Catalog Record:
The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.
Most of the items in this collection were given by Waltraud Szeryng, Henryk's widow, in 1990. Other materials have been received from Gerhild Baron, Andree Desautels, Angela Lalauni, Gilles Lefebvre, and Marie-Anne de Valmalete.
No further accruals are expected.
The Henryk Szeryng Collection was processed by Elaine Phelps in 1992. George Kipper coded the finding aid for EAD in 2010.
Books that relate to Szeryng's musical interests and/or contain noteworthy inscriptions have been retained in the collection, but the remaining books have been transferred to other divisions within the Library.
Recordings received as part of the collection were transferred to the Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division.
A complete listing of the transferred items is on file in the Music Division.
Materials from the Henryk Szeryng Collection are governed by the Copyright Law of the United States (Title 17, U.S.C.) and other applicable international copyright laws.
The Henryk Szeryng Collection is open to research.
Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.
Certain restrictions to use or copying of materials may apply.
Researchers wishing to cite this collection should include the following information: [item, date, container number], Henryk Szeryng Collection, Music Division, Library of Congress, Washington, D.C.
The Henrk Szeryng Collection documents the career of a great violinist who was also active as a teacher, a patron of the arts, and a diplomat. The bulk of the materials are Szeryng's collected musical scores, but also included are personal papers relating to activities other than musical performance. Various teaching and master-class materials in the collection date from his many years as an educator, and a number of speeches and writings reflect his active role as a public figure. Szeryng's generosity in supporting the arts and other worthy causes, as demonstrated by his donation of several valuable violins for use by promising young violinists and by his many benefit performances, is also well documented in the biographical articles and interviews of the collection.
The Music materials in the collection consist of both manuscript and printed scores. The bulk of the music is printed, but many of these scores and parts include Szeryng's handwritten annotations. The manuscripts include a number of Szeryng's own compositions, as well as his arrangements and revisions of both standard and little-known works. Among these is Paganini's Third violin concerto, a work which Szeryng himself rediscovered. Also of particular significance are the manuscripts of composers whose works Szeryng actively commissioned or promoted, such as Manuel Ponce and Cristóbal Halffter.
The Correspondence in the collection consists of letters between Szeryng and many prominent violinists, pianists, and conductors, including Isaac Stern, Shlomo Mintz, Yehudi Menuhin, Josef Gingold, Rafael Kubelik, Jean Martinon, Erich Leinsdorf, and Eugene Ormandy. The numerous personal friendships that Szeryng fostered in the various locations to which he travelled are reflected in correspondence from those acquaintances as well. The many official invitations indicate his prestige as both violinist and diplomat, and the letters of condolence received by Waltraud Szeryng following his death reflect the widespread sense of loss felt at his passing.
Szeryng's studies and teachings as a violinist are reflected in several papers and books detailing the principles of the Leopold Auer, Carl Flesch and Eugène Ysaye schools of violin playing. Szeryng's own views about violin technique are described in papers housed in both the Teaching Materials series and the Speeches & Writings series.
In the Performance Files of the collection, publicity materials provide an overview of the evolution of Szeryng's career. Representative concert programs and numerous clippings clearly document Szeryng's endeavors as a concert artist, diplomat and patron. The Business Records include many receipts, contracts, and financial statements that also reflect his concert and recording activities.
The remainder of the collection consists of various personal papers: more than a thousand photographs, many of Szeryng with other prominent musicians and diplomats or ambassadors; documentation of his career as a recording artist; numerous awards and citations; his scrapbooks; and all of the books from his personal library that pertain to his musical career or have noteworthy inscriptions.
The Henryk Szeryng Collection is organized into thirteen series:
Brief notes in Portuguese.
Brochure.
Notes in Spanish.
Brief notes in French.
Notes in German.
Brief notes in German.
Notes in German.
Brochure, notes in French and Spanish, and correspondence.
Report by Dorothy Bales.
Notes in German, resume in French.
Brochure.
Brochure.
Program.
Student records and schedule.
Announcement and agenda.
Repertoire list.
(1981-1984 List of fees).
[originally an album arranged by Waltraud Szeryng (W.S.)].
[Szeryng featured].
[Szeryng featured; formerly an album comprised of action photos arranged by W.S.].
[formerly an album arranged by W.S.]: A-G, H-M, O-Z.
[formerly an album arranged by W.S.].
Note: "Exemplaire imprimé spécialement pour Henryk Szeryng, Chevalier de la Légion d'Honneur" imprinted before title page. Préface de L'Amiral Georges Cabanier. Inscribed by Georges Cabanier. Special leather-bound edition, with medallion.
Transcribed by Jascha Heifetz.
Two copies, one signed by Szeryng.
Transcribed by Fritz Kreisler. Signed by Szeryng. Some editorial markings.
Transcribed by Jascha Heifetz - filed in Szeryng's collection under Heifetz arrangements. Signed by Szeryng. Editorial markings.
Transcribed by Fritz Kreisler. Signed by Szeryng. Earlier edition of the violin part laid in.
Photocopied excerpt from a larger work.
Preface by Henryk Szeryng.
Edited by Jascha Heifetz. Signed by Szeryng. Inscribed calling card of the composer laid in. Two copies.
Signed by Szeryng. Inscribed.
Edited by Harvey Grace. Signed by Szeryng. Editorial markings.
Manuscript facsimile string parts, n.d.
Piano parts added by Robert Schumann and Felix Mendelssohn. Signed by Szeryng.
Edited by Heinrich Besseler. Printed with Szeryng's name.
Signed by Szeryng. Editorial markings.
Originally laid in with full score & parts.
Signed by Szeryng. Editorial markings. Miniature score originally laid in.
Edited by Heinrich Besseler. Signed by Szeryng. Editorial markings.
Editorial markings. Signed by Szeryng.
Two editions. Signed by Szeryng. Editorial markings.
Edited by Arnold Schering. Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Edited by Arnold Schering. Signed by Szeryng. Editorial markings.
Edited by David Oistrach and Wilhelm Weismann. Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Editorial markings.
Edited by Ingolf Dahl and Joseph Szigetí. Complimentary copy.
Edited by Andreas Moser. Signed by Szeryng. Editorial markings.
Two copies, one with cover missing and brittle. Signed by Szeryng. Editorial markings.
Two different scores and several sets of parts. Signed by Szeryng. Editorial markings.
Transcribed by Tivadar Nachéz. Signed by Szeryng.
Two copies. Editorial markings.
Keyboard part edited by Ulrich Haverkampf and violin part edited by Walther Davisson. Signed by Szeryng.
Edited by Andreas Moser. Signed by Szeryng.
Arranged by David Oistrach. Signed by Szeryng. Editorial markings.
Photocopy of parts laid in. Signed by Szeryng. Editorial markings.
Edited by Arnold Schering. Two copies, one with editorial markings.
Two editions. Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng. Editorial markings. Manuscript facsimile of reduced cembalo part laid in.
From BWV 1060. Edited by Max Seiffert. Two copies. Signed by Szeryng. Editorial markings.
From BWV 1060. Edited by Max Seiffert (crossed out on the Violin I part). Two copies, one with editorial markings. Signed by Szeryng.
Edited by Rudolf Baumgartner. Signed by Szeryng.
Edited by Rudolf Baumgartner. Signed by Szeryng.
Edited by Richard Klemm and Carl Weyman. Signed by Szeryng. Editorial markings.
Edited by Hans Gal. Signed by Szeryng.
Editorial markings.
Edited by Wilhelm Altmann. Signed by Szeryng. Editorial markings.
Edited by Carl Flesch. Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings. Photocopy originally included placed in the general collections of the Music Division.
Edited by Carl Flesch. Four copies. Signed by Szeryng. Editorial markings. One copy is a newer edition, dated 1948. Photocopy of an unknown edition of this partita laid in.
Transcribed by Fritz Kreisler.
Transcribed by Fritz Kreisler. Signed by Szeryng.
Photocopy of violin and continuo part (unrealized). Editorial markings. Signed by Szeryng.
Realized by Fr. Hermann. Photocopy of larger score (pages 27-35) and violin part (pages 12-15).
Edited and realized by Howard Ferguson. Two photocopies of score. Editorial markings.
Edited by Walther Davisson. Editorial markings, including extensive editing of continuo part. Signed by Szeryng.
Edited and realized by Tivadar Nachèz. Photocopy of score. Editorial markings.
Edited and realized by Tivadar Nachèz. Two photocopies of score. Editorial markings. Stamped Szeryng, also stamped Josef Gingold.
Edited by Carl Flesch. Signed by Szeryng. Editorial markings.
Edited by Carl Flesch. Signed by Szeryng. Editorial markings. Photocopy originally found with score placed in the general collections of the Music Division.
Edited by Jan Hambourg. Editorial markings in both the Preface and the score.
Edited by Carl Flesch. Signed by Szeryng. Editorial markings.
Edited by Carl Flesch. Two copies. Signed by Szeryng. Editorial markings.
Violin part edited by Hugo Kortschak, continuo part realized by Edwin Hughes. Signed by Szeryng.
Violin part edited by Hugo Kortschak, piano part edited by Edwin Hughes. Signed by Szeryng.
Violin part edited by Hugo Kortschak, piano part edited by Edwin Hughes. Signed by Szeryng.
Edited and realized by Friedrich Blume. Signed by Szeryng.
Edited by Günter Kehr, figured-bass realized by Kurt-Heinz Stolze. Signed by Szeryng. Editorial markings.
Three copies. Edited by Rudolf Gerber. Editorial markings.
Edited by Ferdinand David. Signed by Szeryng. Editorial markings. Includes 3 sonatas: b minor, A major and E major.
Edited by Ferdinand David. Signed by Szeryng. Editorial markings. Includes 3 sonatas: b minor, A major and E major.
Edited by Ferd. David and Fr. Hermann. Originally filed with Szeryng's violin and keyboard music. Stamped Henri Berthelier.
Edited by Rudolf Gerber. Editorial markings.
Edited by Ferdinand David. Signed by Szeryng. Editorial markings. Includes three sonatas: c minor, f minor and G major.
Edited and realized by Hermann Keller. Signed by Szeryng. Includes Sonatas in G major, e minor and c minor.
Edited by Emma Altberg and Irena Dubiska. Signed by Szeryng. Contains Sonatas in b minor, A major and E major.
Edited by Wilhelm Altmann. Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Two violin parts, one with editorial markings, Signed by Szeryng.
Transcribed by Edo Zathureczky. Editorial markings. Signed by Szeryng.
Transcribed by Joseph Szigeti. Signed by Szeryng. Inscribed by Endre Pehi. Selections taken from
Transcribed by Tivadar Országh. Signed by Szeryng. Selections taken from
Signed by Szeryng.
Editorial markings. Signed by Szeryng. Two copies.
Signed by Szeryng.
Transcribed by Zoltan Székely. Editorial markings. Signed by Szeryng. Two violin parts.
Edited by Yehudi Menuhin. Signed by Szeryng.
Transcribed by Endre Gertler. Signed by Szeryng.
Adapted for piano by Gyögy Sándor. Inscribed to Szeryng by the adaptor.
Edited by Enre Szervánszky.
Signed by Szeryng. Editorial markings.
Signed by Szeryng.
One violin part has editorial markings. Signed by Szeryng.
Edited by Zino Francescatti with cadenzas by Joseph Joachim.
Cadenzas by Joseph Joachim. Signed by Szeryng.
Violin/piano arrangement and cadenzas by Carl Flesch. Signed by Szeryng. Some editorial markings in the violin part.
Editorial markings.
Editorial markings.
Editorial markings.
Editorial markings.
Editorial markings.
Editorial markings. Letter from Arlene Paskalian of Shaw concerts concerning a March 1988 performance laid in.
Editorial markings.
Editorial markings.
Edited by Willy Hess. Signed by Szeryng. Includes opus 61, 58, and 80.
Signed by Szeryng.
Editorial markings. Edited by Carl Flesch. Signed by Szeryng.
Edited and fingered by Henry Schradieck. Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng.
Edited by Fritz Kreisler. Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Edited by Fritz Kreisler. Signed by Szeryng. Editorial markings.
Edited by Joseph Joachim. Signed by Szeryng.
Edited by Carl Halir. Signed by Szeryng.
Edited by Leopold Auer (Violin part only). Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Editorial markings.
Signed by Szeryng. Some editorial markings.
Edited by Fritz Kreisler. Signed by Szeryng. Editorial markings.
From a larger collection.
Edited by Fritz Kreisler.
Signed by Szeryng.
Editorial markings.
Edited by Fritz Kreisler. Printed by Augener Ltd.
Edited by Fritz Kreisler. Signed by Szeryng. Editorial markings.
Edited by Joseph Joachim. Signed by Szeryng.
Edited by Carl Halir. Signed by Szeryng. Editorial markings.
Edited by Fritz Kreisler. Printed by Augener, Ltd.
Edited by Lew Oborin and David Oistrach. Signed by Szeryng. Editorial markings.
Edited by Joseph Joachim. Signed by Szeryng. Some editorial markings.
Edited by Walther Lampe and Kurt Schäffer. Signed by Szeryng. Editorial markings.
Edited by Joseph Joachim. Signed by Szeryng.
Edited by Lew Oborin and David Oistrach. Signed by Szeryng.
Edited by Sieghard Brandenburg, fingered by Max Rostal and Hans-Martin Theopold. Signed by Szeryng. Editorial markings.
Edited by Carl Hermann and Paul Grümmer. Signed by Szeryng. Editorial markings.
Edited by Günter Raphael. Signed by Szeryng. Editorial markings.
Edited by Carl Herrmann and Paul Grümmer. Signed by Szeryng.
Edited by Carl Herrmann and Paul Grümmer. Signed by Szeryng. Editorial markings.
Edited by Günter Raphael. Signed by Szeryng. Editorial markings.
Edited by Friedhelm Klugmann. Signed by Szeryng. Editorial markings.
Edited by Yehudi Menuhin. Inscribed by unidentified person.
Two copies. Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Some editorial markings.
Some editorial markings.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Inscribed by composer.
Inscribed by composer.
Signed by Szeryng. Some editorial markings in the piano part. Two copies of number 2,
Edited by Aldo Pais.
Edited by Aldo Pais.
Arranged by Alex. Brand.
Note from Armand Chouinard taped in. Collection of sacred music for the organ by various composers.
Inscribed by the composer.
Edited by Karl Klingler.
Arranged by and cadenzas by Joseph Joachim. Two copies. Signed by Szeryng. Editorial markings.
Photocopy of each string part. Editorial markings.
Includes some photocopies. Editorial markings.
Includes some photocopies. Editorial markings.
Includes some photocopies. Includes extra parts. Editorial markings.
Signed by Szeryng. Editorial markings.
Editorial markings.
Signed by Szeryng.
Transcribed by Joseph Joachim, edited by Gustav Saenger. Signed by Szeryng. Some editorial markings.
Transcribed by Johannes Joachim. Signed by Szeryng.
Transcribed by Joseph Joachim, edited by Gustav Saenger. Signed by Szeryng. Some editorial markings.
Transcribed by Joseph Joachim, revised and edited by Leopold Auer. Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Facsimile edition and transcription. Transcribed by Klaus Stahmer. Transcribed score and parts.
Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Edited by Arthur Schnabel and Carl Flesch. Editorial markings. Signed by Szeryng.
Two copies. Printed by Edition Peters. Signed by Szeryng. Editorial markings.
Edited by Harold Bauer and Franz Kneisel. Signed by Szeryng.
Edited by Arthur Schnabel and Carl Flesch.
Includes Sonatas 1-3: G major, A major, d minor.
Edited by Hans Otto Hiekel. Score bound. Signed by Szeryng. Includes all three sonatas and a Scherzo.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Edited by Georg Schumann. Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings in the keyboard part. Composed for piano, violin and horn or violoncello or viola.
Signed by Szeryng. Editorial markings.
Edited by George Schumann. Two copies [violin part, copy 2, is incomplete]. Signed by Szeryng. Editorial markings.
Edited by Georg Schumann. Signed by Szeryng. Editorial markings.
Transcribed by David Hochstein. Signed by Szeryng.
Edited by Erich Valentin and Otto Kobin. Signed by Szeryng. Notation on score reads "In anticipation of the arrival of the revered and beloved friend Joseph Joachim, this sonata was composed by Robert Schumann, Albert Dietrich and Johannes Brahms".
Unidentified photocopy of manuscript laid in.
Score and two versions of parts [Paris: Durand, n.d.and Siegel's], mixed. Signed by Szeryng. Editorial markings.
Also for violoncello with orchestra and harp.
Edited by Theodore Spiering. Photocopy.
Edited by Bjarne Kortsen with cadenza composed by Trygve Fischer.
Arranged for violin and piano by Bjarne Kortsen with cadenza by Trygve Fischer.
Signed Julius Brander. Somewhat brittle.
Signed by Szeryng. Additional acid-free photocopy included. Editorial markings.
Two copies, one with no markings, one signed by Szeryng. Editorial markings.
Catalog of the composer's works laid in.
Edited by Mischa Mischakoff. Two copies.
Edited by Mischa Mischakoff
Edited by Mischa Mischakoff. Two copies. Editorial markings. Signed by Szeryng. Two extra copies of last page of violin part.
Photocopy. Originally filed with Szeryng's violin and piano music.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings. Additional acid-free photocopy.
Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Signed by Szeryng. Editorial markings
Edited by and dedicated to Eugene Ysaye. Inscribed.
Signed by Szeryng. Editorial markings.
Two copies. Signed by Szeryng. Editorial markings with written indication of the composer's approval.
Inscribed. Signed by Szeryng.
Inscribed by the composer. Signed by Szeryng. Two violin parts.
Photocopy.
Signed by Szeryng.
Edited by Alfred Einstein. Signed by Szeryng.
Edited by Alfred Einstein. Set of parts published by Edition Peters laid in.
Edited by Waldemar Woehl. Signed by Szeryng.
Edited by A. Zanotelli, violin part revised by Piero Raffaelli. Inscribed by Piero Raffaelli.
Edited by Hubert Léonard and Henri Marteau. Signed by Szeryng. Editorial markings. Another version of the violin part laid in.
Signed by Szeryng. Editorial markings.
Printed by Schott & Co. Signed by Szeryng.
Signed by Szeryng.
Fritz Kreisler, transcriber. Signed by Szeryng.
Edited by Sam Franko, arranged by F. O. Dessoff. Signed by Szeryng. Cadenza by Jos. Hellmesberger.
Signed by Ch. Gilbert. Somewhat brittle. Includes works by Biber, Corelli, Porpora, Vivaldi, Leclair, Nardini, Veracini and J. S. Bach.
Transcribed by Arthur Hartmann. Signed by Szeryng.
Signed by Szeryng. Somewhat brittle.
Transcribed by Leon Roques. Editorial markings. Signed by Szeryng.
Some editorial markings. Signed by Szeryng.
Arranged for violin and piano by Philip Heseltine. Signed by Szeryng. Inscribed.
Filed in Szeryng's collection with Heifetz arrangements. Signed by Szeryng.
Manuscript facsimile.
Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng.
Arranged by Aug. Wilhelmj. Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng. Some editorial markings. Photocopy of score laid in.
Signed by Szeryng. Some editorial markings. Two photocopies of score laid in.
Fingered by Albert Stoessel. Signed by Szeryng.
Arranged by J. Salmon. Signed by Szeryng.
Signed by Szeryng. Some editorial markings.
Stamped Josef Gingold.
Signed by Szeryng.
Signed by Szeryng.
Edited by Leopold Auer. Inscribed (unable to identify).
Inscribed by Henry Plukker. Editorial markings.
Photocopy. No composer printed, but inscription at the top "Departe de Oscar Esplá. Filed with Szeryng's violin and piano music. Part two of a set of pieces.
Filed with Szeryng's violin and piano music.
Photocopy. No. 2 of five Irish melodies by M. Esposito. A different arrangement of "The Coulin" with no composer given with the prefix no.43 laid in.
Arranged by Fritz Kreisler. Signed by Szeryng. Editorial markings. Two copies and an additional violin part [Paris: Max Eschig/C. Fischer, 1913/1926].
Adapted and fingered for violin by Paul Kochanski. Two printings. Signed by Szeryng. Editorial markings.
Photocopy. Additional photocopy (acid-free paper) added].
Fingered by Edouard Nadaud. Signed by Szeryng. Photocopy of score laid in with original.
Signed by Seryng.
Violoncello part edited by Youro Tkaltchitch. Editorial markings in cello part.
Some editorial markings in the piano part. Signed by Szeryng.
Both violin and cello parts included. Score is for cello.
Edited by Ch. M. Loeffler. Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Arranged by Arthur Bent & Norman O'Neill.
Editorial markings. Signed by Szeryng. Photocopy.
Edited by Leopold Lichtenberg, piano part revised by Clarence Adler. Score only. Editorial markings. Signed by Szeryng.
Signed by Szeryng.
Edited by Zino Francescatti, piano part edited by Robert Casadesus. Signed by Szeryng.
Edited by Emile Sauret. Signed by Szeryng. Editorial markings in the piano score.
Two copies.
Transcribed by Fritz Kreisler. Editorial markings.
Signed by Szeryng. Editorial markings. Manuscript transparencies located in Ov-6/2.
Revised by Cleofe Person de Mattos.
Revised by Mario Corti. Two copies, one inscribed by Mario Corti, one signed.
Words by Ira Gershwin.
Arranged by Robert Russell Bennett. Photocopy.
Signed by Szeryng. Set of negatives of the score included. From the opera
Set of negatives of the score. From the opera
Photocopy and negative photocopy of score. Originally laid in with printed music. From the opera
From the opera
Taken from the opera
Taken from the opera
Editorial markings. Two copies and multiple photocopies. Signed by Szeryng.
Inscribed by the composer. Signed by Szeryng.
Edited by Walter Lebermann. Two copies. Manuscript Solo Violin part laid in. Signed by Szeryng.
Edited by Leopold Auer. Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Filed in Szeryng's collection under Heifetz arrangements.
Signed by Szeryng. Editorial markings.
Filed in Szeryng's collection under Heifetz arrangements. Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Editorial markings. Signed by Szeryng.
Transcribed by Fritz Kreisler.
Revised and fingered by Luis Anton. Inscribed to Szeryng.
Editorial markings in the piano part. Inscribed by the composer. Signed by Szeryng.
Negative copies of score.
Inscribed by the composer. Signed by Szeryng.
Signed by Szeryng.
Dedicated to Szeryng. Editorial markings.
Negative copy of score.
Photocopy laid in. Signed by Szeryng. Editorial markings. Accompanied by a letter recommending the piece from the cultural attache of Nice.
Two copies.
Multiple copies. Signed by Szeryng. Editorial markings.
Edited by Henryk Szeryng. Four copies, one with editorial markings.
Transcribed by Jascha Heifetz. Filed in Szeryng's collection under Heifetz arrangements. Signed by Szeryng. Editorial markings.
Three copies, one signed by Szeryng.
Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Edited by Georg Schumann. Signed by Szeryng.
Edited by Georg Schumann. Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng.
Edited by Alfred Orel. Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng.
Revised by Georg Schumann. Signed by Szeryng.
Edited by Georg Schumann. Signed by Szeryng.
Edited by Georg Schumann. Signed by Szeryng.
Edited by Karl Scheit.
Edited by Karl Scheit.
Edited by Leopold Auer and Carl Friedberg. Signed by Szeryng.
Edited by Johann Philipp Hinnenthal. Signed by Szeryng. Editorial markings. Photocopy of Opus 1, No. 3 violin and cello parts laid in.
Edited by Leopold Auer.
Edited by Hans Sitt. Signed by Szeryng. Editorial markings. Two volumes.
Kazimierz Sikorski, Janina Wysocka-Ochlewska, Zenon Felinski, Tadeusz Gonet, editors. Two volumes.
Edited by Stanley Sadie. Editorial markings. Signed by Szeryng.
Edited by Franz Willms. Extensive editing in the violin I part. Signed by Szeryng.
Edited by Richard Barth. Signed by Szeryng. Editorial markings.
Edited by Richard Barth. Signed by Szeryng.
Edited by Emil Krause. Appears to be excerpted from a larger score. No continuo realization.
Signed by Szeryng.
Signed by Szeryng.
Dedicated to Szeryng and Bruno Maderna. Two copies, one signed by Szeryng.
Dedicated to Szeryng and Bruno Maderna. Manuscript facsimile laid in accompanied by a letter from the composer.
Signed by Szeryng. Inscribed by Jonathan R. Sherwin.
Edited, and with cadenzas by Carl Flesch. Signed by Szeryng. Accompanied by a manuscript fair copy of a cadenza composed by Paul Shure in 1985 and dedicated to Henryk Szeryng.
Edited by Anton Heiller.
Bound photocopy. Signed by Szeryng.
Edited by H. C. Robbins Landon.
Filed in Szeryng's collection under Heifetz arrangements. Includes works by Rameau, Schubert, Mozart, Mendelssohn, Schumann, Brahms, Popper, Drigo, Sarasate, Glazounow, Elgar Achron, and Moszkowski.
Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Signed by Szeryng. Inscribed (by the composer?).
Inscribed by Hilda Jolivet.
Text by Fritz Rotter.
Text by Ned Washington.
Text by Fritz Rotter.
Text by Harold Adamson (photocopy).
Text by Fritz Rotter.
Text by Fritz Rotter.
Signed by Szeryng.
Signed by Szeryng. Editorial markings.
In Cyrillic. Inscribed by the composer.
Filed in Szeryng's collection under Heifetz arrangements. Signed by Szeryng.
Inscribed to Szeryng. In Cyrillic.
Photocopy. Some editorial markings.
Signed by Szeryng. Editorial markings.
Inscribed by the composer. Signed by Szeryng.
Edited by Richard Engländer. Inscribed to Szeryng by Carl Rune Larsson.
Signed by Szeryng. Editorial markings.
Printed by B. Schott's Söhne. Signed by Szeryng.
Printed by B. Schott's Söhne. Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Violin parts originally filed with Vivaldi Concertos. Signed by Szeryng. Editorial markings. Published via B. Schott's Söhne, Mainz.
Signed by Szeryng.
Two copies. Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Some editorial markings.
Signed by Szeryng.
Editorial markings.
Violin part published by Schott in 1910. Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings. Copies of both the 1911, and the 1939 edition.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings. 1910 B. Schott's Söhne edition of the score laid in.
Editorial markings.
Signed by Szeryng. Some editorial markings.
1910 edition B. Schott's Söhne score included. Signed by Szeryng.
2 copies. Signed by Szeryng. Editorial markings. B. Schott's Söhne edition (1911; Fritz Kreisler, 1939) of the violin part laid in.
New York: Charles Foley, 1910, 1937.
Signed by Szeryng. Editorial markings.
Arranged by Simon Schneider.
Signed by Szeryng. Editorial markings.
Edited by Paul Klengel. Editorial markings.
Edited by Leopold Lichtenberg. Signed by Szeryng. Editorial markings.
Revised and edited by George Perlman. Signed by Szeryng. Editorial markings.
Edited by Carl Hermann. Signed by Szeryng. Editorial markings.
Editorial markings.
Reconstructed by Fernand Oubradous.
Reconstructed by Fernand Oubradous, fingering by Henryk Szeryng. Signed by Szeryng. Inscribed by Fernand Oubradous.
Edited by Claude Crussard.
Edited by I. Dubiska and J. Lefeld. Inscribed.
Edited by Alfred Moffat. Editorial markings. Signed by Szeryng.
Edited by Alexandre Guilmant and Joseph Debroux. Signed by Szeryng.
Recent researches in the music of the Baroque era - Volume V. Edited by Robert E. Preston. Signed by Szeryng.
Edited by Carl Herrmann. Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Reconstructed by Fernand Oubradous.
Signed by Szeryng. Editorial markings. Manuscript fair copy with Szeryng's corrections originally laid in can be found in the manuscript collection. Dedicated to Henryk Szeryng.
Complimentary copy.
Souza Lima, transcriber. Edited and fingered by Raul Larangeira.
Photocopy. Inscription.
Photocopy.
Edited by Karl Scheit.
Transcribed by Robert Russell Bennett. Photocopy.
Inscribed by the composer.
Photocopy.
Edited by Ettore Desderi.
Revised by Ettore Desderi.
Signed by Szeryng. Editorial markings.
Inscribed by the composer.
Edited by Carl Flesch. Editorial markings. Signed by Szeryng.
Edited by Walther Davisson. Signed by Szeryng.
Edited and fingered by Henry Schradieck. Signed by Szeryng. Editorial markings.
Gift of Peter Bandey, Perth. Signed by Szeryng. Editorial markings.
Editorial markings.
Arranged by Ferdinand David. Signed by Meta Levinsohn(?).
Signed by Szeryng.
Two copies.
Originally for violin and orchestra. Taken from
Printed by Editions Salabert, Paris.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Inscription. Filed with Szeryng's collection of violin and piano music.
Henryk Szeryng written across the top in a formal hand, as well as a pasted label saying "Happy Birthday 1983". Photocopies. Editorial markings.
Photocopy.
Arranged for violin and piano by Witold Maliszewski. Photocopies only.
Edited by Bruno Henze.
Text by J. Janés. Signed by Szeryng.
Transcribed by Xavier Turull. Signed by Szeryng. Two copies, one inscribed by the composer, and one by the transcriber.
Transcribed by Joseph Szigeti. Inscribed by the composer. Signed by Szeryng.
Editorial markings. Signed by Szeryng. Filed with Szeryng's collection of violin and piano music.
Signed by Szeryng.
Fingered by Xavier Turull. Inscribed by the composer.
Four photocopies of violin part included. Signed by Szeryng. Inscribed by the composer. Editorial markings.
Edited by Waldo Lyman.
Continuo realized by Renée Viollier. Signed by Szeryng. Editorial markings.
Arranged by Fr. Hermann. Photocopy. Signed by Szeryng.
Edited by F. Hermann. Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Piano reduction by K. H. Fuessl, edited by Zino Francescatti. Signed by Szeryng. Editorial markings. Attached to the violin part is a violin part for Mozart's
Arranged by Paul Klengel. Signed by Szeryng.
Signed by Szeryng. Labelled on page 197 "K. 481 - II. Partie Adagio". Excerpt from a larger score. Adagio appears on pages 198-201.
Pages pasted on cardboard. Excerpt from a larger score. Adagio appears on pages 233-237.
Edited by Wilhelm Lutz. Originally sung by Cherubino in
Photocopy. Originally sung by Cherubino in
Some editorial markings. Includes K. 207, 211, 216, 218.
Two copies. Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Edited by Henri Petri. Signed by Szeryng. Editorial markings.
Cadenzas by Vitautas Bacevicius. Signed by Szeryng. Editorial markings.
Two copies. Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Arranged for violin and piano by Leopold Auer. Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Two copies, one with missing cover. Signed by Szeryng. Editorial markings.
Arranged for violin and piano by Carl Flesch. Signed by Szeryng.
Arranged for violin and piano by Sam Franko. Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Editorial markings. Violin I part signed by Szeryng.
One photocopy of each string part [orchestra].
Arranged by Joseph Joachim, cadenzas by Joachim. Reprint of the Simrock Edition.
Arranged by Joseph Joachim, cadenzas by Joachim. Signed by Szeryg.
Signed by Szeryng. Editorial markings.
Edited by Rudolf Gerber. Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Arranged by Joseph Joachim.
Arranged by Joseph Joachim. Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Editorial markings.
Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Arranged by Theodore Spiering. Signed by Szeryng.
Edited by Albert Kopfermann, violin part edited by Hans Sitt. Signed by Szeryng. Editorial markings.
Revised by Rudolf Gerber. Signed by Szeryng. Editorial markings. One score originally filed with full score and parts.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Two copies. Signed by Szeryng. Editorial markings.
Arranged for violins and piano by Friedrich Hermann. Editorial markings. Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Two copies [one, C.F. Peters edition]. Signed by Szeryng. Editorial markings.
Parts. Photocopies of 2 editions of the score for K. 136 laid in [Wolfenbuttel: Karl Heinrich Möseler, 1953; one from unknown source].Signed by Szeryng. Editorial markings.
Editorial markings.
Edited by F. Hermann. Signed by Szeryng. Editorial markings. Additional bound photocopy of the score.
Some photocopies laid in. Signed by Szeryng. Editorial markings.
Fritz Kreisler, transcriber. Signed by Szeryng.
Fritz Kreisler, transcriber. Signed by Szeryng. Editorial markings.
Fritz Kreisler, transcriber. Signed by Szeryng.
Edited by Zino Francescatti. Editorial markings. Attached to the violin part of Mozart's Adagio, K. 261, published by International in 1964. Located with: Mozart. Adagio, K. 261.
Signed by Szeryng. Editorial markings.
Photocopy of a manuscript fair copy of another duet written using the same compositional "trick" laid in. Designed to be played upside-down by one of the players.
Edited by Carl Flesch and Artur Schnabel. Signed by Szeryng. Editorial markings.
Edited by Carl Flesch and Artur Schnabel. Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Two copies. Editorial markings. Signed by Szeryng.
Edited by Tivadar Nachèz. Printed by Augener Ltd.Signed by Szeryng. Some editorial markings.
Edited by Tivadar Nachèz. Printed by Augener, Ltd. Signed by Szeryng. Some editorial markings.
Reduced photocopies of scores.
Band II has editorial markings. Both signed by Szeryng. Contained in
Edited by Arthur Schnabel and Carl Flesch. Signed by Szeryng. Editorial markings. edited by Ernst Fritz Schmid, fingered by Walther Lampe and Karl Röhrig.
Edited by Arthur Schnabel and Carl Flesch. Signed by Szeryng.
Volume I: score and part (signed by Szeryng with editorial markings in the violin part). Volume II: two copies of the violin part only (one signed and with editorial markings).
Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Arranged for piano by Rudolf Tillmetz.
Arranged for piano by Carl Herrmann. Signed by Szeryng.
Arranged for piano by C. Herrmann. Cadenzas by Mozart and J. Hellmesberger. Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Edited under the supervision of H. C. Robbins Landon.
Edited by Wolfgang Plath and Wolfgang Rehm. Editorial markings.
Edited by Gunther Lorenz.
Inscribed.
Arranged for violin and piano by M. Hauser. Signed by Szeryng. Editorial markings.
Edited by Theodore Spiering. Signed by Szeryng.
Arranged by Paul Kochanski. Signed by Szeryng.
Edited by Walther Davisson. Editorial markings in the piano part.
Signed by Szeryng. Acid-free photocopy added.
Reprint of the Bote and Bock edition. Editorial markings. Signed by Szeryng.
Edited by Maxim Jacobsen. Complete three volume set, with two copies of volume three. Signed by Szeryng.
Signed by Szeryng.
Revised by Irena Dubiska.
Edited by Erwin Schwarz-Reiflingen. Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Piano accompaniment by L. Auer. Signed by Szeryng. Editorial markings. Acid-free copy added.
Edited by Carl Flesch. Signed by Szeryng.
Edited by Enrico Polo.
Signed by Szeryng. Editorial markings.
Edited by Carl Flesch and Wilhelm Stross. Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Revised and fingered by Konstanty Andrzej Kulka and Stefan Herman, piano part arranged by Friedrich Wanek. Signed by Szeryng.
Revised by Ossy Renardy. Two copies. Signed by Szeryng.
Arranged for violin and piano by J. Hellmesberger. Signed by Szeryng.
Edited and with cadenza by Franco Gulli, piano reduction by Federico Mompellio. Inscribed.
Edited by Piero Raffaelli e Lauro Malusi.
Edited by Philipp Mittell. Signed by Szeryng.
Edited by Paul Bulatoff.
Edited by Paul Bulatoff.
Edited by Erwin Schwarz-Reiflingen.
Edited by Erwin Schwarz-Reiflingen.
Edited by Erwin Schwarz-Reiflingen.
Edited by Erwin Schwarz-Reiflingen.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Arranged by Vása Prihoda. Signed by Szeryng.
Edited by Antonio Mingotti. First edition. Inscribed by Mingotti.
Edited by Erwin Schwarz-Reiflingen.
Edited by Erwin Schwarz-Reiflingen.
Edited by Erwin Schwarz-Reiflingen. Signed by Szeryng.
Inscribed by the composer.
Photocopy.
Signed by Szeryng.
Editorial markings.
Signed by Szeryng. Notations on front of score.
Revised and edited by Emil Telmányi. Two copies. Signed by Szeryng. Editorial markings. Pen name for Lady Dean Paul.
Signed by Szeryng. Two copies and one photocopy. Editorial markings.
Violin part edited, fingered and revised by Henryk Szeryng. Two copies. Signed by Szeryng. Editorial markings.
Violin part edited, fingered and revised by Henryk Szeryng: manuscript fair copy facsimile. Signed by Szeryng. Facsimile inscription to Szeryng by the composer on score. Dedicated to Henryk Szeryng.
Transcribed by Jascha Heifetz. Signed by Szeryng. Two copies, one with photocopy of score.
Photocopies. Written on one score and violin part: "Dedicada al Maestro Henryk Szeryng." Editorial markings. Signed and dated by Szeryng.
Transparencies - manuscript copy of G. Schirmer edition score. Includes title page transparency of Trio (facsimile of J. Giralt & Higo edition).
Reduced and full size negative photocopies of G. Schirmer edition score.
Two copies. Signed by Szeryng.
Additional photocopy included. Signed by Szeryng. Editorial markings.
Filed in Szeryng's collection under Heifetz arrangements.
Filed in Szeryng's collection with Heifetz arrangements. Signed by Szeryng. Editorial markings. Inscribed by Poulenc.
Signed by Szeryng.
Edited by Joseph Szigeti. Signed by Szeryng. Some editorial markings.
Violin part edited by David Oistrakh. Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Two copies, one signed by Szeryng with editorial markings.
Arranged by Max Rostal
Filed in Szeryng's collection under Heifetz arrangements. Signed by Szeryng.
Editorial markings.
Filed in Szeryng's collection under Heifetz arrangements.
Filed in Szeryng's collection under Heifetz arrangements. Editorial markings in the piano score.
In Cyrillic.
Two copies. Signed by Szeryng. Editorial markings. Originally for flute and piano.
Edited by David Oistrakh. Editorial markings.
Edited by Joseph Szigeti. Signed by Szeryng. Editorial markings. Inscribed by Kathy Mense(?). Originally for flute and piano.
Revised by Alfred Moffat. Signed by Szeryng. Two copies plus photocopies. Editorial markings in the score.
Revised and edited by Benjamin Britten and Imogen Holst.
Filed in Szeryng's collection under Heifetz arrangements. Signed by Szeryng.
Transcribed by G. Catherine. Two copies. Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng.
Some scores/parts signed by Szeryng.
Signed by Szeryng.
Filed in Szeryng's collection under Heifetz arrangements.
Transcribed by Arthur Hartmann. Signed by Szeryng. Editorial markings in the piano part.
Piano accompaniment by Sam Franko. Signed by Szeryng.
Edited by Gérard Billaudot. Signed by Szeryng.
Two copies, one inscribed.
Edited by Claude Genetay. Photocopy. Some editorial markings.
Preface by Alfredo Bonaccorsi. Revised by Lino Liviabella. Signed by Szeryng.
Signed by Szeryng.
One score has editorial markings. Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Edited by Zino Francescatti.
Two scores [n.d. and 1957]. Signed by Szeryng. Editorial markings.
Edited and fingered by Henry Schradieck. Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Editorial markings. Incomplete (beginning is missing). Excerpt from a larger score beginning on page 21.
Signed by Szeryng. Includes
Two copies. Signed by Szeryng. Editorial markings.
Signed by Szeryng. Two photocopies of Zapateado score laid in.
Printed by Richard Schauer, London.
Editorial markings.
Edited by Karl Scheit.
Edited, fingered and phrased by George Perlman. Signed by Szeryng. Some editorial markings in the piano part.
Arranged by G. Catherine.
Includes
Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Edited by Monika Holl, David Oistrakh, and Hans Kann. Includes D. 384, D. 385, D. 408 (Op. 137), D. 574 (Op. 162).
Edited by Ferdinand David. Score of Op. 137, No. 3 only.
Revised by Carl Nowotny. Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Edited by Eva Badura-Skoda. Score is accompanied by two violin parts and no cello part. Signed by Szeryng. Includes
Photocopy of score. Fair copy of violin part with editorial markings laid in.
Edited by Georg Schünemann. Signed by Szeryng. Editorial markings.
Edited by Georg Schünemann. Signed by Szeryng. Editorial markings. Photocopy of score laid in.
Violin part edited by Gustav Lenzewski, piano part arranged by Georg Schünemann. Three copies. Signed by Szeryng. Editorial markings in all.
Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Signed by Szeryng. Editorial markings.
Revised by Friedrich Hermann. Editorial markings. Signed by Szeryng.
Signed by Szeryng.
Edited by Alfred Dörffel. Signed by Szeryng. Editorial markings.
Transcribed by Leopold Auer. Editorial markings. Signed by Szeryng. Photocopy of score laid in.
Inscribed to Szeryng by the Saltire Society.
Inscribed. In Cyrillic.
Transcribed by Harry Glickman. Signed by Szeryng.
Two copies, one inscribed to Szeryng by Dmitri Tziganov, another inscribed by an unidentified person. In Cyrillic.
Transcribed for violin and piano by D. Tzyganov. Inscribed to Szeryng. In Cyrillic.
Inscribed in Russian.
Two copies (slightly different), 1 inscribed by Cyril Szalkiewicz.
Violin part edited by Zino Francescatti, piano reduction by Alexandre Gretchaninoff.
Signed by Szeryng. Editorial markings.
One miniature score with editorial markings. Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Photocopy. Originally laid in with Sibelius'
Piano reduction by Karl Ekman.
Edition for violin and piano by Karl Ekman.
Edition for violin and piano by Karl Ekman.
Piano reduction by Karl Ekman.
Edition for violin and piano by Karl Ekman.
Photocopies of Sibelius'
Signed by Szeryng. Editorial markings.
Photocopy of score originally laid in with Sibelius'
Signed by Szeryng.
Photocopy. Originally laid in with Sibelius'
Additional photocopy of score and part with editorial markings, signed by Szeryng.
Photocopy of violin part to Sibelius'
Two copies.
Signed by Szeryng. Editorial markings.
Edited by Carl Flesch. Editorial markings.
Inscribed. Editorial markings. In Cyrillic.
Signed by Szeryng.
Originally revised by S. Sulak, that name crossed out and Henryk Szeryng written in.
Revised by Henryk Szeryng. Signed by Szeryng [Monaco, Juillet 1986].
Revised by Stjepana Suleka.
Two copies.
Piano reduction by Dewey Owens. Includes manuscript copies of cadenzas with editorial markings. Signed by Szeryng.
Edited by Folker Göthel.
Signed by Szeryng.
Transcribed by the author and S. Dushkin.
Signed by Szeryng.
Signed by Szeryng.
Samuel Dushkin, collaborator.
Signed by Szeryng. Inscribed by Endre Petri.
Revised by Vlastimil Musil. Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Arranged by Jaroslav Kocian. Editorial markings. Two photocopies of the score. Acid-free photocopy added.
Edited by Ludwig Schuster. Signed by Szeryng.
Letter from the composer laid in. Manuscript piano score originally laid in.
Transcribed by Paul Kochanski. Editorial markings. Signed by Szeryng.
Arranged for violin and piano by Ernst Kanitz. Editorial markings.
Arranged for violin and piano by Grégoire Fitelberg and Paul Kochanski. Signed by Szeryng. Editorial markings.
Edited by Eugenia Uminksy and Pawla Kochanskiego. Signed by Szeryng.
Violin part edited by Pawla Kocanskiego. One photocopy signed by Szeryng with editorial markings, one sent to the collection by Shaw Concerts, Inc.
Photocopies. Editorial markings.
Edited by Pawel Kochanski and Eugenia Uminska.
Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Piano part edited by Jerzy Lefeld.
Edited by Teresa Chylinska. Signed by Szeryng. Bound. Includes:
Edited by Teresa Chylinska. Signed by Szeryng. Bound. Inscribed in Polish. Includes:
Arranged by Jascha Herzog. Photocopy.
Arranged by Jascha Herzog. Photocopy.
Manuscript facsimile.
Unidentified manuscript laid in.
Negative copy of score and violin part.
Edited by Edoardo Farina. Signed by Szeryng.
Edited by Edoardo Farina. Signed by Szeryng.
Edited by Edoardo Farina. Signed by Szeryng.
Edited by Edoardo Farina. Signed by Szeryng.
Edited by Edoardo Farina. Signed by Szeryng.
Edited by Edoardo Farina. Signed by Szeryng.
Two copies. Editorial markings.
Signed by Szeryng. Some editorial markings.
Violin part edited by Leopold Auer. Signed by Szeryng. Editorial markings.
Revised by A. Poltronieri. Piano part edited.
Edited by Edoardo Farina.
Edited by Giovanni Guglielmo.
Edited by Edoardo Farina. Two volumes. Two copies.
Edited by Edoardo Farina.
Two volumes.
Edited by Edoardo Farina.
Signed by Szeryng. Editorial markings.
Transcribed by Zino Francescatti. Violin part inscribed by unidentified person in Buenos Aires.
Inscribed by composer.
Edited by Carl Flesch. Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Kalmus miniature score. Signed by Szeryng.
Full score [signed by Szeryng] and marked string parts.
1st violin part signed by Szeryng.
Edited by Ivan Galamian. Signed by Szeryng.
In Cyrillic. Score is 1951 edition, violin part is 1957 edition.
Edited by Carl Flesch. Editorial markings.
In Cyrillic.
Edited by Carl Flesch. Signed by Szeryng.
Edited and fingered by Eduard Herrmann.
Inscribed to Szeryng by Glenn Dicterow. In Cyrillic.
In Cyrillic.
Editorial markings. Signed by Szeryng.
Signed by Szeryng.
Signed by Szeryng. In Cyrillic.
Edited and fingered by I. Philipp.
Revised and fingered by Edouard Nadaud.
Edited by Hellmuth Christian Wolff, piano score by Karl Heinz Füssl.
Inscribed by the composer.
Signed by Szeryng.
Filed in Szeryng's collection under Heifetz arrangements. Signed by Szeryng.
Signed by Szeryng. Editorial markings.
Signed by Julius Brander.
Revised and fingered by August Wilhelmj. Signed by Szeryng. Editorial markings.
Arranged by Theodore Spiering. Editorial markings.
Arranged by A. Quesnot. Signed by Szeryng. Editorial markings.
Edited by Mary Canberg.
Edited by Francesco Bellezza, cadenza by Remo Giazotto.
Revised and with cadenzas by Remo Giazotto.
Arranged by Leopold Charlier according to an earlier version by Ferd. David and newly revised for the concert stage by Leopold Auer. Signed by Szeryng. Editorial markings.
Arranged by Léopold David after the edition of Ferdinand David. Signed by Szeryng.
Edited by Alphons Diepenbrock [after the edition of Ferdinand David]. Inscribed to Szeryng.
Edited by Rudolf Eller. Three copies. Signed by Szeryng.
Edited by Dany Brunschwig and Georges Dandelot. Signed by Szeryng. Editorial markings.
Edited by Felix Schroeder. Two copies. Signed by Szeryng.
Edited by Felix Schroeder. Two copies. Signed by Szeryng.
Violin part revised by Piero Raffaelli, basso continuo realized by Alberto Zanotelli. Three violin parts. Signed by Szeryng. Photocopy with the editors names crossed out laid in.
Edited by A. Zanotelli and P. Raffaelli. Preface by Henryk Szeryng. Signed by Szeryng.
Violin part revised by Piero Raffaelli, basso continuo realized by Alberto Zanotelli. Preface in score by Szeryng.
Photocopy of manuscript laid in. Some editorial markings. Signed by Szeryng.
Violin part revised by Piero Raffaelli, basso continuo realized by Alberto Zanotelli.
Edited by Manfred Fechner, piano reduction by Erhard Franke. Signed by Szeryng.
Edited by Heinrich Husmann. Two copies. Signed by Szeryng.
Edited by Simon Launchbury. Signed by Szeryng.
Arranged by Alberto Soresina. Signed by Szeryng. Editorial markings.
Piano reduction by Imre Sulyok, violin part arranged by Vilmos Tátrai.
Edited by Gian Francesco Malipiero. Signed by Szeryng.
Edited by Simon Launchbury. Signed by Szeryng.
Arranged by Alberto Soresina. Signed by Szeryng. Editorial markings.
Piano reduction by Imre Sulyok, violin part arranged by Vilmos Tátrai.
Edited by Newell Jenkins. Signed by Szeryng.
Edited by N. Jenkins. Eulenburg Educational Series No. 415.
Arranged by Alberto Soresina. Signed by Szeryng. Editorial markings.
Piano reduction by Imre Sulyok, violin part arranged by Vilmos Tátrai.
Edited by Alfred Einstein. Signed by Szeryng.
Edited by Simon Launchburg. Signed by Szeryng.
Arranged by Alberto Soresina. Signed by Szeryng. Editorial markings.
Piano reduction by Imre Sulyok, violin part arranged by Vilmos Tátrai.
Edited by Tivadar Nachèz. Signed by Szeryng.
Edited by Gian Francesco Malipiero.
Edited by Alfred Einstein.
Arranged by Michelangelo Abbado. Signed by Szeryng.
Edited by Gustav Lenzewski. Signed by Szeryng. Editorial markings. Editor's name crossed out.
Edited by Alfred Einstein. Signed by Szeryng. Editorial markings.
Edited by Josef Gingold.
Edited by Josef Gingold. Signed by Szeryng.
Arranged by Pál Gombás. Signed by Szeryng. Multiple violin parts.
Piano reduction by Giuseppe Piccioli, violin parts edited by Ivan Galamian. Signed by Szeryng. Multiple copies of violin parts. Editorial markings.
Edited by Alfred Einstein. Five copies. Signed by Szeryng.
Edited by Gian Francesco Malipiero. Two copies and two photocopies. Signed by Szeryng.
Edited by Gian Francesco Malipiero. Laid in with parts. Signed by Szeryng.
Many photocopies, various editorial markings. Ricordi score laid in with parts.
Transcribed by E. Bonelli. Signed by Szeryng.
Some photocopies. Edited by Gian Francesco Malipiero. Signed by Szeryng. Editorial markings.
Edited by Alfred Einstein. Two copies. Signed by Szeryng
Revised and annotated by Ch. Bouvet. Signed by Szeryng. Minor editorial markings.
Edited by Waldemar Woehl. Signed by Szeryng. Editorial markings.
Edited by Waldemar Woehl. Signed by Szeryng. Editorial markings.
Edited by Angelo Ephrikian. Signed by Szeryng.
Edited by Karl Heller. Signed by Szeryng.
Edited by Gian Francesco Malipiero. Scores for each "season" are placed in a folder insert with corresponding Eulenburg parts.
Parts for each "season" are placed in a folder insert with the corresponding score.
Edited by Gian Francesco Malipiero. Scores for each "season" are placed in a folder insert with corresponding Eulenburg parts. Photocopies only, with some editorial markings.
Parts for each "season" are placed in a folder insert with the corresponding score. Photocopies only, with some editorial markings.
Extra parts (incomplete set), missing viola and clavecin parts.
Edited by A. Fanna. Signed by Szeryng. Inscribed to Szeryng. Editorial markings.
Realized by Ottorino Respighi. Signed by Szeryng. Editorial markings.
Edited by Karl Scheit.
Edited by F. David. Signed by Szeryng.
Edited by Ferdinand David. Excerpt from a larger work (pages 37-44).
Elaborated by Luigi Pieressa.
Edited by August Wilhelmy. Signed by Szeryng. Two photocopies of the score laid in.
Photocopy.
Signed by Szeryng.
Edited and fingered by Leopold Lichtenberg.
Revised by Lucien Niverd. Acid-free photocopies added.Signed by Szeryng.
Edited and fingered by Leopold Lichtenberg. Signed by Szeryng. Editorial markings.
Inscribed "To Szeryng from Joe." Signed by Szeryng.
Revised by A. Wilhelmj. Violin part from Polskie Wydawnictwo Muzyczne edition laid in.
Edited by E. Uminska. Laid in with Schott score. Composer's first name given as Henryk.
Revised by Gustav Saenger.
Edited by Henri Marteau. Signed by Szeryng. Editorial markings.
Edited by Henri Marteau. Signed by Szeryng.
Signed by Szeryng.
Edited and fingered by Leopold Lichtenberg. Signed by Szeryng. Editorial markings.
Edited and fingered by Leopold Lichtenberg.
Edited by Henri Marteau. Signed by Szeryng.
Revised and fingered by Rich. Hofmann. Signed by Szeryng. Inscribed.
Photocopy of published score with inscription by Ivan Konstantinow. Violin part is photocopy of manuscript fair copy. No. 2 (Ratschenitza) only.
Inscribed by Marcel Debot.
Inscribed by the composer and signed by Szeryng.
A reprint of the A. Ysaye edition.
Transcribed by J. Amaz. Signed by Szeryng. Inscribed by the composer.
Revised by Fritz Rothschild. Signed by Szeryng. Editorial markings. Photocopy of score laid in.
Edited by Irena Dubiska.
Photocopies only.
Manuscript in pencil. Photocopy of manuscript. [Cadenza for Concerto #4 (?)] Originally laid in with
Two manuscripts in ink with pencil emendations. n.d. Photocopy of one manuscript laid in.
Manuscript in ink with pencil editorial markings. Sketches in pencil for a movement titled
Manuscript [treble clef], in ink. Incomplete sketches. If intended for violin, it is a study for double-stops.
Manuscript, in ink (two different fair copies) with pencil emendations and editorial markings n.d.
Manuscript in ink with pencil emendations. n.d. Accompanied by several photocopies. Paris: Editions Françaises de Musique, 1974 (printed on two photocopies of solo violin part). "Dédié à S.A.S. Prince Rainer III de Monaco".
Orchestral parts published by Editions Françaises de Musique (Paris, 1974). "Dedicado a Las Naciones Unidas". Transparencies were originally laid in.
Transparencies of full score and piano score.
Manuscript in ink.
Forward and Notes [in German] by Henryk Szeryng, summer 1979. Unbound pages with editorial markings could be proofs. Publisher's copyright notice [Bärenreiter, 1959] crossed out - "* tr ohne Nachschlag" written in.
Edited by Henryk Szeryng Manuscript and manuscript facsimile (with photocopy) of piano score. n.d. Editorial markings.
Manuscript facsimile. Revised and fingered by Henryk Szeryng.
[Master parts used in Atlanta performance]. Photocopies with editorial markings. Revised and fingered by Henryk Szeryng. Includes photocopy of letter from the Atlanta Symphony Orchestra which was originally laid in.
Winds and brass correction master parts [used to make master parts for his Atlanta performance]. Photocopies with editorial markings.
[pre-Atlanta master parts] String parts. Photocopies with editorial markings. signed by Szeryng.
Photocopies with editorial markings.
Two photocopies of scores with editorial markings, one inscribed: "Paris, Monaco - 1986". Signed by Szeryng.
Manuscript. Inscribed: "Partie de violon en collaboration avec Henryk Szeryng, Lisbonne. Dec. 52 [?]". Cadenza clearly marked - "par H. Szeryng".
Various national anthems including Mexico, Israel and the United States, some published, some manuscript with revisions by Henryk Szeryng.
"Violin part revised by H. Szeryng" in ink. Signed by Szeryng. Editorial markings. Manuscript fair copy with Szeryng's emendations. [see Printed Music for the Boosey & Hawkes published version (London, 1964)].
Manuscript. Orchestrated by Henryk Szeryng - Mexico, 1947. Signed by Szeryng. Editorial markings. Manuscript piano score (Labyrinth) laid in.
Arranged for violin and piano by Henryk Szeryng. In ink.
Revised and edited by Henryk Szeryng. Original violin part with numerous editorial markings. Clean pencil copy and photocopy included. Signed by Szeryng. Photocopy originally filed with concerto arrangements. Original violin part filed with Szeryng compositions and arrangements. Another manuscript facsimile of the violin part with editorial markings laid in with concerto arrangements.
Manuscript facsimile with few editorial markings - signed by Szeryng. Photocopy with many editorial markings, with cover stating "revised by - cadenzas by Henryk Szeryng (1967) - Mexico, D.F." Signed by Szeryng.
Revised full score and study score, manuscript facsimile. Signed by Szeryng. Editorial markings.
Set of transparencies for the orchestral parts [originally laid in with scores].
Revision and cadences by Szeryng. Set of orchestral parts and one photocopy each of percussion and violin I parts. "Propriete de Szeryng".
Revision and cadences by Szeryng. Set of bound photocopies of orchestral parts. "Propriete de Szeryng".
Three scores. Revised and with cadenza by Henryk Szeryng, manuscript facsimiles. Signed by Szeryng. Editorial markings.
Manuscript facsimile master orchestral parts. Many editorial markings. "Classical Artists and Repertoire - Phonogram International B.V.-Baarn, The Netherlands" statement crossed out. Violin I part (master copy) signed by Szeryng.
Manuscript facsimile set of orchestral parts. Few editorial markings. "Classical Artists and Repertoire - Phonogram International B.V.-Baarn, The Netherlands" statement crossed out on one of the violin I parts.
Manuscript and manuscript facsimile. n.d. Two are signed by Szeryng, with numerous editorial markings. Manuscript cadenza by Szeryng, in pencil, laid in. Unmarked part stamped: "Classical Artists and Repertoire - Phonogram International B.V.-Baarn, The Netherlands. This part is property of: Phonogram International B.V.- Baarn - The Netherlands. It may not be reproduced whole or in part by any method without written permission of the owner."
Manuscript facsimile of piano score. n.d. Signed by Szeryng. "Rev. di Franco Cyabbieri" crossed out and Henryk Szeryng written in. Editorial markings.
Manuscript fair copy n.d. Solo violin part stamped with inscription from composer to Szeryng. Score states "Violin part edited, fingered and revised by Henryk Szeryng" and "Dedicated to Henryk Szeryng". Editorial markings. Score signed by Szeryng.
Manuscript facsimile of full score, bound, with some editorial markings. Photocopy of inscription from composer taped on cover. Violin part edited, fingered and revised by Henryk Szeryng. Dedicated to Henryk Szeryng. n.d. Signed by Szeryng.
Manuscript facsimile. Editorial markings.
Manuscript facsimile.
Manuscript, in ink; Rio [-] Juillet, 1952. 1ère version.
Manuscript piano score, in pencil. Appears to have been cut down.
Four piano scores. [Violin part by Szeryng?] Manuscript and manuscript facsimiles. Originally for piano alone. Various different arrangements of the violin part [by Szeryng?].
Manuscript piano score with emendations. n.d. Photocopy with the name "Charles Reiner" across the top laid in. Additional photocopy of another manuscript titled
Revised by Henryk Szeryng. Signed by Szeryng.
Manuscript, in ink. n.d.
Revised by Henryk Szeryng. Signed by Szeryng. Editorial markings in score.
Manuscript facsimile. Revised by Henryk Szeryng. Signed by Szeryng.
"Para el Lic. Miguel Alvarez Acosta". Manuscript. Revised by Henryk Szeryng. n.d. Two photocopies laid in.
Manuscript facsimiles of score and parts. Revised and edited by Henryk Szeryng. Signed by Szeryng. Multiple copies. Editorial markings.
Manuscript facsimiles of score and parts. Revised and edited by Henryk Szeryng. Editorial markings. Signed by Szeryng.
Manuscript facsimiles of parts (non annotees). Revised and edited by Henryk Szeryng. Editorial markings. Signed by Szeryng.
Manuscript facsimile of score with editorial markings. Manuscript and manuscript facsimiles of assorted parts. Revised and edited by Henryk Szeryng. Includes some master parts. Editorial markings. Some signed by Szeryng.
Manuscript facsimile of score. Revised and fingered by Henryk Szeryng. Dedicated to Szeryng. n.d. Alternate title [
One part edited by Henryk Szeryng. Two photocopies of a part stating "copiata d'apresso l'originale, da L. Cherubini per uno del suo caro amico [?] [Dicembre 1827]".
realized and edited by Henryk Szeryng, Mexico D.F., Marzo 1947. Manuscript and manuscript facsimile of various editions of the score and various parts. Signed by Szeryng.
Eulenburg parts and manuscript score.
Copy of manuscript string parts (one copy of each part).
Negative copy of manuscript score.
Manuscript fair copy, in ink. Signed by the composer, 1982. Dedicated to Szeryng. Inscribed "In memoria del Dr. Felix Hosch-Merkl di Vienna".
Materials related to score preparation including typescript by Piero Raffaelli, edited fair copy of violin part, typescript text. Addressed to Mo. Henryk Szeryng. Program of performance of this work, signed by PR, laid in.
Manuscript facsimile of solo part, revised by Piero Raffaelli. Materials related to preparation of score for Edition Zanibon. Includes typewritten notes from Piero Raffaelli (editor). Addressed to Mo. Henryk Szeryng.
Manuscript facsimile of solo part, revised by Piero Raffaelli. Padova: G. Zanibon, 1980. Manuscript proofs of full score and parts, edited by P. Raffaelli e A. Zanotelli.
Materials related to score preparation by Piero Raffaelli including typewritten preface (signed Piero Raffaelli, Cesena, 5 Settembre 1981), notes, partial fair copy of score, Page 1, and photocopy of eighteenth-century concertino violin I part.
Materials related to score in preparation. Includes typewritten preface (signed Piero Raffaelli, Cesena, 5 Settembre 1981), notes, photocopy of score (page 1), and photocopy of eighteenth-century facsimile, addressed to Mo. Henryk Szeryng.
Materials for preparation of score for Edition Zanibon edited by Piero Raffaelli including typewritten preface (signed Piero Raffaelli, Cesena, 5 Settembre 1981), notes, photocopy of eighteenth-century violin part and edited fair copy of violin part.
Materials relating to preparation of score for Edition Zanibon including typewritten preface (signed Piero Raffaelli, Cesena, 5 Settembre 1981) and note, photocopy of eighteenth century score and edited contemporary score, and program of 1980 performance of this work.
Photocopy of edited manuscript [facsimile?].
Facsimile edition of score with notes by Dr Peter Wackernagel. Inscribed to Szeryng, September 1978.
Manuscript facsimile edition of score.
Manuscript facsimile edition [of
Manuscript facsimile edition. Notes by Gunter Hausswald. Inscribed.
Manuscript facsimile edition. Forward by Yehudi Menuhin. Notes by Gunter Hausswald. Inscribed.
Manuscript facsimile of arrangement by Leslie Kocsis of Kodály's arrangement of Johann Sebastian Bach [from B. Schott's edition part?]. Manuscript and photocopies. One copy is inscribed "To Mr. Henryk Szeryng".
Manuscript facsimile.
Bound Manuscript facsimile. No publication information.
Facsimile score. Notes by Karl-Heinz Kohler [in German], translated into English by Gerhard Herz. Calling card of Dr. Willi Lange laid in.
Manuscript facsimile with copy of a broadside about a gala concert for distressed Poles (July, 1833) laid in. Facsimile of a note, concerning Beethoven's composing of this work, for "Baillot fils" tipped in.
Manuscript facsimile of score, 1967. "Danza Cubana" by Cesar Espejo and L. M. Ferrete originally laid in.
Photocopy of manuscript score which includes handwritten notes concerning the work's origins, performance, and intent.
Manuscript score and violin part. Editorial markings. Photocopy of score laid in.
Manuscript in pencil. On inside leaf, another song
Manuscript facsimile of score, bound. Arranged by J. Wachken [?]. Includes parts spliced from a photocopy of the score.
Manuscript facsimile. Edited and fingered by Henryk Szeryng. One violin part signed by Szeryng. Editorial markings.
Manuscript facsimile of full score. Three copies. Editorial markings. Signed by Szeryng, various dates.
Negative copy of full score.
Manuscript orchestral parts.
Manuscript copies of various folksongs.
Transparencies of manuscript parts.
Manuscript of Violin I part, in pencil.
Manuscript score. Revised for chamber orchestra by Enrique Espin Yepes, a Peruvian violin student of Szeryng. Folder lists title as "Serenade".
Manuscript facsimile, published by the Universidade de Sao Paulo, n.d.
Manuscript facsimile, 1940, published by the Universida de Sao Paulo. Piano score only.
Manuscript facsimile, of score and violin part, 1953. An extra score, published by the Universidade de Sao Paulo laid in.
Manuscript facsimile of the score and violin part (two copies). Score inscribed by the composer, 1952.
Manuscript facsimile, 1956. Two copies. One copy is signed by Szeryng and "Versáo definitiva!" is written on the cover.
Manuscript facsimile of score and violin part, 1961, published by the Universidade de Sao Paulo.
Manuscript facsimile, 1963, published by the Universidade de Sao Paulo.
Manuscript facsimile, 1974, published by the Universidade de Sao Paulo.
Manuscript facsimile of full score. Oversize. Editorial markings. Signed by Szeryng.
Manuscript, n.d.
Manuscript facsimile, 1959. Inscribed to Szeryng by the dedicatee, Josefina Salvador.
Manuscript facsimile of full score, 1979. Inscribed to Szeryng by the composer.
Printed violin part and score, two copies. Dedicated to Szeryng.
Manuscript facsimile string accompaniment parts.
Arranged for various instrumentations by Dr. Leslie Kocsis. Several parts are inscribed "To Henryk Szeryng". Includes alt flöte, viola/cello, bass, horn in C, violin solo, viola d'amore solo parts and violin solo, alto/mezzo-soprano solo, and organ score.
Manuscript facsimile of score (bound) and parts. Arranged by J. Walker.
Manuscript facsimile of piano score and violin part.
Manuscript facsimile score only, 1943. Dedicated to Szeryng. Some editorial changes.
Manuscript score, 1973. Dedicated to Szeryng. Laid in a manuscript (in another hand) labelled
Manuscript (two scores), 1945. Dedicated to Szeryng. One photocopy laid in.
Note: Negative copy of score and violin part.
Manuscript score and parts, 1940. Signed by Szeryng.
Three manuscript facsimiles of score. One score signed by Szeryng. Editorial markings.
Manuscript facsimile of score and violin part. Inscribed.
Manuscript facsimile of full score and solo violin part. Dedicated to Henryk Szeryng. Editorial markings. Signed by Szeryng. Photocopy of letter from the composer originally laid in.
Manuscript facsimile, 1931. Editorial markings. Inscriptions dated October 19, 1944 (Rio de Janeiro). Signed by Szeryng.
Manuscript facsimile, 1931. Negative copy of violin part.
Manuscript facsimile of score and violin part. Dedicated to Szeryng.
Bound manuscript facsimile of score and parts. Oversize. Editorial markings. Dedicated to Henryk Szeryng.
Manuscript facsimile of violin part, dated 1806.
Manuscript facsimile. Introduction by Yehudi Menuhin and Preface by Federico Mompellio. Two copies.
Edizione critica e tecnica de Aldo Turconi, bound facsimile. Signed by Szeryng.
Manuscript facsimile. "Max Eschig" stamped on violin part. Signed by Szeryng. Editorial markings. Reduction of violin part laid in.
Manuscript fair copy. Signed by Szeryng. Some editorial markings.
Manuscript facsimiles of parts. Guitar part fingered by Siegfried Behrend. Laid in a Radio Rythme Ricordi folder on which is taped a "Paganini documentation - Paul Bulatoff" (Holland) logo. A photocopy of a typed note from the publisher also laid in.
Manuscript facsimile of full score. Violin part [facsimile] with [photocopy of] letter from M. Thade-Geisler laid in.
Manuscript facsimile score. Picture pasted on inside cover.
Manuscript facsimile of score.
Manuscript facsimile of score. Incomplete.
Manuscript facsimile of score. Incomplete.
Manuscript facsimile of score and violin part, 1922. "No. 2" in top left-hand corner.
Manuscript facsimile of score and violin part, 1922. "No. 1" in top left-hand corner.
Manuscript facsimile of score and violin part.
Manuscript facsimile of score. Last page has a 10 measure melody titled
Manuscript score, 1945. Inscribed by the composer. Accompanied by three photocopies of the manuscript, one indicating "corrigé Henryk Szeryng"(in pencil) and signed by Szeryng.
Manuscript facsimiles printed by the author, 1944. Stamped with an inscription by the composer to Szeryng. Written in on one violin part "revised and fingered by Henryk Szeryng." Editorial markings.
Bound manuscript facsimile of the full score (includes inscription, March 1985).
Manuscript facsimile of score and parts. Arranged by E. Breeskin.
Manuscript facsimile of score and violin part, 1967. Transcribed by Carlos V. de Almeida. Inscribed by the composer.
In pencil.
Manuscript score, in ink.
Edited by Claude Genetay. Manuscript facsimile.
Manuscript facsimile score and parts.
Manuscript facsimile score and parts.
Printed score and parts. Editorial markings. Dedicated to Szeryng. Signed by Szeryng. Manuscript score of
Manuscript facsimile of violin part with one editorial marking.
Manuscript facsimile of score and violin part.
Manuscript.
Manuscript facsimile.
Manuscript facsimile. Arranged by Hector Olvera C., 1975.
Manuscript solo violin part. "The same work and score as
Manuscript facsimile of full score, 198[3?].
Manuscript facsimile of solo violin part, 1976. "1st or 2nd movement in
Manuscript facsimile of score, 1986. Incomplete?
Manuscript facsimile of score and violin part, 1980.
Manuscript facsimile, 1975.
Manuscript facsimile of score, 1978. Oversize.
Manuscript facsimile of score and violin part, 1977.
Manuscript facsimile of score and violin part, 1979. Oversize.
Manuscript facsimile of score and violin part, 1979. Oversize.
Manuscript facsimile of score and violin part, 1979. Oversize.
Manuscript facsimile of score and violin part, 1980. Oversize.
Manuscript facsimile of score and solo violin part, 1985. Oversize.
Manuscript facsimile of score, 1976.
Manuscript facsimile, 1975. Oversize.
Manuscript facsimile of score and violin part. Some editorial markings in the piano score.
Manuscript facsimile of transcription for violin and piano. [Photocopy of] letter from S. J. Risito laid in.
Manuscript facsimile of score, 1945. Some editorial markings.
Manuscript facsimile of solo violin part. [Photocopy of] letter from Jascha Herzog (to whom the piece is dedicated) to Szeryng, laid in.
Manuscript facsimiles of parts, including cadenzas.
Manuscript facsimile of full score and bound photocopy, signed by Szeryng. Microfilm of score located in Box 161.
Manuscript facsimile, inscribed by composer and dated 1981. Bound photocopy included.
Manuscript (Saint Petersburg, 1909-1910) facsimile edition. Notes by Louis Cyr, Jean-Jacques Eigeldinger, and Pierre Wissmer. Oversize.
Manuscript facsimile of score. In Cyrillic. Signed by Szeryng. Inscribed. Postage stamps pasted inside the front cover.
Facsimile edition of full score.
Manuscript.
Manuscript facsimile in two volumes. Preface by Claudio Scimone and Introduction by Paul Brainard.
Manuscript violin parts. Signed by Szeryng.
Arranged by William McDermott. Manuscript facsimile of piano scores; 1957. Signed by arranger, 1957. Annotations by arranger, in pencil, on cover of
Manuscript fair copy. Signed by the composer, May 6, 1987 (Paris).
Manuscript facsimile of score and violin part, 1959. Inscribed by composer (?). "Boosey and Hawkes" pencilled in at bottom of page 1 of score.
Manuscript facsimile of score and violin part, 1983. Dedicated to Szeryng. Completed in 1970.
Manuscript score. Transcribed by Souza Lima (?). Signed by Szeryng. Originally for piano solo.
Photographs of manuscripts parts, photocopies of manuscript parts and photocopies of printed part of unknown work [possibly Leclair] and publisher. Contained in a folder arranged by Szeryng [?].
Photocopy of a manuscript fair copy. Signed by the composer. Dedicated to Szeryng. Signed by Szeryng.
Manuscript facsimile.
Manuscript facsimile edition, 1982. Inscribed to Szeryng by the composer.
Manuscript facsimile of full score, n.d.
Inscribed to Szeryng by (?).
Inscribed to Szeryng by the author. Editado bajo los auspicios de la C. A. Tabacalera Nacional.
Inscribed by David B.
Inscribed to Szeryng by the members of the Northern Sinfonia Orchestra. signed by Szeryng. Poetry.
Inscribed to Szeryng by Isabel de Falla.
Signed by the author. Inscribed to Szeryng by Electra Zrgyropoulos.
Signed by Szeryng. English translation of introduction included.
Inscribed by the author.
Inscribed to Szeryng from Helen & Franz.
Inscribed to Szeryng from the author. Introduction by Penderecki.
Inscribed to Szeryng by Zenon Felinski.
Inscribed by Maria Isabel de Falla, her calling card laid in.
Signed by Szeryng. Typescript in English originally laid in as well as an article by Flesch are now located in two volumes.
Inscription by C.F. Flesch and Berthe Flesch. Embossed with Szeryng's initials.
H.S. pictured on page 23 (Festival de Dubrovnik, 1955).
Signed by Szeryng.
H.S. is mentioned on pages 192-193.
Art reproductions with musical instruments.
Inscribed to Szeryng from Josef Gingold. Letter from Josef Gingold originally laid in now located in Correspondence files.
Inscribed by [author?].
Inscribed to Szeryng from Ludwig.
Inscribed to Szeryng by the author. English biographical sketch of the author laid in. Telegraph message dated Dec 14, 1970 laid in.
Inscribed to by Bogdan Manojcovic.
Inscribed to Szeryng by Teddy Kollek. Greeting card from Kollek dated December, 1986 originally laid in, now in Correspondence Files.
Inscribed to Szeryng by Vladimir Mariano.
Inscribed to Szeryng by (?).
Inscribed to Szeryng by the author and Piero Raffaelli.
Augmenté et mis à jour par Claude Docourtial, presentation du General Andre Biard, preface de L'Amiral Georges Cabanier. Inscribed to Szeryng.
Inscribed to Szeryng from the author. Collection also contains the French edition.
Inscribed to Madeleine from Szeryng. Collection also contains the German edition.
Inscribed to Szeryng from the "Merling Family" (?).
Inscribed to Szeryng by Bernard Millant.
Signed by H.S. Inscribed.
Signed by Szeryng. Inscribed to Szeryng by Franz Bartolomey.
Facsimile edition.
45 photographs with 40 autograph facsimiles.
Inscribed from Diedrich Büss (?).
Inscribed to Szeryng by L. K___(?).
Inscription by (?).
A facsimile edition of the oldest illustrated passover Haggadah.
Inscribed.
Inscribed to Szeryng (by the author?). Uncut.
Inscribed to Szeryng by the author. Originally published in English.
Inscribed to Szeryng from Franz Mark and (?).
H.S. mentioned as one of "Le Comité di Patronage".
Collection of various articles by various authors.
Inscribed to Szeryng from the author.
Signed by Szeryng. Inscribed by Margarita.
Inscribed to Szeryng by Milagros Scasso. Return address taped in.
Inscribed by author. Two volumes, color photographs.
Inscribed by author. Two volumes, color photographs.
Inscribed to Szeryng by the author.
Inscribed to Szeryng by C___ V___(?).
Inscribed to Szeryng from the author.
Inscription by [author?].
Uncut. Accompanied by "Supplement Iconographique" inscribed to Szeryng.
Inscribed to Szeryng.
Inscribed to Szeryng by (?).
Edition by Instytyt Historyczny im. Gen. Sikorskiego. Laid in are several photocopies of articles about the mysterious death of General Sikorski.
Photograph of F. Osiniska (?) laid in. [currently with photograph collection].
(Mrs.) Waltraud Szeryng donated this item for inclusion in H.S. Collection; with letter from W.S. - possibly H.S. was looking for new ideas for recital programs.
R. Lechner's K.U.K. Hor. U. Univ. Buchhandl (Wilh. Muller) Wien, I., Graben 31 [stiff cardboard) drawing of concert hall with solo violinist - Bronislaw at top - Huberman handwritten on back.].