majority of the recordings feature Davis, there are also brief interviews with Altovise, his third wife, on tapes 32 and 34. She discusses meeting Davis for the first time, their courtship, and her role as his sister in the Broadway production of <title>Golden Boy</title>. Additionally, she expounds on her membership in the charity organization Share Happily and Reap Endlessly, dancing in the musical <title>High Sprits</title>, and her friendship with actress Lucille Ball. These cassettes were originally numbered sequentially to 38, although tapes 1, 29, and 30 are unaccounted for. They are housed in the Library of Congress Motion Picture, Broadcasting and Recorded Sound Division where they were assigned shelf numbers as indicated in this finding aid.</p>
         <p>A portable hard drive, also housed in the Library of Congress Motion Picture, Broadcasting and Recorded Sound Division, contains digital media and text files. The digital audio files document radio, television, and live appearances by Sammy Davis, Jr., as well as a number of his commercially released recordings. Also included are digital versions of complete interviews and excerpts of interviews originally recorded during the 1980s.</p>
      </scopecontent>
      <arrangement encodinganalog="351$a" id="mferd211e266">
         <head>Organization of the Burt Boyar Collection of Sammy Davis, Jr. Biographical
				Materials</head>
         <p>The Burt Boyar Collection of Sammy Davis, Jr. Biographical Materials is
				organized in two series: </p>
         <list>
            <item>
					          <ref xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
                    xlink:show="replace"
                    xlink:actuate="onRequest"
                    target="writ">Writings, 1960s, 2000</ref>
				        </item>
            <item>
					          <ref xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple"
                    xlink:show="replace"
                    xlink:actuate="onRequest"
                    target="inter">Recorded Interviews, Performances, and Public
						Appearances, 1954-1988, undated</ref>
				        </item>
         </list>
      </arrangement>
      <otherfindaid encodinganalog="555$a" id="lccnURI">
         <extref xmlns:xlink="http://www.w3.org/1999/xlink"
                 xlink:href="http://lccn/loc.gov/2012562129"
                 xlink:actuate="onRequest"
                 xlink:title="MARC record for collection"
                 xlink:type="simple">http://lccn.loc.gov/2012562129</extref>
      </otherfindaid>
      <!--$otherfindiaidTestCheck: yes--><dsc id="mferd211e285" type="combined">
         <head>Container List</head>
         <thead valign="bottom">
            <row>
               <entry morerows="0">Container</entry>
               <entry morerows="0">Contents</entry>
            </row>
         </thead>
         <c01 level="series" id="mferd211e294">
            <did>
               <container type="box">1-15</container>
               <unittitle encodinganalog="245$a" id="writ">Writings, <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian" normal="1960/2000">1960s, 2000</unitdate>
               </unittitle>
            </did>
            <scopecontent encodinganalog="520">
               <p>Annotated typescript drafts, galleys, proofs, and signatures for various
						iterations of <title>Yes I Can: The Story of Sammy Davis, Jr.</title>
						and <title>Sammy: An Autobiography</title>. Includes annotations in the
						hands of Davis, Burt and Jane Boyar, and others.</p>
            </scopecontent>
            <arrangement encodinganalog="351$b">
               <p>Drafts for <title>Yes I Can: The Story of Sammy Davis, Jr.</title> are
						arranged by working title.</p>
            </arrangement>
            <c02 level="file" id="mferd211e317">
               <did>
                  <container type="box">3-4</container>
                  <unittitle encodinganalog="245$a">Sammy: an autobiography <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">(2000)</unitdate>
                  </unittitle>
                  <physdesc>
                     <extent encodinganalog="300$a">Proofs and cover mockups</extent>
                  </physdesc>
               </did>
            </c02>
            <c02 level="file" id="mferd211e328">
               <did>
                  <container type="box">1-3</container>
                  <unittitle encodinganalog="245$a">Yes I can: the story of Sammy Davis, Jr. <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">(1965)</unitdate>
                  </unittitle>
                  <physdesc>
                     <extent encodinganalog="300$a">Annotated drafts</extent>
                  </physdesc>
                  <note>
                     <p>Title: <title>Everybody else had a raincoat</title>
                     </p>
                  </note>
               </did>
            </c02>
            <c02 level="file" id="mferd211e344">
               <did>
                  <container type="box">4-8</container>
                  <unittitle encodinganalog="245$a">Yes I can: the story of Sammy Davis, Jr. <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">(1965)</unitdate>
                  </unittitle>
                  <physdesc>
                     <extent encodinganalog="300$a">Annotated drafts</extent>
                  </physdesc>
                  <note>
                     <p>Title: <title>Yes I can: the autobiography of Sammy Davis, Jr.</title>
                     </p>
                  </note>
               </did>
            </c02>
            <c02 level="file" id="mferd211e360">
               <did>
                  <container type="box">8-10</container>
                  <unittitle encodinganalog="245$a">Yes I can: the story of Sammy Davis, Jr. <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">(1965)</unitdate> 
                  </unittitle>
                  <physdesc>
                     <extent encodinganalog="300$a">Annotated drafts</extent>
                  </physdesc>
                  <note>
                     <p>Title: <title>Yes I can: the story of a Negro in a White world</title>
                     </p>
                  </note>
               </did>
            </c02>
            <c02 level="file" id="mferd211e377">
               <did>
                  <container type="box">10-15</container>
                  <unittitle encodinganalog="245$a">Yes I can: the story of Sammy Davis, Jr. <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">(1965)</unitdate> 
                  </unittitle>
                  <physdesc>
                     <extent encodinganalog="300$a">Annotated drafts, proofs, and miscellany</extent>
                  </physdesc>
                  <note>
                     <p>Title: <title>Yes I can: the story of Sammy Davis, Jr.</title>
                     </p>
                  </note>
               </did>
            </c02>
         </c01>
         <c01 level="series" id="mferd211e394">
            <did>
               <container>RYL 4362-4396</container>
               <unittitle encodinganalog="245$a" id="inter">Recorded Interviews,
						Performances, and Public Appearances, <unitdate type="inclusive" normal="1954/1988">1954-1988</unitdate>,
							<unitdate>undated</unitdate>; <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian" normal="1985/1988"
                            type="bulk">bulk
							1985-1988</unitdate>
               </unittitle>
            </did>
            <accessrestrict>
               <p>Transferred to the Motion Picture, Broadcasting and Recorded Sound Division in 2012, the audiocassettes and digital files have not been processed and preserved. For information about availability, please consult reference staff in the <extref xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" xlink:show="new"
                          xlink:actuate="onRequest"
                          xlink:href="http://www.loc.gov/rr/askalib/ask-record.html">Recorded Sound Reference Center</extref> well in advance of visiting.</p>
            </accessrestrict>
            <c02 level="subseries" id="mferd211e414">
               <did>
                  <unittitle encodinganalog="245">Recorded interviews, <unitdate>1985-1988</unitdate>
                  </unittitle>
                  <physdesc>
                     <extent>35 sound cassettes :</extent>
							              <physfacet>analog</physfacet>.</physdesc>
               </did>
               <scopecontent encodinganalog="520">
                  <p>Thirty-five numbered audiocassette tapes of Burt and Jane Boyar's interviews with Sammy Davis, Jr., conducted between 1985 and 1988, for <title>Why Me</title>, the follow-up book to <title>Yes I Can</title>. Tapes 1, 29, and 30 are unaccounted for.</p>
               </scopecontent>
               <arrangement encodinganalog="351$b">
                  <p>Arranged by cassette number.</p>
               </arrangement>
               <c03 level="file" id="mferd211e439">
                  <did>
                     <container>RYL 4362</container>
                     <unittitle encodinganalog="245$a">No. 2: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1985
									October</unitdate>, Caesar's Palace, Las Vegas,
								Nevada</unittitle>
                     <note>
                        <p>Topics include the book <title>Yes I Can</title>; Tom Jones
									urging him to perform his now signature song "Mr.
									Bojangles" and his initial resistance to doing so; the
									mutual respect that he and his wife Altovise had for each
									other as performers; the public's perceptions of the stages
									in a performer's career and life.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e454">
                  <did>
                     <container>RYL 4363</container>
                     <unittitle encodinganalog="245$a">No. 3: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1985
									October</unitdate>, Caesar's Palace, Las Vegas,
								Nevada</unittitle>
                     <note>
                        <p>Topics include his salary, personal and business expenses,
									taxes and assets (such as his luxury cars: Corvette,
									Ferrari, Jaguar, Mercedes Benz and Stutz Blackhawk).</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e466">
                  <did>
                     <container>RYL 4364</container>
                     <unittitle encodinganalog="245$a">No. 4: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1985
									October</unitdate>, Caesar's Palace, Las Vegas,
								Nevada</unittitle>
                     <note>
                        <p>Topics include entertaining the American troops in Vietnam;
									his feelings about the Vietnam War; health issues, such as
									arthritis and "dancer's hip."</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e478">
                  <did>
                     <container>RYL 4365</container>
                     <unittitle encodinganalog="245$a">No. 5: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1985
									October</unitdate>, Caesar's Palace, Las Vegas,
								Nevada</unittitle>
                     <note>
                        <p>Topics include starring on a television soap opera; Altovise
									and her television show; struggles with alcoholism and drug
									abuse; Edward Kennedy; John McEnroe; "The NBC Follies."</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e490">
                  <did>
                     <container>RYL 4366</container>
                     <unittitle encodinganalog="245$a">No. 6: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986
									March 30</unitdate>, Reno, Nevada</unittitle>
                     <note>
                        <p>Topics include the Broadway production of <title>Golden
										Boy</title>; critic Elliot Norton meeting with book
									author Bill Gibson and producer Hillard Elkins; replacing
									director Peter Coe with Arthur Penn; the negative backlash
									against a love scene between Davis and white actress Paula
									Wayne.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e505">
                  <did>
                     <container>RYL 4367</container>
                     <unittitle encodinganalog="245$a">No. 7: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986
									March</unitdate>, Reno, Nevada</unittitle>
                     <note>
                        <p>Topics include Jerry Lewis; the movie <title>One More
										Time</title> and his experience in London during the
									film's production; Satanism.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e520">
                  <did>
                     <container>RYL 4368</container>
                     <unittitle encodinganalog="245$a">No. 8: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986
									March-April</unitdate>, Reno, Nevada</unittitle>
                     <note>
                        <p>Topics include his struggles with alcohol and drugs; the
									Richard Nixon administration; his stays at the White House;
									his two marriage ceremonies with Altovise; his
									relationships with Howard Hughes, Marilyn Chambers, Loretta
									Young, Lucille Ball, Will Mastin, Joe Grant (his
									bodyguard), Sy Marsh (his agent), Molly Marsh and Bill
									Cosby; aging and death.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e532">
                  <did>
                     <container>RYL 4369</container>
                     <unittitle encodinganalog="245$a">No. 9: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986
									March-April</unitdate>, Reno, Nevada</unittitle>
                     <note>
                        <p>Topics include his friendships with Frank Sinatra, Elizabeth
									Taylor, Linda Evans, Joan Collins; his clothing style;
									assassination of John F. Kennedy; George Hamilton and
									Robert Mitchum in the film <title>Home from the
										Hill</title>; his relationship with Harry Belafonte;
									drug use; Peter Lawford.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e548">
                  <did>
                     <container>RYL 4370</container>
                     <unittitle encodinganalog="245$a">No. 10: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986
									March-April</unitdate>, Reno, Nevada</unittitle>
                     <note>
                        <p>Topics include previous titles to <title>Yes I Can</title>;
									his marriages to May Britt and Altovise; fatherhood; the
									secrets to his success and how he has become accustomed to
									it; Michael Silver; his relationship with and the death of
									George Rhodes (his conductor and musical director). </p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e563">
                  <did>
                     <container>RYL 4371</container>
                     <unittitle encodinganalog="245$a">No. 11: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986
									March-April</unitdate>, Reno, Nevada</unittitle>
                     <note>
                        <p>Topics include his friendship with Jesse Jackson; Jesse
									Jackson's Operation PUSH organization; working on the
									Richard Nixon campaign; negative backlash he received after
									hugging Richard Nixon; interview with Eddie Peterson, who
									was Sammy Davis' business manager for nineteen years.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e575">
                  <did>
                     <container>RYL 4372</container>
                     <unittitle encodinganalog="245$a">No. 12: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate>, Los Angeles, California</unittitle>
                     <note>
                        <p>Topics include his inadequacies as a father; fashion
									trendsetting; favorite retail stores in Paris; prejudice
									against Blacks in the entertainment business and in
									general; financial troubles; his relationships with Ossie
									Davis and Ruby Dee.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e587">
                  <did>
                     <container>RYL 4373</container>
                     <unittitle encodinganalog="245$a">No. 13: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate>, Desert Inn, Las Vegas, Nevada</unittitle>
                     <note>
                        <p>Topics include performing at the Desert Inn; how to portray
									genuine emotion and personality during a performance;
									nightclub audiences; gambling; salaries; being introduced
									to the song "Mr. Bojangles" by Tom Jones; Jerry Lewis;
									Danny Kaye; having confidence as a performer; the nature of
									show business; his and Johnny Carson's failed investment in
									the DeLorean car company.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e599">
                  <did>
                     <container>RYL 4374</container>
                     <unittitle encodinganalog="245$a">No. 14: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate>, Desert Inn, Las Vegas, Nevada</unittitle>
                     <note>
                        <p>Topics include financial troubles; Frank Sinatra's domestic
									life and home; the Hotel de Paris in France; health
									problems; hip surgery; partying; what it's like to be the
									boss of his staff; racism; alcoholism; drug abuse; his
									relationships with Nancy (Davis) Reagan and Johnny Carson;
									the ghosts of Dolly Madison and Abraham Lincoln in the
									White House; performance techniques. </p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e611">
                  <did>
                     <container>RYL 4375</container>
                     <unittitle encodinganalog="245$a">No. 15: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate>, Desert Inn, Las Vegas, Nevada</unittitle>
                     <note>
                        <p>Topics include photographs of himself, Elvis, bullfighter
									Carlos Arruza, the Vietnam War and the cast of <title>The
										Cannonball Run</title> movies; his gun collection; his
									friendship with Frank Sinatra; Dick Powell; Rosa B. (his
									maternal grandmother); Colton Dinner Theater; doing
									benefits; the Black American experience in the 1960s and
									1970s; <title>Yes I Can</title>; the Broadway production of
										<title>Stop the World - I Want to Get Off</title>; the
									Johnny Carson Show; feeding lines to actors; the conflict
									between Jackie Garfinkel and Altovise. </p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e632">
                  <did>
                     <container>RYL 4376</container>
                     <unittitle encodinganalog="245$a">No. 16: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate>, Desert Inn, Las Vegas, Nevada</unittitle>
                     <note>
                        <p>Topics include Mel Tormé; his relationship with the
									black and white American communities; the Vietnam War; his
									expectations for the sequel to <title>Yes I Can</title>;
									his career and getting older; womanizing; his friendships
									with Ruby Rosa and Soraya Esfandiary Bakhtiari, who was the
									Princess of Iran; White Elephant Club in London and owner
									Stella Richman; Paris; parties in Las Vegas; Israel and the
									Jewish people; Bill Cosby; Jenny Jones; entertainers ending
									their careers at their peak. </p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e647">
                  <did>
                     <container>RYL 4377</container>
                     <unittitle encodinganalog="245$a">No. 17: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate>, Desert Inn, Las Vegas, Nevada</unittitle>
                     <note>
                        <p>Topics include hip surgery; medicine and doctors; his wish
									to be an entertainment spokesperson for Harrod’s (Holiday
									Inn); his neglect of Altovise's alcholism; the death of
									George Rhodes (his conductor and musical director);
									smoking; unknown content on Side B (tape requires repair).
								</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e659">
                  <did>
                     <container>RYL 4378</container>
                     <unittitle encodinganalog="245$a">No. 18: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate>, Desert Inn, Las Vegas, Nevada</unittitle>
                     <note>
                        <p>Topics include his enduring popularity; being an older
									entertainer and reuniting with former colleagues for
									projects; <title>The Cannonball Run</title> movies; Dean
									Martin and Frank Sinatra; Shirley MacLaine; Burt Reynolds;
									Bill Robinson and the song "Mr. Bojangles"; alcoholism; the
									quality of a good joke; the 1975 show <title>Sammy and
										Company</title>; his hair and hair care; Side B is
									blank. </p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e677">
                  <did>
                     <container>RYL 4379</container>
                     <unittitle encodinganalog="245$a">No. 19: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate>, Desert Inn, Las Vegas, Nevada</unittitle>
                     <note>
                        <p>Topics include how entertainers must maintain a broad
									appeal; analyzing audiences; his friendships with Frank
									Sinatra, Elvis Presley, and Burt Reynolds; <title>The
										Cannonball Run</title> movies; how he prepares for
									performances.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e692">
                  <did>
                     <container>RYL 4380</container>
                     <unittitle encodinganalog="245$a">No. 20: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate>, Desert Inn, Las Vegas, Nevada</unittitle>
                     <note>
                        <p>Topics include Clint and Maggie Eastwood; separating from
									May Britt and meeting Altovise; his friendship with Jesse
									Jackson; allowing his house to be used for meetings during
									America's Civil Rights movement by Martin Luther King, Jr.
									and the Black Panthers.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e705">
                  <did>
                     <container>RYL 4381</container>
                     <unittitle encodinganalog="245$a">No. 21: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate>, Desert Inn, Las Vegas, Nevada</unittitle>
                     <note>
                        <p>Topics include meeting John F. Kennedy via Peter Lawford;
									campaigning for John and Robert Kennedy; Black Americans
									rejecting him after the "Nixon hug"; Altovise's alcoholism.
								</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e717">
                  <did>
                     <container>RYL 4382</container>
                     <unittitle encodinganalog="245$a">No. 22: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate>, Desert Inn, Las Vegas, Nevada</unittitle>
                     <note>
                        <p>Topics include hip surgery; brainstorming about the book
									title for the sequel to <title>Yes I Can</title>; Linda
									Lovelace; Marilyn Chambers; Chuck Traynor; pornographic
									films; his love affairs; friendships with women; Lisa
									Hartman; life in Reno, Nevada; self-esteem problems in his
									youth; ambition; Count Basie; Walter Winchell; Nat King
									Cole. </p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e732">
                  <did>
                     <container>RYL 4383</container>
                     <unittitle encodinganalog="245$a">No. 23: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate>, Desert Inn, Las Vegas, Nevada</unittitle>
                     <note>
                        <p>Topics include movie budgets; his desire to produce a film
									about Blacks in World War II and another about the story of
									Haiti; the movie <title>Brother from Another
									Planet</title>; his desire to play the lead role of a hit
									man like that of Alan Ladd's character in <title>This Gun
										for Hire</title>; performing in Vietnam during the war;
									race relations during the Vietnam War; engaging in
									ménage à trois relationships; double
									standard in relation to the sexes; his marriage with
									Altovise; drug abuse; "male menopause" and aging in
									general.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e750">
                  <did>
                     <container>RYL 4384</container>
                     <unittitle encodinganalog="245$a">No. 24: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate>, Caesar's Palace and the Desert Inn, Las
								Vegas, Nevada</unittitle>
                     <note>
                        <p>Topics include his enduring career; drugs; the maintenance
									of friendships; people's perceptions of him; friendships
									with Burt Reynolds, Ricardo Montalbán and his wife
									Georgiana Belzer; <title>The Cannonball Run</title> movies;
									aging and death; his relationships with his three children
									Tracey, Mark and Jeff; collaborating with Jerry Lewis; the
									difference between being married to a white woman as
									opposed to a black woman; race relations during his
									lifetime; Satanism and Anton Lavey (the High Priest of the
									Church of Satan); the Hellfire Club; his intellect; sex
									practices.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e765">
                  <did>
                     <container>RYL 4385</container>
                     <unittitle encodinganalog="245$a">No. 25: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate>, Desert Inn, Las Vegas, Nevada</unittitle>
                     <note>
                        <p>Topics include the Wailing Wall in Jerusalem; performing;
									friendships with Jack Haley Sr. and Jr.; being an
									established performer; playing golf; the dynamics between
									Liza Minnelli and her sister Lorna Luft; colloquialisms
									within the black and white communities; the live audience;
									falling in the bathtub; Jack Entratter and the Sands Hotel
									in Las Vegas; his professional relationship with long-time
									manager Shirley Rhodes; dietary habits; performing at the
									White House; classical music favorites; <title>The Sammy
										Davis, Jr. Show</title>; book reviews; cooking secrets
									and techniques; cooking for Sinatra; horticulture.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e780">
                  <did>
                     <container>RYL 4386</container>
                     <unittitle encodinganalog="245$a">No. 26: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986
									June 5</unitdate>, Desert Inn, Las Vegas,
								Nevada</unittitle>
                     <note>
                        <p>Topics include toy collecting; Frank Sinatra's train
									collection; collecting as a hobby; photography; money and
									happiness; philanthropy; the 1964 film
										<title>Becket</title>; American movie sets versus
									European; White House dinner invitation; the production of
									an anti-drug special; the disappearance of black-and-white
									films; Richard Pryor; Eddie Murphy.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e795">
                  <did>
                     <container>RYL 4387</container>
                     <unittitle encodinganalog="245$a">No. 27: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986
									June 18</unitdate>, Desert Inn, Las Vegas,
								Nevada</unittitle>
                     <note>
                        <p>Topics include his meeting and marriage to Altovise;
									Altovise's introduction to drugs and alcohol by Sammy;
									their Broadway experiences; Altovise's studies with
									Katherine Dunham; Altovise at the audition for
										<title>Golden Boy</title>; his former girlfriend Lola
									Falana; involvement with the major racial events of the
									1960s and 1970s; Altovise's two car accidents; friendships
									with Bill Cosby and Barbara Sinatra; his drug abuse and the
									rift that it created in his friendship with Frank Sinatra;
									how supportive his friends were during Altovise's
									alcoholism; going to London to film <title>One More
										Time</title>; partying; his fascination with evil; Jay
									Sebring and Charles Manson murders.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e813">
                  <did>
                     <container>RYL 4388</container>
                     <unittitle encodinganalog="245$a">No. 28: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">Undated</unitdate>
                     </unittitle>
                     <note>
                        <p>Radio waves were picked up during the recording of this
									interview session</p>
                     </note>
                     <note>
                        <p>Topics include the harmony that must exist between a
									performer and his staff; the definition of the word
									"freaky"; what it feels like to be a legend; rehabilitation
									for substance abuse; his busy schedule; remaining focused
									while on stage; gossip; the end of his marriage to May
									Britt; interracial relations; marriage of daughter Tracey;
									his frequent worries; changes in the entertainment industry
									over the years; how audiences determine your level of
									stardom.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e827">
                  <did>
                     <container>RYL 4389</container>
                     <unittitle encodinganalog="245$a">No. 31: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1988
									January 18</unitdate>
                     </unittitle>
                     <note>
                        <p>Topics include working for Robert Kennedy's campaign; his
									friendships with Robert and Ethel Kennedy and Martin Luther
									King, Jr.; John Kennedy's lack of enthusiasm for the Rat
									Pack; being on the White supremacists' hit list; being
									harassed by American Nazi Party founder George Lincoln
									Rockwell; playing a concert in Tupelo, Mississippi during a
									Civil Rights rally; his security guard Joe Grant; his
									relationships with Sy and Molly Marsh, Ben and Jackie
									Garfinkel; Bob Brown of Richard Nixon’s staff; how many of
									his friendships ended because of his support for Richard
									Nixon; performing in Vietnam during the war; going on the
									Johnny Carson Show the day that Martin Luther King, Jr. was
									assassinated; the assassination of Malcolm X and how Alex
									Haley had once arranged for Davis to meet him; hanging out
									with "Mama" Cass Elliot and Jimi Hendrix.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e838">
                  <did>
                     <container>RYL 4390</container>
                     <unittitle encodinganalog="245$a">No. 32: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986
									November</unitdate>, Desert Inn, Las Vegas,
								Nevada</unittitle>
                     <note>
                        <p>Topics include his attitude towards marriage; the definition
									of "decadence"; his avoidance of personal problems through
									performing; having confidence as a performer; auditioning
									for the 1986 film <title>Crossroads</title>; Ralph Macchio;
									his adopted children Mark, Jeff and Manny; the Betty Ford
									Center.</p>
                     </note>
                     <note>
                        <p>Altovise’s interview: the circumstances under which she met
									Sammy Davis, Jr., while starring in the musical <title>High
										Spirits</title>; her lack of interest in Davis at first
									because she wanted to marry the doctor that she was dating;
									her desire to attend nursing school; her motive for
									auditioning for <title>Golden Boy</title> and starring in
									it as Davis' sister; how their first conversation lasted
									for ten hours.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e862">
                  <did>
                     <container>RYL 4391</container>
                     <unittitle encodinganalog="245$a">No. 33: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986
									November</unitdate>, Desert Inn, Las Vegas,
								Nevada</unittitle>
                     <note>
                        <p>Topics include the 1960s Civil Rights period; Robert
									Kennedy; Harry Belafonte; Sidney Poitier; Atlanta and the
									Southern Christian Leadership Conference; fashion;
									pantomiming "Mr. Bojangles" on several occasions before
									finally singing it; how audiences changed over twenty-five
									years; American race relations between Blacks and Whites;
									billing for <title>The Cannonball Run</title> movies;
									leaving a legacy; Mel Tormé; Bobby Darin; Ruby
									Rosa; philanthropy; "soul food"; trying LSD; the White
									Elephant Club in London; the rift that his drug abuse
									created between him and Frank Sinatra and their eventual
									reconciliation.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e878">
                  <did>
                     <container>RYL 4392</container>
                     <unittitle encodinganalog="245$a">No. 34: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986
									November</unitdate>, Desert Inn, Las Vegas,
								Nevada</unittitle>
                     <note>
                        <p>Topics include Milton Greene; Janet Suzman; Lauren Bacall;
									remaining mysterious; the movie <title>1776</title>; the
									deaths of his mother Rita Wade Davis, Cary Grant, and
									George Rhodes; Tom Smothers (of the Smothers Brothers);
									having rapport with an audience; standing ovations; acting
									your age as a performer; aging and the entertainment
									business; European women; the king of Sweden coming to Las
									Vegas to see him perform; being a womanizer; being humble
									about winning awards; the film <title>The Pigeon</title>;
									Aaron Spelling; doing benefits for UNICEF.</p>
                     </note>
                     <note>
                        <p>Altovise’s interview: comments on the trendsetting fashion
									sense of Sammy Davis, Jr.; becoming a member of the Share
									Happily and Reap Endlessly charity; designing their current
									home; the first friends she made within her husband's inner
									circle; her friendship with Lucille Ball.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e899">
                  <did>
                     <container>RYL 4393</container>
                     <unittitle encodinganalog="245$a">No. 35: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1986</unitdate>, Desert Inn, Las Vegas, Nevada</unittitle>
                     <note>
                        <p>This cassette was marked "backup" and contains much of the
									same information found on tape 18</p>
                     </note>
                     <note>
                        <p>Topics include his enduring popularity; the essence of the
									Rat Pack; Fred Astaire and Gene Kelly as tap dancers;
									problems with his hip; <title>The Cannonball Run</title>
									movies and working with Dean Martin, Burt Reynolds, Shirley
									MacLaine and Frank Sinatra; the song "Bojangles" and Bill
									Robinson; what the sequel to <title>Yes I Can</title> will
									be; alcoholism; his hair and hair care. Side B contains a
									radio program about Windsor, England. </p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e920">
                  <did>
                     <container>RYL 4394</container>
                     <unittitle encodinganalog="245$a">No. 36: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">Undated</unitdate>
                     </unittitle>
                     <note>
                        <p>Audio problems occur halfway through side A</p>
                     </note>
                     <note>
                        <p>Topics include Dr. Martin Luther King, Jr.'s death and
									aftermath; appearing on the <title>Johnny Carson
										Show</title> after King’s assassination; campaigning
									for Robert Kennedy. Side B is blank.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e937">
                  <did>
                     <container>RYL 4395</container>
                     <unittitle encodinganalog="245$a">No. 37: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1988
									January 21</unitdate>
                     </unittitle>
                     <note>
                        <p>Topics include being a performer in America versus Europe;
									attending a ceremony commemorating John F. Kennedy's death;
									attending various meetings with and the funeral of Martin
									Luther King, Jr.; the atmosphere in Chicago during the
									1960s Civil Rights movement; Billy Rose (his publicist);
									relationship with Altovise; the lack of modesty in
									contemporary society; the murder of Sharon Tate; being
									recruited by Richard Nixon and the problems that caused;
									his impressions of Richard Nixon; his relationship with
									Ronald and Nancy Reagan; public perceptions of the Civil
									Rights era; the slow progress in the Black community since
									the 1960s; keeping one's private life private; Marlene
									Dietrich.</p>
                     </note>
                  </did>
               </c03>
               <c03 level="file" id="mferd211e948">
                  <did>
                     <container>RYL 4396</container>
                     <unittitle encodinganalog="245$a">No. 38: <unitdate encodinganalog="245$f" era="ce" calendar="Gregorian">1988
									January</unitdate>
                     </unittitle>
                     <note>
                        <p>Topics include the inner strength that it takes to overcome
									substance abuse; how a crisis shows you who your real
									friends are; knowing when to end your career as a
									performer; fashion; his Motown album; modern music in
									Europe; Michael Jackson's crotch-grabbing; doing six
									symphony concerts; defining himself as an entertainer;
									winning "Entertainer of the Year" award in Las Vegas for
									four consecutive years; Ann Jillian; being a tap dancer
									with a hip problem; hip replacement surgeries; how some of
									his jokes during his performances fell flat; America's
									smoking laws.</p>
                     </note>
                  </did>
               </c03>
            </c02>
            <c02 level="subseries" id="mferd211e959">
               <did>
                  <unittitle>Digital audio of various interviews, performances, and
							appearances, <unitdate>1954-1988,</unitdate>
							              <unitdate>undated</unitdate>
                  </unittitle>
               </did>
               <scopecontent>
                  <p>Approximately 113 gigabytes of digital media and text files stored
							on a LaCie portable hard drive formatted for Apple Macintosh.
							Includes AIFF, AAC, SD2, and MP3 digital audio files documenting
							radio, television, and live appearances by Sammy Davis, Jr., as
							well as a number of his commercially released recordings. Also
							included are digital versions of complete interviews and excerpts
							of interviews originally recorded during the 1980s. Some of the
							files are described in four PDF audio log files.</p>
               </scopecontent>
            </c02>
         </c01>
      </dsc>
   </archdesc>
</ead>