http://hdl.loc.gov/loc.music/eadmus.mu003011 Serge Diaghilev/Serge Lifar Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress
Washington, D.C.
2006 Guides to Special Collections in the Music Division of the Library of Congress

Catalog Record: http://lccn.loc.gov/2006568220

Finding Aid encoded by Library of Congress Music Division, 2006 Finding aid written inEnglish 2012 November Nancy Seeger revised this finding aid in November 2012 to include an additional photograph. 2010 March Editorial revisions made to this finding aid by Nancy Seeger in March 2010. 2009 June 1 Finding aid revised to incorporate additional materials, June 1, 2009, and re-encoded by Nancy Seeger. 2006 September 8 This electronic finding aid was updated due to the revised collection level record. Collection Summary Serge Diaghilev/Serge Lifar Collection1750-1950 (bulk 1890-1929) ML31.D53 Diaghilev, Serge, 1872-1929 around 1,350 items 81 boxes 91 linear feet Collection material in English, French, and Russian Music Division Library of Congress
Washington, D.C.
This collection is comprised in large part of printed music, widely representing 18th century Italian and 19th century Russian operatic music. Includes rare pre-revolutionary editions of Russian folk songs, annotated performance scores of Stravinsky, Mussorgsky, Rimsky-Korsakov, Gounod, Cimarosa. Non-musical materials include three letters from S. Prokofiev to S. Diaghilev, rare edition of books on music, literature and theater, libretti and synopses, souvenir books and programs and photographs. Several of the programs and photographs show Léon Bakst's set and costume designs. Non-musical materials also include Diaghilev’s personal notebook, containing entries in French, Russian, and English made in 1926-1929. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

 People Bakst, Léon, 1866-1924. Diaghilev, Serge, 1872-1929--Autographs. Diaghilev, Serge, 1872-1929--Correspondence. Diaghilev, Serge, 1872-1929. Diaghilev, Serge, 1872-1929. Lifar, Serge, 1905-1986. Lifar, Serge, 1905-1986. Serge Diaghilev/Serge Lifar collection. 1750-1950. Prokofiev, Sergey, 1891-1953--Correspondence. Prokofiev, Sergey, 1891-1953. Prokofiev, Sergey, 1891-1953. Organizations Ballets russes. Subjects Ballet--Costume. Ballet--Stage-setting and scenery. Composers--Correspondence. Impresarios--Correspondence. Operas--Librettos. Operas--Scores. Form/Genre Correspondence. Photographic prints. Administrative Information Provenance

Acquired; 1984.

 Accruals

No further accruals are expected.

 Processing History

The Serge Diaghilev/Serge Lifar Collection was processed in June 1994 by Kevin LaVine. This Finding Aid was prepared with Corel WordPerfect 8. In 2003, Michael A. Ferrando coded and edited the finding aid for EAD format. Nancy Seeger revised and re-coded the finding aid in 2009 to incorporate additional materials.

 Related Material

Three (3) original costume designs by Léon Bakst for the Ballets Russes’ production of The Sleeping Princess (1921) are currently housed in the Library of Congress Prints and Photographs Division.

 Copyright Status

Materials from the Serge Diaghilev/Serge Lifar Collection are governed by the Copyright Law of the United States (Title 17, U.S.C.) and other applicable international copyright laws.

 Access and Restrictions

The Serge Diaghilev/Serge Lifar Collection is open to research. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.

Certain restrictions to use or copying of materials may apply.

 Preferred Citation

Researchers wishing to cite this collection should include the following information: [item, date, container number], Serge Diaghilev/Serge Lifar Collection, Music Division, Library of Congress, Washington, D.C.

 Biographical Note Date Event 1872, Mar. 31 Sergei Pavlovich Diaghilev is born in Novgorod province, Russia, the only child of Pavel Pavlovich Diaghilev and Evgeniia Nikolaevna Essipova; Diaghilev's mother died as a result of the birth. Both of his parents were from old gentry landowner families. Pavel Pavlovich, a soldier in the Chevaliers Gardes in the service of the tsar, is transferred to St. Petersburg shortly afterwards 1874 Pavel Pavlovich Diaghilev marries Elena Valerianovna Panaeva, of whom Serge Diaghilev was very fond. Elena was from a musical family and was distantly related to Pëtr Il'ich Tchaikovsky. Through these family connections, Diaghilev is afforded the opportunity as a youth to meet many musicians and composers, among them Tchaikovsky (whom the young Diaghilev referred to as "Uncle Petia") and Modest Musorgsky 1882 Pavel Pavlovich is transferred to the provincial Russian town of Perm. They move into the family estate at nearby Bikbarda, which soon becomes an unofficial town cultural center 1890 Serge Diaghilev enters the university at St. Petersburg to study law, for which he has little enthusiasm. His interest and effort seem to be channeled into music, for he soon begins lessons in singing and composition. After a short period of study with Nikolai Rimsky-Korsakov, who advises him to reconsider a career in composition, Diaghilev begins to turn his attention more and more to art history and criticism 1891 Serge Diaghilev's first European trip takes him to Berlin, Paris, Rome, Venice, Florence and Vienna. The cultural life which he encounters in these cities has a profound effect on his developing artistic sensibility 1895-1896 During subsequent trips Diaghilev begins to purchase paintings which form the basis of a noteworthy collection. His first articles about contemporary art and painters are published. After six years at the university (in a customarily four-year program), Diaghilev completes his law degree 1899 Establishment of a series of ambitious art exhibitions, which meet with tremendous acclaim. Establishment of the review Mir Iskusstva (The World of Art), which includes writings on art, music and literature, as well as highly original graphics material. Appointed assistant to the Director of the Imperial Theaters; he resigns after a dispute with management in 1901 1903 The World of Art ceases publication due to disagreements and dissatisfaction on the part of contributors to the magazine 1905 "The Exhibition of Historical Russian Portraits," comprising over three thousand works, was organized by Diaghilev; the project takes three years and innumerable trips throughout Russia to complete. The Exhibition is held at the Tauride (Tavri-chevskiĭ) Palace in St. Petersburg and meets with an immense success. Similar exhibitions were organized the following year in Paris, Berlin and Venice. Serge Lifar is born in Kiev 1907 First series of Russian music concerts organized in Paris 1908 Concerts are expanded to include opera and ballet; opera productions include the first performances outside Russia of Rimsky-Korsakov's Sadko and Musorgsky's Boris Godunov, the latter achieving almost instantaneous worldwide popularity, and having a significant musical influence on French composers, including Debussy and Ravel 1909, May 19 First appearance of the Ballet Russe in Paris. Its immense success led to a resurgence of the ballet as an art form, especially in France and in Russia, as well as to the development of the field of ballet criticism 1910, June 25 Première of Stravinsky's ballet The Firebird, commissioned by Diaghilev for the Ballet Russe; this was the first of twelve works resulting from the collaboration between Diaghilev and Stravinsky 1911 The Ballet Russe is established at Monte Carlo 1912 Non-Russian artists become more frequently involved in the Ballet Russe productions: commissions are given to artists such as Debussy, Ravel, Hahn and Cocteau 1913, May 29 Première of the groundbreaking Le Sacre de printemps of Stravinsky (choreo-graphed by Nijinsky) which causes an unprecedented and legendary scandal 1917 Collaboration with Pablo Picasso, who designs sets and costumes for Satie's Parade 1923 Meeting with Serge Lifar at Monte Carlo, who, upon the recommendation of his teacher Bronislava Nijinska, was contracted to enter the Ballet Russe. By commissioning Stravinsky's Pulcinella, based on works of the eighteenth century masters Cimarosa, Scarlatti and Pergolesi, Serge Diaghilev influences the rise of neoclassicism in twentieth-century music 1925 Lifar has a principal role in the Ballet Russe production of Dukelsky's Zéphyr et Flore 1929, Aug. 19 Serge Diaghilev dies in Venice from complications resulting from diabetes. Lifar assumes the management of the Paris Opéra Ballet, a position which he holds (excluding the years 1944 through 1946, when he directs the Nouveau Ballet de Monte-Carlo) until 1959. During his tenure there he creates many new ballets, writes several books (including a biography of Diaghilev) and establishes new dance institutions. For his contributions to the art of ballet he is awarded the French Légion d'Honneur 1986 Serge Lifar dies Scope and Content Note

He was neither a painter, nor a dancer, nor had extensive musical training, yet by means of his great organizational and managerial skills, as well as by a keen aesthetic sense and an unerring sense of style, Serge Diaghilev had a profound influence on the course of music, ballet and art in the twentieth century.

Diaghilev's musical interests spanned a wide range of styles, as reflected by the variety of musical material contained in this collection. A large part of this material represents musical works considered by Diaghilev for choreographic purposes and eventual production by the Ballet Russe; much of this material consequently bears annotations and performance indications.

This collection is comprised in large part of printed music, most of which emanated from the personal music library of Serge Diaghilev. This library was acquired by Lifar, a premier dancer with the Ballet Russe and a protégé of Diaghilev, who was present at the latter's deathbed. In his auto-biography, Ma Vie, Lifar recalls how Diaghilev had died without leaving a will, and that he was prompted to break into Diaghilev's Venice apartment and to smuggle out material from his library in order to prevent its dispersal.

The collection is particularly rich in the material of eighteenth-century Italian composers such as Paisiello, Pergolesi, and Cimarosa; nineteenth-century Russians such as Musorgsky, Rimsky-Korsakov, Tchaikovsky, Glinka, Dargomyzhsky and Liadov, as well as by several important collections of Russian folk song, all appearing in rare pre-Revolutionary editions; and nineteenth century French composers such as Chabrier, Gounod, Delibes and Godard. Also included are a significant number of popular works from the early Soviet period; several works for jazz band as well as popular songs from the early years of this century; heavily annotated chorus part books apparently used in the productions of Stravinsky's Les Noces, Rimsky-Korsakov's Snegurochka, and Musorgsky's Khovanshchina; and annotated performing scores of operas of Gounod (particularly La colombe, Philémon et Baucis, and Le médecin malgré lui) and Cimarosa for which Diaghilev commissioned new editions and/or additional musical material by composers such as Respighi, Satie, Milhaud and Auric. Particularly notable holograph material is represented in the collection by scores such as Respighi's recitatives for Cimarosa's Le astuzie femminili; Prokofiev's annotations to the printed score of his ballet Le pas d'acier; and one leaf of Stravinsky's arrangement for pianola of the "Berceuse" section from The Firebird. Among the non-musical material in the collection, particularly notable are three letters of Sergei Prokofiev to Diaghilev; rare editions of books on music, literature and theater; and Diaghilev's personal notebook, used from 1926 until his death in 1929, containing entries in French, Russian and English regarding planned productions, future projects, addresses, etc., made by Diaghilev, Lifar and Boris Kochno.

Russian transliterations follow the standard Library of Congress system wherever possible. Modifications, however, were incorporated due to the inaccessibility of certain computer-generated symbols, hence the use of the symbol "ĭ" for the Russian short "i" (i kratkoe) and the omission of ligatures over groupings of letters, such as those used to indicate Russian soft vowels.

In addition to printed music, the collection contains music manuscripts, correspondence, libretti and synopses, books and monographs, magazines, and Diaghilev's personal notebook, which the impresario used from 1926 until his death in 1929.

Three items purchased during the same auction are housed in the Prints and Photographs Division of the Library of Congress.

The approximate dates of the items in this collection range from about 1750, represented by several manuscripts, to about 1950, the date of several ballet scores added to the collection by Lifar. The majority of the material in the collection, however, dates from 1890 to 1929.

Kevin LaVine, June 1994

 Organization of the Serge Diaghilev/Serge Lifar Collection

The Serge Diaghilev/Serge Lifar Collection is organized into four series:

I. Printed Music Material II. Manuscript Music Material III. Personal Papers IV. Printed Material http://lccn.loc.gov/2006568220 Container List Box Contents 1-67 I. Printed Music Material, 1750-1950

The series Printed Music Material is arranged into three subseries: General, Collections, and Miscellaneous. This series is represented by printed music and other materials from the personal music library of Serge Diaghilev.

Arrangement is by format, composer and title.

 1-65 A. General Albéniz, Isaac 1/2 <emph render="italic">Chants d'Espagne</emph>, op. 232, no. 2: Orientale. Barcelona: Dotésio, n.d. Solo piano; score; 7 p.

Plate no. 22-2.

 1/3 <emph render="italic">Iberia, v. 1</emph>. Paris: Édition mutuelle, 1911. Solo piano; score; 33 p.

Plate no. E.3083.M.

 1/4 <emph render="italic">Iberia, v. 2</emph>. Paris: Édition mutuelle, 1907. Solo piano: score; 39 p.

Plate no. E.3084.M.

 1/5 <emph render="italic">Iberia, v. 3</emph>. Paris: Édition mutuelle, 1907. Solo piano; score; 46 p.

Plate no. E.3085.M.

 1/6 <emph render="italic">Iberia, v. 4</emph>. Paris: Édition mutuelle, 1907. Solo piano; score; 43 p.

Plate no. E.3086.M.

 1/7 <emph render="italic">Zortzico</emph>. Paris: Édition mutuelle, n.d. Solo piano; score; 7 p.

Plate no. E.3142.M.

 Aliab'ev, Aleksandr Aleksandrovich 1/8 <emph render="italic">Soloveĭ</emph>. Moscow: P. IUrgenson, 1901. Voice and piano; score; 3 p.

Plate no. 26559.

Language note: Russian

Language note: German

 Arkhangel'skiĭ, Aleksandr Andreevich 1/9 <emph render="italic">Chasy</emph>, op. 13a. Moscow: Izdanie Studiia, 1910. Voice and piano; score; 6 p.

Plate no. 596.

Language note: Russian

 1/10 <emph render="italic">Chërtovy kacheli</emph>, op. 23, no. 3. Moscow: A. Gutkheĭl', 1910. Voice and piano; score; 7 p.

Plate no. 9379.

Language note: Russian

 1/11 <emph render="italic">Kuranty</emph>, op. 23, no. 2. Moscow: Izdanie Studiia, 1910. Voice and piano; score; 8 p.

Plate no. 835.

Language note: Russian

 1/12 <emph render="italic">Maskarad</emph>, op. 34, no. 2: Petit morceau oublié. Moscow: B. Reshke, n.d. Cello and piano; cello part, piano score; 1 p.; 2 p.

Plate no. B.225.R.

 1/13 <emph render="italic">Maskarad</emph>, op. 34, no. 3: Danse des vingtièmes années. Moscow: B. Reshke, n.d. Solo piano; score; 5 p.

Plate no. B.226.R.

 1/14 <emph render="italic">Maskarad</emph>, op. 34, no. 4: Kogda pechal' slezoĭ nevol'noĭ (Romans Niny). Moscow: B. Reshke, n.d. Voice and piano; score; 5 p.

Plate no. B.227.R.

Language note: Russian

 1/15 <emph render="italic">Maskarad</emph>, op. 34, no. 5: Valse triste. Moscow: B. Reshke, n.d. Solo piano; score; 5 p.

Plate no. B.228.R.

 1/16 <emph render="italic">Piesnia o Komarie</emph>, op. 26, no. 1. Moscow: B. Reshke, n.d. Solo voice, chorus and piano; piano-vocal score; 7 p.

Plate no. B.218.R.

Language note: Russian

 1/17 <emph render="italic">Prélude</emph>, op. 10, no. 1. Moscow: Izdanie Studiia, 1913. Solo piano; score; 3 p.

Plate no. 1333.

p. 2 missing

 1/18 <emph render="italic">Raspakhnulos' okno</emph>, op. 21a. Moscow: [s.n.], 1910. Voice and piano; score; 5 p.

Plate no. K.570.M.

Language note: Russian

 1/19 <emph render="italic">Shelkovinka</emph>, op. 5c. Moscow: Kruzhka, 1908. Voice and piano; score; 6 p.

Also published Moscow: Izdanie Studiia, 1908

Plate no. K.670.S.

Language note: Russian

 1/20 <emph render="italic">Skazka o kurochkie i zolotom iaichkie</emph>, op. 26, no. 2. Moscow: B. Reshke, n.d. Voice and piano; score; 7 p.

Plate no. B.219.R.

Language note: Russian

 1/21 <emph render="italic">Starinnyĭ val's</emph>, op. 23, no. 1. Moscow: [s.n.], 1910. Voice and piano; score; 8 p.

Plate no. 951.

Language note: Russian

 1/22 <emph render="italic">U mashinki</emph>, op. 25, no. 1. Moscow: B. Reshke, 1913. Voice and piano; score; 7 p.

Plate no. B.235.R.

Language note: Russian

 1/23 <emph render="italic">Udovushka, udovushka moia</emph>, op. 26, no. 3. Moscow: B. Reshke, n.d. Voice and piano; score; 7 p.

Plate no. B.216.R.

Language note: Russian

 1/24 <emph render="italic">Viktoriia regiia</emph>, op. 36, no. 1. Moscow: Lira, 1914. Voice and piano; score; 3 p.

Plate no. K.625.M.

Language note: Russian

 1/25 <emph render="italic">Za nashim, za dvorom</emph>, op. 1, no. 3. Moscow: B. Reshke, 1913. Solo voices (TB), clarinet and tambourine; score; 3 p.

Plate no. B.230.R.

Language note: Russian

 Arne, Thomas Comus See: I.B. Collections, Box 1 (Item S/62), p. 67 Auber, Daniel François Esprit S/1 <emph render="italic">L'ambassadrice</emph>. Paris: G. Brandus, n.d. Piano-vocal score; 154 p.

Plate no. T.1497.

Plate number incomplete.

Language note: French

 2/1 <emph render="italic">Barcarolle</emph>. Paris: RRandus [G. Brandus (?)], n.d. Piano-vocal score; 187 p.

Plate no. E.T.et Cie.1870.

Language note: French

 2/2 <emph render="italic">Il cavallo di bronzo</emph>. Milan: E. Sonzogno, 1875. Piano-vocal score; 342 p.

Plate no. E.S.70.

Language note: Italian

 S/2 <emph render="italic">La circassienne</emph>. Paris: Colombier, n.d. Piano-vocal score; 357 p.

Plate no. C.2587.

Contains sparse annotations in pencil and page markers.

 S/3 <emph render="italic">Le domino noir</emph>. Paris: G. Brandus, n.d. Piano-vocal score; 172 p.

Plate no. T.1496.

Contains sparse annotations in pencil and page markers.

Language note: French

 2/3 <emph render="italic">Fra Diavolo</emph>. Paris: P. Maquet, n.d. Piano-vocal score; 374 p.

Plate no. 8255.

Language note: French

 S/4 <emph render="italic">Le lac des fées</emph>. Paris: G. Brandus, n.d. Piano-vocal score; 416 p.

Also published Paris: S. Dufour, n.d.

Plate no. 9358.

Contains annotations in pencil, appearing mostly on contents page.

Language note: French

 S/5 <emph render="italic">Lestocq</emph>. Paris: G. Brandus, n.d. Piano-vocal score; 260 p.

Plate no. T.1431.

Language note: French

 S/6 <emph render="italic">Marco Spada</emph>. Paris: J. Meissonnier, n.d. Piano-vocal score; 304 p.

Plate no. J.M.3229.

Contains sparse annotations in pencil.

Language note: French

 S/7 <emph render="italic">Le premier jour de bonheur</emph>. Paris: L. Escudier, n.d. Piano-vocal score; 226 p.

Plate no. L.E.2884.

Language note: French

 S/8 <emph render="italic">La sirène</emph>. Paris: G. Brandus, n.d. Piano-vocal score; 178 p.

Also published Paris: S. Dufour, n.d.

Plate no. T.M.1647.

Contains annotations in pencil and page markers; cover carries the initials "E.G.," embossed in gold; title page autograph: "Marie Ris."

Language note: French

 S/9 <emph render="italic">Zerline</emph>. Paris: G. Brandus, n.d. Piano-vocal score; 274 p.

Plate no. 8836.

Contains annotations in pencil.

Language note: French

 Aubert, Louis 2/4 <emph render="italic">Suite brève</emph>, op. 6. Paris: A. Durand, 1912. Two pianos; score; 23 p.

Plate no. D. & F. 8484.

 Audran, Edmond S/10 <emph render="italic">La mascotte</emph>. [=<emph render="italic">Krasnoe solnyshko</emph>.] Moscow: A. Gutkheĭl', n.d. Reduction for solo piano; score; 95 p.

Plate no. A.4394 G.

Contains also: Glinka, Mikhaĭl. Ruslan i Liudmila. Reduction for solo piano; score. Moscow: A. Gutkheĭl', n.d., 171 p. Plate no. K.2158 G.

 Austin, Ernest 2/5 <emph render="italic">Stella-Mary dances</emph>, op. 58. London: J.H. Larway, 1919. Solo piano; score; 8 p.

Plate no. L.2326, .2327.

 Bach, Johann Sebastian 3/1 <emph render="italic">Beliebte Klavierstücke</emph>. Leipzig: C.F. Peters, n.d. Solo piano; score; 35 p.

Plate no. 7335.

 S/40 <emph render="italic">Clavierwerke, v. 1, 2 (Suites), v. 3 (Partitas)</emph>. Leipzig: Steingraber, n.d. Solo piano; scores; [v. 1:] 123 p.; [v. 2:] 147 p.; [v. 3:] 113 p.

Three separately published volumes bound together.

Plate no. 149, 150, 151

 S/41 <emph render="italic">Clavierwerke, v. 4, 7 (Vermische Werke)</emph>. Leipzig: Steingraber, n.d. Solo piano; scores; [v. 4:] 108 p.; [v. 7:] 159 p.

Two separately published volumes bound together.

Plate no. 152, 327

 S/42 <emph render="italic">Clavierwerke, v. 5, 6 (Das Wohltemperirte Clavier)</emph>. Leipzig: Steingraber, n.d. Solo piano; scores; [v. 5:] 115 p.; [v. 6:] 133 p.

Two separately published volumes bound together.

Plate no. 153, 232

 3/2 <emph render="italic">Klavierwerke: Capriccio; Fantasie; etc</emph>. Leipzig: C.F. Peters, n.d. Solo piano; score; 35 p.

Plate no. 8857.

 3/3 <emph render="italic">Klavierwerke: Englische Suiten, nos. 1-3</emph>. Leipzig: C.F. Peters, n.d. Solo piano; score; 55 p.

Plate no. 8036.

 3/4 <emph render="italic">Klavierwerke: Englische Suiten, nos. 4-6</emph>. Leipzig: C.F. Peters, n.d. Solo piano; score; 61 p.

Plate no. 8037.

 3/5 <emph render="italic">Klavierwerke: Französische Suiten</emph>. Leipzig: C.F. Peters, n.d. Solo piano; score; 55 p.

Plate no. 8462.

 3/6 <emph render="italic">Klavierwerke: Partitas, nos. 1-3</emph>. Leipzig: C.F. Peters, n.d. Solo piano; score; 56 p.

Plate no. 8038.

 3/7 <emph render="italic">Klavierwerke: Partitas, nos. 4-6</emph>. Leipzig: C.F. Peters, n.d. Solo piano; score; 63 p.

Plate no. 8039.

 3/8 <emph render="italic">Klavierwerke: Supplement</emph>. Leipzig: C.F. Peters, n.d. Solo piano; score; 92 p.

Plate no. 6383.

 S/11 <emph render="italic">Geistliche Lieder und Arien</emph>. Leipzig: Breitkopf & Härtel, n.d. Arranged by E. Naumann for voice and piano; score; 81 p.

Plate no. J.S.B.VI.

Language note: German

 3/9 <emph render="italic">Orchester-Suiten nos. 1-4</emph>. Leipzig: C.F. Peters, n.d. Arranged by M. Reger for two pianos; 96 p.

Plate no. 9140.

incomplete: part for piano I only

 3/10 <emph render="italic">Der Streit zwischen Phöbus und Pan</emph>. Leipzig: C.F. Peters, n.d. Piano-vocal score; 52 p.

Plate no. 8384.

Language note: German

 4/1 <emph render="italic">Das Wohltemperiertes Klavier, v. 1</emph>. Leipzig: C.F. Peters, n.d. Solo piano; score; 119 p.

Plate no. 7916.

 4/2 <emph render="italic">Das Wohltemperiertes Klavier, v. 2</emph>. Leipzig: C.F. Peters, n.d. Solo piano; score; 131 p.

Plate no. 7917.

 Balilla Pratella, Francesco 4/3 <emph render="italic">Musica futurista</emph>, op. 30. Bologna: F. Bongiovanni, 1912. Arranged for solo piano; score; 80 p.

Contains holograph inscription to Diaghilev from the composer on inside front cover page.

 Bantock, Granville 4/4 <emph render="italic">Old English suite</emph>. London: Novello, 1909. Solo piano; score; 25 p.

Plate no. 13114.

 4/5 <emph render="italic">The Pierrot of the minute</emph>. Leipzig: Breitkopf & Härtel, 1913. Arranged for solo piano; score; 21 p.

Plate no. V.A.3871.

 Bartók, Béla 4/6 <emph render="italic">Der holzgeschnitzte Prinz</emph>. Vienna: Universal, 1921. Reduction for solo piano; score; 70 p.

Plate no. U.E.6635.

 Bax, Arnold 4/7 <emph render="italic">In a vodka shop</emph>. London: Augener, 1915. Solo piano; score; 7 p.

Plate no. 14921.

 Beethoven, Ludwig van 4/8 <emph render="italic">Sonates choisies</emph>. Paris: Heugel, n.d. Solo piano; score; 162 p.

Plate no. C.O.113.

 4/9 <emph render="italic">Sonate</emph>, op. 27, no. 2. Paris: A. Durand, 1915. Solo piano; score; 15 p.

Plate no. D. & F.11115.

Also published in 1952

 S/12 <emph render="italic">Symphonie pastorale</emph>. [<emph render="italic">Symphony, no. 6</emph>, op. 68, C minor.] Paris: A. Durand, n.d. Arranged for piano, four hands; score; 235 p.

Plate no. D. & F.9344.

Contains sparse annotations in pencil.

 Berger, Rodolphe Lettre valsée See: I.B. Collections, Box 2 (S/63), p. 67-68 Vdali ot Rodiny See: I.B. Collections, Box 2 (S/63), p. 67-68 Vinovaty rozy See: I.B. Collections, Box 3 (S/64), p. 68-69 Vliublennaia See: I.B. Collections, Box 2 (S/63), p. 67-68 Berlioz, Hector 4/10 <emph render="italic">Épisode de la vie d'un artiste, Grande symphonie fantastique</emph>. [<emph render="italic">Symphonie fantas-tique</emph>, op. 14.] ["Seconde édition revue et corrigée par F. Liszt."] Leipzig: F.E.C. Leuckart, n.d. Arranged for solo piano; score; 69 p.

Plate no. F.E.C.L.2893.

Contains annotations in pencil and in ink.

 4/11 <emph render="italic">Lelio, oder die Rückkehr ins Leben</emph>, op. 14b. Leipzig: Breitkopf & Härtel, 1903. Piano-vocal score; 16 p.

Plate no. V.A.1970.

Language note: French

Language note: German

Language note: English

 Bernard, M. 5/1 <emph render="italic">Piesni russkago naroda</emph>. Moscow: P. IUrgenson, 1886. Arranged for voice and piano; score; 157 p.

Plate no. 9285 T.426.

Language note: Russian

 Berners, Lord 5/2 <emph render="italic">Le carrosse du Saint-Sacrement</emph>. London: J. & W. Chester, 1923. Piano-vocal score; 158 p.

Plate no. J.W.C.9723.

Language note: French

 5/3 <emph render="italic">Le carrosse du Saint-Sacrement</emph>. London: J. & W. Chester, 1923. Piano-vocal score; 159 p.

Plate no. J.W.C.9723.

Unbound, labeled "2nd proof" on title page; contains numerous annotations and proofreader's markings, in ink.

Language note: French

 Berzhe, R. Vdali ot Rodiny See: I.B. Collections, Box 2 (S/63), p. 67-68.] Vinovaty rozy See: I.B. Collections, Box 3 (S/64), p. 68-69 Vliublennaia See: I.B. Collections, Box 2 (S/63), p. 67-68.] Bessmertnyĭ, Mikhaĭl 5/4 <emph render="italic">Tsyganka Masha</emph>, op. 14. Leningrad: Ars, n.d. Voice and piano; score ;3 p.

Plate no. L.W.386.

Language note: Russian

Composer also known by the name: Bezsmertnyĭ, Mikhaĭl

 Binet, Jean 6/1 <emph render="italic">Le Printemps</emph>. [S.l.]: [s.n.], n.d. Photoreproduced orchestral score; 113 p. Bizet, Georges 6/2 <emph render="italic">L'Arlésienne</emph>. Paris: A. Choudens, n.d. Reduction for solo piano; score; 77 p.

Plate no. A.C.2484-7015, .3273, .2484.

Language note: French

Solo piano reduction containing vocal selections, dialogue indications

 6/3 <emph render="italic">Chants du Rhin</emph>. Paris: Heugel, n.d. Solo piano; score; 37 p.

Plate no. H.4521.(1), .4522.(2), .4523.(3), .4524.(4), .4525.(5), .4526.(6).

 6/4 <emph render="italic">Chasse fantastique</emph>. Paris: Heugel, n.d. Solo piano; score; 14 p.

Plate no. H.4507.

 6/5 <emph render="italic">Djamileh</emph>, op. 24. Paris: A. Choudens, n.d. Piano-vocal score; 129 p.

Plate no. A.C.2380.

Language note: French

 6/6 <emph render="italic">Djamileh</emph>, op. 24. Milan: E. Sonzogno, 1892. Piano-vocal score; 143 p.

Plate no. A.C.8694.

Language note: Italian

 7/1 <emph render="italic">Don Procopio</emph>. Paris: A. Choudens, 1905. Piano-vocal score; 273 p.

Plate no. A.C.13062.

Language note: French

Language note: Italian

 7/2 <emph render="italic">Jeux d'enfants</emph>, op. 22. Paris: A. Durand, n.d. Piano, four hands; score; 63 p.

Plate no. nos. D. & F.1365.(1) through (12).

 7/3 <emph render="italic">La jolie fille de Perth</emph>. Paris: A. Choudens, n.d. Piano-vocal score; 260 p.

Plate no. A.C.1523.

Language note: French

 7/4 <emph render="italic">La jolie fille de Perth</emph>: [Excerpts ("Les bohémiennes").] Paris: A. Choudens, n.d. Arranged for solo piano; score; 16 p.

Plate no. A.C.2795.

 7/5 <emph render="italic">Roma: Suite de concert, no. 3</emph>. Paris: A. Choudens, n.d. Reduction for solo piano; score; 59 p.

Plate no. A.C.4851.

 7/6 <emph render="italic">Variations chromatiques</emph>. Paris: A. Choudens, n.d. Solo piano; score; 15 p.

Plate no. A.C.4659.

 Boccherini, Luigi 7/7 <emph render="italic">Minuetto</emph>, A major. [<emph render="italic">Quintetto</emph>, strings, op. 6, no. 2: Minuetto.] Milan: G. Ricordi, n.d. Arranged by M. Saladino for solo piano; score; 3 p.

Plate no. 45917.

 7/8 <emph render="italic">Minuetto</emph>, G major. Milan: G. Ricordi, n.d. String quintet; score; 4 p.

Plate no. 54544.

 7/9 <emph render="italic">Quartetti</emph>, op. 6, nos. 1-3. Milan: G. Ricordi, 1915. String quartet; score; 53 p.

Plate no. 115370.

 7/10 <emph render="italic">Quartetti</emph>, op. 6, nos. 4-6. Milan: G. Ricordi, 1915. String quartet; score; 53 p.

Plate no. 115371.

 7/11 <emph render="italic">Quintetto</emph>, op. 2, no. 6: Minuetto, A major. Milan: G. Ricordi, n.d. String quintet; score; 3 p.

Plate no. 113074.

 7/12 <emph render="italic">Siciliana</emph>, C minor. Milan: G. Ricordi, n.d. String sextet; score; 3 p.

Plate no. 113076.

 7/13 <emph render="italic">Sonate</emph>, no. 3, G major: Largo, Minuet. Paris: M. Senart, n.d. Cello and piano; cello part, piano score; 1 p.; 3 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R. et Cie.79.

 Boieldieu, François Adrien 8/1 <emph render="italic">Le calife de Bagdad</emph>. Paris: Heugel, n.d. Piano-vocal score; 97 p.

Plate no. H.3289, H.3295.

Language note: French

 Bonaterra, Luís 8/2 <emph render="italic">La festa de la rambla</emph>. [=<emph render="italic">La fête de la promenade</emph>.] Paris: Éditions espagnoles J. Garzón, n.d. Parts for: voice, vn I, vc-cb, sax I (alto)-sax II (tenor), sax III (alto), tpt-tbn, perc (1 p. each).

Plate no. 1778.

On verso of each part: corresponding instrumental part for Mostazo [-Morales], Juan, Coplas; all Mostazo material is included with the Bonaterra material.

Containing chordal indications for accordion

Language note: French

 Borisov, B. S. 8/3 <emph render="italic">IA pomniu den'</emph>. Moscow: A. Gun, n.d. Voice and piano; score; 3 p.

Plate no. A.19.G.

Language note: Russian

publicity material on back cover dated 1915

 Borodin, Aleksandr Porfir'evich 8/4 <emph render="italic">Kniaz' Igor'</emph>. [=<emph render="italic">Prince Igor</emph>.] Leipzig: M.P. Belaïeff, 1889. Piano-vocal score; 371 p.

Plate no. 120.119-143, 119 [120]-153, 119-154, 119, 119-155 through 119-170.

Contains sparse annotations in pencil.

Language note: Russian

Language note: French

Language note: German

 8/5 <emph render="italic">Kniaz' Igor'</emph>: Ariia Kniazia Igoria. [=<emph render="italic">Prince Igor</emph>: Prince Igor's aria.] Leipzig: M.P. Belaïeff, n.d. Arranged for voice and piano; score; 9 p.

Plate no. 119-161.

Language note: Russian

Language note: French

Language note: German

 8/6 <emph render="italic">Kniaz' Igor'</emph>. Leipzig: M.P. Belaïeff, 1888. Parts for chorus: altos [2] p.; tenors [18] p.; basses [?] p.

Plate no. 117.

Italian text inscribed in sections of tenor part, in red ink.

Complete in 41 p.: altos [incomplete: cover page, p. 1-2 only]; tenors [incomplete: p. 23 through 41 (end of opera) only]; basses

Language note: Italian

Language note: Russian

Language note: French

 8/7 <emph render="italic">More</emph>. Moscow: P. IUrgenson, n.d. Voice and piano; score; 13 p.

Plate no. 28394.

Language note: Russian

Language note: French

 8/8 <emph render="italic">Petite suite; Scherzo</emph>. Paris: A. Leduc, n.d. Solo piano; score; 27 p.

Plate no. A.L.8686.

Contains annotations in pencil.

 8/9 <emph render="italic">Petite suite</emph>. London: Augener, 1914. Solo piano; score; 23 p.

Plate no. 14676.

 8/10 <emph render="italic">Petite suite</emph>: Au couvent. Paris: A. Leduc, n.d. Solo piano; score; 3 p.

Plate no. A.L.8686.

 8/11 <emph render="italic">Serenata alla spagnola</emph>. Leipzig: M.P. Belaïeff, 1888. Arranged by T. Jadoul for solo piano; score; 14 p.

Plate no. 2340.

 8/12 <emph render="italic">Symphonie no. 1</emph>, E-flat major. Paris: A. Leduc, n.d. Piano, four hands; score; 75 p.

Plate no. A.L.8687.

 8/13 <emph render="italic">Symphonie no. 2</emph>, B minor. Paris: A. Leduc, n.d. Piano, four hands; score; 63 p.

Plate no. A.L.8688.

 Bortkevich, Sergeĭ Eduardovich 9/1 <emph render="italic">Tausend und eine Nacht</emph>, op. 37. Leipzig: D. Rahter, 1928. Solo piano; score; 35 p.

Plate no. 4447.

Composer also known by the name: Bortkiewicz, Serge

 Bosk, A. 9/2 <emph render="italic">Piesnaia skazka</emph>. Moscow: C.IA. IAmbor', n.d. Solo piano; score; 4 p.

Plate no. 199.

Composer also known by the name: Bosc, Auguste

 Rose-Mousse See: I.B. Collections, Box 2 (S/63), p. 67-68 Boyce, William 9/3 <emph render="italic">Three pieces</emph>. London: Novello, n.d. Violin and piano; violin part, piano score; 5 p.; 12 p.

Plate no. 12765.

 The Chaplet See: I.B. Collections, Box 1 (S/62), p. 67 Lyra Brittanica See: I.B. Collections, Box 1 (S/62), p. 67 Solomon See: I.B. Collections, Box 1 (S/62), p. 67 Braga, Gaetano 9/4 <emph render="italic">La serenata</emph>. Paris: A. Durand, n.d. Arranged by J. Rummel for solo piano; score; 7 p.

Plate no. D. & F.2368.

 Brahms, Johannes 9/5 <emph render="italic">Danses hongroises</emph>: 5. Allegro. Paris: J. Hamelle, n.d. Solo piano; score; 5 p.

Plate no. J.6699.

 Bretón, Tomás 9/6 <emph render="italic">Escenas andaluzas</emph>: 2. Polo gitano. Madrid: Unión musical española, n.d. Solo piano; score; 9 p.

Plate no. C.R.7375.

Composer also known by the name: Bretón y Hernández, Tomás.

 9/7 <emph render="italic">La verbena de la paloma</emph>. Madrid: Dotésio, n.d. Piano-vocal score; 96 p.

Plate no. 7354 through 7366.

Contains printed publicity material for the publications of the Unión musical española, 8 p., in Spanish, dated 1916.

Language note: Spanish

Composer also known by the name: Bretón y Hernández, Tomás.

 Brown, Lew See: De Sylva, B. G. Bull, John 9/8 <emph render="italic">Album of selected pieces</emph>. London: Novello, n.d. Solo piano; score; 36 p.

Plate no. 13451.

 Byrd, William 9/9 <emph render="italic">Three dances</emph>. London: Novello, n.d. Arranged by G. Bantock for solo piano; score; 12 p.

Plate no. 13263.

 Caplet, André 9/10 <emph render="italic">La cloche fêlée</emph>. Paris: Éditions de la nouvelle revue française, 1924. Voice and piano; score; 8 p.

Published as a supplement of La revue musicale, dated January 1924.

Language note: French

 Carpenter, John Alden 9/11 <emph render="italic">Krazy Kat</emph>. New York: G. Schirmer, 1922. Arranged by the composer for solo piano; score; 39 p.

Plate no. 30760c.

Includes printed cartoon illustrations of the title character by George Herriman.

 Chabrier, Emmanuel 9/12 <emph render="italic">Air de ballet</emph>. Paris: Costallat, n.d. Solo piano; score; 7 p.

Plate no. C. & C.406.

 9/13 <emph render="italic">Bourrée fantasque</emph>. Paris: Enoch, n.d. Solo piano; score; 13 p.

Plate no. E.F. & C.1850.

 9/14 <emph render="italic">Briséïs</emph>. Paris: Enoch, 1897. Piano-vocal score; 126 p.

Plate no. E. & C.2006.

Language note: French

 Chabrier, Emmanuel and Maurice Le Boucher 9/15 <emph render="italic">Capriccio</emph>. Paris: Costallat, 1914. Solo piano; score; 20 p.

Plate no. 1949.

 10/1-2 <emph render="italic">Une education manquée</emph>. Paris: Enoch, n.d. Piano-vocal score; 68 p.

Plate no. E.P. & F.407.

BOX: 10/2 Copy 2 of the above. Contains inlaid copyist's manuscript material; original unpublished recitatives (by Darius Milhaud?), 46 p.; contains extensive annotations in pencil and in ink.

Language note: French

 10/3 <emph render="italic">España</emph>. Paris: Enoch & Costallat, n.d. Full score; 61 p.

Plate no. E.F. & C.891.

 10/4 <emph render="italic">España</emph>. Paris: Enoch & Costallat, n.d. Arranged by the composer for two pianos; parts; 15 p.; 15 p.

Plate no. 893 (1), 893 (2).

 10/5 <emph render="italic">España</emph>. Paris: Enoch, 1911. Solo piano; score; 147 p.

Plate no. E. & C.7267.

 10/6 <emph render="italic">L'étoile</emph>. Paris: Enoch, n.d. Piano-vocal score; 184 p.

Plate no. E.P. & F.258.

Contains annotations in pencil.

Language note: French

 10/7 <emph render="italic">Feuillet d'album</emph>. Paris: Enoch, 1897. Solo piano; score; 4 p.

Plate no. E. & C.3298.

 10/8 <emph render="italic">Habañera</emph>. Paris: Enoch & Costallat, n.d. Arranged for solo piano; score; 7 p.

Plate no. E.F. & C.1131.

2 copies

 10/9 <emph render="italic">Impromptu</emph>. Paris: Enoch, n.d. Solo piano; score; 8 p.

Plate no. E. & C.7941.

 10/10 <emph render="italic">L'invitation au voyage</emph>. Paris: Costallat, 1913. Voice and piano, with bassoon obbligato; piano score, bassoon part; 12 p.; 1 p.

Plate no. 1828.

Language note: French

 10/11 <emph render="italic">Joyeuse marche</emph>. Paris: Enoch & Costallat, n.d. Arranged by E. Alder for solo piano; score; 9 p.

Plate no. E.F. & C.1731.

 10/12 <emph render="italic">Larghetto</emph>. Paris: Costallat, 1913. Arranged for horn or cello and piano; cello part, piano score; 3p.; 12 p.

Plate no. 1824.

 10/13 <emph render="italic">Pas redoublé</emph>. Paris: Costallat, 1913. Arranged by P. Lacome for solo piano; score; 7 p.

Plate no. 1880.

 11/1 <emph render="italic">Pièces pittoresques</emph>. Paris: Enoch, n.d. Solo piano; score; 63 p.

Plate no. Litolff no. 1290.

Also published Brunswick: H. Litolff, n.d.

 11/2 [<emph render="italic">Dix</emph>] <emph render="italic">pièces pittoresques</emph>. Paris: Enoch, n.d. Solo piano; score; 60 p.

Plate no. E.F. & C. 2266, 2267, 2268, 2317, 1816, 2269, 2318, 2270, 2319, 6961.

 11/3 [<emph render="italic">Dix</emph>] <emph render="italic">pièces pittoresques</emph>: Menuet pompeux. Paris: Enoch & Costallat, n.d. Solo piano; score; 7 p.

Plate no. E.F. & C.2319.

 11/4 <emph render="italic">Recueil de mélodies</emph>. Paris: Enoch, n.d. Voice/chorus and piano; score; 119 p.

Plate no. 5594 [-5595].

Language note: French

 11/5-6 <emph render="italic">Le roi malgré lui</emph>. Paris: Enoch, n.d. Piano-vocal score; 423 p.

Plate no. E.F. & C.1348.

BOX: 11/6 Copy 2 of the above.

Language note: French

 12/1 <emph render="italic">Le roi malgré lui</emph>. [Paris]: Enoch & Costallat, n.d. Piano-vocal score; 142 p.

Plate no. A.C.738.

Contains annotations in pencil.

missing p. 1-18

Language note: French

 12/2 <emph render="italic">Ronde champêtre</emph>. Paris: Enoch, 1897. Solo piano; score; 8 p.

Plate no. E. & C.3301.

 12/3 <emph render="italic">Ruy Blas</emph>. [Sérénade de Ruy Blas.] Paris: Costallat, 1913. Voice and piano; score; 5 p.

Plate no. 1834.

Language note: French

 12/4 <emph render="italic">Souvenirs de Munich</emph>. Paris: Costallat, 1914. Piano, four hands; score; 11 p.

Plate no. 1948.

 12/5 <emph render="italic">Suite de valses</emph>. Paris: Costallat, 1913. Solo piano; score; 11 p.

Plate no. 1864.

 12/6 <emph render="italic">Tes yeux bleus</emph>. Paris: Costallat, 1913. Voice and piano; score; 7 p.

Plate no. 1826.

Language note: French

 12/7 <emph render="italic">Trois valses romantiques</emph>. Paris: Enoch & Costallat, n.d. Two pianos; parts; 25 p.; 25 p.

Plate no. E.F. & C.401 (1), 401 (2), 402 (2), 403 (3).

 12/8 <emph render="italic">Trois valses romantiques</emph>. Paris: Enoch, n.d. Arranged by A. Cortot for piano, four hands; score; 47 p.

Plate no. E. & C.3958.

 Charpentier, Marc Antoine 12/9 <emph render="italic">Le malade imaginaire</emph>. Paris: A. Durand, n.d. Piano-vocal score; 48 p.

Plate no. D. & F.4723.

Language note: French

 Cherniavskiĭ, A. 12/10 <emph render="italic">Vial'tseva-Kontsert</emph>. St. Petersburg: I.G. TSimmerman, n.d. Solo piano; score; 13 p.

Plate no. Z.7294.

 Chopin, Frédéric 12/11 [Works.] [S.l.]: [s.n.], n.d. solo piano; score; [36] p.

incomplete fragments from what appears to be the same or similar edition(s); works include: op. 64, no. 1 (p. 31 through 38); op. 30, nos. 2-4; op. 33, no. 1 (p. 47 through 58); op. 33, no. 4 (p. 65 through 72); op. 63, nos. 1-3; op. 67, nos. 1-2 (p. 127 through 138)

 12/12 <emph render="italic">Études</emph>. Paris: A. Durand, 1915. Solo piano; score; 123 p.

Plate no. D. & F.9702.

 12/13-14 <emph render="italic">Mazurkas</emph>. Paris: A. Durand, 1915. Solo piano; score; 159 p.

Plate no. D. & F.9703.

BOX: 12/14 Copy 2 of the above; incomplete: p. 1-44, 77-124, 141-159 (end) only.

 13/1 <emph render="italic">Mazurke</emph>. [<emph render="italic">Composizioni</emph>, v. 3: Mazurke.] Milan: G. Ricordi, n.d. Solo piano; score; 239 p.

incomplete: p. 209 through 216 missing

Plate no. 104394.

 Mazurkas. [Klavierwerke, v. 6: Mazurkas.] See: I.B. Collections, Box 2 (S/63), p. 67-68 S/43 <emph render="italic">Mazurkas</emph>. [<emph render="italic">Sämmtliche Pianoforte-Werke</emph>: Mazurkas.] Leipzig: C.F. Peters, n.d. Solo piano; score; 150 p.

Plate no. 6213.

 13/2 <emph render="italic">Nocturnes</emph>. Paris: A. Durand, 1915. Solo piano; score; 100 p.

Plate no. D. & F.9704.

 13/3 <emph render="italic">Polonaises</emph>. Paris: A. Choudens, 1928. Solo piano; score; 94 p.

Plate no. A.C.12624 through 12634.

 13/4 <emph render="italic">Polonaise</emph>, op. 40, no. 1. Braunschweig: H. Litolff, n.d. Solo piano; score; 5 p.

Plate no. Band 1046 No. 4.

 13/5 <emph render="italic">Préludes et rondos</emph>. Paris: A. Durand, 1915. Solo piano; score; 110 p.

Plate no. D. & F.9706.

 13/6 <emph render="italic">Valses</emph>. Paris: A. Durand, 1915. Solo piano; score; 77 p.

Plate no. D. & F.9709.

incomplete: missing p. 1-10, 27-28, 31-38, 41-48, 61-72 (ends at p. 77)

 13/7 <emph render="italic">Valse</emph>, op. 64, no. 2. Braunschweig: H. Litolff, n.d. Solo piano; score; 5 p.

Plate no. Band 1044 No. 7.

 13/8 <emph render="italic">Waltzes</emph>. [<emph render="italic">Complete works for the pianoforte</emph>, v. 1: Waltzes.] New York: G. Schirmer, 1915. Solo piano; score; 76 p.

Plate no. 25502.

p. 51-54 missing

 S/44 <emph render="italic">Walzer</emph>. [<emph render="italic">Sämmtliche Pianoforte-Werke</emph>: Walzer.] Leipzig: C.F. Peters, n.d. Solo piano; score; 79 p.

Plate no. 8946.

Bound and filed with: Offenbach, Jacques.Les contes d'Hoffmann: selections. Arranged for solo piano; score. Moscow: A. Gutheil, n.d., 87 p. Plate no. A.7585 G.

 Cimarosa, Domenico S/13-15 <emph render="italic">Le astuzie femminili</emph>. Paris: L. Escudier, n.d. Piano-vocal score; 284 p.

Plate no. L.E.3332.

BOX: S/13 Copy 1 contains sparse annotations in pencil and inlaid manuscript material.

BOX: S/14 Copy 2 of the above; contains sparse annotations in pencil and inlaid manuscript material.

BOX: S/15 Copy 3 of the above; contains extensive annotations and inlaid manuscript material.

Language note: Italian

 13/9 <emph render="italic">Le astuzie femminili</emph>. Milan: E. Sonzogno, n.d. Arranged for solo piano; score; 164 p.

Plate no. E.S.14.

 13/10 <emph render="italic">Le astuzie femminili</emph>: Le ragazze che son di vent'anni (Act IV). Naples: T. Cottrau, n.d. Arranged for voice and piano; score; 11 p.

Plate no. 16284.

2 copies

Language note: Italian

 S/16 <emph render="italic">Giannina e Bernardone</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 180 p.

Plate no. 42044.

Language note: Italian

 S/17 14/1 <emph render="italic">Il matrimonio segreto</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 312 p.

Plate no. 41687.

BOX: 14/1 Copy 2 of the above.

Language note: Italian

 14/2 <emph render="italic">Il matrimonio segreto</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 429 p.

Plate no. 29673 through 29694.

Contains sparse annotations in pencil.

Language note: Italian

 14/3 <emph render="italic">Il matrimonio segreto</emph>: Sinfonia. Milan: G. Ricordi, n.d. Arranged for small orchestra by L. Jacob; parts for: piano (condensed score) (13 p.); harmonium (10 p.); vn I (A), vn I (B), vn II (5 p. each); vla (4 p.); vc/cb (8 p.); fl, cl I, cl II, hn I, hn II, tpt, tbn (3 p. each); perc (1 p.).

Plate no. 110438.

 Cools, Eugène See: de Bozi, Harold and Cools, Eugène Corelli, Arcangelo 15/1 <emph render="italic">Sonatas</emph>, op. 5. [<emph render="italic">"Opera quinta"</emph>] [S.l.]: [s.n.], n.d. Violin and continuo; score; 44 p.

Violin and continuo arranged on two staves.

 15/2 <emph render="italic">Sonate</emph>, op. 5, no. 6: 1. Grave, 2. Allegro. Paris: M. Senart, n.d. Violin and piano; violin part, piano score; 1 p.; 3 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R. et Cie 71.

 15/3 <emph render="italic">Sonate</emph>, op. 5, no. 6: 3. Allegro, 4. Adagio, 5. Allegro. Paris: M. Senart, n.d. Violin and piano; violin part and piano score; 2 p.; 5 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R. et Cie 72.

 Cottrau, T. L'addio a Napoli See: I.B. Collections, Box 2 (S/63), p. 67-68 Couperin, François 15/4 <emph render="italic">Concert en sol majeur</emph>. [<emph render="italic">Les goûts réunis</emph>: Concert no. 8.] Paris: Éditions musicales transatlantiques, 1959. Arranged by F. Oubradous for orchestra; miniature score; 45 p.

Plate no. E.M.T. 522.

 15/5 <emph render="italic">Pièces de clavecin</emph>: v. 1. Paris: A. Durand, n.d. Solo keyboard; score; 139 p.

Plate no. 6333.

Contains sparse annotations in pencil.

 15/6 <emph render="italic">Pièces de clavecin</emph>: v. 2. Paris: A. Durand, n.d. Solo keyboard; score; 140 p.

Plate no. 6380.

 15/7 <emph render="italic">Pièces de clavecin</emph>: v. 3. Paris: A. Durand, n.d. Solo keyboard; score; 115 p.

Plate no. 6457.

 15/8 <emph render="italic">Pièces de clavecin</emph>: v. 4. Paris: A. Durand, n.d. Solo keyboard; score; 126 p.

Plate no. 6608.

 Crémieux, Octave 15/9 <emph render="italic">Kogda umiraet liubov'</emph>. Moscow: IU.G. TSimmerman, n.d. Voice and piano; vocal part and piano score; 1 p.; 2 p.

Plate no. Z.7058.

Language note: Russian

Language note: French

 Csenki, Imre 15/10 <emph render="italic">Gipsies</emph>. London: Hawkes, 1958. Full score; 77 p.

Plate no. B. & H.18321.

Contains photoreproduced typescript, 4 p., in French, of the ballet's synopsis.

 Cueva, Julio Ajonjoli See: Oréfiche, Armando. Puchunguita Cui, César Feuille d'album See: I.B. Collections, Box 3 (S/64), p. 68-69 Dacquin, Louis Claude 16/1 [<emph render="italic">Deux pièces</emph>:] <emph render="italic">Rigaudon, Guitare</emph>. Paris: Costallat, n.d. Solo piano; score; 4 p.

Plate no. 8340.R.

 Darewski, Herman 16/2 <emph render="italic">Whispering</emph>. London: H. Darewski, 1920. Solo piano; score; 3 p.

Plate no. H.D.M.P.Co.1004.

 Dargomyzhskiĭ, Aleksandr Sergeevich 16/3 <emph render="italic">Au bal</emph>. Moscow: A. Gutkheĭl', n.d. Voice and piano; score; 9 p.

Plate no. 3835.

Language note: French

 16/4 <emph render="italic">Baba IAga</emph>. St. Petersburg: W. Bessel, n.d. Arranged by the composer for two pianos; score; 25 p.

Plate no. 251.

 16/5 <emph render="italic">Bez uma, bez razuma</emph>. Moscow: A. Gutkheĭl', 1885. Voice and piano; score; 3 p.

Plate no. K.2097 G.

Language note: Russian

 16/6 <emph render="italic">Bezumno zhazhdat' tvoeĭ vstriechi</emph>. Moscow: P. IUrgenson, n.d. Two voices and piano; score; 2 p.

Plate no. 13.

Language note: Russian

 16/7 <emph render="italic">Charuĭ menia, charuĭ!</emph> Moscow: P. IUrgenson, n.d. Voice and piano; score; 3 p.

Plate no. 10361.

Language note: Russian

Language note: German

 16/8 <emph render="italic">Chukhonskaia fantaziia</emph>. [=<emph render="italic">Fantaisie sur des airs finlandais</emph>.] St. Petersburg: W. Bessel, n.d. Full score; 45 p.

Plate no. 247.

 16/9 <emph render="italic">Chukhonskaia fantaziia</emph>. [=<emph render="italic">Fantaisie finoise</emph>.] St. Petersburg: W. Bessel, n.d. Orchestral parts for: vn I (7 p.) [9 copies]; vn II, vla (6 p. each); vc/cb (11 p.); fl I, fl II/picc, ob I, ob II, cl I, cl II, bn I, bn II (4 p. each); hn I, hn II, hn III, hn IV, tpt I, tpt II, tenor tbn, bass tbn, ophicleide, timp (3 p. each); pc (2 p.).

Plate no. 252 (a) through 252 (w).

 16/10 <emph render="italic">Dievitsy krasavitsy</emph>. Moscow: P. IUrgenson, n.d. Two voices and piano; score; 9 p.

Plate no. 10327.

Language note: Russian

Language note: German

 16/11 <emph render="italic">Dushechka dievitsa</emph>. Moscow: P. IUrgenson, n.d. Voice and piano; score; 7 p.

Plate no. 10331.

Language note: Russian

Language note: German

 16/12 <emph render="italic">IA pomniu, gluboko</emph>. Moscow: A. Gutkheĭl', n.d. Voice and piano; score; 5 p.

Plate no. A.5848 G.

Language note: Russian

 16/13 <emph render="italic">IA vse eshchë ego liubliu!</emph> Moscow: A. Gutkheĭl', 1888. Voice and piano; score; 5 p.

Plate no. K.2096 G.

Language note: Russian

 16/14 <emph render="italic">IA zatepliu sviechu</emph>. Moscow: A. Gutkheĭl', 1899. Voice and piano; score; 2 p.

Plate no. A.7784 G.

Language note: Russian

 16/15 <emph render="italic">Jamais!</emph> Moscow: A. Gutkheĭl', 1885. Voice and piano; score; 5 p.

Plate no. 2408.

Language note: French

 16/16 <emph render="italic">Kamen' tiazhelyĭ na serdtsie lezhit</emph>. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1923. Two voices and piano; score; 5 p.

Plate no. (3728) 10292.

Language note: Russian

Published in Moscow and Petrograd.

 16/17 <emph render="italic">Kamennyĭ gost'</emph>. [=<emph render="italic">The stone guest</emph>.] St. Petersburg: V. Bessel', 1872. Piano-vocal score; 126 p.

Plate no. 153.

Language note: Russian

 16/18 <emph render="italic">Likhoradushka</emph>. Moscow: A. Gutkheĭl', 1885. Voice and piano; score; 3 p.

Plate no. K.2098 G.

Language note: Russian

 16/19 <emph render="italic">Liubila, liubliu ia, viek budu liubit'</emph>. Moscow: A. Gutkheĭl', 1892. Voice and piano; score; 5 p.

Plate no. A.6300 G.

Language note: Russian

 16/20 <emph render="italic">Malorossiĭskiĭ kozachëk</emph>. Moscow: P. IUrgenson, n.d. Arranged by the composer for piano, four hands; score; 15 p.

Plate no. 333.

 16/21 <emph render="italic">Mel'nik</emph>. Moscow: A. Gutkheĭl', 1897. Voice and piano; score; 3 p.

Plate no. K.2100 G.

Language note: Russian

 16/22 <emph render="italic">Mne grustno</emph>. Moscow: P. IUrgenson, n.d. Voice and piano; score; 5 p.

Plate no. 10324.

Language note: Russian

Language note: German

 17/1 <emph render="italic">Ne skazhu nikomu</emph>. Moscow: P. IUrgenson, n.d. Voice and piano; score; 3 p.

Plate no. 10329.

Language note: Russian

Language note: German

 17/2 <emph render="italic">O dieva roza ia v okovakh</emph>. Moscow: A. Gutkheĭl', 1885. Voice and piano; score; 5 p.

Plate no. 2409.

Contains sparse annotations in pencil.

Language note: Russian

 17/3 <emph render="italic">O ma charmante</emph>. Moscow: A. Gutkheĭl', 1885. Voice and piano; score; 7 p.

Plate no. 2398.

Language note: French

 17/4 <emph render="italic">Oĭ vy ulany</emph>. Moscow: Proizvodstvennyĭ Podotdel, 1920. Two voices and piano; score; 5 p.

Plate no. 1176.

Language note: Russian

 17/5 <emph render="italic">Potsieluĭ</emph>. Moscow: A. Gutkheĭl', 1885. Voice and piano; score; 5 p.

Plate no. K.2102 G.

Language note: Russian

 Le rêve de la Esméralda See: Glinka, Mikhaĭl. (editor) Sobranie muzykal'nykh pies, Box 66, Folder 9 17/6 <emph render="italic">Roza l' ty rozochka</emph>. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1924. Arranged by the composer for two voices and piano; score; 7 p.

Plate no. 10365.

Language note: Russian

 17/7-8 <emph render="italic">Rusalka</emph>. Moscow: A. Gutkheĭl', 1885. Piano-vocal score; 321 p.

Plate no. A.2481 G.

BOX: 17/8 Copy 2 of the above.

Language note: Russian

 17/9 <emph render="italic">Tituliarnyĭ sovietnik</emph>. Moscow: P. IUrgenson, n.d. Voice and piano; score; 3 p.

Plate no. 10354.

Language note: Russian

 18/1 <emph render="italic">Torzhestvo vakkha</emph>. St. Petersburg: M. Bernard, n.d. Piano-vocal score; 148 p.

Language note: Russian

 18/2 <emph render="italic">Tuchki nebesnyia</emph>. Moscow: P. IUrgenson, 1896. Voice and piano; score; 7 p.

Plate no. 10318.

Language note: Russian

 18/3 <emph render="italic">Ty khoroshen'kaia</emph>. Moscow: P. IUrgenson, 1885. Voice and piano; score; 3 p.

Plate no. 10294.

Language note: Russian

 18/4 <emph render="italic">Ty skoro menia pozabudesh'</emph>. Moscow: P. IUrgenson, n.d. Voice and piano; score; 3 p.

Plate no. 10321.

Language note: Russian

Language note: German

 18/5 <emph render="italic">Van'ka-tan'ka</emph>. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1923. Two voices and piano; score; 5 p.

Plate no. G.M.1564 I.M.

Language note: Russian

 18/6 <emph render="italic">Van'ka-tan'ka</emph>. Moscow: A. Gutkheĭl', 1885. Two voices and piano; score; 4 p.

Plate no. 2105.

Language note: Russian

 18/7 <emph render="italic">Vliublen ia, dieva-krasota</emph>. Moscow: P. IUrgenson, 1909. Voice and piano; score; 3 p.

Plate no. 10307.

Language note: Russian

 Davidov, Karl IUlevich 18/8 <emph render="italic">I noch', i liubov', i luna</emph>, op. 26, no. 1. Moscow: A. Gutkheĭl', 1890. Voice and piano; score; 7 p.

Plate no. A.5490a G.

Language note: Russian

 de Bozi, Harold and Eugène Cools 18/9 <emph render="italic">Ballet nuptial</emph>. Paris: M. Eschig, 1934. Arranged for small orchestra; parts for: piano/conductor (19 p.); vn ("I")(11 p.), vc (8 p.), cb (3 p.).; 19 p.

Plate no. M.E.3925.

 de Curtis, G. B. Carmela See: I.B. Collections, Box 2 (S/63), p. 67-68 Debucquoy, T. 18/10 <emph render="italic">Je t'aime toujours!</emph> Paris: Édition des bons auteurs, n.d. Voice and piano; score; 2 p.

Plate no. A.300 Z.

Language note: French

 Debussy, Claude Achille 18/11 <emph render="italic">La boîte à joujoux</emph>. Paris: A. Durand, 1913. Solo piano; score; 48 p.

Plate no. D. & F.8935.

Contains color illustrations.

 18/12 <emph render="italic">Danses</emph>. [<emph render="italic">Danses sacrées et profanes</emph>.] Paris: A. Durand, 1907. Solo harp part arranged by J. Durand for solo piano; score; 12 p.

Plate no. D. & F.6964.

 18/13 <emph render="italic">L'enfant prodigue</emph>: Cortège et air de danse. Paris: A. Durand, 1907. Arranged by J. Durand for solo piano; score; 7 p.

Plate no. D. & F.6908.

 18/14 <emph render="italic">Estampes</emph>: La soirée dans Grenade. Paris: A. Durand, 1903. Solo piano; score; 6 p.

Plate no. D. & F.6326 (2).

 18/15 <emph render="italic">Images pour orchestre</emph>: 1. Gigues. Paris: A. Durand, 1912. Arranged by A. Caplet for piano, four hands; score; 15 p.

Plate no. D. & F.8298.

 18/16 <emph render="italic">Images pour orchestre</emph>: 2. Ibéria. Paris: A. Durand, 1910. Arranged by A. Caplet for piano, four hands; score; 41 p.

Plate no. D. & F.7705.

 18/17 <emph render="italic">Images pour orchestre</emph>: 2. Ibéria. Paris: A. Durand, 1910. Arranged by A. Caplet for two pianos; score; 42 p.

Plate no. D. & F.7706.

 18/18 <emph render="italic">Images pour orchestre</emph>: 3. Rondes de printemps. Paris: A. Durand, 1910. Arranged by A. Caplet for piano, four hands; score; 21 p.

Plate no. D. & F.7469.

 18/19 <emph render="italic">Images pour piano, série 1</emph>: 3. Mouvement. Paris: A. Durand, 1905. Solo piano; score; 11 p.

Plate no. D. & F.6615 (3).

 18/20 <emph render="italic">Images pour piano, série 2</emph>: 3. Poissons d'or. Paris: A. Durand, 1908. Solo piano; score; 13 p.

Plate no. D. & F.6994 (3).

 18/21 <emph render="italic">L'isle joyeuse</emph>. Paris: A. Durand, 1904. Solo piano; score; 13 p.

Plate no. D. & F.6446.

Contains sparse annotations in pencil.

 18/22 <emph render="italic">Marche écossaise sur un thème populaire</emph>. Paris: E. Fromont, n.d. Piano, four hands; score; 17 p.

Plate no. E.1407.F.

 18/23 <emph render="italic">Masques</emph>. Paris: A. Durand, 1904. Solo piano; score; 12 p.

Plate no. D. & F.6443.

 19/1 <emph render="italic">Petite Suite</emph>. Paris: A. Durand, 1906. Arranged by J. Durand for solo piano; score; 23 p.

Plate no. D. & F.6679, .6792, .6663, .6791.

 19/2 <emph render="italic">La plus que lente</emph>. Paris: A. Durand, 1910. Solo piano; score; 7 p.

Plate no. D. & F.7817.

 19/3 <emph render="italic">Préludes, v. 2</emph>: 5. Bruyères. Paris: A. Durand, 1913. Solo piano; score; 5 p

Plate no. D. & F.8701.

 19/4 <emph render="italic">Préludes, v. 2:</emph> 7. La terrasse des audiences du clair de lune. Paris: A. Durand, 1913. Solo piano; score; 7 p.

Plate no. D. & F.8703.

 19/5 <emph render="italic">Sonate</emph>. Paris: A. Durand, 1915. Cello and piano; cello part, piano score; 7 p.; 15 p.

Plate no. D. & F.9390.

 De Giosa, Nicola 19/6 <emph render="italic">Napoli di carnovale</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 334 p.

Plate no. 88171 through 88203.

Language note: Italian

 Delibes, Léo 19/7 <emph render="italic">La cour du roi Pétaud</emph>. Paris: J. Martin, n.d. Piano-vocal score; 231 p.

Plate no. J.M.205.

Language note: French

 19/8 <emph render="italic">Deux vieilles gardes</emph>. Paris: G. Brandus & Dufour, n.d. Piano-vocal score; 50 p.

Plate no. B.et Cie 9722.

Language note: French

 19/9 <emph render="italic">L'écossais de Chatou</emph>. Paris: G. Brandus & Dufour, n.d. Piano-vocal score; 88 p.

Plate no. B.et D.11521.

Language note: French

 20/1 <emph render="italic">Le jardinier et son seigneur</emph>. Paris: Colombier, n.d. Piano-vocal score; 107 p.

Plate no. C.2853.

Language note: French

 20/2 <emph render="italic">Jean de Nivelle</emph>. Paris: Heugel, n.d. Piano-vocal score; 353 p.

Plate no. H.5065.

Language note: French

 S/19 <emph render="italic">Kassya</emph>. Paris: Heugel, 1893. Piano-vocal score; 371 p.

Plate no. H. & Cie.7148.

Language note: French

 20/3 <emph render="italic">Kassya</emph>: Danse ruthène et Sumka. Paris: Heugel, 1893. Arranged for solo piano; score; 3 p.

Plate no. H.et Cie.9454 (11).

 20/4 <emph render="italic">Kassya</emph>: Mazurka. Paris: Heugel, 1893. Arranged for solo piano; score; 5 p.

Plate no. H.et Cie.9444 (1).

 20/5 <emph render="italic">Kassya</emph>: Trépack. Paris: Heugel, 1893. Arranged for solo piano; score; 7 p.

Plate no. H.et Cie.9455 (12).

 20/6 <emph render="italic">Monsieur Griffard</emph>. Paris: L. Vieillot, n.d. Piano-vocal score; 106 p.

Plate no. L.V.1600.

Language note: French

 20/7 <emph render="italic">L'omelette à la Follembûche</emph>. Paris: Heugel, n.d. Piano-vocal score; 76 p.

Plate no. H.et Cie.8384, .6917.

Language note: French

 20/8 <emph render="italic">Pas de fleurs</emph>: Grande valse. [<emph render="italic">Valse, ou Pas de fleurs</emph>(added to <emph render="italic">Le Corsaire</emph>of A. Adam).] Paris: H. Heugel, n.d. Arranged for solo piano; score; 11 p.

Plate no. H.8198.

 20/9 <emph render="italic">Rigaudon</emph>. Paris: H. Heugel, n.d. Solo piano; score; 5 p.

Plate no. H.8438.

 21/1 <emph render="italic">Le roi l'a dit</emph>. (Three act version.) Paris: H. Heugel, n.d. Piano-vocal score; 323 p.

Plate no. 5947, 1348.

Contains annotations in pencil.

Language note: French

 21/2 <emph render="italic">Le roi s'amuse</emph>: Scène du bal. Paris: Heugel, n.d. Arranged for solo piano; score; 23 p.

Plate no. H.7545.

 21/3 <emph render="italic">Romances sans paroles</emph>: 1. Souvenir lointain. Paris: H. Heugel, n.d. Solo piano; score; 2 p.

Plate no. H.8570.

 21/4 <emph render="italic">Romances sans paroles</emph>: 2. Romance hongroise. Paris: H. Heugel, n.d. Solo piano; score; 5 p.

Plate no. H.8571.

 21/5 <emph render="italic">Six demoiselles à marier</emph>. Paris: Heugel, n.d. Piano-vocal score; 58 p.

Plate no. H.et Cie.1950.

Language note: French

 21/6 <emph render="italic">Sylvia, ou La nymphe de Diane</emph>. Paris: Heugel, 1876. Arranged for solo piano; score; 147 p.

Plate no. H.6041.

Contains illustration, p. 3.

 Delmet, Paul Charme d'amour See: I.B. Collections, Box 3 (S/64), p. 68-69 L'étoile d'amour See: I.B. Collections, Box 2 (S/63), p. 67-68 De Sylva, B. G.; Lew Brown, and Ray Henderson 21/7 <emph render="italic">You're the cream in my coffee</emph>. [from <emph render="italic">Hold everything!</emph>] London: Chappell, 1928. Voice and piano; score; 3 p.

Plate no. 30056.

Language note: English

 Dixon, Mort and Allie Wrubel 21/8 <emph render="italic">I see two lovers</emph>. ["Fox-trot du film Warner Bros. <emph render="italic">Sweet Music</emph>."] Paris: Éditions Feldman, 1934. Arranged by F. Pearly for small orchestra; parts for: piano/conductor (includes vocal indications; English lyrics) (4 p.); vn I (3 p.); cb (2 p.); sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each).

Plate no. E.F.W.484.

On verso of each part: corresponding instrumental part for Fields, Buddy and Marks, Gerald, I'll be much obliged to you; see Fields, Buddy.

 Donizetti, Gaetano 22/1 <emph render="italic">L'ajo nell'imbarazzo</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 271 p.

Plate no. 45735.

Language note: Italian

 S/20 <emph render="italic">Don Pasquale</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 180 p.

Plate no. 42051.

Language note: Italian

 S/21 <emph render="italic">L'elisir d'amore</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 252 p.

Plate no. 41688.

Language note: Italian

 Dorfman, E. M. 22/2 <emph render="italic">Chat-noir</emph>. [S.l.]: E. M. Dorfman, 1925. Solo piano; score; 2 p. Dribinovitsch-Lenski, Henri 22/3 <emph render="italic">Perdue!</emph> Constantinople: J. d'Andria, n.d. Solo piano; score; 5 p.

Plate no. 516.

 Drizo, L'v 22/4 <emph render="italic">Liubov' ėto chary plienitel'noĭ skazki</emph>. Petrograd: K. Leopas, n.d. Voice and piano; score; 3 p.

Plate no. C.2186.L.

Language note: Russian

 Dunaevskiĭ, Isaak Osipovich 22/5 <emph render="italic">Kak khorosho na svete zhit'</emph>. [S.l.]: [s.n.], 1935. Voice and piano; score; 3 p.

Language note: Russian

 Dzegelenok, Aleksandr Mikhaĭlovich 22/6 <emph render="italic">Mazurka</emph>, op. 5, no. 2. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1924. Solo piano; score; 7 p.

Plate no. G.M.4978 I.M.

 Eberhard, G. IAkht-klub See: I.B. Collections, Box 3 (S/64), p. 68-69 Espinosa, L. 22/7 <emph render="italic">Titi</emph>. Paris: Éditions espagnoles J. Garzón, n.d. Arranged for small orchestra; parts for: piano/accordion (3 p.); vn (2 p.); vc-cb, tpt-sax (alto), perc (1 p. each).

Plate no. 1780.

On verso of each part: corresponding instrumental part for Melfi, A. Mario, Pourquoi mentir. See: Melfi, A. Mario.

 Fall, Leo[pold] 22/8 <emph render="italic">Razvedenaia zhena</emph>: Val's. [=<emph render="italic">Die geschiedene Frau</emph>: Waltz.] Moscow: S.IA. IAmbor, n.d. Solo piano; score; 3 p. Falla, Manuel de 22/9 <emph render="italic">Pièces espagnoles</emph>. Paris: A. Durand, 1909. Solo piano; score; 25 p.

Plate no. D. & F.7217.

 22/10 <emph render="italic">Pièces espagnoles</emph>: 2. Cubana. Paris: A. Durand, 1909. Solo piano; score; 7 p.

Plate no. D. & F.7217.

 22/11 <emph render="italic">El sombrero de tres picos</emph>. London: J. & W. Chester, 1921. Reduction for solo piano; score; 78 p.

Plate no. J. & W.C.9710.

Contains holograph inscription in ink on inside front cover: "Serge Lifar/1948."

 Farnaby, Giles 22/12 <emph render="italic">Album of selected pieces</emph>. London: Novello, n.d. Arranged by G. Bantock for solo piano; score; 26 p.

Plate no. 13264.

 Fauchey, Paul Folie d'amour See: I.B. Collections, Box 3 (S/64), p. 68-69 Fauré, Gabriel Urbain 22/13 <emph render="italic">Clair de lune</emph>, op. 46, no. 2. Paris: J. Hamelle, 1909. Arranged by A. Perilhou for solo piano; score; 6 p.

Plate no. J.6006 H.

 22/14 <emph render="italic">Le papillon et la fleur</emph>, op. 1, no. 1. Paris: J. Hamelle, n.d. Arranged by F. Behr for solo piano; score; 5 p.

Plate no. J.4839 H.

 22/15 <emph render="italic">Pavane</emph>, op. 50. Paris: J. Hamelle, n.d. Piano-vocal score; 9 p.

Plate no. J.3243.H.

Contains sparse annotations in pencil.

Language note: French

 22/16 <emph render="italic">Pelléas et Mélisande</emph>, op. 80: 1. Prélude; 2. Fileuse; 3. (4.) Molto adagio. Paris: J. Hamelle, n.d. Arranged by J. Roger-Ducasse for piano, four hands; score; 19 p.

Plate no. J.5199 H.

 22/17 <emph render="italic">Pelléas et Mélisande</emph>, op. 80: 3. Sicilienne. [=op. 78.] Paris: J. Hamelle, 1898. Arranged for solo piano; score; 7 p.

Plate no. J.4318.H.

 22/18 <emph render="italic">Valse-caprice</emph>, no. 1, op. 30. Paris: J. Hamelle, n.d. Solo piano; score; 15 p.

Plate no. J.2010.H.

 22/19 <emph render="italic">Valse-caprice</emph>, no. 2, op. 38. Paris: J. Hamelle, n.d. Solo piano; score; 15 p.

Plate no. J.2282.H.

 22/20 <emph render="italic">Valse-caprice</emph>, no. 3, op. 59. Paris: J. Hamelle, n.d. Solo piano; score; 15 p.

Plate no. J.3666.H.

 22/21 <emph render="italic">Valse-caprice</emph>, no. 4, op. 62. Paris: J. Hamelle, n.d. Solo piano; score; 15 p.

Plate no. J.3749.H.

 Ferroud, Pierre Octave 23/1 <emph render="italic">Foules</emph>. Paris: A. Durand, 1925. Reduction by the composer for piano, four hands; score; 33 p.

Plate no. D. & F.10794.

Contains sparse annotations in pencil.

 Fields, Buddy and Gerald Marks 23/2 <emph render="italic">I'll be much obliged to you</emph>. Paris: Éditions Feldman, 1934. Arranged by F. Pearly for small orchestra; parts for: piano/conductor (4 p.); vn I, cb, sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each).

Plate no. E.F.W.485.

piano/conductor contains vocal line indications; English lyrics

On verso of each part: corresponding instrumental part for Dixon, Mort and Wrubel, Allie, I see two lovers; see: Dixon, Mort.

Language note: English

 Fioravanti, Valentino 23/3 <emph render="italic">Le cantatrici villane</emph>. Paris: Mme. V. Launer, n.d. Piano-vocal score; 161 p.

Plate no. Vve.L.3663.

Language note: Italian

 Fleck, Fritz 23/4 <emph render="italic">Bathyllus</emph>. [S.l.]: [s.n.], n.d. Piano score; 38 p.

Laid in: 1 p. copyist's manuscript (p. 24A); 6 p. typed, photoreproduced copy of the ballet's synopsis; 1 p. typed, photorepro-duced synopsis/program notes; photograph of the stage set at the work's premiere in Cologne on 1927 Mar 16 affixed to page facing p. 1.

Contains numerous performance indications (German) in red and black ink, and in blue pencil.

 Flotow, Friedrich von 23/5 <emph render="italic">Alessandro Stradella</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 227 p.

Plate no. 34206-34211; 35319-35321; 34213-34216; 35322-35324; 34218-34226.

Language note: Italian

 Fomin, G. 23/6 <emph render="italic">Amerikantsy</emph>. Moscow: P. IUrgenson, 1893. Piano-vocal score; 155 p.

Plate no. 19693.

Includes libretto.

Language note: Russian

Composer also known by the name: Fomin, Evstigneĭ Ipatovich

 Fragson, Harry L'amour boiteux See: I.B. Collections, Box 3 (S/64), p. 68-69 Franck, César Auguste 23/7 <emph render="italic">Danse lente</emph>. Paris: B. Roudanez, 1919. Solo piano; score; 2 p.

Plate no. B.R.728.

 23/8 <emph render="italic">Les plaintes d'une poupée</emph>. Mainz: B. Schott's Söhne, 1906. Solo piano; score; 3 p.

Plate no. 28072.

 23/9 <emph render="italic">Prélude, fugue et variation</emph>, op. 18. Paris: A. Durand, 1910. Arranged by H. Bauer for solo piano; score; 12 p.

Plate no. D. & F.7813.

 23/10 <emph render="italic">Ruth</emph>. Paris: Heugel, n.d. Piano-vocal score; 117 p.

Plate no. G.H.306, H.et Cie 7430, H.C.306.

Language note: French

 Frescobaldi, Girolamo 23/11 <emph render="italic">Canzone</emph>. Paris: M. Senart, n.d. Solo piano; score; 2 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R. & Cie 295.

 Galuppi, Baldassare S/22 <emph render="italic">Il filosofo di campagna</emph>: selections. Milan: Instituto editoriale italiano, 1919. Arranged by G. F. Malipiero for voice and piano; scores; 31 p.; 27p.; 31 p.; 34 p.; 34 p.

Plate no. R.N.M.I.-A.-Q.54 through -Q.58.

Language note: Italian

Box contains five hard cover quaderni (volumes) issued as part of a series titled Raccolta nazionale delle musiche italiane. Reduction for voice and piano by G. F. Malipiero.

Contents as follows:

Volume 54: Canzonetta sopra il ravanello; Canzonetta sopra la cicoria; Canzonetta l'insalata; Di questa poverella; Compatite, Signor; Voltateri in là; Una ragazza che non è pazza. Volume 55: La mia ragione è questa; Taci, amor; Al lavoro. Volume 56: Vedo quell'albero; Nel quattro-cento; Son di tutti amico; Amor, se vuoi così. Volume 57: Misera, a tante pene; La pasto-rella al prato; Che più bramar poss'io?; Ogn'anno passa un anno. Volume 58: Se non è nata nobile; Guerrier, che valoroso; Da me non speri; Voi, che filosofo. 24/1 <emph render="italic">Sonate</emph>: 1. Adagio, 2. Allegro. Paris: M. Senart, n.d. Solo piano; score; 7 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R. & Cie 296.

 Gambardella, S. O Marenariello See: I.B. Collections, Box 2 (S/63), p. 67-68 Gastaldon, Stanislao 24/2 <emph render="italic">Musica proibita</emph>, op. 5. Milan: Carisch & Jänichen, n.d. Voice and piano; score; 7 p.

Plate no. C.1755 J.

Language note: Italian

 Gaubert, Philippe S/23 <emph render="italic">Sonia</emph>. Paris: Enoch, 1912. Piano-vocal score; 184 p.

Plate no. E. & C.7483.

Language note: French

 Gay, Byron 24/3 <emph render="italic">Le vamp</emph>. Constantinople: J. d'Andria, n.d. Solo piano; score; 4 p.

Plate no. 527.

 Gillet, Ernest La lettre de man[s]on See: I.B. Collections, Box 3 (S/64), p. 68-69 Glavatskiĭ, S. 24/4 <emph render="italic">Grëzy bylogo</emph>, op. 40. St. Petersburg: IU.G. TSimmerman, n.d. Solo piano; score; 7 p.

Plate no. Z.7905.

 Glazunov, Aleksandr 24/5 <emph render="italic">Symphony no. 5</emph>, op. 55, B-flat major. Leipzig: M.P. Belaïeff, 1896. Reduction by S. Taneev for piano, four hands; score; 79 p.

Plate no. 1334.

 24/6 <emph render="italic">Symphony no. 6</emph>, op. 58, C minor. Leipzig: M.P. Belaïeff, 1897. Reduction by S. Rachmaninoff for piano, four hands; score; 67 p.

Plate no. 1594.

 24/7 <emph render="italic">Symphony no. 7</emph>, op. 77, F major. Leipzig: M.P. Belaïeff, 1902. Reduction by the composer for piano, four hands; score; 79 p.

Plate no. 2403.

 Glinka, Mikhaĭl 24/8 <emph render="italic">L'alouette</emph>. [=<emph render="italic">Proshchanie s Peterburgom</emph>, no. 10: Zhavoronok.] Moscow: A. Gutheil, n.d. See also: Zhavoronok, Box 25, Folder 23. Arranged by M. Balakirev for solo piano; score; 7 p.

Plate no. A. 2937 G.

 24/9 <emph render="italic">Le baiser</emph>. [=<emph render="italic">IA liubliu! Ty mne tverdila</emph>.] Moscow: P. IUrgenson, n.d. Voice and piano; score; 4 p.

Plate no. 30201.

Language note: French

Language note: Russian

 24/10 <emph render="italic">Capriccio brillante sur le thème de la jota aragonesa</emph>. Moscow: P. IUrgenson, n.d. See also: La jota aragonesa. Arranged by M. Balakirev for piano, four hands; score; 27 p.

Plate no. 4434.

 24/11 <emph render="italic">Caprice brillant sur le thème de la jota aragonesa</emph>. Leipzig: M.P. Belaïeff, 1901. See also: La jota aragonesa. Miniature score; 80 p.

Plate no. 3002.

Contains sketch in pencil on cover page.

 24/12 <emph render="italic">Il desiderio</emph>. St. Petersburg: F. Stellovskiĭ, 1861. Voice and piano; score; 5 p.

Plate no. 3798.

Language note: Italian

Language note: French

 24/13 <emph render="italic">Dubrava shumit</emph>. Moscow: A. Gutkheĭl', n.d. Voice and piano; score; 11 p.

Plate no. A.8792 G.

Language note: Russian

Language note: German

 24/14 <emph render="italic">Ho perduto, il mio tesoro</emph>. Moscow: P. IUrgenson, 1878. Voice (T) and piano; score; 5 p.

Plate no. 3240.

Language note: Italian

 IA liubliu! Ty mne tverdila See: Le baiser 24/15 <emph render="italic">IA pomniu chudnoe mgnoven'e</emph>. Moscow: A. Gutkheĭl', n.d. Voice and piano; score; 7 p.

Plate no. A.8747 G.

Language note: Russian

Language note: German

 24/16 <emph render="italic">IA pomniu chudnoe mgnoven'e</emph>. Moscow: P. IUrgenson, n.d. Voice and piano; voice part, piano score; 1 p.; 7 p.

Plate no. 26578.

Language note: French

Language note: German

Language note: Russian

 24/17 <emph render="italic">La jota aragonesa</emph>. [=<emph render="italic">Capriccio brillante</emph>.] Paris: Enoch, n.d. Arranged by M. Balakirev for solo piano; score; 17 p.

Plate no. E. & C.3043.

 24/18 <emph render="italic">Kak sladko s toboiu mnie byt'</emph>. Moscow: A. Gutkheĭl', n.d. Voice and piano; voice part, piano score; 1 p.; 3 p.

Plate no. A. 8748 G.

Language note: Russian

Language note: German

 24/19 <emph render="italic">Kniaz' Kholmskiĭ</emph>. [=<emph render="italic">Prince Kholmskiĭ</emph>.] [S.l.]: F. Stellovskiĭ, n.d. Full score; 137 p.

Plate no. 4600.

Language note: Russian

 24/20 <emph render="italic">Mi sento il cor traffigere</emph>. Moscow: P. IUrgenson, 1878. Voice and piano; score; 7 p.

Plate no. 3228.

Language note: Italian

 24/21 <emph render="italic">Molitva</emph>: Bozhe sil, vo dni smiaten'ia. Moscow: P. IUrgenson, 1877. Mixed vocal trio (STB) and piano; score; 7 p.

Plate no. 3248.

Language note: Russian

 24/22 <emph render="italic">Molitva</emph>: S nebesi uslyshi. Moscow: P. IUrgenson, 1878. Mixed vocal quartet (SATB) and piano; score; 9 p.

Plate no. 3236.

Language note: Russian

 25/1 <emph render="italic">Ne iskushaĭ menia bez nuzhdy</emph>. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1925. Voice and piano; score; 5 p.

Plate no. 30196.

Language note: Russian

Language note: German

 25/2 <emph render="italic">Nochnoĭ smotr</emph>. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1923. Voice and piano; score; 9 p.

Plate no. G.M.1574 I.M.

Language note: Russian

Language note: German

 25/3 <emph render="italic">Nocturne</emph>. Moscow: P. Jurgenson, n.d. Solo piano or harp; score; 7 p.

Plate no. 3230.

 25/4 <emph render="italic">Pol'skiĭ</emph>. [=<emph render="italic">Polonez</emph>; =<emph render="italic">Polonaise</emph>, E-flat major.] Moscow: P. IUrgenson, 1878. Mixed chorus (SATB) and piano; piano-vocal score; 9 p.

Plate no. 3252.

Language note: Russian

 25/5 <emph render="italic">Poputnaia piesnia</emph>. [<emph render="italic">Proshchanie s Peterburgom</emph>, no. 6.] Moscow: P. Jurgenson, n.d. Voice and piano; score; 11 p.

Plate no. 30238.

Language note: Russian

Language note: German

 25/6 <emph render="italic">Pour un moment</emph>. [=<emph render="italic">Odin lish' mig</emph>.] Moscow: P. IUrgenson, n.d. Voice and piano; score; 3 p.

Plate no. 30205.

Language note: French

Language note: Russian

 25/7 <emph render="italic">Prière</emph>. St. Petersburg: T. [F.] Stellowsky, n.d. Solo piano; score; 11 p.

Plate no. S.No. 3664.

 25/8 <emph render="italic">Proshchal'naia pesnia vospitannits Ekaterinenenskago instituta</emph>. [no. 1]. Moscow: P. IUrgenson, n.d. Mixed chorus (SSA) and piano; score; 9 p.

Plate no. 3231 (3091).

Language note: Russian

 25/9 <emph render="italic">Proshchal'naia pesnia vospitannits Ekaterinenenskago instituta</emph>. [no. 2]. Moscow: P. IUrgenson, n.d. Mixed chorus (SSA) and piano; score; 14 p.

Plate no. 3250 (3091).

Language note: Russian

 Proshchanie s Peterburgom See: L'alouette, Box 24, Folder 8 See: Zhavoronok, Box 25, Folder 23 See: Poputnaia piesnia, Box 25, Folder 5 Ruslan i Liudmila See: Audran, Edmond Sobranie muzykal'nykh pies See: Box 66, Folder 9 25/10 <emph render="italic">Souvenir d'une nuit d'été à Madrid</emph>. Moscow: P. IUrgenson, n.d. Arranged by M. Balakirev for piano, four hands; score; 21 p.

Plate no. 4435.

 25/11 <emph render="italic">Tarantelle</emph>. St. Petersburg: M. Bernard, n.d. Solo piano; score; 2 p.

Plate no. N.11.A.No.12.

 25/12 <emph render="italic">Thema con variationi</emph> Moscow: P. Jurgenson, n.d. Solo piano; score; 9 p.

Plate no. 3256.

 Thème de l'opéra Faniska de Cherubini See: Sobranie muzykal'nykh pies, Box 66, Folder 9 25/13 <emph render="italic">Thème de Mozart</emph>. [=<emph render="italic">Variations on a theme of Mozart</emph>.] Moscow: P. IUrgenson, n.d. See also: Variations sur un thème de Mozart, Box 25, Folder 21 Solo piano or harp; score; 7 p.

Plate no. 3222 (3221).

 25/14 <emph render="italic">Toska</emph>. Moscow: P. IUrgenson, 1878. Voice (T) and piano; score; 7 p.

Plate no. 3229.

Language note: Russian

 25/15 <emph render="italic">Trot de cavalerie, no. 1</emph>. Moscow: P. Jurgenson, n.d. Piano, four hands; score; 2 p.

Plate no. 3226.

 25/16 <emph render="italic">Trot de cavalerie, no. 2</emph>. Moscow: P. Jurgenson, n.d. Piano, four hands; score; 3 p.

Plate no. 3226.

 25/17 <emph render="italic">Tu sei figlia e lodo</emph>. Moscow: P. IUrgenson, 1878. Voice (S) and piano; score; 3 p.

Plate no. 3244.

Language note: Italian

 25/18 <emph render="italic">Val's-Fantaziia</emph>. Moscow: A. Gutkheĭl', n.d. Arranged by B. Engelhardt for piano, four hands; 19 p.

Plate no. 2278.

 Valse See: Sobranie muzykal'nykh pies, Box 66, Folder 9 25/19 <emph render="italic">Valse favorite</emph> [B-flat major]. St. Petersburg: F. Stellovskiĭ, n.d. Solo piano; score; 4 p.

Plate no. 876.

 25/20 <emph render="italic">Valse mélodique</emph> [E-flat major]. St. Petersburg: F. Stellovskiĭ, n.d. Solo piano; score; 3 p.

Plate no. 873.

 25/21 <emph render="italic">Variations sur un thème de Mozart</emph>. Moscow: P. Jurgenson, n.d. See also: Thème de Mozart, Box 25, Folder 13 Solo piano or harp; score; 9 p.

Plate no. 3221 (3222).

 25/22 <emph render="italic">La vie pour le Tsar</emph>. [=<emph render="italic">A Life for the Tsar</emph>.] Leipzig: M.P. Belaïeff, n.d. Piano-vocal score; 435 p.

Plate no. 3031.

Language note: Russian

Language note: French

Language note: German

 25/23 <emph render="italic">Zhavoronok</emph>. [<emph render="italic">Proshchanie s Peterburgom</emph>, no. 10; =<emph render="italic">L'alouette</emph>.] Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1923. See also: L'alouett, Box 24, Folder 8 Voice and piano; score; 5 p.

Plate no. 30242.

Language note: Russian

Language note: German

 Gluck, Christoph Willibald 25/24 <emph render="italic">Orphée</emph>. Braunschweig: H. Litolff, n.d. Arranged by L. Köhler for solo piano; score; 60 p.

Plate no. 3768

 25/25 <emph render="italic">Orpheus</emph>. Leipzig: C.F. Peters, n.d. Piano-vocal score; 142 p.

Plate no. 9902.

Language note: German

Language note: French

 Godard, Benjamin 26/1 <emph render="italic">Air de ballet</emph>. Paris: L. Grus, n.d. Solo piano; score; 7 p.

Plate no. L.G.5093.No.1.

 26/2 <emph render="italic">Aubade</emph>, op. 133. Paris: J. Hamelle, n.d. Violin and piano; violin part, piano score; 5 p.; 11 p.

Plate no. J.4572.H.

 26/3 <emph render="italic">Berceuse d'enfant</emph>. Paris: A. Choudens, 1896. Voice and piano; score; 5 p.

Plate no. A.C.10172.

Language note: French

 26/4 <emph render="italic">Bohémienne</emph>, op. 40. Paris: A. Durand, n.d. Solo piano; score; 6 p.

Plate no. D. & F.2469.

 26/5 <emph render="italic">Brésilienne</emph>, op. 51. Paris: L. Grus, n.d. Solo piano; score; 7 p.

Plate no. L.G.3584.

 26/6 <emph render="italic">Carillon</emph>. [Paris]: [L. Grus], n.d. Solo piano; score; 4 p.

Plate no. L.G.5093.No.2.

incomplete after p. 4

 26/7 <emph render="italic">Les champs</emph>. Paris: L. Grus, n.d. Solo piano; score; 5 p.

Plate no. L.G.4604.

 26/8 <emph render="italic">Chemin faisant</emph>: En courant, op. 53, no. 1. Paris: L. Grus, n.d. Solo piano; score; 11 p.

Plate no. L.G.3441.(No.1).

 26/9 <emph render="italic">Chemin faisant</emph>: En pleurant, op. 53, no. 2. Paris: L. Grus, n.d. Solo piano; score; 7 p.

Plate no. L.G.3441.(No.2).

 26/10 <emph render="italic">Chemin faisant</emph>: En chantant, op. 53, no. 3. Paris: L. Grus, n.d. Solo piano; score; 7 p.

Plate no. L.G.3441.(No.3).

 26/11 <emph render="italic">Chemin faisant</emph>: En riant, op. 53, no. 5. Paris: L. Grus, n.d. Solo piano; score; 5 p.

Plate no. L.G.3441.(No.5).

 26/12 <emph render="italic">Chemin faisant</emph>: En valsant, op. 53, no. 6. Paris: L. Grus, n.d. Solo piano; score; 13 p.

Plate no. 3441.(No.6).

 26/13 <emph render="italic">Conte de fée</emph>, op. 62. Paris: A. Durand, n.d. Solo piano; score; 9 p.

Plate no. D. & F.2963, D.S. & Cie.2963.

 26/14 <emph render="italic">Les contes de Perrault</emph>, op. 6. Paris: A. Durand, n.d. Solo piano; score; 51 p.

Plate no. D.S. & Cie.2415 (1) through (9).

Contains annotations in pencil, p. 47.

 26/15 <emph render="italic">Contes de la veillée</emph>, op. 67. Paris: A. Durand, n.d. Piano, four hands; score; 49 p.

Plate no. D.S. & Cie.3038 through 3043.

 26/16 <emph render="italic">Danse fantastique</emph>. Paris: A. Choudens, 1896. Solo piano; score; 5 p.

Plate no. A.C.10147.

 26/17 <emph render="italic">Six fables de La Fontaine</emph>. Paris: Heugel, n.d. Voice and piano; score; 51 p.

Plate no. H. & Cie.6941 (1), 6943 (2), 6942 (3), 6944 (4), 6945 (5), 6946 (6).

Contains sparse annotations in pencil.

Language note: French

 26/18 <emph render="italic">Une fête au village</emph>. Paris: A. Choudens, 1896. Solo piano; score; 7 p.

Plate no. A.C.10157.

Contains sparse annotations in pencil.

 26/19 <emph render="italic">Impressions de campagne au printemps</emph>, op. 123. Paris: A. Choudens, 1892. Solo piano; 108 p.

Plate no. A.C.8311, .8361, .8779, .8780, .8781, .8835, .8836, .8837, .8842, .8844, .8868, .8869, .8870, .8843, .8871, .8881.

 26/20 <emph render="italic">Kermesse</emph>, op. 51. Paris: L. Grus, n.d. Arranged by G. Pfeiffer for piano, four hands; score; 21 p.

Plate no. L.G.5622.

 26/21 <emph render="italic">La lanterne magique</emph>, op. 50, no. 1: Boniment. Paris: L. Grus, n.d. Solo piano; score; 10 p.

Plate no. L.G.3565.

 26/22 <emph render="italic">La lanterne magique</emph>, op. 50, no. 2: Pan. Paris: L. Grus, n.d. Solo piano; score; 6 p.

Plate no. L.G.3566.

 26/23 <emph render="italic">La lanterne magique</emph>, op. 50, no. 3: Marquis et marquise. Paris: L. Grus, n.d. Solo piano; score; 3 p.

Plate no. L.G.3567.

 26/24 <emph render="italic">La lanterne magigue</emph>, op. 50, no. 4: Trilby. Paris: L. Grus, n.d. Solo piano; score; 12 p.

Plate no. L.G.3568.

 27/1 <emph render="italic">La lanterne magique</emph>, op. 55, no. 2: Poëte. Paris: L. Grus, n.d. Solo piano; score; 5 p.

Plate no. L.G.3440.(2).

 27/2 <emph render="italic">La lanterne magique</emph>, op. 55, no. 4: Viennoise. Paris: L. Grus, n.d. Solo piano; score; 8 p.

Plate no. L.G.3440.(4).

two copies of p. 7

 27/3 <emph render="italic">La lanterne magique</emph>, op. 55, no. 5: Mignon. Paris: L. Grus, n.d. Solo piano; score; 9 p.

Plate no. L.G.3440.(5).

 27/4 <emph render="italic">La lanterne magique</emph>, op. 55, no. 6: Bergers et bergères. Paris: L. Grus, n.d. Solo piano; score; 6 p.

Plate no. L.G.3440.(6).

 27/5 <emph render="italic">La lanterne magique</emph>, op. 66, no. 4: Lansquenets. Paris: L. Grus, n.d. Solo piano; score; 5 p.

Plate no. L.G.3761.(4).

 27/6 <emph render="italic">La lanterne magique</emph>, op. 66, no. 5: Esméralda. Paris: L. Grus, n.d. Solo piano; score; 9 p.

Plate no. L.G.3762.(5).

 27/7 <emph render="italic">La lanterne magique</emph>, op. 66, no. 6: Marcel le Huguenot. Paris: L. Grus, n.d. Solo piano; score; 5 p.

Plate no. L.G.3763.(6).

 27/8 <emph render="italic">La lanterne magique</emph>, op. 110, no. 2: Vénitienne. Paris: L. Grus, n.d. Solo piano; score; 7 p.

Plate no. L.G.4512.(No. 2).

 27/9 <emph render="italic">La lanterne magique</emph>, op. 110, no. 3: Espagnole. Paris: L. Grus, n.d. Solo piano; score; 11 p.

Plate no. L.G.4512.(No. 3).

 27/10 <emph render="italic">La lanterne magique</emph>, op. 110, no. 5: Saxonne. Paris: L. Grus, n.d. Solo piano; score; 11 p.

Plate no. L.G.4512.(No. 5).

 27/11 <emph render="italic">La lanterne magique</emph>, op. 115, no. 1: Norvégienne. Paris: L. Grus, 1892. Solo piano; score; 7 p.

Plate no. L.G.4548.(No. 1).

 27/12 <emph render="italic">La lanterne magique</emph>, op. 115, no. 2: Russe. Paris: L. Grus, 1892. Solo piano; score; 7 p.

Plate no. L.G.4548.(No. 2).

 27/13 <emph render="italic">La lanterne magique</emph>, op. 115, no. 4: Anglaise. Paris: L. Grus, 1892. Solo piano; score; 9 p.

Plate no. L.G.4548.(4).

 27/14 <emph render="italic">La lanterne magique</emph>, op. 115, no. 5: Orientale. Paris: L. Grus, 1892. Solo piano; score; 3 p.

Plate no. L.G.4712.(5).

 27/15 <emph render="italic">La lanterne magique</emph>, op. 115, no. 6: Styrienne. Paris: L. Grus, 1892. Solo piano; score; 11 p.

Plate no. L.G.4548.(No. 6).

 27/16 <emph render="italic">Menuet-Andante-Gavotte</emph>, op. 16. Paris: A. Durand, n.d. Solo piano; score; 9 p.

Plate no. D.S. et Cie.1716.(1) through (3).

 27/17 <emph render="italic">Trois morceaux</emph>, op. 27. Paris: A. Durand, n.d. Solo piano; score; 13 p.

Plate no. D.S. et Cie. 2151 (1) through (3).

 27/18 <emph render="italic">Novellozza</emph>, op. 47. Paris: A. Durand, n.d. Solo piano; score; 5 p.

Plate no. D. & F.2962., D.S. & Cie.2962.

 27/19 <emph render="italic">Redowa</emph>, op. 141. Paris: H. Tellier, 1893. Solo piano; score; 7 p.

Plate no. H.T.1101.

 27/20 <emph render="italic">Romance sans paroles</emph>, no. 2, op. 120. Paris: J. Hamelle, n.d. Solo piano; score; 7 p.

Plate no. J.3117.H.

 27/21 <emph render="italic">Scènes italiennes</emph>, op. 126. Paris: A. Durand, n.d. Solo piano; score; 24 p.

Plate no. D.S.4354 through 4356.

 27/22 <emph render="italic">Scènes poétiques</emph>, op. 46, no. 1: Dans les bois. Paris: C. Joubert, n.d. Arranged by G. Pfeiffer for solo piano; score; 9 p.

Plate no. B.et Cie.12562.(1).

 27/23 <emph render="italic">Scènes poétiques</emph>, op. 46, no. 2: Dans les champs. Paris: C. Joubert, n.d. Arranged by G. Pfeiffer for solo piano; score; 5 p.

Plate no. B.et Cie.12562.(2).

 27/24 <emph render="italic">Scènes poétiques</emph>, op. 46, no. 3: Sur la montagne. Paris: Brandus, n.d. Arranged for piano, four hands; score; 9 p.

Plate no. B.et Cie.12506.(3).

 27/25 <emph render="italic">Scènes poétiques</emph>, op. 46, no. 4: Au village. Paris: C. Joubert, n.d. Arranged by G. Pfeiffer for solo piano; score; 9 p.

Plate no. B.et Cie.12562.(4).

 27/26 <emph render="italic">Scherzetto</emph>, no. 2, op. 108. Paris: A. Durand, n.d. Solo piano; score; 7 p.

Plate no. D.S.4297.

 27/27 <emph render="italic">Sérénade</emph>. Paris: J. Hamelle, n.d. Solo piano; score; 12 p.

Plate no. J.4434.H.

 27/28 <emph render="italic">Sérénade à Mabel</emph>, op. 138, no. 2. Paris: J. Hamelle, 1892. Solo piano; score; 4 p.

Plate no. J.3527 H.

 27/29 <emph render="italic">Sérénade aux étoiles</emph>. Paris: A. Choudens, 1896. Solo piano; score; 5 p.

Plate no. A.C.10143.

 27/30 <emph render="italic">Sonate fantastique</emph>, op. 63, no. 2: Les farfadets. Paris: J. Hamelle, n.d. Solo piano; score; 7 p.

Plate no. J.1917.2.H.

 27/31 <emph render="italic">Sonate fantastique</emph>, op. 63, no. 3: La fée d'amour. Paris: J. Hamelle, 1897. Solo piano; score; 8 p.

Plate no. J.1918.3.H.

 27/32 <emph render="italic">Suite de danses anciennes et modernes</emph>, op. 103, nos. 1-3. Paris: C. Joubert, n.d. Solo piano; score; 14 p.

Plate no. B.et Cie.13155.(1) through (3).

Contents:

1. Minuet 2. Rigodon 3. Gigue 27/33 <emph render="italic">Suite de danses anciennes et modernes</emph>, op. 103, nos. 4-6. Paris: C. Joubert, n.d. Solo piano; score; 28 p.

Plate no. B.et Cie.13155.(4) through (6).

Contents:

4. Mazurk, no. 4 5. Polka, no. 1 6. Valse, no. 8. 27/34 <emph render="italic">Suite de trois morceaux</emph>, op. 116. Paris: A. Durand, n.d. Flute and piano; flute part, piano score; 10 p.; 19 p.

Plate no. D.S.4144 (1) through (3).

 28/1 <emph render="italic">Symphonie-Ballet</emph>, op. 60, no. 1: Ouverture. Paris: L. Grus, n.d. Arranged for solo piano; score; 11 p.

Plate no. L.G.3655.(No. 1).

 28/2 <emph render="italic">Symphonie-Ballet</emph>, op. 60, no. 2: La cerrito. Paris: L. Grus, n.d. Arranged for solo piano; score; 7 p.

Plate no. L.G.3656.(No. 2).

 28/3 <emph render="italic">Symphonie-Ballet</emph>, op. 60, no. 3: Pantomime sentimentale. Paris: L. Grus, n.d. Arranged for solo piano; score; 5 p.

Plate no. L.G.3657.(No. 3).

 28/4 <emph render="italic">Symphonie-Ballet</emph>, op. 60, no. 4: Danse d'almées. Paris: L. Grus, n.d. Arranged for solo piano; score; 5 p.

Plate no. 3658.(No. 4).

 28/5 <emph render="italic">Symphonie-Ballet</emph>, op. 60, no. 5: Final-valse. Paris: L. Grus, n.d. Arranged for solo piano; score; 15 p.

Plate no. 3659.(No. 5).

 28/6 <emph render="italic">Le tasse</emph>, op. 39: Danse des bohémiens. Paris: Heugel, n.d. Arranged for solo piano; score; 7 p.

Plate no. H.et Cie.9304.

 28/7 <emph render="italic">Le tasse</emph>, op. 39: La fête chez le duc d'Este. Paris: G. Hartmann, n.d. Arranged for piano, four hands; score; 17 p.

Plate no. G.1167 H.

 28/8 <emph render="italic">Le tasse</emph>, op. 39: Pastorale. Paris: G. Hartmann, n.d. Arranged for solo piano; score; 7 p.

Plate no. G.H.1343.

 28/9 <emph render="italic">Trio</emph>, no. 2, op. 72: Scherzo. Paris: Durand & Schoenewerk, 1888. Arranged by I. Philipp for solo piano; score; 9 p.

Plate no. D.S.3949.

 28/10 <emph render="italic">Tziganka</emph>, op. 134. Paris: J. Hamelle, 1895. Solo piano; score; 14 p.

Plate no. J.3493 H.

 28/11 <emph render="italic">Valse</emph>, no. 2, op. 56. Paris: A. Durand, 1910. Solo piano; score; 7 p.

Plate no. D. & F.2846.

 28/12 <emph render="italic">Valse</emph>, no. 3 (<emph render="italic">Valse-sérénade</emph>), op. 71. Paris: A. Durand, n.d. Solo piano; score; 9 p.

Plate no. D.S. & Cie.3105.

Contains sparse annotations in pencil.

 Goossens, Eugène 28/13 <emph render="italic">Four conceits</emph>, op. 20. London: J. & W. Chester, 1918. Solo piano; score; 12 p.

Plate no. J. & W.C.2028.1 through .4.

 28/14 <emph render="italic">Epigram</emph>, op. 19. London: J. & W. Chester, 1918. Voice and piano; score; 3 p.

Plate no. J. & W.C.3766.

Language note: English

Language note: French

 28/15 <emph render="italic">Kaleidoscope</emph>, op. 18. London: J. & W. Chester, 1918. Solo piano; score; 25 p.

Plate no. J. & W.C.2027.1 through .12.

 28/16 <emph render="italic">Deux proses lyriques</emph>, op. 16. London: J. & W. Chester, 1917. Voice and piano; score; 15 p.

Plate no. J.W.C.3731.

Language note: French

 28/17 <emph render="italic">Two songs</emph>, op. 10. London: J. & W. Chester, 1917. Voice and piano; score; 8 p.

Plate no. J. & W.C.3733.

Contains annotations in pencil on inside back cover.

Language note: French

Language note: English

 Gounod, Charles François 28/18 <emph render="italic">L'Angelus</emph>. Paris: A. Leduc, n.d. Arranged by A. Le Beau for solo piano; score; 3 p.

Plate no. A.L.12070.

 28/19 <emph render="italic">Le bal d'enfants</emph>. Paris: A. Leduc, n.d. Solo piano; score; 5 p.

Plate no. A.L.11791.

 28/20 <emph render="italic">Chanson printanière</emph>. Paris: A. Choudens, 1895. Solo piano; score; 5 p.

Plate no. A.C.10081.

 28/21 <emph render="italic">Choral et musette</emph>. Paris: A. Choudens, n.d. Solo piano; score; 5 p.

Plate no. A.C.2697.

 28/22 <emph render="italic">Cinq Mars</emph>: Ballet Louis XIII. Paris: L. Grus, n.d. Arranged for solo piano; score; 15 p.

Plate no. L.G.3455.

 28/23 <emph render="italic">Cinq Mars</emph>: Sarabande. Paris: L. Grus, n.d. Arranged for solo piano; score; 7 p.

Plate no. L.G.3387.

 28/24-26 29/1-2 <emph render="italic">La colombe</emph>. Paris: A. Choudens, n.d. Piano-vocal score; 142 p.

Plate no. A.C.758.

Contents:

BOX: 28/24 Copy 1: contains sparse annotations in pencil. BOX: 28/25 Copy 2 of the above. BOX: 28/25 Laid in: copyist's manuscripts, 31 p.; 1 p. annotations in the hands of both Diaghilev and Lifar. Printed score also contains extensive emendations and anno-tations in pencil and in ink, in the hands of both Diaghilev and Lifar. BOX: 28/26 Copy 3 of the above. BOX: 29/1 Copy 4 of the above. BOX: 29/2 Copy 5 of the above: incomplete, contains only p. 2 through 18.

Language note: French

 29/3 <emph render="italic">Dodelinette</emph>. Paris: H. Lemoine, n.d. Solo piano; score; 5 p.

Plate no. 7780.HL.

 29/4 <emph render="italic">Filemon e Bauci</emph>. [=<emph render="italic">Philémon et Baucis</emph>.] Paris: A. Choudens, n.d. See also: Philémon et Baucis Box 29, Folder 13 See also: Philémon et Baucis Box 30, Folder 1 See also: Philémon et Baucis Shelved item 24 Piano-vocal score; 171 p.

Plate no. A.C.5563.

Language note: Italian

 29/5 <emph render="italic">Gavotte</emph>. Paris: A. Choudens, 1895. Solo piano; score; 7 p.

Plate no. A.C.9799.

 29/6 <emph render="italic">Impromptu</emph>. Paris: H. Lemoine, 1888. Solo piano; score; 3 p.

Plate no. 9510.HL.

 29/7 <emph render="italic">Jeanne d'Arc</emph>: Danse bohémienne. Paris: A. Choudens, n.d. Arranged for solo piano; score; 11 p.

Plate no. 18 (C).

 29/8 <emph render="italic">Marche funèbre d'une marionette</emph>. Paris: H. Lemoine, n.d. Solo piano; score; 7 p.

Plate no. 7523.HL.

 29/9 <emph render="italic">Matinée de mai</emph>. Paris: A. Choudens, 1896. Solo piano; score; 3 p.

Plate no. A.C.10186.

 29/10 <emph render="italic">Le médecin malgré lui</emph>. Paris: E. Gallet, n.d. Piano-vocal score; 190 p.

Plate no. 2097.

Laid in: copyist's manuscripts, 90 p. Printed score also contains extensive emendations and annotations in pencil and in ink.

Language note: French

 29/11 <emph render="italic">Le médecin malgré lui</emph>. [Paris]: [A. Choudens], n.d. Piano-vocal score; [18] p.

Plate no. A.C.2097.

incomplete: p. 57-72, 187-190 only

Contains annotations in pencil and in ink.

Language note: French

 S/45 <emph render="italic">Mireille</emph>. Paris: A. Choudens, n.d. Piano-vocal score; 213 p.

Plate no. A.C.1005.

Contains sparse annotations in pencil.

Language note: French

 29/12 <emph render="italic">Petite étude-scherzo</emph>. Paris: H. Lemoine, n.d. Arranged for solo piano; score; 3 p.

Plate no. 9314.HL.

 29/13 30/1 <emph render="italic">Philémon et Baucis</emph>. Paris: A. Choudens, n.d. See also: Filemon e Bauci, Box 29, Folder 4 Piano-vocal score; 189 p.

Plate no. A.C.703.

Contenst:

BOX: 29/13 Copy 1: contains annotations in pencil. BOX: 30/1 Copy 2 of the above. Cover page missing.

Language note: French

 S/24 <emph render="italic">Philémon et Baucis</emph>. Paris: A. Choudens, n.d. Piano-vocal score; 178 p.

Plate no. A.C.703, 702.

Contains sparse annotations in pencil.

Language note: French

 30/2 <emph render="italic">Préludes et fugues pour l'étude préparatoire au Clavecin bien tempéré de Jean Sébastien Bach</emph>. Paris: A. Choudens, 1895. Solo piano; score; 52 p.

Plate no. A.C.9800 through 9805.

 30/3 <emph render="italic">Quatuor no. 3</emph>. Paris: A. Choudens, 1895. See also: Scherzo, Box 30, Folder 6 Strings; parts for: vn I, vn II, vla, vc (9 p. each).

Plate no. A.C.9809.

 30/4 <emph render="italic">La reine de Saba</emph>: Ballet et Marche. Paris: A. Choudens, n.d. Arranged for solo piano; score; 21 p.

Plate no. A.C. 2743.

 30/5 <emph render="italic">Royal-Menuet</emph>. Paris: Le Beau, n.d. Solo piano; score; 5 p.

Plate no. N.L.342.

 30/6 <emph render="italic">Scherzo</emph>. [<emph render="italic">Quartet</emph>, strings, no. 3, A minor: Scherzo.] Paris: A. Choudens, 1895. See also: Quatuor no. 3, Box 30, Folder 3 Arranged by H. Büsser for solo piano; score; 7 p.

Plate no. A.C.10037.

 30/7 <emph render="italic">Sérénade</emph>. Paris: A. Leduc, n.d. Arranged for solo piano; score; 2 p.

Plate no. A.L.11926.

 30/8 <emph render="italic">Souvenir d'un bal</emph>. Paris: A. Choudens, 1895. Solo piano; score; 5 p.

Plate no. A.C.9944.

 30/9 <emph render="italic">Sylvie</emph>. Paris: A. Choudens, n.d. Voice and piano; score; 3 p.

Plate no. A.C.3953.

Language note: French

 30/10 <emph render="italic">Symphony no. 2</emph>, E-flat major: 1. Adagio-allegro agitato. Paris: A. Choudens, n.d. Arranged for piano, four hands; score; 25 p.

Plate no. A.C.1204.(1).

 30/11 <emph render="italic">Symphony no. 2</emph>, E-flat major: 2. Larghetto; 3. Scherzo; 4. Final. Paris: A. Choudens, n.d. Arranged for piano, four hands; score; [41] p.

Plate no. A.C.1204.(2) through (4).

complete in 51 p. pages 26-77 only

 30/12 <emph render="italic">Le tribut de Zamora</emph>: excerpts. Paris: A. Choudens, n.d. Piano-vocal score; 56 p.

Plate no. A.C.5242.

Language note: French

 30/13 <emph render="italic">Ulysse</emph>. Paris: A. Choudens, n.d. Piano-vocal score; 112 p.

Plate no. A.C.1299.

Language note: French

 30/14 <emph render="italic">La valse des sylphes</emph>. Paris: H. Lemoine, n.d. Solo piano; score; 7 p.

Plate no. 7794.HL.

 Grainger, Percy Aldridge 30/15 <emph render="italic">British folk-music settings</emph>: Irish tune from County Derry (no. 6). London: Schott, 1911. Solo piano; score; 7 p. 30/16-17 <emph render="italic">British folk-music settings</emph>: Shepherd's hey (no. 4). London: Schott, 1911. Solo piano; score; 10 p.

BOX: 30/17 Copy 2 of the above.

 30/18 <emph render="italic">British folk-music settings</emph>: The Sussex Mummers' Christmas carol (no. 2). London: Schott, 1911. Solo piano; score; 7 p. 30/19 <emph render="italic">Room music tit-bits</emph>: Mock Morris (no. 1). ["Concert version."] London: Schott, 1912. Solo piano; score; 12 p.

Plate no. 3128.

Contains annotations in pencil on verso of title page.

 30/20 <emph render="italic">Room music tit-bits</emph>: Mock Morris (no. 1). ["Popular version."] London: Schott, 1912. Solo piano; score; 10 p.

Plate no. 45.

Published 1912/1913

 30/21 <emph render="italic">Room-music tit-bits</emph>: Walking tune (no. 3). London: Schott, 1912. Solo piano; score; 10 p.

Plate no. 3137.

2 copies

 30/22 <emph render="italic">Sentimentals</emph>: Colonial song (no. 1). London: Schott, 1913. Voice and piano or solo piano; score; 11 p.

Published 1913/1914

no lyrics

 30/23 <emph render="italic">Settings of songs and tunes from William Chappell's</emph>Old English popular music: My robin is to the greenwood gone (no. 2). London: Schott, 1912. Solo piano; score; 10 p. Grechaninov, Aleksandr Tikhonovich 31/1 <emph render="italic">Quatre mélodies</emph>, op. 20, no. 4: Le captif. Leipzig: M.P. Belaïeff, 1912. Voice and piano; score; 5 p.

Plate no. 1966 1970.

Language note: Russian

Language note: French

Language note: German

 Grosz, Wilhelm 31/2 <emph render="italic">Baby in der Bar</emph>, op. 23. Vienna: Universal, 1927. Arranged by the composer for solo piano; score; 43 p.

Plate no. U.E.7523.

 Gurilev, Aleksandr L'vovich 31/3 <emph render="italic">Ne shumi ty, rozh', spelym kolosom</emph>. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1923. Two voices and piano; score; 7 p.

Plate no. 10065.

Language note: Russian

Language note: German

 Haberbier, E. Valse See: Glinka, Mikhaĭl. Sobranie muzykal'nykh pies, Box 66, Folder 9 Hahn, Reynaldo 31/4 <emph render="italic">Le bal de Béatrice d'Este</emph>. Paris: Heugel, 1911. Arranged by A. Gédalge for piano, four hands; score; 25 p.

Plate no. H. & Cie.24960.

 31/5 <emph render="italic">Ciboulette</emph>: selections. Paris: F. Salabert, 1923. Arranged by F. Salabert for solo piano; score; 8 p.

Plate no. E.A.S.2731.

 Haydn, Joseph 31/6 <emph render="italic">Symphonie d'enfants</emph>. Paris: Costallat, n.d. Condensed score; 5 p.

Plate no. 16906.R.

2 copies

 31/7 <emph render="italic">Symphonie d'enfants</emph>. Paris: [s.n.], n.d. Parts for: vn I, vn II (2 p. each); cb (1 p.); perc (2 copies, 1 p.).

Plate no. R.11759.

2 copies

 Henderson, Ray See: De Sylva, B. G. Hindemith, Paul 31/8 <emph render="italic">Der Dämon</emph>, op. 28. Mainz: B. Schott's Söhne, 1924. Reduction by H. Uhticke for solo piano; score; 27 p.

Plate no. 31096.

 31/9 <emph render="italic">Hin und zurück</emph>, op. 45a. Mainz: B. Schott's Söhne, 1927. Piano-vocal score; 23 p.

Plate no. 31960.

Language note: German

 31/10 <emph render="italic">Tanzstücke</emph>, op. 19. Mainz: B. Schott's Söhne, 1928. Solo piano; score; 22 p.

Plate no. 32189.

 Holländer, Friedrich 31/11 <emph render="italic">Loin de toi</emph>. [=<emph render="italic">Wie hab'ich nur leben können Dich?</emph>] Paris: F. Salabert, 1933. Parts for: piano/conductor (4 p.); vn I/conductor (reduced score) (3 p.) (2 copies); vn II, vla, vc, cb, fl, ob, cl I, sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each)

Plate no. E.A.S.8642.

parts contain vocal line indications

"Valse anglaise du film Moi et l'Impératrice."

Language note: French

 31/12 <emph render="italic">Qui j'aime</emph>. [=<emph render="italic">Ich weiss nicht zu wem ich gehöre</emph>.] Paris: F. Salabert, 1932. Parts for: piano/conductor (4 p.); vn I/ conductor (2 p.) (2 copies); vn II, vla, vc, cb, fl, ob, cl I, sax I (alto), sax II (tenor), sax III (alto), tpt I, tpt II, tbn, perc, banjo (2 p. each)

Plate no. E.A.S.7350.

Language note: French

parts contain vocal line indications

"Valse anglaise du film Tumultes."

 Howard, Samuel The Amorous Goddess See: I.B. Collections, Box 1 (S/62), p. 67 d'Indy, Vincent 31/13 <emph render="italic">Attendez-moi sous l'Orme</emph>. Paris: Enoch, n.d. Piano-vocal score; 106 p.

Plate no. E. & C.807.

Contains annotations in pencil on front cover.

Language note: French

 Inghelbrecht, Désiré Émile 31/14 <emph render="italic">Le diable dans le beffroi</emph>. Paris: Heugel, 1927. Reduction for solo piano; score; 76 p.

Plate no. 29551.

 Kalinnikov, Vasiliĭ Sergeevich 31/15 <emph render="italic">Chanson triste</emph>. Moscow: P. Jurgenson, n.d. Solo piano; score; 3 p.

Plate no. 26077.

 Kéler, Béla 31/16 <emph render="italic">Lustspiel-Ouverture</emph>, op. 73. Berlin: Edition Europa, n.d. Arranged for solo piano; score; 7 p.

Plate no. Ed.771 Er.

Composer also known by the name: Keler, Albert von

 Kool, Jaap 31/17 <emph render="italic">Der Leierkasten</emph>. Vienna: Universal, 1925. Reduction by K. Mengelberg for solo piano; score; 44 p.

Plate no. U.E.8295.

 Kuzmin, Mikhaĭl 31/18 <emph render="italic">Aleksandriĭskie pesni, v. 1</emph>. Moscow: Gosudarstvennoe muzykal'noe izdatel'stvo, 1921. Voice and piano; score; 23 p.

Plate no. G.M.776 (477, 778 through 781) I.M.

Language note: Russian

 Labadie, H. Mia cara See: I.B. Collections, Box 3 (S/64), p. 68-69 Lalo, Édouard 31/19 <emph render="italic">Divertissement</emph>. Paris: Heugel, n.d. Arranged for solo piano; score; 23 p.

Plate no. H.et Cie.20223.

 31/20 <emph render="italic">Pastorale et scherzo alla Pulcinella</emph>, op. 8. Paris: Costallat, n.d. Violin and piano; violin part, piano score; 3 p.; 10 p.

Plate no. R.10667.

 32/1 <emph render="italic">Il re d'Ys</emph>. [=<emph render="italic">Le roi d'Ys</emph>.] Milan: E. Sonzogno, 1890. Piano-vocal score; 231 p.

Plate no. G.H. & Cie.1745, .1939.

Published also by: G. Hartmann in Paris, 1890

Language note: Italian

 Lama, Gaetano 32/2 <emph render="italic">Pallida mimosa</emph>. Naples: F. Feola, 1921. Voice and piano; score; 3 p.

Plate no. 1745.

Language note: Italian

 Laskowsky, J. Valse See: Glinka, Mikhaĭl. Sobranie muzykal'nykh pies, Box 66, Folder 9 Lassen, Eduard 32/3 <emph render="italic">Pominal'nyĭ den'</emph>, op. 85, no. 3. Moscow: A. Gutkheĭl', 1891. Voice and piano; score; 5 p.

Plate no. A.5803 G.

Language note: Russian

Language note: German

 Le Borne, Fernand 32/4 <emph render="italic">Judith</emph>, op. 71. Paris: Deiss & Crépin, 1922. Full score; 103 p.

Plate no. D. & C.5625.

 Lecocq, [Alexandre] Charles 32/5 <emph render="italic">Le cygne</emph>. Paris: Heugel, 1899. Reduction for solo piano; score; 87 p.

Plate no. H. & Cie.19760.

 Lehár, Franz 32/6 <emph render="italic">Tsyganskaia liubov'</emph> [=<emph render="italic">Gypsy Love</emph>]: Waltz. Moscow: S.IA. IAmbor, n.d. Arranged for solo piano; score; 4 p.

Composer also known by the name: Legar, F.

 32/7 <emph render="italic">Veselaia vdova</emph> [=<emph render="italic">The Merry Widow</emph>.]: Waltz. Moscow: S.IA. IAmbor, n.d. Arranged for solo piano; score; 4 p.

Composer also known by the name: Legar, F.

 Liadov, Anatoliĭ Konstantinovich 32/8 <emph render="italic">Arabesques</emph>, op. 4, no. 1. Paris: A. Leduc, n.d. Solo piano; score; 5 p.

Plate no. A.L.13698.

 32/9 <emph render="italic">Arabesques</emph>, op. 4, no. 2. Paris: A. Leduc, n.d. Solo piano; score; 7 p.

Plate no. A.L.13699.

 32/10 <emph render="italic">Arabesques</emph>, op. 4, no. 3. Paris: A. Leduc, n.d. Solo piano; score; 5 p.

Plate no. A.L.13700.

 32/11 <emph render="italic">Arabesques</emph>, op. 4, no. 4. Paris: A. Leduc, n.d. Solo piano; score; 7 p.

Plate no. A.L.13701.

 32/12 <emph render="italic">Bagatelle</emph>, op. 30. Leipzig: M.P. Belaïeff, 1892. Solo piano; score; 3 p.

Plate no. 524.

 32/13 <emph render="italic">Trois bagatelles</emph>, op. 53. Leipzig: M.P. Belaïeff, 1903. Solo piano; score; 5 p.

Plate no. 2415.

 32/14 <emph render="italic">Biroulki</emph>, op. 2. Paris: A. Leduc, n.d. Solo piano; score; 27 p.

Plate no. A.L.8756.

 32/15 <emph render="italic">Trois canons</emph>, op. 34. Leipzig: M.P. Belaïeff, 1894. Solo piano; score; 5 p.

Plate no. 935.

 32/16 <emph render="italic">Etiud i kantsonetta</emph>, op. 48. Leipzig: M.P. Belaïeff, 1899. Solo piano; score; 10 p.

Plate no. 2074 through 2076.

 32/17 <emph render="italic">Etiud i 3 preliudii</emph>, op. 40. Leipzig: M.P. Belaïeff, 1897. Solo piano; score; 11 p.

Plate no. 1455 through 1457.

 32/18 <emph render="italic">Fantaziia na russkuiu piesniu</emph>Vozlie riechki, vozlie mostu. Moscow: A. Gutkheĭl', n.d. Arranged for piano, four hands; score; 17 p.

Plate no. A.2162 G.

 32/19 <emph render="italic">Idilliia</emph>, op. 25. Leipzig: M.P. Belaïeff, 1891. Solo piano; score; 10 p.

Plate no. 413.

 32/20 <emph render="italic">Le lac enchanté</emph>, op. 62. [=<emph render="italic">Volshebnoe ozero</emph>.] Leipzig: M.P. Belaïeff, 1909. Arranged by B. Kalafati for piano, four hands; 11 p.

Plate no. 2849.

 32/21 <emph render="italic">Mazurka</emph>, op. 38. Leipzig: M.P. Belaïeff, 1896. Solo piano; score; 7 p.

Plate no. 1350.

 32/22 <emph render="italic">Deux mazurkas</emph>, op. 15. Paris: J. Hamelle, n.d. Solo piano; score; 5 p.

Plate no. J.2745 H.

 32/23 <emph render="italic">2 morceaux</emph>, op. 24. [=<emph render="italic">2 p'esy</emph>.] Leipzig: M.P. Belaïeff, 1890. Solo piano; score; 19 p.

Plate no. 295.339 through 295.340.

 32/24 <emph render="italic">Deux morceaux</emph>, op. 31. [=<emph render="italic">2 p'esy</emph>.] Leipzig: M.P. Belaïeff, 1893. Solo piano; score; 13 p.

Plate no. 773.774, 773.775.

 32/25 <emph render="italic">Trois morceaux</emph>, op. 10, no. 1: Prélude. Paris: A. Leduc, n.d. Solo piano; score; 5 p.

Plate no. A.L.13520.

 32/26 <emph render="italic">Trois morceaux</emph>, op. 10, no. 2: Mazurka, C major. Paris: A. Leduc, n.d. Solo piano; score; 4 p.

Plate no. A.L.13521.

 32/27 <emph render="italic">Trois morceaux</emph>, op. 10, no. 3: Mazurka, D major. Paris: A. Leduc, n.d. Solo piano; score; 5 p.

Plate no. A.L.13522.

 33/1 <emph render="italic">Trois morceaux</emph>, op. 57. [=<emph render="italic">Tri p'esy</emph>.] Leipzig: M.P. Belaïeff, 1906. Solo piano; score; 11 p.

Plate no. 2596.2597 through 2596.2599.

 33/2 <emph render="italic">Quatre morceaux</emph>, op. 64. Leipzig: M.P. Belaïeff, 1910. Solo piano; score; 7 p.

Plate no. 2797.

 33/3 <emph render="italic">Six morceaux</emph>. Paris: A. Leduc, n.d. Solo piano; score; 23 p.

Plate no. A.L.8755.

 33/4 <emph render="italic">3 morceaux de ballet</emph>, op. 52. Leipzig: M.P. Belaïeff, 1901. Solo piano; score; 1 p.

incomplete: cover page, p. 3-4 only

Plate no. 2340, 2341.

 33/5 <emph render="italic">Novelette</emph>, op. 20. [=<emph render="italic">Novinka</emph>.] Leipzig: M.P. Belaïeff, 1889. Solo piano; score; 9 p.

Plate no. 176.

 33/6 <emph render="italic">Petite valse</emph>, op. 26. Leipzig: Bosworth, 1908. Solo piano; score; 7 p.

Plate no. B. & Co. 10867.

 33/7 <emph render="italic">Deux préludes et mazurka</emph>, op. 42. [=<emph render="italic">2 preliudii i mazurka</emph>.] Leipzig: M.P. Belaïeff, 1898. Solo piano; score; 7 p.

Plate no. 1694.1695 through 1694.1697.

 33/8 <emph render="italic">3 préludes</emph>, op. 27. [=<emph render="italic">3 preliudii</emph>.] Leipzig: M.P. Belaïeff, 1891. Solo piano; score; 12 p.

Plate no. 442.443 through 442.445.

 33/9 <emph render="italic">3 préludes</emph>, op. 36. [=<emph render="italic">3 préludes</emph>.] Leipzig: M.P. Belaïeff, 1895. Solo piano; score; 7 p.

Plate no. 1266.

 33/10 <emph render="italic">Quatre préludes</emph>, op. 13. St. Petersburg: V. Bessel', n.d. Solo piano; score; 13 p.

Plate no. 2024 (a) through (d).

 33/11 <emph render="italic">Quatre préludes</emph>, op. 39. [=<emph render="italic">4 preliudii</emph>.] Leipzig: M.P. Belaïeff, 1896. Solo piano; score; 11 p.

Plate no. 1351.1352 through 1351.1355.

 33/12 <emph render="italic">Quatre préludes</emph>, op. 46. [=<emph render="italic">4 preliudii</emph>.] Leipzig: M.P. Belaïeff, 1899. Solo piano; score; 9 p.

Plate no. 1983.

 33/13 <emph render="italic">Une tabatière à musique</emph>, op. 32. Leipzig: M.P. Belaïeff, 1893. Solo piano; score; 6 p.

Plate no. 776.

 33/14 <emph render="italic">Valse</emph>, op. 9, no. 1. [=<emph render="italic">Two pieces</emph>: Valse.] Leipzig: Bosworth, 1897. Solo piano; score; 7 p.

Plate no. B. & Co. 1253.

 33/15 <emph render="italic">Variations sur un thème populaire polonais</emph>, op. 51. [=<emph render="italic">Variatsii</emph>.] Leipzig: M.P. Belaïeff, 1901. Solo piano; score; 18 p.

Plate no. 2288.

 Lipnitzki, Boris 33/16 <emph render="italic">Les aveugles</emph>. [S.l.]: Boris Lipnitzki, n.d. Reduction for solo piano; score; 20 p. Liszt, Franz 33/17 <emph render="italic">Le rossignol</emph>. Mainz: B. Schott's Söhne, 1917. Arranged by A. Aliab'ev for piano solo; score; 6 p.

Plate no. 06568.

 Locatelli, Pietro Antonio 33/18 <emph render="italic">Sonate</emph>, op. 6, G major: 1. Largo-allemande. Paris: M. Senart, n.d. Violin and piano; violin part, piano score; 1 p.; 2 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R.et Cie.179.

 33/19 <emph render="italic">Sonate</emph>, op. 6, G major: 2. Sicilienne. Paris: M. Senart, n.d. Violin and piano; violin part, piano score; 1 p.; 2 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R.et Cie.73.

 33/20 <emph render="italic">Sonate</emph>, op. 6, G major: 3. Gigue. Paris: M. Senart, n.d. Violin and piano; violin part, piano score; 1 p.; 2 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R.et Cie.180.

 Loucheur, Raymond 33/21 <emph render="italic">Hop-Frog</emph>. [S.l.]: [s.n.], n.d. Reduction for solo piano; score; 71 p. L'vov, A. S/46 <emph render="italic">Dukhovno-muzykal'nyia</emph>. [=<emph render="italic">Sacred musical works</emph>.] St. Petersburg: [s.n.], n.d. Mixed chorus (SATB) and piano; score; 238 p.

Plate no. 6268 through 6354 (even numbers only).

Contains holograph inscription in pencil inside front cover: "vieux chants d'église russe" ("old songs of the Russian church").

Language note: Russian

Note: A. [Alekseĭ Fëdorovich (?)] L'vov

 Lynde, L. L. 33/22 <emph render="italic">One day, one night</emph>. Paris: F. Salabert, 1918. Arranged for solo piano by F. Salabert; score; 7 p.

Plate no. E.A.S.937.

 Malderen, Édouard van 33/23 <emph render="italic">Le tango du rêve</emph>. Paris: L. Maillochon, 1919. Solo piano; score; 2 p.

Plate no. W.S.124.

 Malipiero, Gian Francesco 33/24 <emph render="italic">La mascherata delle principesse prigioniere</emph>. [=<emph render="italic">La mascarade des prin-cesses captives</emph>.] London: J. & W. Chester, 1919. Reduction for piano, four hands; score; 46 p.

Plate no. J. & W.C.2908.

 Marchetti, F. D. Fascination See: I.B. Collections, Box 3 (S/64), p. 68-69 Margis, Alfred La châtelaine See: I.B. Collections, Box 3 (S/64), p. 68-69 Pourquoi ne pas m'aimer See: I.B. Collections, Box 2 (S/63), p. 67-68 Premier printemps See: I.B. Collections, Box 3 (S/64), p. 68-69 Marie, William 33/25 <emph render="italic">Caroles du moyen-âge</emph>. Paris: G. Legouix, n.d. Solo piano; score; 20 p.

Plate no. G.L.G.1462.

 33/26 <emph render="italic">Contredanses du directoire</emph>. Paris: G. Legouix, n.d. Solo piano; score; 12 p.

Plate no. G.L.G.1398.

 33/27 <emph render="italic">Danses d'almées</emph>, op. 35: Chanson orientale. Paris: G. Legouix, n.d. Solo piano; score; 5 p.

Plate no. G.L.G.1228.

 33/28 <emph render="italic">Danses d'almées</emph>, op. 35: Pas des voiles. Paris: G. Legouix, n.d. Solo piano; score; 5 p.

Plate no. G.L.G.1229.

 33/29 <emph render="italic">Danses anciennes</emph>. Paris: G. Legouix, n.d. Solo piano; score; 15 p.

Plate no. 1396, 1397, 1437, 1362.

 33/30 <emph render="italic">Danses du grand siècle</emph>. Paris: G. Legouix, n.d. Solo piano; score; 18 p.

Plate no. G.L.G.1437.

 33/31 <emph render="italic">Danses romantiques</emph>. Paris: G. Legouix, n.d. Solo piano; score; 13 p. Marinier, Paul Bonsoir Madame la lune; D'elle à lui See: I.B. Collections, Box 3 (S/64), p. 68-69 Mariotte, Antoine 34/1 <emph render="italic">Salomé</emph>. Paris: Enoch, 1910. Piano-vocal score; 231 p.

Plate no. E. & C.7095.

Language note: French

 Marks, Gerald See: Fields, Buddy and Marks, Gerald Marsden, Evan 34/2 <emph render="italic">From a Russian village</emph>. London: J.H. Larway, 1926. Solo piano; score; 11 p.

Plate no. L.2829.

 34/3 <emph render="italic">From a Russian village</emph>. London: J.H. Larway, 1926. Arranged by E. Mareo for small orchestra; parts for: piano/conductor (condensed score) (7 p.); vn I (2 copies, 3 p. each); vn II, vla, vc, cb, fl, ob (2 p. each); cl (4 p.); bn, hn (2 p. each); tpt (3. p); tbn (2 p.); timp (1 p.); perc (2 p.); harmonium (4 p.).; 30 p.

Plate no. L.2832.

 Martini, Giovanni Battista 34/4 <emph render="italic">Gavotte des moutons</emph>. [<emph render="italic">Sonata no. 12</emph>.] Paris: M. Senart, n.d. Arranged for solo piano; score; 3 p.

Plate no. 1011.

 Martini, Jean Paul Égide 34/5 <emph render="italic">Plaisir d'amour</emph>. Paris: M. Senart, n.d. Arranged for solo piano; score; 3 p.

Plate no. 1019.

 Massenet, Jules Émile Frédéric Pensée d'automne See: I.B. Collections, Box 3 (S/64), p. 68-69 34/6 <emph render="italic">Le roman d'Arlequin</emph>. Paris: Heugel, n.d. Solo piano; score; 11 p.

Plate no. H.et Cie 9200.

 34/7 <emph render="italic">Scènes de bal</emph>, op. 17. Paris: Heugel, n.d. Arranged by G. Bizet for solo piano; score; 15 p.

Plate no. H.et Cie 9459/G.H.844.

 Méhul, Étienne Nicolas S/25 <emph render="italic">Une folie</emph>. [S.l.]: J. André, n.d. Piano-vocal score; 95 p.

Plate no. 1823.

Contains annotations in pencil.

Language note: French

Language note: German

 34/8 <emph render="italic">L'irato</emph>. [=<emph render="italic">L'emporté</emph>.] Paris: Mme. V. Launer, n.d. Piano-vocal score; 116 p.

Plate no. Ve 3311.

Language note: French

 34/9 <emph render="italic">Ouverture burlesque</emph>. Paris: A. Durand, n.d. Full score; 9 p.

Plate no. D.S. & Cie 2065.

Laid in: copyist's arrangement for solo piano, 4 p., in ink.

 34/10 <emph render="italic">Ouverture burlesque</emph>. Paris: Durand & Schoenewerke, n.d. Parts for: vn (2 copies); "mirlitons" I, II, III (2 p. each); tpt, [perc:] snare drum, triangle, "crécelle" (1 p. each).

Plate no. D.S. & Cie 2065.

Contains performance indications in pencil.

 34/11 <emph render="italic">Der Schatzgräber</emph>. [=<emph render="italic">Le trésor supposé</emph>.] [S.l.]: [s.n.], n.d. Piano-vocal score; 65 p.

Plate no. 258 through 266.

Language note: German

 Melfi, A. Mario. 22/7 <emph render="italic">Pourquoi mentir</emph>. Paris: Éditions espagnoles J. Garzón, n.d. Arranged for small orchestra; parts for: piano/accordion (3 p.); vn (2 p.); vc-cb, tpt-sax (alto), perc (1 p. each).

Plate no. 1780.

On verso of each part: corresponding instrumental part for Espinosa, L., Titi. All Melfi material is included with the Espinosa material (Box 22, Folder 7).

 Mendelssohn [-Bartholdy], Felix 34/12 <emph render="italic">Klavierwerke, v. 4: Sämmtliche Leider ohne Worte; Kinderstücke</emph>, op. 72. Leipzig: Steingräber, n.d. Solo piano; score; 86 p.

Plate no. 57.

 Messager, André Charles Prosper 34/13 <emph render="italic">Isoline</emph>. Paris: Enoch, n.d. Piano-vocal score; 229 p.

Plate no. E.F. & C.1545.

Language note: French

 Migot, Georges 35/1 <emph render="italic">Le livre de danceries</emph>. Paris: A. Leduc, 1930. Flute/violin, violin, piano; parts for: fl/vn, vn; piano score; 10 p.; 10 p.; 37 p.

Plate no. A.L.17704.

Laid in: photoreproduced copy of typescript, 3 p., in French.

 Milhaud, Darius 35/2 <emph render="italic">Le train bleu</emph>, op. 84. Paris: Heugel, 1924. Reduction for solo piano; score; 65 p.

Plate no. H.28728.

Contains holograph inscription from the composer to Diaghilev on inside front cover page.

 Missa, Edmond L'éventail See: I.B. Collections, Box 2 (S/63), p. 67-68 Monteverdi, Claudio 35/3 <emph render="italic">Orfeo</emph>. Paris: Schola Cantorum, 1905. Piano-vocal score; 73 p.

Plate no. S.1800.C.

Language note: French

 Morny, Charles Auguste and Jacques Offenbach 55/4 <emph render="italic">Monsieur Choufleuri restera chez lui le...</emph>. Paris: Heugel, n.d. Piano-vocal score; 70 p.

Plate no. H.4608.

Language note: French

Composer also known by the name: Saint-Rémy

 Mosolov, Aleksandr Vasil'evich 35/4 <emph render="italic">Sonata</emph>, no. 1, op. 3. Moscow: Muzykal'nyĭ sektor gosudarstvennoe izdatel'stva, 1926. Solo piano; score; 15 p.

Plate no. M.7337.G.

 Mostazo [-Morales], Juan 8/2 <emph render="italic">Coplas</emph>. Paris: Éditions espagnoles J. Garzón, 1936. Small orchestra; parts for: piano/conductor (containing chordal indications; vocal line indications in Spanish) (condensed score; 3 p.); vn I (2 p.); vc/tbn-cb, sax I (alto)-sax II (tenor), sax III (alto), tpt, perc, banjo (1 p. each).

Plate no. 1801.

On verso of each part: corresponding instrumental part for Bonaterra, Luis. La festa de la ramblaAll Mostazo material is included with the Bonaterra material (Box 8, Folder 2).

 Mozart, [Johann Chrysostom] Wolfgang Amadeus 35/5 <emph render="italic">Sonates</emph>. Paris: E. Gallet, n.d. Solo piano; score; 296 p.

Plate no. E.G.7708.

Contains annotations in pencil on contents page.

 35/6 <emph render="italic">Sechs deutsche Tänze</emph>. Leipzig: Breitkopf & Härtel, n.d. Arranged by O. Taubmann for solo piano; score; 10 p.

Plate no. E.B.5374/24668.

 35/7 <emph render="italic">Divertimento</emph>, K. 205. Leipzig: E. Eulenburg, n.d. Miniature score; 20 p.

Plate no. E.E.1241.

 35/8 <emph render="italic">Divertimento</emph>, K. 247. Leipzig: E. Eulenburg, n.d. Miniature score; 31 p.

Plate no. E.E.1295.

 35/9 <emph render="italic">Divertimento</emph>, K. 334. Leipzig: E. Eulenburg, n.d. Miniature score; 50 p.

Plate no. E.E.1172.

 36/1 <emph render="italic">Don Giovanni</emph>, K. 527. London: Novello, n.d. Piano-vocal score; 299 p.

Language note: English

Language note: Italian

 36/2 <emph render="italic">Dorfmusikanten Sextett</emph>, K. 522. Leipzig: E. Eulenburg, n.d. Miniature score; 26 p.

Plate no. E.E.1317.

 36/3 <emph render="italic">Galimathias Musicum</emph>, K. 32. Leipzig: Breitkopf & Härtel, n.d. Full score; 14 p.

Plate no. B.318.

 36/4 <emph render="italic">Idomeneo</emph>. Leipzig: Breitkopf & Härtel, n.d. Piano-vocal score; 295 p.

Plate no. V.A.202.

Language note: Italian

Language note: German

 36/5 <emph render="italic">Serenade</emph>, K. 361. Leipzig: E. Eulenburg, n.d. Miniature score; 78 p.

Plate no. E.E.1200.

 36/6 <emph render="italic">Serenade</emph>, K. 375. Leipzig: E. Eulenburg, n.d. Miniature score; 50 p.

Plate no. E.E.3320.

 36/7 <emph render="italic">Serenade</emph>, K. 388. Leipzig: E. Eulenburg, n.d. Miniature score; 40 p.

Plate no. E.E.3321.

 36/8 <emph render="italic">Türkischer Marsch</emph>. [<emph render="italic">Sonata</emph>, K. 300i (331), A major: Türkischer Marsch.] Leipzig: Anton J. Benjamin, n.d. Arranged by L. Weninger; part only for piano/conductor (condensed score); 4 p.

Plate no. A.J.B.7325.

Contains annotations in pencil.

 Musorgskiĭ, Modest Petrovich 37/1 <emph render="italic">Au village</emph>. [=<emph render="italic">V derevnie</emph>.] Moscow: P. Jurgenson, n.d. Solo piano; score; 5 p.

Plate no. 10552.

 37/2 <emph render="italic">Aux bords du Don</emph>. [=<emph render="italic">Po nad Donom sad tsvietet</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 5 p.

Plate no. 5945.

Language note: French

Language note: German

Language note: Russian

 37/3 <emph render="italic">Bez solntsa</emph>. [=<emph render="italic">Sans soleil</emph>; <emph render="italic">Sunless</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 27 p.

Plate no. 5950 through 5955.

Language note: French

Language note: German

Language note: Russian

 37/4 <emph render="italic">Bilder einer Ausstellung</emph>. [=<emph render="italic">Pictures at an exhibition</emph>.] Mainz: B. Schott's Söhne, n.d. Solo piano; score; 45 p.

Plate no. 31361.

 37/5 <emph render="italic">Boris Godunov</emph>. St. Petersburg: W. Bessel, 1908. Piano-vocal score; 293 p.

Plate no. 6452.

Language note: Russian

Language note: French

 37/6 <emph render="italic">Boris Godunov</emph> [S.l.]: [s.n.], n.d. Chorus parts (SAB only); 6 p.; 4 p.; 2 p.

Chorus parts (SAB only) for the Prologue's Coronation Scene.

Contains sparse performance indications.

 37/7 <emph render="italic">Un brave ne doit point filer</emph>. [=<emph render="italic">Oĭ chest'-li to molodtsu len priasti?</emph>] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 5 p.

Plate no. 5942.

Language note: French

Language note: German

Language note: Russian

 37/8 <emph render="italic">Chanson d'enfant</emph>. [=<emph render="italic">Dietskaia piesenka</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 3 p.

Plate no. 5928.

Language note: French

Language note: German

Language note: Russian

 37/9 <emph render="italic">Zwei Clavierstücke</emph>: Intermezzo. Leipzig: M.P. Belaïeff, n.d. Solo piano; score; 5 p.

Plate no. 306.

 37/10 <emph render="italic">La couturière</emph>. [=<emph render="italic">Shveia</emph>.] Moscow: P. Jurgenson, n.d. Solo piano; score; 7 p.

Plate no. 10549.

 37/11 <emph render="italic">Dietskaia</emph>. [=<emph render="italic">The Nursery</emph>.] St. Petersburg: V. Bessel', n.d. See also: Enfantines, Box 37, Folder 14 Voice and piano; score; 42 p.

Plate no. 1452.

Language note: Russian

 37/12 <emph render="italic">En Crimée (Capriccio)</emph>. [=<emph render="italic">Bliz iuzhnago berega Kryma</emph>.] Moscow: P. Jurgenson, 1896. Solo piano; score; 7 p.

Plate no. 10550.

 37/13 <emph render="italic">En Crimée (Hoursouff-Notes de voyage)</emph>. [=<emph render="italic">Na iuzhnom beregu Kryma</emph>.] Moscow: P. Jurgenson, 1896. Solo piano; score; 7 p.

Plate no. 10551.

 37/14 <emph render="italic">Enfantines</emph>. [=<emph render="italic">Dietskaia</emph>; <emph render="italic">The nursery</emph>.] St. Petersburg: W. Bessel, 1908. See also: Dietskaia, Box 37, Folder 11 Voice and piano; score; 48 p.

Plate no. 5953.

Language note: French

Language note: German

Language note: Russian

 37/15 <emph render="italic">L'errant</emph>. [=<emph render="italic">Strannik</emph>; <emph render="italic">The wanderer</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 3 p.

Plate no. 5949.

Language note: French

Language note: German

Language note: Russian

 La foire de Sorotchintsi See also: Sorochinskaia iarmarka S/47 <emph render="italic">La foire de Sorotchintsi</emph>. [=<emph render="italic">Sorochinskaia iarmarka</emph>; <emph render="italic">Sorochintsy fair</emph>.] Petrograd: W. Bessel, 1923. See also: Sorochinskaia iarmarka Piano-vocal score; 190 p.

Plate no. 8063.

Contains inscription to Diaghilev from A. and V. Bessel', on inside front cover page, identifying this score as a first edition; in Russian; in ink; dated "Paris, 1929."

Language note: French

Language note: Russian

 37/16 <emph render="italic">La foire de Sorotchintsi</emph>: Chanson de Khivria. [=Piesnia Khivri; Khivria's song.] Petrograd: W. Bessel, 1909. Arranged for voice and piano; score; 9 p.

Plate no. 1900.

Published 1909/1921

Language note: French

Language note: German

Language note: Russian

 37/17 <emph render="italic">La foire de Sorotchintsi</emph>: Chanson de Khivria. St. Petersburg: W. Bessel, 1908. Arranged for voice and piano; score; 9 p.

Plate no. 1900.

Language note: French

Language note: Russian

 37/18 <emph render="italic">La foire de Sorotchintsi</emph>: Chanson de Parassia. [=Dumka Parasi; Parassia's song.] Petrograd: W. Bessel, 1908. Arranged for voice and piano; score; 7 p.

Plate no. 1899.

Published 1908/1921

Language note: French

Language note: English

Language note: Russian

 37/19 <emph render="italic">La foire de Sorotchintsi</emph>: Chanson du jeune villageois. [=Dumka parobka.] St. Petersburg: W. Bessel, 1908. See also: La foire de Sorotchintsi: Rêverie du jeune villageois, Box 38, Folder 5. Arranged for voice and piano; score; 5 p.

Plate no. 5412.

Language note: French

Language note: Russian

 38/1 <emph render="italic">La foire de Sorotchintsi</emph>: Gopak. St. Petersburg: V. Bessel', n.d. Arranged for full orchestra; full score; 15 p.

Plate no. 5403.

Contains annotations in pencil.

 38/2 <emph render="italic">La foire de Sorotchintsi</emph>: Gopak. Leipzig: M.P. Belaïeff, 1898. Arranged for voice and piano; score; 8 p.

Plate no. 1157 1160.

Language note: French

Language note: Russian

 38/3 <emph render="italic">La foire de Sorotchintsi</emph>: Introduction. Petrograd: W. Bessel, 1909. Arranged by C. Tchernov for piano, four hands; score; 11 p.

Plate no. 5402.

Published 1909/1921

 38/4 <emph render="italic">La foire de Sorotchintsi</emph>: Introduction. Petrograd: W. Bessel, 1909. Arranged by C. Tchernov for solo piano; score; 7 p.

Plate no. 6633.

Published 1909/1921

 38/5 <emph render="italic">La foire de Sorotchintsi</emph>: Rêverie du jeune villageois. [=Dumka parobka.] Petrograd: W. Bessel, 1909. See also: La foire de Sorotchintsi: Chanson du jeune villageois, Box 37, Folder 19 Arranged for voice and piano; score; 5 p.

Plate no. 5412.

Published 1909/1921

Language note: French

Language note: English

Language note: Russian

 38/6 <emph render="italic">La foire de Sorotchintsi</emph>: Scène du compère et de Tchérévik. Leipzig: W. Bessel, n.d. Piano-vocal score; 11 p.

Plate no. 7155.

Language note: French

Language note: German

Language note: Russian

 38/7 <emph render="italic">Iisus Navin</emph>. [=<emph render="italic">Joshua, or Jesus Navinus</emph>.] St. Petersburg: V. Bessel', 1883. Vocal soloists (AB), chorus, piano; piano-vocal score (17 p.), vocal parts for SATB; 17 p.; 2 p.; 2 p.; 3 p.; 2 p.

Plate no. 1521.

Language note: Russian

 38/8 <emph render="italic">Kallistrate</emph>. St. Petersburg: W. Bessel, 1908. Voice and piano; score; 11 p.

Plate no. 5948.

Language note: French

Language note: German

Language note: Russian

 38/9 <emph render="italic">Khovanshchina</emph>. St. Petersburg: V. Bessel', 1882. Piano-vocal score; 207 p.

Plate no. 1507 through 1518.

Contains numerous annotations in pencil and in ink, as well as manuscript emendations laid in.

Language note: Russian

 38/10 <emph render="italic">Khovanshchina</emph>: Entr'acte (to Act IV, Scene II). Petrograd: W. Bessel, 1910. Arranged by C. Tchernov for two pianos; score; 7 p.

Plate no. W.6635 B.

Published 1910/1913

 38/11 <emph render="italic">Khovanshchina</emph> [S.l.]: [s.n.], n.d. Chorus parts for soprano; 101 p.

8 pages contain manuscript emendations in ink, laid in or affixed. Items may also contain performance indications in pencil.

 38/12 <emph render="italic">Khovanshchina</emph> [S.l.]: [s.n.], n.d. Chorus parts for alto; 83 p.

Items may also contain performance indications in pencil.

 38/13 <emph render="italic">Khovanshchina</emph> [S.l.]: [s.n.], n.d. Chorus parts for tenor; 113 p.

Items may also con-tain performance indications in pencil.

 38/14 <emph render="italic">Khovanshchina</emph> [S.l.]: [s.n.], n.d. Chorus parts for bass; 112 p.

Items may also con-tain performance indications in pencil.

 39/1 <emph render="italic">Le mariage</emph>. [=<emph render="italic">Zhenit'ba</emph>; <emph render="italic">The marriage</emph>.] St. Petersburg: W. Bessel, 1911. Piano-vocal score; 64 p.

Plate no. 5967.

Language note: French

Language note: Russian

 39/2 <emph render="italic">Une nuit sur le mont chauve</emph>. [=<emph render="italic">Night on Bald Mountain</emph>.] Petrograd: W. Bessel, 1920. Arranged by N. Artzibouchev for piano, four hands; score; 35 p.

Plate no. 1539.

 39/3 <emph render="italic">Oedipe</emph>: Choeur. [=<emph render="italic">Oedipus in Athens</emph>: Chorus]. St. Petersburg: W. Bessel, 1909. Piano-vocal score; 13 p.

Plate no. 6697.

Language note: French

Language note: German

 39/4 <emph render="italic">L'orgueil</emph>. [=<emph render="italic">Spies'</emph>; <emph render="italic">Pride</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 5 p.

Plate no. 5941.

Language note: French

Language note: German

Language note: Russian

 39/5 <emph render="italic">La peine</emph>. [=<emph render="italic">Ne bozhiim gromom gore udarilo</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; 5 p.

Plate no. 5939.

 39/6 <emph render="italic">La pie</emph>. [=<emph render="italic">Strekotun'ia bieloboka</emph>; <emph render="italic">The magpie</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 9 p.

Plate no. 5931.

Language note: French

Language note: German

Language note: Russian

 39/7 <emph render="italic">Pirouchka</emph>. [=<emph render="italic">The feast</emph>.] Leipzig: M.P. Belaïeff, 1898. Voice and piano; score; 3 p.

Plate no. 1157 1163.

Language note: French

Language note: Russian

 Sorochinskaia iarmarka See also: La foire de Sorotchintsi 39/8 <emph render="italic">Sorochinskaia iarmarka</emph>: Komicheskiia stseny. [=<emph render="italic">Sorochintsy fair</emph>: Burlesque (Act II).] St. Petersburg: V. Bessel', n.d. Piano-vocal score; 77 p.

Plate no. 7050.

Language note: Russian

 39/9 <emph render="italic">Sorochinskaia iarmarka</emph>: Vstuplenie i iarmarochkaia stsena. [=<emph render="italic">Sorochintsy fair</emph>: Introduction and fair scene (Act I).] St. Petersburg: V. Bessel', n.d. Piano-vocal score; 41 p.

Plate no. 7145.

Language note: Russian

 39/10 <emph render="italic">Sur le Dnièpr</emph>. [=<emph render="italic">Na Dnieprie</emph>; <emph render="italic">On the Dniepr</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 9 p.

Plate no. 5946.

Language note: French

Language note: German

Language note: Russian

 39/11 <emph render="italic">Tableaux d'une exposition</emph>. [=<emph render="italic">Pictures at an exhibition</emph>.] Paris: W. Bessel, n.d. Solo piano; score; 31 p.

Plate no. 1560.

Contains annotations in pencil and in ink.

 39/12 <emph render="italic">Trouble</emph>. [=<emph render="italic">Razsievaetsia, razstupaetsia</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 3 p.

Plate no. 5943.

Language note: French

Language note: German

Language note: Russian

 [Works for voice and piano.] See: I.B. Collections, Box 4 (S/65), p. 69-70 Nabokov, Nicolas 39/13 <emph render="italic">Le Coeur de Don Quichotte</emph>. [=<emph render="italic">Serdtse Don Kikhota</emph>.] Berlin: Édition russe de musique, n.d. Solo piano; score; 14 p.

Plate no. R.M.V.550.

 39/14 <emph render="italic">Ode</emph>. [=<emph render="italic">Oda</emph>.] Paris: M. Senart, n.d. Vocal soloists (SB), mixed chorus (SATB), orchestra; piano-vocal score; 1 p.

Plate no. E.M.S.7598.

Contains holograph dedication to Diaghilev from the composer, dated 1928 Jun 6.

Language note: French

Language note: Russian

 39/15 <emph render="italic">Shot stories</emph>. Paris: Rouart, n.d. Solo piano; score; 11 p.

Also published Paris: Lerolle, n.d.

Plate no. R.L.11616 & Cie.

 Nascimbene, Mario 39/16 <emph render="italic">Pigmalione</emph>. Milan: Mario Nascimbene, 1946. Reduction for solo piano; score; 62 p.

Laid in: photoreproduced typescript of the ballet's synopsis, 9 p., in Italian.

 Neustedt, C. Le rêve du prisonnier See: I.B. Collections, Box 3 (S/64), p. 68-69 Ocki-Albi, Georges N. Palais du crystal See: I.B. Collections, Box 2 (S/63), p. 67-68. Petite conversation See: I.B. Collections, Box 3 (S/64), p. 68-69 Offenbach, Jacques 39/17 <emph render="italic">Apothicaire et perruquier</emph>. Paris: Heugel, n.d. Piano-vocal score; 38 p.

Plate no. H.5284.

Language note: French

 39/18 <emph render="italic">La bonne d'enfant</emph>. Paris: Heugel, n.d. Piano-vocal score; 54 p.

Plate no. H.1976.

Language note: French

 S/44 <emph render="italic">Les contes d'Hoffmann</emph>: selections. Moscow: A. Gutheil, n.d. Arranged for solo piano; score; 87 p.

Plate no. A.7585 G.

Bound with: Chopin, Frédéric.Walzer [Sämmtliche Pianoforte-Werke: Walzer]. Edited by H. Scholtz. Solo piano; score. Leipzig: C.F. Peters, n.d., 79 p. Plate no. 8946.

 39/19 <emph render="italic">Les contes d'Hoffmann</emph>: O belle nuit (Barcarolle). Paris: A. Choudens, n.d. Arranged by F. Spindler for solo piano; score; 5 p.

Plate no. A.C.5223.

 39/20 <emph render="italic">Une demoiselle en loterie</emph>. Paris: Heugel, n.d. Piano-vocal score; 64 p.

Plate no. H.2092.

Language note: French

 40/1 <emph render="italic">Le financier et le savetier</emph>. Paris: Heugel, n.d. Piano-vocal score; 56 p.

Plate no. H.et Cie.1932.

Language note: French

 40/2 <emph render="italic">Le mariage aux lanternes</emph>. Paris: Heugel, n.d. Piano-vocal score; 72 p.

Plate no. H.2147.

Language note: French

 40/3 <emph render="italic">Monsieur et Madame Denis</emph>. Paris: Heugel, n.d. Piano-vocal score; 100 p.

Plate no. H.4663.

Language note: French

 Prekrasnaia Elena. [=La belle Hélène See: I.B. Collections, Box 2 (S/63), p. 67-68. Valse chaloupée See: I.B. Collections, Box 3 (S/64), p. 68-69. O'Hara, Geoffrey 40/4 <emph render="italic">K-K-K-Katy</emph>. Constantinople: J. d'Andria, n.d. Voice and piano; score; 3 p.

Plate no. 336.

Language note: English

 Oréfiche, Armando 40/5 <emph render="italic">Puchunguita</emph>. Paris: Éditions espagnoles J. Garzón, n.d. Small orchestra; parts for: piano/conductor's score, vn (2 p. each); vc/tbn-cb, sax I (alto)-sax III (alto), tpt, banjo/guitar/vn II-sax II (tenor) (1 p. each); perc (2 p.).

Plate no. 1773.

parts for: piano/conductor's score containing vocal line indications in Spanish

On verso of each part: corresponding instrumental part for Cueva, Julio. Ajonjoli. Small orchestra; parts for: piano/conductor's score (containing vocal line indications in Spanish)(2 p.); vn, vc-cb, sax I (alto)-sax III (alto), tpt, banjo/ guitar-sax II (tenor), perc (1 p. each). Paris: Éditions espagnoles J. Garzón, n.d. Plate no. 1774.

 Paderewski, Ignace Jan 40/6 <emph render="italic">Menuet</emph>, op. 14, no. 1. Berlin: E. Bote & G. Bock, n.d. Solo piano; score; 7 p.

Plate no. 13268.14588.

 Paër, Ferdinando S/26 <emph render="italic">Il maestro di cappella</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 101 p.

Plate no. 99800.

Language note: Italian

 Paisiello, Giovanni S/27 <emph render="italic">Il barbiere di Siviglia</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 237 p.

Plate no. 46102.

Contains annotations on inside front cover page, in pencil; an autograph of Lifar, in pencil; an inscription in French, in pencil: "These annotations come from the hand of Serge de Diaghilev"; sparse annotations in pencil in the score itself.

Language note: Italian

 40/7 <emph render="italic">Il mio ben quando verrà</emph>. Milan: G. Ricordi, n.d. Voice and piano; score; 5 p.

Plate no. 51952.

Language note: Italian

 40/8 <emph render="italic">La molinara</emph>: Mon coeur est sans jeunesse. [=Nel cor più non mi sento.] Milan: G. Ricordi, n.d. Arranged for voice and piano; score; 3 p.

Plate no. 113475.

Language note: French

Language note: Italian

 40/9 <emph render="italic">La molinara</emph>: Nel cor più non mi sento. Milan: G. Ricordi, n.d. Arranged for voice and piano; score; 7 p.

Plate no. 16185.

p. 59 through 65 of the Antologia classica musicale

Language note: Italian

 40/10 <emph render="italic">La molinara</emph>: Ouverture und favorite Arien. Bonn: N. Simrock, n.d. Reduction for piano solo/voice and piano by C. G. Neefe; score; [12] p.

Plate no. 13.

incomplete: p. 1-12 only

Language note: German

Language note: Italian

 40/11 <emph render="italic">La molinara</emph>: Per marito vossignoria. Milan: G. Ricordi, n.d. Arranged for two voices and piano; score; 9 p.

Plate no. 110339.

Language note: Italian

 S/29 <emph render="italic">Nina, oder Wahnsinn aus Liebe</emph>. Mannheim: I.M. Gotz, n.d. Piano-vocal score; 165 p.

Plate no. 308.

Language note: Italian

Language note: German

 S/48 <emph render="italic">Nina, ossia la pazza per amore</emph>. Paris: Carli, n.d. Piano-vocal score; 161 p.

Plate no. 459.

Contains annotations in pencil.

Language note: Italian

 40/12 <emph render="italic">I zingari infiera</emph>: Chi vuol la zingarella. Milan: G. Ricordi, n.d. Arranged for voice and piano; score; 4 p.

Plate no. 51950.

Language note: Italian

 Paladilhe, Émile Mandolinata See: I.B. Collections, Box 2 (S/63), p. 67-68. Patáky, Hubert 40/13 <emph render="italic">Prometheus</emph>, op. 31. Berlin: Verlag alte und neue Kunst, 1927. Reduction for solo piano; score; 41 p.

Plate no. 71.

Laid in: photoreproduced publicity material, 1 p., in German.

 Pedrotti, Carlo 40/14 <emph render="italic">Tutti in maschera</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 242 p.

Plate no. 42058.

Language note: Italian

 Pergolesi, Giovanni Battista 40/15-16 <emph render="italic">Livietta e Tracollo</emph>. Paris: M. Senart, 1914. Piano-vocal score; 92 p.

Plate no. M.S. & Cie.3312.

Contents:

BOX: 40/15 Copy 1: contains annotations in pencil. BOX: 40/16 Copy 2 of the above.

Language note: Italian

 41/1 <emph render="italic">Olimpiade</emph>. Milan: Associazione dei musicologi italiani, 1915. Piano-vocal score; 287 p.

Language note: Italian

 41/2 <emph render="italic">Olimpiade</emph>: Se cerca, se dice l'amico dov'è. Milan: G. Ricordi, n.d. Arranged for voice and piano; score; 7 p.

Plate no. 101917-18-45.

Language note: Italian

 S/31 <emph render="italic">La serva padrona</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 59 p.

Plate no. 45390.

Hardcover copy

Language note: Italian

 41/3 <emph render="italic">La serva padrona</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 59 p.

Plate no. 45390.

Contains annotations in pencil on index page and on p. 59; softcover copy.

Language note: Italian

 41/4 <emph render="italic">La serva padrona</emph>: Stizzoso, mio stizzoso. Milan: G. Ricordi, n.d. Arranged for voice and piano; score; 7 p.

Plate no. 51944.

Language note: Italian

 41/5 <emph render="italic">Sonate</emph> [<emph render="italic">no.</emph>] <emph render="italic">12</emph>. Milan: G. Ricordi, n.d. Violin and figured bass; parts for vn, vc; 30 p.; 33 p.

Plate no. 108152.

cello part arranged from the violin part by L.S. Giarda

 41/6 <emph render="italic">Sonata</emph>, D major. London: Schott & Co., n.d. Solo keyboard; score; 11 p.

Plate no. 26783.

Contains inscription on title page, in Russian, in ink.

 41/7 <emph render="italic">Tre giorni son che Nina</emph>. Milan: G. Ricordi, n.d. Voice and piano; score; 5 p.

Plate no. 36235.

Language note: Italian

 Pesse, Maurice 41/8 <emph render="italic">Sur un vieux thème russe</emph>. Paris: L. Philippo, 1928. Solo piano; score; 4 p.

Plate no. P.1433.

 Petrella, Errico 41/9 <emph render="italic">Il carnevale di Venezia</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 339 p.

Plate no. 108670.

Language note: Italian

 Petrov, B. 42/1 <emph render="italic">Zhemchuzhiny russkoĭ narodnoĭ piesni: 100 velikorusskikh narodnykh piesen</emph>. [=<emph render="italic">"Pearls" of old Russian folk song: 100 Russian folksongs</emph>.] St. Petersburg: IU.G. TSimmerman, 1902. Arranged for voice and piano; score; 61 p.

Plate no. Z.6374 a, b.

Language note: Russian

 Pinsuti, Ciro 42/2 <emph render="italic">El libro santo</emph>. Milan: G. Ricordi, n.d. Voice and piano; score; 7 p.

Plate no. 49920.

Language note: Spanish

Language note: Italian

 Pirani, G. Altalena See: I.B. Collections, Box 2 (S/63), p. 67-68. Planquette, Robert Les cloches de Corneville: Chanson des servantes See: I.B. Collections, Box 2 (S/63), p. 67-68. Plevitskaia, Nadezhda V. 42/3 <emph render="italic">Moskovskaia troĭka</emph>. Moscow: S.IA. IAmbor, n.d. Voice and piano; score; 3 p.

Language note: Russian

 42/4 <emph render="italic">Zolotym kol'tsom skovali</emph>. Moscow: S.IA. IAmbor, n.d. Voice and piano; score; 3 p.

Language note: Russian

 Poldowski 42/5 <emph render="italic">Caledonian market</emph>. London: J. & W. Chester, 1923. Solo piano; score; 23 p.

Plate no. J.W.C.2111.

Contains holograph dedication to Diaghilev from the composer, on verso of cover page, in ink.

Composer also known by the name: Paul, Dean, Lady

 Poulenc, Francis 42/6 <emph render="italic">Sonate</emph>. London: J. & W. Chester, 1924. Clarinet and bassoon; score; 12 p.

Plate no. J.W.C.228.

 42/7 <emph render="italic">Sonate</emph>. London: J. & W. Chester, 1919. Two clarinets; score; 11 p.

Plate no. J.W.C.219.

 42/8 <emph render="italic">Sonate</emph>. London: J. & W. Chester, 1924. Horn, trumpet and trombone; parts; 4 p.; 4 p.; 4 p.

Plate no. J.W.C.229.

 Prisovskiĭ, V. A. 42/9 <emph render="italic">Serenada</emph>, op. 92. Moscow: L. Idzikovskiĭ, n.d. Solo piano; score; 3 p.

Plate no. L.2991 I.

 Prokof'ev, Sergeĭ Sergeevich 42/10 <emph render="italic">Liubov' k trem apel'sinam</emph>, op. 33. [=<emph render="italic">The Love for three oranges</emph>.] Moscow: A. Gutheil, 1922. Piano-vocal score; 252 p.

Plate no. A.10321 G.

Language note: French

Language note: Russian

 S/49 <emph render="italic">Skazka pro Shuta</emph>. [=<emph render="italic">Chout</emph>.] Moscow: A. Gutheil, n.d. Solo piano; score; 64 p.

Plate no. A.10308 G.

Laid in: holograph annotations by the composer in pencil; separately: copyist's score of the composer's published piano reduction, separated by act (Act I: 10 p.; Act 2: 15 p.; Act 3: 35 p.), and containing annotations in pencil.

 42/11 <emph render="italic">Shut</emph>: Siuita iz baleta, op. 21b. [=<emph render="italic">Chout</emph>: Ballet suite.] Moscow: A. Gutheil, 1924. Miniature score; 156 p.

Plate no. A.G.10358.

 42/12 <emph render="italic">Stal'noĭ skok</emph>, op. 41. [=<emph render="italic">Le pas d'acier</emph>; <emph render="italic">The steel step</emph>.] Berlin: Édition russe de musique, 1928. Solo piano; score; 59 p.

Plate no. R.M.V.444.

 Puare, Mariia IAkovlevna 42/13 <emph render="italic">IA iekhala domoĭ</emph>. Moscow: A. Gutkheil', n.d. Voice and piano; score; 5 p.

Plate no. A.8985 G.

 Puccini, Giacomo S/50 <emph render="italic">Bogema</emph>. [=<emph render="italic">La Bohème</emph>.] St. Petersburg: A. Iogansen, 1899. Piano-vocal score; 103 p.

Plate no. 2474.

Language note: Italian

Language note: Russian

 42/14 <emph render="italic">La bohème</emph>: O Mimì tu più non torni. Milan: G. Ricordi, 1896. Arranged for voice and piano; score; 4 p.

Plate no. 99351.

Language note: Italian

 42/15 <emph render="italic">La bohème</emph>: Sì, mi chiamano Mimì. Constantinople: J. d'Andria, n.d. Arranged for voice and piano; score; 7 p.

Plate no. 385.

Language note: Italian

 42/16 <emph render="italic">La bohème</emph>: Votre main est glacée. Milan: G. Ricordi, 1898. Arranged for voice and piano; score; 7 p.

Plate no. 101902.

Language note: French

 43/1 <emph render="italic">Madama Butterfly</emph> London: G. Ricordi, 1905. Arranged by C. Godfrey for solo piano; score; 19 p.

Plate no. 110877.

excerpts

 43/2 <emph render="italic">Tosca</emph>: Le ciel luisait d'étoiles (Act III). Milan: G. Ricordi, 1908. Arranged for voice and piano; score; 4 p.

Plate no. 112398.

Language note: French

 43/3 <emph render="italic">Tosca</emph>: D'art et d'amour, je vivais toute. (Prière de Tosca) (Act II). [S.l.]: [s.n.], n.d. Arranged for voice and piano; score; 5 p.

Language note: French

Possibly published in Constantinople by J. d'Andria

 Purcell, Henry 43/4 <emph render="italic">Ten pianoforte pieces</emph>. London: Novello, n.d. Solo piano; score; 30 p.

Plate no. 10066.

 43/5 <emph render="italic">Fourteen pieces</emph>. London: Novello, n.d. Arranged by A. Dolmetsch for violin and piano; violin part, piano score; 11 p.; 27 p.

Plate no. 9119.

 43/6 <emph render="italic">Purcell album</emph>. London: Schott, 1918. Arranged by H. Fryer for solo piano; score; 13 p.

Plate no. S. & Co.3649 through 3651.

 43/7 <emph render="italic">Allemande</emph>. Paris: M. Senart, n.d. Arranged by A. Sauvrezis for solo piano; score; 3 p.

Plate no. M.S. & Cie.1335.

 43/8 <emph render="italic">The Fairy Queen</emph>. London: Novello, n.d. Piano-vocal score; 164 p.

Plate no. 14056.

Language note: English

 43/9 <emph render="italic">Suite</emph>, C major. Paris: M. Senart, n.d. Solo piano; score; 9 p.

Plate no. M.S. & Cie 646, 647.

 43/10 <emph render="italic">Suite</emph>, D major. Paris: M. Senart, n.d. Solo piano; score; 4 p.

Plate no. M.S. & Cie 644.

 Rachmaninoff, Sergeĭ 43/11 <emph render="italic">Morceaux de fantaisie</emph>, op. 3, no. 2: Prélude. Moscow: A. Gutheil, n.d. Solo piano; score; 5 p.

Plate no. A.6516 G.

2 copies

 43/12 <emph render="italic">Morceaux de fantaisie</emph>, op. 3, no. 5: Sérénade. Moscow: A. Gutheil, n.d. Solo piano; score; 5 p.

Plate no. A.6519 G.

 S/51 <emph render="italic">24 Préludes</emph>. [from opp. 3, 23, 32.] Moscow: A. Gutheil, n.d. Solo piano; score; 108 p.

Plate no. A.6516 G., 8338 through 8347, 9612 through 9624.

 Raimondi, Pietro 43/13 <emph render="italic">Il ventaglio</emph>. Naples: T. Cottrau, n.d. Piano-vocal score; 211 p.

Plate no. 17386, 1950, 1946, 1934, 17387 through 17390, 1982, 1989, 1938, 17391, 1979.

Language note: Italian

 Rameau, Jean Philippe 43/14 <emph render="italic">Pièces de clavecin</emph>. Paris: A. Durand, n.d. Solo piano; score; 113 p.

Plate no. D. & F.5007.

Preface by C. Saint-Saëns.

 43/15 <emph render="italic">Symphonies des Indes galantes</emph>. [<emph render="italic">Les Indes galantes</emph>: selections.] Paris: Éditions musicales transatlantiques, 1937. Miniature score; 49 p.

Plate no. E.M.T.413.

 Ravel, Maurice 44/1 <emph render="italic">L'heure espagnole</emph>. Paris: A. Durand, 1908. Piano-vocal score; 114 p.

Plate no. D. & F.7073.

Language note: French

 44/2 <emph render="italic">Introduction et allegro</emph>. Paris: A. Durand, 1906. Arranged by the composer for two pianos; score; 25 p.

Plate no. D. & F.6811.

 44/3 <emph render="italic">Introduction et allegro</emph>. Paris: A. Durand, 1906. Solo harp part only; score; 13 p.

Plate no. D. & F.6738.

 44/4 <emph render="italic">Ma mère l'oye</emph>. Paris: A. Durand, 1910. Piano, four hands; score; 31 p.

Plate no. D. & F.7746.

 44/5 <emph render="italic">Ma mère l'oye</emph>. Paris: A. Durand, 1912. Solo piano; score; 44 p.

Plate no. D. & F.8395.

 44/6 <emph render="italic">Menuet antique</emph>. Paris: Enoch, 1898. Solo piano; score; 8 p.

Plate no. E. & C.3616.

 44/7-8 <emph render="italic">Rapsodie espagnole</emph>. Paris: A. Durand, 1908. Reduction for piano, four hands; score; 32 p.

Plate no. D. & F.6999.

BOX: 44/8 Copy 2 of the above.

 44/9 <emph render="italic">Shéhérazade</emph>. Paris: A. Durand, 1911. Piano-vocal score; 24 p.

Plate no. D. & F.7993.

Published 1911/1912

Language note: French

Language note: English

 44/10 <emph render="italic">Trio pour piano, violon et violoncelle</emph>. Paris: A. Durand, 1915. Piano score, parts; 35 p.; 11 p.; 12 p.

Plate no. D. & F.9346.

 Rechkunov, M. 44/11 <emph render="italic">Requiem</emph>. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1928. Voice and piano; score; 5 p.

Plate no. M.8397 G.

Language note: Russian

 Respighi, Ottorino 44/12 <emph render="italic">Antiche danze ed arie [per liuto], v. 1</emph>. Milan: G. Ricordi, 1919. Arranged for solo piano; score; 21 p.

Plate no. 117515.

 44/13 <emph render="italic">Antiche danze ed arie [per liuto], v. 2</emph>. Milan: G. Ricordi, 1924. Arranged for piano, four hands.; 37 p.

Plate no. 119578.

 La boutique fantasque See: Rossini, Gioacchino Ricci, Luigi and Federico Ricci 45/1 <emph render="italic">Crispino e la comare</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 242 p.

Plate no. 42055.

Language note: Italian

 Rimskiĭ-Korsakov, Nikolaĭ Andreevich 45/2 <emph render="italic">Antar</emph>, op. 9. Paris: A. Leduc, 1911. Solo piano; score; 39 p.

Plate no. A.L.14729.

 45/3 <emph render="italic">Capriccio espagnol</emph>, op. 34. Leipzig: M.P. Belaïeff, 1887. Arranged by the composer for piano, four hands; score; 39 p.

Plate no. 99.

 S/52 <emph render="italic">Le coq d'or</emph>. [=<emph render="italic">Zolotoĭ pietushok</emph>.] Moscow: P. Jurgenson, 1896. Piano-vocal score; 206 p.

Plate no. 32405.

Published 1896/1907

Contains autograph of Lifar on inside front cover, in ink, dated 1914; score contains substantial annotations in pencil.

Language note: French

Language note: Russian

 45/4 <emph render="italic">Le coq d'or</emph>: Suite. [=Four musical pictures.] Moscow: P. Jurgenson, n.d. Full score; 106 p.

Plate no. 33585.

 45/5 <emph render="italic">Le coq d'or</emph>: Suite. Moscow: P. Jurgenson, n.d. Arranged by K. Chernov for piano, four hands; score; 61 p.

Plate no. 34239.

 45/6 <emph render="italic">Fantaziia na serbskiia temy</emph>, op. 6. [=<emph render="italic">Fantasia on Serbian themes</emph>.] Leipzig: M.P. Belaïeff, 1895. Arranged by the composer for piano, four hands; score; 23 p.

Plate no. 1054.

 45/7 <emph render="italic">Maĭskaia noch'</emph>: Ukraĭnskaia noch' i pesny Levki (Act III). [=<emph render="italic">May night</emph>: Ukranian night and Levka's song.] Leipzig: M.P. Belaïeff, 1895. Piano-vocal score; 9 p.

Plate no. 979.1126.

incomplete after p. 9

Language note: French

Language note: German

Language note: Russian

 45/8 [<emph render="italic">Mozart and Salieri</emph>.] [S.l.]: [s.n.], n.d. Piano-vocal score; [15] p.

Plate no. 1617.

incomplete: p. 37 through 53 (end of opera) only

Language note: German

Language note: Russian

 45/9 <emph render="italic">Noch' pered Rozhdestvom</emph>. [=<emph render="italic">La nuit de Noël</emph>; <emph render="italic">Christmas eve</emph>.] Leipzig: M.P. Belaïeff, 1895. Piano-vocal score; 292 p.

Plate no. 1091.

Language note: Russian

 46/1 <emph render="italic">Pskovitianka</emph>. St. Petersburg: V. Bessel', 1894. Piano-vocal score; 205 p.

Plate no. 3773 through 3789.

Contains annotations in pencil and in ink.

Language note: Russian

 46/2 <emph render="italic">La Pskovitaine</emph>: Ouverture, entr'actes. [=<emph render="italic">Pskovitianka</emph>.] St. Petersburg: W. Bessel, n.d. Arranged by Nadezhda Rimskaia-Korsakova for piano, four hands; score; 37 p.

Plate no. 6969 through 6973.

 46/3 <emph render="italic">Sadko</emph>. Leipzig: M.P. Belaïeff, 1897. Full score; 569 p.

Plate no. 1430.

Language note: Russian

 46/4 <emph render="italic">Sadko</emph>. [Leipzig]: [M. Belaïeff], n.d. Parts for chorus: tenors [1] p.; basses [17] p.

Plate no. 1432.

Note: parts for chorus: tenors incomplete: p. 42-43 only, basses incomplete: p. 33 through 50 (end of opera) only

Italian text inscribed in tenor part, in red ink; French text inscribed in bass part, in black ink.

Language note: French

Language note: Russian

 47/1 <emph render="italic">Skazanie o nevidimom grade Kitezhie i dievie Fevronii</emph>. [=<emph render="italic">Legend of the invisible city of Kitezh and the maiden Fevroniia</emph>.] Leipzig: M.P. Belaïeff, 1906. Piano-vocal score; 326 p.

Plate no. 2613.

Language note: Russian

 47/2 <emph render="italic">Skazka</emph>, op. 29. [=<emph render="italic">Conte féerique</emph>.] Leipzig: M.P. Belaïeff, 1886. Reduction by the composer for piano, four hands; score; 35 p.

Plate no. 19.

 47/3 <emph render="italic">Skazka o tsarie Saltanie</emph>. [=<emph render="italic">The story of Tsar Saltan</emph>.] St. Petersburg: V. Bessel', [1900]. Piano-vocal score; 281 p.

Plate no. 4849.

Contains annotations in pencil.

Language note: German

Language note: Russian

 47/4 <emph render="italic">Skazka o tsarie Saltanie</emph>. Moscow: W. Bessel, n.d. Reduction for solo piano; score; 186 p.

Plate no. 4920.

Note: score containing vocal line indications in Russian

 S/53 <emph render="italic">Snégourotchka</emph>. [=<emph render="italic">The snow maiden</emph>.] St. Petersburg: W. Bessel, 1908. Piano-vocal score; 296 p.

Plate no. 6400.

Contains annotations in pencil.

Language note: German

Language note: Russian

 47/5 <emph render="italic">Snegurochka</emph>: Siuita. [=<emph render="italic">The snow maiden</emph>: Suite.] St. Petersburg: W. Bessel, n.d. Full score; 73 p.

Plate no. 2847.

Language note: Russian

 48/1-8 49/1-8 50/1-8 51/1-15 <emph render="italic">Snegurochka</emph> [S.l.]: [s.n.], n.d. Chorus part books; 88 p.

Laid in: most items contain performance indications in pencil and/or in ink; items may also include manuscript emendations in ink.

Part books [complete in 88 p.] begin with the Choeur des oiseaux of the Prologue.

Contents of BOX: 48-51:

BOX: 48/1-8 Copies 1 through 8. BOX: 49/1-8 Copies 9 through 16 of the above. BOX: 50/1-8 Copies 17 through 24 of the above. BOX: 51/1-15 Copies 25 through 39 of the above: incomplete items.

Contents of BOX: 51/1-15

Copies 25 through 30 (folders 1 through 6): p. 1-80 only Copy 31 (folder 7): p. 1-72 only Copies 32 and 33 (folders 8 and 9): p. 1-40 only Copies 34 and 35 (folders 10 and 11): p. 1-8 only Copy 36 (folder 12): p. 17-24 only Copy 37 (folder 13): p. 57-66 only Copy 38 (folder 14): p. 65-72 only Copy 39 (folder 15): p. 65-88 only. S/54 <emph render="italic">Sniegurochka</emph>. [=<emph render="italic">The snow maiden</emph>.] St. Petersburg: V. Bessel', 1881. Piano-vocal score; 298 p.

Plate no. 931 through 955.

Contains sparse annotations in pencil.

Language note: Russian

 52/1 <emph render="italic">V temnoĭ roshchie zamolk soloveĭ</emph>, op. 4, no. 3. Leipzig: M.P. Belaïeff, [1866]. Voice and piano; score; 5 p.

Plate no. 1072 1075.

Language note: French

Language note: Russian

 Roberts, Lee S. 52/2 <emph render="italic">Smiles</emph>. Constantinople: J. d'Andria, n.d. Voice and piano; score; 4 p.

Plate no. 453.

Language note: English

 Roger-Ducasse, Jean Jules Amable 52/3 <emph render="italic">Petite suite</emph>: Claironnerie. Paris: A. Durand, 1911. Arranged by J. Charlot for solo piano; score; 4 p.

Plate no. D. & F.8145(3).

 52/4 <emph render="italic">Prélude d'un ballet</emph>. Paris: A. Durand, 1910. Arranged by the composer for solo piano; score; 3 p.

Plate no. D. & F.7929.

 52/5 <emph render="italic">Suite française</emph>. Paris: A. Durand, 1909. Arranged by the composer for piano, four hands; score; 41 p.

Plate no. D. & F.7336.

 Romand, Gabriel and Gabriel Pachoutine 52/6 <emph render="italic">Mon prince charmant</emph>. Paris: Éditions musicales universelles, 1935. Voice and piano; score; 3 p.

Plate no. EMU 152.

Cover carries holograph inscription in pencil: Patchouine's Paris address, in Russian.

Language note: French

 Rosellen, Henri 52/7 <emph render="italic">Le trémolo</emph>, op. 31, no. 1. Hamburg: A.J. Benjamin, n.d. Solo piano; score; 7 p.

Plate no. A.J.B.3205.

 Rosey, George The honey-moon (mar[s]ch) See: I.B. Collections, Box 2 (S/63), p. 67-68 Rossini, Gioacchino 52/8 <emph render="italic">A Grenade</emph>. [<emph render="italic">Deux nouvelles compositions</emph>, no. 1.] [S.l.]: [s.n.], n.d. Voice and piano; score; 9 p.

Plate no. H 35967 H.

Language note: French

Language note: Spanish

 52/9 <emph render="italic">Il barbiere di Siviglia</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 327 p.

Plate no. 41691.

Language note: Italian

 52/10 <emph render="italic">Il barbiere di Siviglia</emph>. Paris: M. Schlesinger, n.d. Piano-vocal score; 208 p.

Plate no. 615.

Language note: Italian

 53/1 <emph render="italic">ll barbiere di Siviglia</emph>. Milan: G. Ricordi, n.d. Arranged for solo piano; score; 125 p.

Plate no. 41012.

 S/55 <emph render="italic">La boutique fantasque</emph>. London: J. & W. Chester, 1919. Arranged by O. Respighi for solo piano; score; 78 p.

Plate no. J.W.C.9706.

Contains annotations in pencil.

 S/32 <emph render="italic">Bruschino</emph>. [<emph render="italic">Il Signor Bruschino</emph>.] Paris: Heugel, n.d. See also: Il Signor Bruschino, Box 54, Folders 3, 4, 5 Piano-vocal score; 117 p.

Plate no. H.5727.

Language note: French

 S/33 <emph render="italic">La cambiale di matrimonio</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 163 p.

Plate no. 113280.

Language note: Italian

Contains annotations in pencil; hardcover copy.

 53/2 <emph render="italic">La cambiale di matrimonio</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 163 p.

Plate no. 113280.

Softcover copy.

Language note: Italian

 S/34 <emph render="italic">La Cenerentola</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 354 p.

Plate no. 45707.

Contains autograph of Lifar on cover, in ink.

Language note: Italian

 53/3 <emph render="italic">Échantillon de blague</emph>. [<emph render="italic">Péchés de vieillesse, v. 9</emph>, no. 11.] Milan: G. Ricordi, n.d. Solo piano; score; 11 p.

Plate no. 46951.

 53/4 <emph render="italic">La gazzetta</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 372 p.

Plate no. 27118 through 27147.

Language note: Italian

 S/35 <emph render="italic">L'italiana in Algeri</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 291 p.

Plate no. 87409.

Contains annotations in pencil.

Language note: Italian

 53/5 <emph render="italic">L'italiana in Algeri</emph>: Sinfonia. Milan: G. Ricordi, n.d. Arranged by L. Cerri for small orchestra; 15 p.

Plate no. 108722.

piano part only

 S/36 <emph render="italic">L'italienne à Alger</emph>. Paris: Aulagnier, n.d. Piano-vocal score; 205 p.

Plate no. A.A.847.

Contains sparse annotations in pencil.

Language note: French

 S/56 <emph render="italic">La pie voleuse</emph>. [=<emph render="italic">La gazza ladra</emph>.] Paris: Aulagnier, n.d. Piano-vocal score; 193 p.

Plate no. C.B.7.1 through 7.5; C.B.7.7 through 7.9; C.B.7.11 through 7.15.

Language note: French

Language note: Italian

 53/6 <emph render="italic">La pietra del parragone</emph>. Paris: Launer, n.d. Piano-vocal score; 217 p.

Plate no. 1631, 1371, 884, 2037, 1395, 1394, 1396, 1412, 1378, 1397, 1678, 1375, 1376, 1400, 1377, 435, 270, 1392.

Language note: Italian

 54/1 <emph render="italic">Cinq grands quatuors</emph>. [=<emph render="italic">Sonate a quattro</emph>.] Paris: B. Schott, n.d. Parts for: vn I, vn II, vla, vc; 16 p.; 16 p.; 16 p.; 16 p.

Plate no. 2799 through 2803.

 54/2 <emph render="italic">La regata veneziana</emph>. [<emph render="italic">Péchés de vieillesse, v. 1</emph>, no. 8 through 10.] Milan: G. Ricordi, n.d. Voice and piano; score; 31 p.

Plate no. 45844.

Language note: Italian (Venetian dialect)

 54/3-4 <emph render="italic">Il Signor Bruschino</emph>. Milan: G. Ricordi, n.d. See also: Bruschino, Shelved item 32. Piano-vocal score; 167 p.

Plate no. 112640.

Contenst:

BOX: 54/3 Copy 1 BOX: 54/4 Copy 2 of the above.

Language note: Italian

 54/5 <emph render="italic">Il Signor Bruschino</emph>: Sinfonia. Milan: G. Ricordi, n.d. Parts for: vn I, vn II, vla, vc/cb; 5 p.; 6 p.; 5 p.; 5 p.

Plate no. 113091 through 113094.

Parts for: vn I (6 copies, 5 p. each), vn II (5 copies, 6 p. each), vla (3 copies, 5 p. each), vc/cb (6 copies, 5 p. each).

 54/6 [<emph render="italic">S</emph>]<emph render="italic">oirée</emph>[<emph render="italic">s</emph>] <emph render="italic">musicale</emph>[<emph render="italic">s</emph>] <emph render="italic">, v. 1</emph>: 8 ariette. Milan: G. Ricordi, n.d. Voice and piano; score; 51 p.

Plate no. 45768.

Language note: French

Language note: Italian

 54/7 [<emph render="italic">S</emph>]<emph render="italic">oirée</emph>[<emph render="italic">s</emph>] <emph render="italic">musicale</emph>[<emph render="italic">s</emph>] <emph render="italic">, v. 2</emph>: 4 duetti. Milan: G. Ricordi, n.d. Two voices and piano; score; 41 p.

Plate no. 45847.

Language note: French

Language note: Italian

 55/1 <emph render="italic">Le Traître démasqué</emph>. [=<emph render="italic">L'inganno felice</emph> (<emph render="italic">"L'inganno fortunato"</emph>).] Brussels: E. Lauweryns, n.d. Piano-vocal score; 138 p.

Language note: French

 55/2 <emph render="italic">Il turco in Italia</emph>. Milan: G. Ricordi, n.d. Piano-vocal score; 329 p.

Plate no. 21051 through 21086.

Language note: Italian

 Rubinstein, Anton 55/3 <emph render="italic">Ballada</emph>. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1928. Voice and piano; score; 7 p.

Plate no. 17406.

Language note: German

Language note: Russian

 Sablon, A. Paris sur la bouche See: I.B. Collections, Box 3 (S/64), p. 68-69 Saint-Saëns, Camille 55/5 <emph render="italic">Javotte</emph>. Paris: A. Durand, 1896. Reduction for solo piano; score; 121 p.

Plate no. D. & F.5150.

 55/6 <emph render="italic">Ascanio</emph>: Suite no. 1. Paris: A. Durand, 1919. Arranged by H. Mouton for small orchestra; 15 p.

Plate no. D. & F.9754.

piano/conductor's score only

 Salabert, Francis 55/7 <emph render="italic">Hawaiian butterfly</emph>. Paris: F. Salabert, 1917. Solo piano; score; 4 p.

Plate no. E.A.S.1149.

 Sarrablo, M. El número 13 See: I.B. Collections, Box 3 (S/64), p. 68-69 Sartinskiĭ-Beĭ, D. K. 55/8 <emph render="italic">IA ne mogu poniat'</emph>. Moscow: N. Davingof, [1916]. Voice and piano; score; 5 p.

Plate no. H.1579 D.

Language note: Russian

 Satie, Erik 55/9 <emph render="italic">Aperçus désagréables</emph>. Paris: E. Demets, 1913. Piano, four hands; score; 13 p.

Plate no. E.1740 D.

 55/10 <emph render="italic">La belle excentrique</emph>. Paris: Éditions de la sirène, 1922. Piano, four hands; score; 25 p.

Plate no. E.D.94.L.S.

 55/11 <emph render="italic">Chapitres tournés en tous sens</emph>. Paris: E. Demets, 1913. Solo piano; score; 8 p.

Plate no. E.1113 D.

incomplete after p. 8

 55/12 <emph render="italic">Croquis et agaceries d'un gros bonhomme en bois</emph>. Paris: E. Demets, 1913. Solo piano; score; 10 p.

Plate no. E.1789 D.

 55/13 <emph render="italic">Descriptions automatiques</emph>. Paris: E. Demets, 1913. Solo piano; score; 8 p.

Plate no. E.1788 D.

 55/14 <emph render="italic">La diva de "L'Empire"</emph>. Paris: Bellon Ponscarme, 1904. Voice and piano; score; 7 p.

Plate no. B.P. & Cie 901.

Language note: French

 56/1 <emph render="italic">Embryons desséchés</emph>. Paris: E. Demets, 1913. Solo piano; score; 11 p.

Plate no. E.1795 D.

 56/2 <emph render="italic">En habit de cheval</emph>. Paris: Rouart, n.d. Piano, four hands; score; 13 p.

Also published Paris: Lerolle, n.d.

Plate no. R.9823.L. & Cie.

 56/3 <emph render="italic">Le fils des étoiles</emph>: Préludes. Paris: E. Baudoux, n.d. Solo piano; score; 8 p.

Plate no. E.B.et Cie 220.

 56/4 <emph render="italic">Gymnopédies</emph>, no. 3. Paris: Rouart, n.d. Solo piano; score; 3 p.

Also published Paris: Lerolle, n.d.

Plate no. R.L.9840 & Cie.

 56/5 <emph render="italic">Menus propos enfantins</emph>. Paris: E. Demets, 1916. Solo piano; score; 6 p.

Plate no. E.1818 D.

 56/6 <emph render="italic">3 morceaux en forme de poire</emph>. Paris: Rouart, n.d. Piano, four hands; score; 31 p.

Also published Paris: Lerolle, n.d.

Plate no. R.L.9799 & Cie.

Contains annotations in pencil.

 56/7 <emph render="italic">Sonneries de la Rose + Croix</emph>. Paris: Rouart, n.d. Solo piano; score; 12 p.

Also published Paris: Lerolle, n.d.

 56/8 <emph render="italic">Vieux sequins et vieilles cuirasses</emph>. Paris: E. Demets, 1913. Solo piano; score; 11 p.

Plate no. E.1135 D.

 Savasta, J. 56/9 <emph render="italic">Le prince noir</emph>. Athens: M. Kazaze, n.d. Solo piano; score; 3 p.

Plate no. M.118 K.

 Scarlatti, Alessandro 56/10 <emph render="italic">Già il sole dal Gange</emph>. Milan: G. Ricordi, n.d. Voice and piano; score; 4 p.

Plate no. 53999.

Language note: Italian

 56/11 <emph render="italic">O cessate di piagarmi</emph>. Milan: G. Ricordi, n.d. Voice and piano; score; 3 p.

Plate no. 51928.

Language note: Italian

 56/12 <emph render="italic">Se delitto è l'adorarvi</emph>. Milan: G. Ricordi, n.d. Voice and piano; score; 3 p.

Plate no. 101937.

Language note: Italian

 56/13 <emph render="italic">Se Florindo è fedele</emph>. Milan: G. Ricordi, n.d. Voice and piano; score; 4 p.

Plate no. 51929.

Language note: Italian

 56/14 <emph render="italic">Se tu della mia morte</emph>. Milan: G. Ricordi, n.d. Voice and piano; score; 3 p.

Plate no. 51932.

Language note: Italian

 56/15 <emph render="italic">Sento nel core</emph>. Milan: G. Ricordi, n.d. Voice and piano; score; 4 p.

Plate no. 53997.

Language note: Italian

 56/16 <emph render="italic">Son tutta duolo</emph>. Milan: G. Ricordi, n.d. Voice and piano; score; 3 p.

Plate no. 51930.

Language note: Italian

 56/17 <emph render="italic">Spesso vibra per suo gioco</emph>. Milan: G. Ricordi, n.d. Voice and piano; score; 3 p.

Plate no. 51931.

Language note: Italian

 56/18 <emph render="italic">Toglietemi la vita</emph>. Milan: G. Ricordi, n.d. Voice and piano; score; 3 p.

Plate no. 101936.

Language note: Italian

 Scarlatti, Domenico 56/19 <emph render="italic">18 ausgewählte Klavierstücke</emph>. Leipzig: C.F. Peters, n.d. Solo piano; score; 67 p.

Plate no. 8161.

Contains annotations in pencil.

 Schmitt, Florent 56/20 <emph render="italic">Le petit elfe "Ferme-l'oeil,"</emph>op. 73. Paris: A. Durand, 1924. Reduction by the composer for solo piano; score; 54 p.

Plate no. D. & F.10436.

Contains holograph dedication to Diaghilev from the composer on title page.

 56/21 <emph render="italic">Pièces récréatives</emph>, op. 37. Paris: J. Hamelle, n.d. Piano, four hands; score; 10 p.

Plate no. G.93 H. through G.95 H.

 Schreker, Franz S/37 <emph render="italic">Der Geburtstag der Infantin</emph>: Tanz-Suite. Vienna: Universal, 1909. Reduction for piano, four hands; score; 35 p.

Plate no. U.E.2545.

 Schubert, Franz S/57 <emph render="italic">Berühmte Klavier-Compositionen</emph>. Leipzig: C.F. Peters, n.d. Score; 153 p.

Plate no. 6260.

 S/57 <emph render="italic">Compositionen</emph>. Leipzig: C.F. Peters, n.d. Score; 111 p.

Plate no. 8376.

 S/57 <emph render="italic">Sämmtliche Tänze</emph>. Leipzig: C.F. Peters, n.d. Score; 74 p.

Plate no. 6696.

 S/57 <emph render="italic">Sonaten</emph>. Leipzig: C.F. Peters, n.d. Score; 222 p.

Plate no. 6700.

 Schumann, Robert 56/22-3 <emph render="italic">Carnaval</emph>, op. 9. Paris: A. Durand, n.d. Solo piano; score; 37 p.

Plate no. D. & F.9371.

Contents:

BOX: 56/22 Copy 1: contains annotations in pencil in score; annotations in ink, reading: "Boris Zadim/25-I-1926" on title page and on cover. BOX: 56/23 Copy 2 of the above. Scotto, Marc-César 56/24 <emph render="italic">Rapsodie niçoise</emph>. Nice: Delrieu Frères, 1926. Arranged by the composer for solo piano; score; 11 p.

Plate no. D.F.254.

Holograph dedication to Diaghilev from the composer on verso of title page.

 Seleznev, A. 56/25 <emph render="italic">Raznoshchik</emph>. Hamburg: F. Schuberth, n.d. Voice and piano; score; 5 p.

Plate no. 868.

Language note: German

Language note: Russian

 Sellenick, A. 56/26 <emph render="italic">Marche indienne</emph>. Paris: A. Leduc, 1911. Arranged by the composer for solo piano; score; 7 p.

Plate no. A.L.6752.

 Senilov, Vladimir Alexeevich 56/27 <emph render="italic">Kalechina-malechina</emph>, op. 10, no. 2. Moscow: P. IUrgenson, n.d. Voice and piano; score; 11 p.

Plate no. 37202.

Language note: French

Language note: Russian

 56/28 <emph render="italic">Kolybel'naia piesnia</emph>, op. 10, no. 1. Moscow: P. IUrgenson, n.d. Voice and piano; score; 5 p.

Plate no. 37201.

Language note: French

Language note: Russian

 Shafrov, N. M. 56/29 <emph render="italic">Ne nado!...Ne nado!</emph> Petrograd: N. Davingof, n.d. Voice and piano; score; 5 p.

Plate no. N.1433 D.

Language note: Russian

 Sharov, M. 56/30 <emph render="italic">Bielaia akatsiia</emph>. Moscow: S.IA. IAmbor, n.d. Voice and piano; score; 3 p.

Language note: Russian

 Shtraus, Oskar 56/31 <emph render="italic">V vikhrie val'sa</emph>: V grëzakh. Moscow: S.IA. IAmbor, n.d. Solo piano; score; 4 p.

Solo piano score with vocal line indications, Russian lyrics

Language note: Russian

 Sibelius, Jean 57/1 <emph render="italic">Scaramouche</emph>, op. 71. Copenhagen: W. Hansen, 1919. Arranged by O. Olsen for solo piano; score; 73 p.

Plate no. 15827.

 57/2 <emph render="italic">Der Schwan von Tuonela</emph>, op. 22, no. 3. [<emph render="italic">Lemminkäinen Suite</emph>.] Leipzig: Breitkopf & Härtel, 1907. Arranged by O. Taubmann for solo piano; score; 7 p.

Plate no. 25771.

Published 1907/1935

 57/3 <emph render="italic">Valse triste</emph>. [<emph render="italic">Kuolema</emph>, op. 44.] Leipzig: Breitkopf & Härtel, 1904. Arranged for solo piano; score; 7 p.

Plate no. V.A.2224.

 Slavenski, Josip 57/4 <emph render="italic">Balkanophonia</emph>, op. 10. Mainz: B. Schott's Söhne, 1928. Full score; 51 p.

Plate no. 32190.

Composer also known by the name: Štolcer-Slavenski, Josip

 Slavini, Niccolo 57/5 <emph render="italic">Bosphore valse</emph>. [S.l.]: [s.n.], n.d. Solo piano; score; 3 p.

Possibly published in Constantinople by J. d'Andria.

 Smith, Melson 57/6 <emph render="italic">Romanza</emph>, A-flat major. Paris: Éditions Ricordi, 1921. Violin and piano; violin part, piano score; 2 p.; 4 p.

Plate no. 806.

Holograph dedication to Diaghilev from the composer on cover.

 Sokolov, Flaviĭ Vasil'evich 57/7 <emph render="italic">Tsyganskaia pies'nia (Sobiraities' dievki krasnyia)</emph>. Hamburg: F. Schuberth, n.d. Voice and piano; score; 3 p.

Plate no. 869.

Language note: German

Language note: Russian

 Somerville, Reginald 57/8 <emph render="italic">Fo'c'stle dance</emph>. London: Hawkes, 1929. Small orchestra; 4 p.

Plate no. 6740.

Contains annotations in pencil.

piano/conductor's score only.

 Spendiarov, Aleksandr Afanas'evich 57/9 <emph render="italic">Deux morceaux</emph>, op. 3: Berceuse. Paris: W. Bessel, n.d. Arranged for solo piano; score; 5 p.

Plate no. 5085.

 Spies, Leo 57/10 <emph render="italic">Apollo und Daphne</emph>. [S.l.]: [s.n.], n.d. Photoreproduced score [reduction ?] for solo piano; 34 p.

Includes 1 p. typescript and 1 p. photoreproduced synopsis, typed, of the ballet's action; in German.

 Stamper, Dave 57/11 <emph render="italic">Prends garde à Tchou-tchin-tchou</emph>. Constantinople: J. d'Andria, n.d. Arranged by F. Salabert for voice and piano; voice part, piano score; 2 p.; 5 p.

Plate no. 463.

Language note: French

Language note: English

 Slavenski, Josip S/58 <emph render="italic">Semela</emph>, op. 10; <emph render="italic">Midas</emph>. Leipzig: M.P. Belaïeff, n.d. Reduction for solo piano; score; [23] p.

Plate no. 3088.

Composer also known by the name: Shteĭnberg, Maksimilian Osseevich

Contents incomplete:

Semela: p. 1 only Midas: p. 45 through 77 (Act II to the end) only

Contains annotations in pencil.

 Stivinskiĭ, S. 57/12 <emph render="italic">Gdie ty, milyĭ bozhok?</emph> Moscow: B.L. Andrzheevskiĭ, n.d. Voice and piano; score; 3 p.

Plate no. B.105 A.

Language note: Russian

 Storoni, J. 57/13 <emph render="italic">Amapa</emph>. Paris: F. Salabert, 1913. Arranged for solo piano; score; 4 p.

Plate no. E.A.S.576.

 Strauss, Johann 57/14 <emph render="italic">Johann Strauss' famous waltzes</emph>. London: K. Prowse, 1931. Arranged by E. Haywood for solo piano; score; 64 p.

Plate no. K.P. & Co.Ltd.4321.

Contains annotations in pencil.

 57/15 <emph render="italic">10 valses célèbres</emph>. Paris: [A.] Durand, 1932. Arranged for solo piano; score; 95 p.

Plate no. D. & F.12190.

 Strauss, Richard 57/16 <emph render="italic">Schlagobers</emph>, op. 70. Berlin: A. Fürstner, 1923. Reduction by O. Singer for solo piano; score; 156 p.

Plate no. A.7752 F.

 57/17 <emph render="italic">Till Eulenspiegels lustige Streiche</emph>, op. 28. Leipzig: Breitkopf & Härtel, 1903. Arranged for solo piano; score; 26 p.

Plate no. 3056.

 Stravinsky, Igor 57/18 <emph render="italic">Le rossignol</emph>. Berlin: Édition russe de musique, n.d. Piano-vocal score; 93 p.

Plate no. R.M.V.241.

Language note: French

Language note: Russian

 A song of the dew, op. 6, no. 2 See: I.B. Collections, Box 4 (S/65), p. 69-70 Strimer, Joseph 58/1 <emph render="italic">Dans la rue</emph>: Au son du moteur. Paris: Rouart, n.d. Solo piano; score; 4 p.

Also published Paris: Lerolle, n.d.

Plate no. R.L.11915 (5) & Cie.

 58/2 <emph render="italic">Dans la rue</emph>: Catherinette. Paris: Rouart, n.d. Solo piano; score; 4 p.

Also published Paris: Lerolle, n.d.

Plate no. R.L.11915 (4) & Cie.

 58/3 <emph render="italic">Tempo di minuetto</emph>. Paris: J. Joubert, 1931. Solo piano; score; 4 p.

Plate no. J.J.427.

 Suelto, Ramon 58/4 <emph render="italic">Créollita</emph>. Paris: Ramon Suelto, n.d. Solo piano; score; 2 p.

Plate no. 1.

Composer also known by the name: Allouche, Yvon

 Szymanowski, Karol 58/5 <emph render="italic">Cztery pieśni</emph>, op. 2, no. 3: We mgłach. Warsaw: Gebethner & Wolff, n.d. Voice and piano; score; 5 p.

Plate no. G 4927 W.

Language note: Polish

Language note: German

 58/6 <emph render="italic">Cztery pieśni</emph>, op. 2, no. 4: Czasem gdy długo na półsennie marzę. Warsaw: Gebethner & Wolff, n.d. Voice and piano; score; 5 p.

Plate no. G 4928 W.

Language note: Polish

Language note: German

 58/7 <emph render="italic">9 preludes</emph>, op. 1, no. 1. Berlin: A. Stahl, 1906. Solo piano; score; 3 p.

Plate no. 10.

 Tansman, Alexandre 58/8 <emph render="italic">Bric-à-brac</emph>. Paris: M. Eschig, 1938. Reduction for solo piano; score; 58 p.

Plate no. M.E.9636.

 58/9 <emph render="italic">Sextuor</emph>. Paris: M. Eschig, 1929. Reduction for solo piano; score; 23 p.

Plate no. M.E.2377.

 Tartini, Giuseppe 58/10 <emph render="italic">Pastorale</emph>. Milan: G. Ricordi, 1921. Violin and piano; violin part, piano score; 5 p.; 11 p.

Plate no. E.R.267.

 58/11 <emph render="italic">Sonate</emph>, D major: 1. Grave-Allegro. Paris: M. Senart, n.d. Violin and piano; violin part, piano score; 2 p.; 5 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R. & Cie 176.

 58/12 <emph render="italic">Sonate</emph>, D major: 2. Larghetto. Paris: M. Senart, n.d. Violin and piano; violin part, piano score; 1 p.; 3 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R. & Cie 177.

 58/13 <emph render="italic">Sonate</emph>, D major: 3. Gigue. Paris: M. Senart, n.d. Violin and piano; violin part, piano score; 1 p.; 3 p.

Also published Paris: B. Roudanez, n.d.

Plate no. S.R. & Cie 178.

 58/14 <emph render="italic">Sonate</emph>, E major. Paris: M. Senart, 1917. Violin and piano; violin part, piano score; 4 p.; 12 p.

Plate no. M.S. & Cie.5208.

 Tchaikovsky, Pëtr Il'ich La belle au bois dormant, op. 66, no. 24 See: I.B. Collections, Box 3 (S/64), p. 68-69 58/15 <emph render="italic">Berceuse</emph>, op. 16, no. 1. Paris: A. Noël, n.d. Voice and piano; score; 7 p.

Plate no. M. & N.2016.No.1-(2).

Language note: French

 58/16 <emph render="italic">Casse-noisette</emph>, op. 71. [=<emph render="italic">Shchelkunchik</emph>; <emph render="italic">The Nutcracker</emph>.] Moscow: P. Jurgenson, n.d. Reduction by the composer for solo piano; score; 166 p.

Plate no. 17782.

Contains annotations in pencil.

 58/17 <emph render="italic">Casse-noisette</emph>, op. 71: Suite. London: W. Reeves, n.d. Arranged by E. Evans for solo piano; score; 42 p.

Plate no. W.R.84.

 59/1 <emph render="italic">Charodeĭka</emph>. [=<emph render="italic">The Sorceress</emph>.] Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1926. Piano-vocal score; 385 p.

Plate no. 13570 through 13593.

Language note: German

Language note: Russian

 59/2 <emph render="italic">Charodeĭka</emph>: Stsena i ariozo Kumy (Glianut' s Nizhniago). [=Scene and Ku[d]ma's arioso (Act I).] Moscow: P. IUrgenson, 1887. Piano-vocal score; 9 p.

Plate no. 13574.

Also published Paris: A. Noël, 1887

Language note: German

Language note: Russian

 59/3 <emph render="italic">Cherevichki</emph>. [=<emph render="italic">The Little Shoes</emph>: revised version of <emph render="italic">Kuznets Vakula</emph> (=<emph render="italic">Vakula the Black-smith</emph>).] Moscow: P. IUrgenson, 1885. See also: Kuznets Vakula, Box 60, Folder 4 Piano-vocal score; 297 p.

Plate no. 6730 through 6755.

Language note: Russian

 60/1 <emph render="italic">Eugene Onegin</emph>. Moscow: P. IUrgenson, 1897. Piano-vocal score; 240 p.

Plate no. 24050 through 24072.

incomplete before p. 5

Contains annotations in pencil.

Language note: German

Language note: Russian

 60/2 <emph render="italic">Eugene Onegin</emph>. [S.l.]: [s.n.], n.d. Piano-vocal score; [31] p.

Plate no. M. & N.2024 (1).

incomplete: p. 145 through 176 only

Contains annotations in pencil.

Language note: French

 60/3 <emph render="italic">Iolanta</emph>. [=<emph render="italic">Iolanthe</emph>; <emph render="italic">Yolande</emph>.] Moscow: P. IUrgenson, 1892. Piano-vocal score; 190 p.

Plate no. 17616 through 17625.

Language note: German

Language note: Russian

 60/4 <emph render="italic">Kuznets Vakula</emph>. [=<emph render="italic">Vakula the Blacksmith</emph>.] Moscow: P. IUrgenson, n.d. See also: Cherevichki, Box 59, Folder 3 Arranged for solo piano; score; 162 p.

Plate no. 2923.

 61/1 <emph render="italic">Oprichnik</emph>. St. Petersburg: V. Bessel', 1896. Piano-vocal score; 327 p.

Plate no. 400 through 426.

Language note: German

Language note: Russian

 61/2 <emph render="italic">Orleanskaia dieva</emph>. [=<emph render="italic">The maid of Orléans</emph>.] Moscow: P. IUrgenson, 1899. Piano-vocal score; 423 p.

Plate no. 3951 through 3974.

Language note: German

Language note: Russian

 61/3 <emph render="italic">Otchego poblednela vesnoĭ</emph>, op. 6, no. 5. Moscow: Gosudarstvennoe izdatel'stvo, Muzykal'nyĭ sektor, 1924. Voice and piano; score; 5 p.

Plate no. 6416.

Language note: German

Language note: Russian

 S/60 <emph render="italic">Pikovaia dama</emph>, op. 68. [=<emph render="italic">The queen of spades</emph>.] Moscow: Muzgiz, 1936. Piano-vocal score; 278 p.

Plate no. 16270 through 16294.

Contains annotations in pencil.

Language note: German

Language note: Russian

 S/38 <emph render="italic">Pikovaia dama</emph>, op. 68. Moscow: P. IUrgenson, n.d. Reduction for solo piano; 165 p.

Plate no. 16269.

 Primiren'e See: I.B. Collections, Box 4 (S/65), p. 69-70 61/4 <emph render="italic">Les saisons</emph>, op. 37b. Paris: J. Hamelle, n.d. Solo piano; score; 61 p.

Plate no. J.1803.1.H through J.1814.12.H.

 62/1 <emph render="italic">Shest' romansov</emph>, op. 16. St. Petersburg: V. Bessel', 1873. Voice and piano; score; 33 p.

Plate no. 301 through 306.

Also published Paris: Mackar & Noël, 1873

Language note: Russian

 62/2 <emph render="italic">Shest' romansov</emph>, op. 25. St. Petersburg: V. Bessel', 1875. Voice and piano; score; 31 p.

Plate no. 621 through 626.

Also published Paris: Mackar & Noël, 1875

Language note: Russian

 62/3 <emph render="italic">Snegurochka</emph>, op. 12. [=<emph render="italic">The snow maiden</emph>.] Moscow: P. IUrgenson, 1895. Piano-vocal score; 103 p.

Plate no. 20281 through 20299.

Language note: German

Language note: Russian

 62/4 <emph render="italic">Snegurochka</emph>: excerpts. Moscow: P. IUrgenson, 1879. Arranged by L. Langer for piano, four hands; score; 115 p.

Plate no. 3329.

Contains annotations in pencil.

 62/5 <emph render="italic">Snegurochka</emph>: Piesn' Lelia (Tucha s gromom). Moscow: P. IUrgenson, 1873. Arranged for voice and piano; score; 5 p.

Plate no. 2339.

Contains annotations in pencil.

Language note: Russian

 Tedé, F. 62/6 <emph render="italic">Uviali rozy</emph>, op. 51. Moscow: F. Detlaf, n.d. Solo piano; score; 5 p.

Plate no. F.164 D.

 Toch, Ernst 62/7 <emph render="italic">Sonate</emph>, op. 47. Mainz: B. Schott's Söhne, 1928. Solo piano; score; 15 p.

Plate no. 32207.

 Tomasi, Henri 62/8 <emph render="italic">Jabadao</emph>. Paris: A. Leduc, 1959. Condensed score; 27 p.

Plate no. A.L.22789.

 Tosti, Francesco Paolo 62/9 <emph render="italic">A Greyswood</emph>: Mattinata (Mary, tremando l'ultima stella). Milan: G. Ricordi, n.d. Voice and piano; score; 6 p.

Plate no. 98786-90.

Language note: Italian

 62/10 <emph render="italic">Ici-bas</emph>. Milan: G. Ricordi, n.d. Voice and piano; score; 5 p.

Plate no. 53241.

Language note: French

 62/11 <emph render="italic">Malìa</emph>. Milan: G. Ricordi, n.d. Voice and piano; score; 7 p.

Plate no. 52292.

Language note: Italian

 62/12 <emph render="italic">Si vous saviez!</emph> Milan: G. Ricordi, n.d. Voice and piano; score; 4 p.

Plate no. 54052-71.

Language note: French

 62/13 <emph render="italic">Tormento!</emph> Milan: G. Ricordi, 1912. Voice and piano; score; 6 p.

Plate no. 114633.

Language note: Italian

 62/14 <emph render="italic">Tristezza</emph>. Milan: G. Ricordi, 1909. Voice and piano; score; 7 p.

Plate no. 112675.

Language note: Italian

 62/15 <emph render="italic">Vorrei morire!</emph> Milan: G. Ricordi, n.d. Voice and piano; score; 8 p.

Plate no. 46066.

Language note: Italian

 Tsokopoupos, Anninos Dēmētrakopoupos 62/16 <emph render="italic">Madelon</emph>. Athens: Mousikon Katastēma "Mousikē", n.d. Voice and piano; score; 2 p.

Plate no. Z.339 M.

Contains holograph inscription on cover page: "Grèce, 1919."

Language note: French

Language note: Greek

 Turina, Joaquín 62/17 <emph render="italic">Trois danses andalouses</emph>. Paris: Rouart, n.d. Solo piano; score; 20 p.

Also published Paris: Lerolle, n.d.

Plate no. R.L.9957. & Cie through R.L.9959. & Cie.

 62/18 <emph render="italic">Trois danses andalouses</emph>: 1. Petenera. Paris: Rouart, n.d. Solo piano; score; 8 p.

Also published Paris: Lerolle, n.d.

Plate no. R.L.9959. & Cie.

 62/19 <emph render="italic">Sonate romantique</emph>. Paris: E. Demets, 1910. Solo piano; score; 30 p.

Plate no. E.1486 D.

 Tveit, Geirr 62/20 <emph render="italic">Meinvarnađur</emph>. Oslo: Geirr Tveit, 1938. Arranged by the composer for solo piano; score; 7 p. Varlamov, Aleksandr Egorovich 63/1 <emph render="italic">Gamlet</emph>: Piesn' Ofelii (Moego vy znalil druga?). [=<emph render="italic">Hamlet</emph>: Ophelia's song.] Hamburg: F. Schu-berth, n.d. Voice and piano; score; 11 p.

Plate no. 517.

Also published Dresden: Bernhard & Zittau, n.d.

Language note: German

Language note: Russian

 63/2 <emph render="italic">Krasnyĭ sarafan</emph>. Moscow: IU. Gresser, n.d. Voice and piano; score; 7 p.

Plate no. 182.

Language note: Russian

 63/3 <emph render="italic">O molchi, milyĭ drug moĭ molchi</emph>. St. Petersburg: U.M. Bernard, n.d. Voice and piano; score; 3 p.

Plate no. N.11.A.No.3.

Language note: Russian

 63/4 <emph render="italic">Slezy umileniia</emph>. Hamburg: F. Schuberth, n.d. Voice and piano; score; 5 p.

Plate no. 241.

Language note: German

Language note: Russian

 Verdi, Giuseppe 63/5 <emph render="italic">Il finto Stanislao</emph>. [=<emph render="italic">Un giorno di regno</emph>.] Milan: G. Ricordi, n.d. Piano-vocal score; 390 p.

Plate no. 53708.

Language note: Italian

 Verdun, Henry 63/6 <emph render="italic">Mon seul amour (L'amour que je garde en moi-même)</emph>. Paris: Éditions Salabert, 1933. Arranged by F. Salabert for small orchestra; parts for: piano/conductor-piano/"melody" (4 p. each); vn I (2 copies), vn II, vla, vc, fl (2 p. each); ob-cb (1 p. each); cl, [solo] sax, sax I (alto), sax II (tenor), sax III (alto), tpts I, II, tbn (2 p. each); perc (1 p. each); banjo, accordion (1 p. each)

Plate no. E.A.S. 9130.

parts for: piano/conductor-piano/"melody" with vocal line indications

Language note: English

Composer also known by the name: Castelain, Maurice

 Verstovskiĭ, Alekseĭ Nikolaevich 63/7 <emph render="italic">Askol'dova mogila</emph>. St. Petersburg: F. Stellovskiĭ, 1866. Piano-vocal score; 226 p.

Plate no. 4419 through 4443.

Language note: Russian

 63/8 <emph render="italic">Askol'dova mogila</emph>. St. Petersburg: F. Stellovskiĭ, n.d. Arranged by K. Vil'boa for solo piano; score; 102 p. S/39 <emph render="italic">Askol'dova mogila</emph>: excerpts. Moscow: A. Gutkheil', n.d. Arranged for solo piano; score; 93 p.

Plate no. A.2478 G.

 Vertinskiĭ, Aleksandr 64/1 <emph render="italic">IA segodnia smieius' nad soboĭ</emph>. Moscow: B.L. Andrzheevskiĭ, n.d. Voice and piano; score; 3 p.

Plate no. B.113 A.

Language note: Russian

 Vil'boa, Konstantin 64/2 <emph render="italic">Russkiia narodnyia piesni</emph>. St. Petersburg: F. Stellovskiĭ, 1860. Voice and piano; score; 158 p.

Plate no. S.No.3455 through 3554.

Language note: Russian

 Villa-Lobos, Heitor 64/3 <emph render="italic">Cirandas</emph>: 1. Therezinha de Jesus. Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 3 p.

Plate no. 8421.

 64/4 <emph render="italic">Cirandas</emph>: 2. A condessa. Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 3 p.

Plate no. 8422.

 64/5 <emph render="italic">Cirandas</emph>: 3. Senhora, dona Sancha. Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 5 p.

Plate no. 8423.

 64/6 <emph render="italic">Cirandas</emph>: 4. O cravo brigou com a rósa (Sapo jurúrú). Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 5 p.

Plate no. 8424.

 64/7 <emph render="italic">Cirandas</emph>: 5. Pobre céga (Toada da rêde). Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 3 p.

Plate no. 8425.

 64/8 <emph render="italic">Cirandas</emph>: 6. Passa, passa, gavião. Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 5 p.

Plate no. 8426.

 64/9 <emph render="italic">Cirandas</emph>: 8. Vamos atraz da sérra calunga. Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 7 p.

Plate no. 8431.

 64/10 <emph render="italic">Cirandas</emph>: 9. Fui no tóróró. Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 5 p.

Plate no. 8432.

 64/11 <emph render="italic">Cirandas</emph>: 10. O pintor de Cannahy. Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 3 p.

Plate no. 8433.

 64/12 <emph render="italic">Cirandas</emph>: 11. N'esta rua, n'esta rua. Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 3 p.

Plate no. 8434.

 64/13 <emph render="italic">Cirandas</emph>: 12. Olha o passarinho, domine. Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 7 p.

Plate no. 8440.

 64/14 <emph render="italic">Cirandas</emph>: 13. A' procura de uma agulha. Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 5 p.

Plate no. 8441.

 64/15 <emph render="italic">Cirandas</emph>: 14. A canôa virou. Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 5 p.

Plate no. 8442.

 64/16 <emph render="italic">Cirandas</emph>: 16. Có-có-có. Rio de Janeiro: A. Napoleão, n.d. Solo piano; score; 5 p.

Plate no. 8444.

 64/17 <emph render="italic">A próle do bébé</emph>, no. 2: 1. A baratinha de papel. Paris: M. Eschig, 1927. Solo piano; score; 4 p.

Plate no. M.E.1792.

 64/18 <emph render="italic">A próle do bébé</emph>, no. 2: 2. A gatinho de papelão. Paris: M. Eschig, 1927. Solo piano; score; 3 p.

Plate no. M.E.1793.

 64/19 <emph render="italic">A próle do bébé</emph>, no. 2: 3. O camundongo de massa. Paris: M. Eschig, 1927. Solo piano; score; 11 p.

Plate no. M.E.1794.

 64/20 <emph render="italic">A próle do bébé</emph>, no. 2: 4. O cachorrino de borracha. Paris: M. Eschig, 1927. Solo piano; score; 4 p.

Plate no. M.E.1795.

 64/21 <emph render="italic">A próle do bébé</emph>, no. 2: 5. O cavalinho de páu. Paris: M. Eschig, 1927. Solo piano; score; 7 p.

Plate no. M.E.1786.

 64/22 <emph render="italic">A próle do bébé</emph>, no. 2: 6. O boisinho de chumbo. Paris: M. Eschig, 1927. Solo piano; score; 7 p.

Plate no. M.E.1797.

 64/23 <emph render="italic">A próle do bébé</emph>, no. 2: 7. O passarinho de panno. Paris: M. Eschig, 1927. Solo piano; score; 7 p.

Plate no. M.E.1798.

 64/24 <emph render="italic">A próle do bébé</emph>, no. 2: 8. O ursozinho de algodão. Paris: M. Eschig, 1927. Solo piano; score; 7 p.

Plate no. M.E.1799.

 64/25 <emph render="italic">A próle do bébé</emph>, no. 2: 9. O lobosinho de vidro. Paris: M. Eschig, 1927. Solo piano; score; 11 p.

Plate no. M.E.1800.

 64/26 <emph render="italic">Saudades das sélvas brasileiras</emph>. Paris: M. Eschig, 1927. Solo piano; score; 11 p.

Plate no. M.E.1918 (1).

 Vivaldi, Antonio 64/27 <emph render="italic">Six sonates</emph>. Paris: M. Senart, 1916. Cello and piano; cello part, piano score; 18 p.; 45 p.

Plate no. M.S. & Cie.5082.

 Vlad, Roman 64/28 <emph render="italic">La dama delle camelie</emph>. Milan: Carisch, 1948. Reduction by the composer for solo piano; score; 56 p.

Plate no. 20485.

 Wagner, Richard 65/1 <emph render="italic">Siegfried-Idyll</emph>. [<emph render="italic">Siegfried</emph>.] Vienna: Universal, n.d. Arranged by J. V. von Wöss for solo piano; score; 19 p.

Plate no. U.E.5113.

 65/2 <emph render="italic">Tangeizer</emph>. [=<emph render="italic">Tannhäuser</emph>.] Moscow: P. Jurgenson, n.d. Arranged for solo piano; score; 171 p.

Plate no. 4453 T.339.

 S/61 <emph render="italic">Tannhäuser</emph>. Paris: [s.n.], n.d. Arranged for solo piano; score; 181 p.

missing p. 1-2

 65/3 <emph render="italic">Tannhäuser</emph>: Overture. Leipzig: A.J. Benjamin, n.d. Arranged for solo piano; score; 15 p.

Plate no. 4123.

 65/4 <emph render="italic">Val'kiriia</emph>. [=<emph render="italic">Die Walküre</emph>.] St. Petersburg: Sievernaia lira, n.d. Piano-vocal score; 204 p.

Plate no. S.1783 L.

Language note: German

Language note: Russian

 Walter, Fried 65/5 <emph render="italic">Kleopatra</emph>, op. 22. Mainz: B. Schott's Söhne, n.d. Reduction by A. Zickler for solo piano; score; 95 p.

Plate no. B.S.S 36887.

 Wayne, M. 65/6 <emph render="italic">Butterfly</emph>. Paris: Éditions Salabert, 1935. Arranged by F. Salabert for small orchestra; parts for: piano/conductor-piano/"melody" (4 p. each); [solo] vn (3 p.); vn I (2 copies) (3 p. each); vc, cb, [solo] sax (2 p. each); sax I (alto) (3 p.); sax II (tenor), sax III (alto), tpts I, II, tbn, perc, banjo, accordion (2 p. each).

Plate no. E.A.S.10064.

parts for: piano/conductor-piano/"melody" with vocal line indications; English lyrics

 Weber, Carl Maria von 65/7 <emph render="italic">L'invitation à la valse</emph>, op. 65. Paris: A. Durand, n.d. Solo piano; score; 12 p.

Plate no. D. & F.11209.

 Weill, Kurt 65/8 <emph render="italic">Der neue Orpheus</emph>, op. 15. Vienna: Universal, 1926. Arranged for voice, violin and piano; score; 32 p.

Plate no. U.E.8472a.

Language note: German

 65/9 <emph render="italic">Royal Palace</emph>, op. 17. Vienna: Universal, 1926. Piano-vocal score; 83 p.

Plate no. U.E.8690.

Language note: German

 Wolff, A. 10/4 <emph render="italic">España</emph>. Paris: Enoch, 1911. Solo piano; score; 147 p.

Ballet arranged on works of Chabrier

Plate no. E. & C.7267.

 Wrabel, Allie See: Dixon, Mort and Wrubel, Allie Zhak, Samuil 65/10 <emph render="italic">Mersedes</emph>. [S.l.]: [s.n.], n.d. Voice and piano; score; 5 p.

Plate no. 299.

Language note: Italian

 66 S/62 S/63 S/64 S/65 S/66 B. Collections of Printed music S/62 Collections, Box 1: Five works bound together in a single hard-cover volume; items are listed in the order in which they appear. Arne, Thomas S/62 <emph render="italic">Comus</emph>. [S.l.]: [s.n.], n.d. Piano-vocal score; 18 p.

Language note: English

"Voice [vocal parts], harpsichord [figured bass] and violin."

 Boyce, William S/62 <emph render="italic">Solomon</emph>. London: Harrison & Co., n.d. Piano-vocal score; 48 p.

Plate no. 64 through 66

Language note: English

"Voice [vocal parts], harpsichord [figured bass] and violin."

 S/62 <emph render="italic">Lyra Brittanica</emph>. London: Harrison & Co., n.d. Piano-vocal score; 83 p.

Plate no. 109 through 113

Language note: English

"Voice [vocal parts], harpsichord [figured bass] and violin."

 S/62 <emph render="italic">The Chaplet</emph>. London: Harrison & Co., n.d. Piano-vocal score; 19 p.

Plate no. 7

Language note: English

"Voice [vocal parts], harpsichord [figured bass] and violin."

 Howard, Samuel S/62 <emph render="italic">The Amorous Goddess</emph>. London: Harrison & Co., n.d. Piano-vocal score; 14 p.

Plate no. 95.

Language note: English

"Voice [vocal parts], harpsichord [figured bass] and violin."

 S/63 Collections, Box 2: Eighteen works bound together in a single hard-cover volume; items are listed in in the order in which they appear. Carelli, Beniamino S/63a <emph render="italic">L'arte del canto</emph>. Naples: Società musicale napolitana, 1898. Voice and piano; score; 52 p.

Plate no. 564

Contains annotations in pencil.

no lyrics

 Bosc, Auguste S/63 <emph render="italic">Rose-Mousse</emph>. Moscow: A. Gutheil, n.d. Solo piano; score; 5 p.

Plate no. A.7938 G.

 Ocki-Albi, Georges N. S/63 <emph render="italic">Palais de cristal</emph>. St. Petersburg: J.H. Zimmermann, 1899. Solo piano; score; 7 p.

Plate no. 0

Contains the composer's autograph on cover.

 Rosey, George S/63 <emph render="italic">The honey-moon (mar[s]ch)</emph>. St. Petersburg: N. Davingof, n.d. Solo piano; score; 5 p.

Plate no. N.272 D.

 Berger, Rodolphe S/63 <emph render="italic">Vdali ot Rodiny</emph>. St. Petersburg: Sievernaia lira, 1900. Solo piano; score; 7 p.

Plate no. S.1076 L.

 Offenbach, Jacques S/63 <emph render="italic">Prekrasnaia Elena</emph>. [=<emph render="italic">La belle Hélène</emph>.] Moscow: A. Gutkheĭl', n.d. Arranged for solo piano; score; 61 p.

Plate no. A.4471 G.

 Chopin, Frédéric S/63 <emph render="italic">Mazurkas</emph>. [<emph render="italic">Klavierwerke, v. 6: Mazurkas</emph>]. Leipzig: Steingräber, n.d. Solo piano; score; 92 p.

Plate no. 78

 Berzhe, R. S/63 <emph render="italic">Vliublennaia</emph>. [=<emph render="italic">Amoureuse</emph>.] St. Petersburg: N. Davingof, 1901. Voice and piano; score; 7 p.

Plate no. N.409 D.

Language note: French

Language note: Russian

 Berger, Rodolphe S/63 <emph render="italic">Lettre valsée</emph>. Paris: Enoch, 1900. Voice and piano; score; 5 p.

Plate no. E. & C.4483

Language note: French

 Delmet, Paul S/63 <emph render="italic">L'étoile d'amour</emph>. Paris: Enoch, n.d. Voice and piano; score; 5 p.

Plate no. E. & C.4331

Language note: French

 Margis, Alfred S/63 <emph render="italic">Pourquoi ne pas m'aimer?</emph> Paris: W. Salabert, n.d. Voice and piano; score; 5 p.

Plate no. W.S.193

Language note: French

 Missa, Edmond S/63 <emph render="italic">L'éventail</emph>. Paris: Costallat, n.d. Voice and piano; score; 4 p.

Plate no. C. & C.307

Language note: French

 Planquette, Robert S/63 <emph render="italic">Les cloches de Corneville</emph>: Chanson des servantes. Paris: A. Boutiot, n.d. Arranged for voice and piano; score; 7 p.

Plate no. L.B.1510.9ter.

Language note: French

 Pirani, G. S/63 <emph render="italic">Altalena</emph>. Florence: A. Forlivesi, n.d. Voice and piano; score; 5 p.

Plate no. 5412-5415

Language note: Italian

 Paladilhe, Émile S/63 <emph render="italic">Mandolinata</emph>. [S.l.]: [s.n.], n.d. Voice and piano; score; 7 p.

Plate no. 10445 Z

Language note: Italian

 Cottrau, T. S/63 <emph render="italic">L'addio a Napoli</emph>. Naples: T. Cottrau, n.d. Voice and piano; score; 3 p.

Plate no. 17511

Language note: Italian

 Gambardella, S. S/63 <emph render="italic">O Marenariello</emph>. Naples: Libreria Editrice Bideri, n.d. Voice and piano; score; 1 p.

Language note: Italian

 Curtis, G. B. de S/63 <emph render="italic">Carmela</emph>. Naples: Premiato Stabilimento Bideri, n.d. Voice and piano; score; 4 p.

Language note: Italian

 [Composer not indicated] S/63s <emph render="italic">Vieni sul mar</emph>. Naples: Libreria Editrice Bideri, n.d. Voice and piano; score; 1 p.

Language note: Italian

 S/64 Collections, Box 3: Twenty works bound together in a single hard-cover volume; items are listed in the order in which they appear. Chopin, Frédéric S/64a <emph render="italic">Ballade</emph>, op. 24. Moscow: P. Jurgenson, n.d. Solo piano; score; 11 p.

Plate no. 1998.

 Gillet, Ernest S/64 <emph render="italic">La lettre de man[s]on</emph>. St. Petersburg: N. Davingof, n.d. Solo piano; score; 7 p.

Plate no. N.444 D.

 Ocki-Albi, Georges N. S/64 <emph render="italic">Petite conversation</emph>. St. Petersburg: N. Davingof, n.d. Solo piano; score; 9 p.

Plate no. N.469 D.

 Tchaikovsky, Pëtr Il'ich S/64 <emph render="italic">La belle au bois dormant</emph>, op. 66, no. 24. [=<emph render="italic">Sleeping beauty</emph>.] Moscow: P. Jurgenson, n.d. Reduction by T. Kirchner for solo piano; score; 6 p.

Plate no. 16974

 Margis, Alfred S/64 <emph render="italic">La châtelaine</emph>, op. 30. Paris: Enoch, 1903. Solo piano; score; 7 p.

Plate no. E. & C.5337

 Labadie, H. S/64 <emph render="italic">Mia cara</emph>. Moscow: S. Meukov, n.d. Solo piano; score; 11 p.

Plate no. K.43 M.

 Neustedt, C. S/64 <emph render="italic">Le rêve du prisonnier</emph>. Paris: H. Heugel, n.d. Solo piano; score; 6 p.

Plate no. H.8637

 Sablon, A. S/64 <emph render="italic">Paris sur la bouche</emph>. Paris: Au succès du XXe siècle, n.d. Solo piano; score; 3 p.

Plate no. X.60.G

 Offenbach, Jacques S/64 <emph render="italic">Valse chaloupée</emph>. Paris: A. Choudens, 1908. Arranged by C. Dubourg for solo piano; score; 5 p.

Plate no. A.C.14079

 Berzhe, R. S/64 <emph render="italic">Vinovaty rozy</emph>. St. Petersburg: IU.G. TSimmerman, n.d. Solo piano; score; 7 p.

Plate no. Z.6681

 Eberhard, G. S/64 <emph render="italic">IAkht-klub</emph>. St. Petersburg: A. IUgansen, n.d. Solo piano; score; 9 p.

Plate no. 1047

 Cui, César S/64 <emph render="italic">Feuille d'album</emph>, op. 39, no. 2. St. Petersburg: W. Bessel, n.d. Solo piano; score; 3 p.

Plate no. 2214

 Margis, Alfred S/64 <emph render="italic">Premier printemps</emph>. [S.l.]: Chappell, 1903. Solo piano; score; 5 p.

Plate no. 21815

 Marchetti, F. D. S/64 <emph render="italic">Fascination</emph>. Paris: F.D. Marchetti, 1904. Solo piano; score; 5 p.

Plate no. F.D.M.101

 Sarrablo, M. S/64 <emph render="italic">El número 13</emph>. Paris: M. Sarrablo, 1911. Solo piano; score; 3 p. Fragson, Harry S/64 <emph render="italic">L'amour boiteux</emph>. Paris: Aux répertoires réunis, n.d. Voice and piano; score; 3 p.

Language note: French

 Fauchey, Paul S/64 <emph render="italic">Folie d'amour</emph>. Paris: Éditions Phono-Gazette, [1906]. Voice and piano; score; 5 p.

Plate no. P.F.1.

Language note: French

 Delmet, Paul S/64 <emph render="italic">Charme d'amour</emph>. Paris: Heugel, n.d. Voice and piano; score; 3 p.

Plate no. H. & Cie.19173

Language note: French

 Marinier, Paul S/64 <emph render="italic">Bonsoir Madame la lune</emph>. Paris: E. Meuriot, n.d. Voice and piano; score; 3 p.

Plate no. E.M.2583

Language note: French

 S/64t <emph render="italic">D'elle à lui</emph>. Paris: P. Dupont, n.d. Voice and piano; score; 3 p.

Plate no. P.D.2927

Language note: French

 Massenet, Jules Émile Frédéric S/64 <emph render="italic">Pensée d'automne</emph>. Paris: Heugel, n.d. Voice and piano; score; 7 p.

Plate no. H. & Cie.7063 (1).

Language note: French

 66 S/65 S/66 Collections, Box 4: Twelve works bound together in a single hard-cover volume, of which the first ten are works by Musorgskiĭ, M.; items are listed in the order in which they appear. Musorgskiĭ, Modest Petrovich S/65 <emph render="italic">Le guignol</emph>. [=<emph render="italic">Raëk</emph>; <emph render="italic">The Peepshow</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 32 p.

Plate no. 5938

Language note: French

Language note: German

Language note: Russian

 S/65b <emph render="italic">Sans soleil</emph>. [=<emph render="italic">Bez solntsa</emph>; <emph render="italic">Sunless</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 27 p.

Plate no. 5950 through 5955

Language note: French

Language note: German

Language note: Russian

 S/65c <emph render="italic">L'orphelin</emph>. [=<emph render="italic">Sirotka</emph>; <emph render="italic">The orphan</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 5 p.

Plate no. 5929

Language note: French

Language note: German

Language note: Russian

 S/65d <emph render="italic">Chanson d'enfant</emph>. [=<emph render="italic">Dietskaia piesenka</emph>; <emph render="italic">Children's song</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 3 p.

Plate no. 5928

Language note: French

Language note: German

Language note: Russian

 S/65e <emph render="italic">Kallistrate</emph>. St. Petersburg: W. Bessel, 1908. Voice and piano; score; 11 p.

Plate no. 5948

Language note: French

Language note: German

Language note: Russian

 S/65f <emph render="italic">Aux bords du Don</emph>. [=<emph render="italic">Po nad Donom sad tsvietet</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 5 p.

Plate no. 5945

Language note: French

Language note: German

Language note: Russian

 S/65g <emph render="italic">Berceuse du paysan</emph>. [=<emph render="italic">Spi, usni, krest'ianskiĭ syn</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 7 p.

Plate no. 5935

Language note: French

Language note: German

Language note: Russian

 S/65h <emph render="italic">La nuit</emph>. [=<emph render="italic">Noch'</emph>; <emph render="italic">Night</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 7 p.

Plate no. 5936

Language note: French

Language note: German

Language note: Russian

 S/65i <emph render="italic">Vision</emph>. [=<emph render="italic">Vidien'e</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 5 p.

Plate no. 5944

Language note: French

Language note: German

Language note: Russian

 S/65j <emph render="italic">Doucement planait une âme</emph>. [=<emph render="italic">Gornimi tikho letiela dusha nebesami</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 5 p.

Plate no. 5940

Language note: French

Language note: German

Language note: Russian

 S/65k <emph render="italic">Trouble</emph>. [=<emph render="italic">Razsievaetsia, razstupaetsia</emph>.] St. Petersburg: W. Bessel, 1908. Voice and piano; score; 3 p.

Plate no. 5943

Language note: French

Language note: German

Language note: Russian

 S/65l <emph render="italic">Hopak</emph>. [<emph render="italic">La foire de Sorochintsi</emph>: Gopak.] London: J. & W. Chester, 1916. Arranged for voice and piano; score; 9 p.

Plate no. M.P.B.2709.

Edition: M.P. Belaïeff

Language note: French

Language note: English

 Stravinsky, Igor S/65 <emph render="italic">A song of the dew</emph>, op. 6, no. 2. Moscow: P. Jurgenson, n.d. Voice and piano; score; 9 p.

Plate no. 36200.

Language note: French

Language note: English

 Tchaikovsky, Pëtr Il'ich S/65 <emph render="italic">Primiren'e</emph>. St. Petersburg: V. Bessel', n.d. Voice and piano; score; 7 p.

Plate no. 3046.

Language note: German

Language note: Russian

 S/66o <emph render="italic">Album klasiků</emph>. Prague: M. Urbánek, n.d. Voice and piano; score; 195 p.

Plate no. M.U.25.

p. 75-78 not present

Contains sparse annotations in pencil

Contains works of W.A. Mozart, L. van Beethoven, C. Loewe, F. Schubert, F. Mendelssohn-Bartholdy, R. Schumann.

Language note: Czech

 [Unidentified] [Collection of piano works.] [New York]: G. Schirmer, 1897. Solo piano; score; 101 p.

Plate no. 13500.

Incomplete publication data: cover and title pages not present.

 66/2 <emph render="italic">Neuvième album Francis Salabert</emph>. Paris: F. Salabert, 1926. Solo piano; score; 62 p.

Plate no. E.A.S.4158.

 66/3 <emph render="italic">Album russe: 36 beliebte Werke russischer Komponisten</emph>. Hamburg: A.J. Benjamin, n.d. Solo piano; score; 142 p.

Plate no. A.J.B.3496, 3514, 3519

plates are mostly unnumbered.

Contains sparse annotations in pencil.

 66/4 <emph render="italic">Sept chants populaires</emph>. Moscow: P. Jurgenson, [1910]. Voice and piano; score; 30 p.

Plate no. 34868 through 34874.

Hebrew transliterated

Language note: Limousin dialect

Language note: Spanish

Language note: Hebrew

Language note: English

Language note: French

Language note: German

Language note: Russian

 66/5 <emph render="italic">Collection de ballets et fragments célèbres</emph> Paris: A. Choudens, n.d. Solo piano; score; 17 p.

Specific works not indicated.

Plate no. A.C.2794.

 66/6 <emph render="italic">Les maîtres musiciens de la renaissance française, v. 1</emph>: Danceries. Paris: A. Leduc, 1908. Four part instrumental arrangement and keyboard reduction; score; 115 p.

Plate no. A.L.14052.

Contains dedication to Diaghilev from the editor, inside front cover page.

 66/7 <emph render="italic">The Russian song books, v. 1</emph>. London: J.W. Chester, 1917. Voice and piano; score; 25 p.

Plate no. J.W.C.3745.

Language note: English

Language note: French

 66/8 <emph render="italic">The Russian song books, v. 2</emph>. London: J.W. Chester, 1917. Voice and piano; score; 25 p.

Plate no. J.W.C.3746.

Language note: English

Language note: French

 Glinka, Mikhaĭl 66/9 <emph render="italic">Sobranie muzykal'nykh pies</emph>. [=Collection of musical pieces.] St. Petersburg: [s.n.], 1839. Solo piano; score; 26 p.

Contains:

Haberbier, E., Valse Laskowsky, J., Valse Dargomyzhskiĭ, A., Le rêve de la Esméralda Glinka, M., Valse Glinka, M., Thème de l'opéra Faniska de Cherubini 67 C. Miscellaneous/unidentified 67/1 Unidentified fragments of printed music; 8 items. 67/2 Covers of printed music containing autograph inscriptions; 5 items. 67/3 Covers of printed music of identified or printed materials; 17 items. 67/4 Covers of printed music containing publicity material with music; 4 items. 67/5 Covers of printed music containing publicity material without music; 27 items. 68-75 II. Manuscript Music Material, 1750-1950

The Manuscript Music Material series consists of holograph and copyist scores from the personal music library of Serge Diaghilev.

Arrangement is by composer and title.

 Bruguière, Émile 68/1 <emph render="italic">Le rêve de Lisette</emph>. Copyist's [holograph?] manuscript; reduced score, 97 p. Chabrier, Emmanuel 68/2 <emph render="italic">Une éducation manquée</emph>: Air d'Hélène. Copyist's manuscript; piano-vocal score; 7 p.

Language note: French

Contains 1 p. typed, photoreproduced lyrics (French); also contains annotations in pencil.

 Cimarosa, Domenico S/18 [Arias; Duets.] Full score; copyist's manuscript; 278 p.

Language note: Italian

 68/3 <emph render="italic">La felicità inaspettata</emph>: Quartetto. Strings/chamber ensemble; copyist's manuscript; 1 p.

incomplete

 68/4 <emph render="italic">Il maestro di capella</emph>. Piano-vocal score; copyist's manuscript; 44 p.

Language note: Italian

 68/5 <emph render="italic">Il maestro di capella</emph>. Full score; copyist's manuscript; 40 p.

Incomplete

Language note: Italian

 68/6 <emph render="italic">Sonate</emph>. Harpsichord solo; score; copyist's manuscript; 22 p. 68/7 <emph render="italic">La vergine del sole</emph>: Aria di Alci... Strings or chamber emsemble; full score; copyist's manuscript; 1 p.

Incomplete; title illegible

also includes (on verso): Paisiello, Giovanni.Il duello comico: [Excerpt]. Full score; copyist's manuscript; 2 p. [incomplete].

 Cleveland, Richard 68/8 <emph render="italic">Le necromancier</emph>. Reduced score; copyist's manuscript; 19 p.

Laid in: synopsis of the ballet's action, 1 p., typed.

 Crémieux, Octave 68/9 <emph render="italic">Quand l'amour meurt</emph>. Piano reduction; score; copyist's manuscript; 5 p.

Dated "Téhéran, 1932 Nov 9."

 Gounod, Charles 68/10 <emph render="italic">Philémon et Baucis</emph>: [Manuscript material]. Piano-vocal scores; copyist's manuscripts; 91 p.

Contains annotations in pencil and in ink.

Language note: French

Language note: Italian

 68/11 <emph render="italic">Philémon et Baucis</emph>: [Manuscript material]. Piano-vocal scores; copyist's manuscripts; 51 p.

Contains annotations in pencil and in ink.

Language note: Italian

 68/12 <emph render="italic">Philémon et Baucis</emph>: [Manuscript material]. Piano-vocal scores; copyist's manuscripts; 48 p.

Contains annotations in pencil and in ink.

Language note: Italian

 68/13 <emph render="italic">Philémon et Baucis</emph>: [Two fragments]. From piano-vocal score; copyist's manuscripts

Language note: Italian

Possibly holograph manuscript material of Georges Auric, who composed supplementary recitatives for the opera.

Autograph notation at top of one fragment contains directions (in French) to copyist "to copy 3 times."

 69/1 <emph render="italic">Le médecin malgré lui</emph>. Piano-vocal scores of Act II, scene 13; copyist's manuscripts; six copies, 22 p. each.

These versions differ from that of the printed score.

Language note: French

 69/2 <emph render="italic">Le médecin malgré lui</emph>. Piano-vocal score; copyist's manuscript; 102 p. each.

Language note: French

incomplete

This material is labelled "répétiteur" ("narrator"); duplicate pages are housed in clear polyester sleeves.

 69/3 <emph render="italic">Le médecin malgré lui</emph>. Piano-vocal score; copyist's manuscript; 96 p.

incomplete

Language note: French

 69/4 <emph render="italic">Le médecin malgré lui</emph>. Parts for vn I; copyist's manuscripts; 66 p. 69/5 <emph render="italic">Le médecin malgré lui</emph>. Parts for vn II; copyist's manuscripts; 48 p. 69/6 <emph render="italic">Le médecin malgré lui</emph>. Parts for vla; copyist's manuscripts; 28 p. 69/7 <emph render="italic">Le médecin malgré lui</emph>. Parts for vc, cb; copyist's manuscripts; 30 p.; 24 p. 69/8 <emph render="italic">Le médecin malgré lui</emph>. Parts for fl, ob, cl, bn; copyist's manuscripts; 11 p.; 11 p.; 11 p.; 13 p. 69/9 <emph render="italic">Le médecin malgré lui</emph>. Parts for hn, tpt, perc; copyist's manuscripts; 12 p.; 9 p.; 1 p. Graëfe, Gustave 70/1 <emph render="italic">Les roses d'Ispahan</emph>. Piano reduction; score; copyist's manuscript; 18 p. Méhul, Étienne Nicolas 70/2 <emph render="italic">La dansomanie</emph>: Ouverture. Full score; copyist's manuscript; 38 p.

incomplete after p. 38

 de Montéclair, Michel Pinolet 70/3 <emph render="italic">Concerts</emph> [6] <emph render="italic">pour la flûte traversière avec la basse chiffrée</emph>. Score; copyist's manuscript; 87 p. Mozart, [Johann Chrysostom] Wolfgang Amadeus 70/4 <emph render="italic">Cassation</emph>, K. 63: Andante. Arranged for strings or chamber ensemble; full score; copyist's manuscript; 7 p. Musorgskiĭ, Modest Petrovich 70/5 <emph render="italic">Khovanshchina</emph>. Piano-vocal score; copyist's manuscript; 155 p.

Contains annotations in pencil.

Language note: Russian

 70/6 <emph render="italic">Khovanshchina</emph>. Piano-vocal score; copyist's manuscript; in two sections (11, 23 p.), plus three unbound pages.

Contains annotations in pencil.

Language note: Russian

 Paisiello, Giovanni 71/1 <emph render="italic">Achille in Sciro</emph>: [Excerpts, Act III]. Full score; copyist's manuscript; 7 p.

Contains annotations in pencil on title page.

 71/2 <emph render="italic">Chaconne</emph>; <emph render="italic">Rigadon</emph>; <emph render="italic">Menuet</emph>. Strings and continuo or chamber ensemble; full score; copyist's manuscript; 9 p. S/28 <emph render="italic">La finta amante</emph>: Act I. Full score; copyist's manuscript; 358 p.

Language note: Italian

 71/3 <emph render="italic">Dal finto il vero</emph>: Sinfonia. Full score; copyist's manuscript; 7 p. 71/4 <emph render="italic">Il duello comico</emph>. Full score; copyist's manuscript; [1] p.

incomplete: p. 1 only

Laid in: 1 p. copyist's manuscript, for piano solo. Scores bear inscriptions in Russian for the excerpts contained therein: side one reads "from the Concerto for clavicembalo...[illegible]."; side two (verso) reads "from the Rondeau from the Concerto for...[illegible]."

 71/5 <emph render="italic">Il duello comico</emph>: Air de Bettina. Full score; copyist's manuscript; 33 p.

Language note: French

Language note: Italian

 Il duello comico See: Cimarosa, Domenico. La vergine del sole: Aria di Alci... Box 68, Folder 7 71/6 <emph render="italic">Gigue pour le Zéphir</emph>; <emph render="italic">Finale</emph>[to ?]. Full score; copyist's manuscript; 51 p. 71/7 <emph render="italic">Lucinda e Armidoro</emph>: [Excerpts]. Full score; copyist's manuscript; in two sections (3, 12 p.). 71/8 <emph render="italic">Sei minuetti</emph>. Chamber ensemble; full score; copyist's manuscript; 25 p. 71/9 <emph render="italic">Sei minuetti</emph>. Chamber ensemble; copyist's manuscript parts for: vn I, vn II, ob I, ob II (3 p. each), hn I, hn II, continuo (2 p. each). 71/10 <emph render="italic">Sei minuetti</emph>. Score; copyist's manuscript; 5 p. 71/11 <emph render="italic">La modista raggiratrice</emph>: Finale, Act I. Full score; copyist's manuscript; 7 p.

incomplete

Contains annotations in pencil.

 71/12 <emph render="italic">Il mondo della luna</emph>: [Excerpts]. Full score; copyist's manuscript; in three sections (1, 15, 32 p.).

Contains annotations in pencil.

 71/13 <emph render="italic">Nina, o sia La pazza per amore</emph>: Cantata del pastore (?). Full score; copyist's manuscript; 8 p.

Language note: Italian

 71/14 <emph render="italic">Proserpine</emph>: [Excerpts from Acts I, II]. Full score; copyist's manuscript in two sections; 18 p.; 39 p.

Continuation of Act III section (p. 40) is on verso of p. 1 of La serva padrona: [Instrumental selections] (Box 71, Folder 19).

Incomplete

 71/15 <emph render="italic">Proserpine</emph>: [Excerpts]. Full score; copyist's manuscript in two sections (6, 10 p.). 71/16 <emph render="italic">Raccolta di varie rondo e capricci</emph>. Piano solo with violin obbligato; score; copyist's manuscript; 11 p. 71/17 <emph render="italic">Il re Teodoro in Venezia</emph>: Che novita! che stravaganza...; Come lasciar potrei. Full score; copyist's manuscript; 34 p.

Language note: Italian

 S/30 <emph render="italic">La serva padrona</emph>. Full score; copyist's manuscript; 188 p.

Language note: Italian

 71/18 <emph render="italic">La serva padrona</emph>: [Excerpt ("Il finale del manuscritto")]. Full score; copyist's manuscript; 62 p.

Contains annotations in pencil.

Language note: Italian

 71/19 <emph render="italic">La serva padrona</emph>: [Instrumental selections]. Full score; copyist's manuscript; 23 p.

On verso of p. 1: end of Act III section (p. 40) ofProserpine: [Excerpts from Acts I, II]. (Box 71, Folder 14).

 71/20 <emph render="italic">Socrate immaginario</emph>: Ballo delle furie. Full score; copyist's manuscript; 3 p. 71/21 <emph render="italic">Sonata a quattro mani</emph>. Piano four hands; score; copyist's manuscript; 14 p.

the last two pages contain autograph notes in Lifar's hand.

 71/22 <emph render="italic">Sonatine</emph>. Harpsichord or piano solo; score; copyist's manuscript; 22 p. 71/23 [Unidentified work for piano solo.] Score; copyist's manuscript; in two sections (8, 9 p.). Pergolesi, Giovanni Battista 72/1 <emph render="italic">Andante Amoroso (Solfeggio no. 18)</emph>. Piano-vocal score; copyist's manuscript; 5 p. 72/2 <emph render="italic">Concerto</emph>. Violin and chamber ensemble; full score; copyist's manuscript; 55 p. 72/3 <emph render="italic">Euridice, e dovè sei?</emph>. Voice and chamber ensemble; full score; copyist's manuscript; 27 p.

Language note: Italian

 72/4 <emph render="italic">Il flaminio</emph>: Aria di Ferdinando (Act II). Piano-vocal score; copyist's manuscript; 7 p.

Language note: Italian

 72/5 <emph render="italic">Il flaminio</emph>: [Ballet following Act I.] Score; copyist's manuscript; 2 p. (recto and verso).

treble part only

 72/6 <emph render="italic">Il flaminio</emph>: [Ballet following Act II.] Score; copyist's manuscript; 2 p. (recto and verso).

treble part only

 72/7 <emph render="italic">Il flaminio</emph>: Duetto finale (Act I). Full score; copyist's manuscript; 4 p.

Language note: Italian

 72/8 <emph render="italic">Lo frate 'nnamorato</emph>: [Excerpts]. Full score; copyist's manuscript; in three sections (5, 21, 9 p.).

Language note: Italian

 72/9 <emph render="italic">Gavotta</emph>[?]: variazione 2, 3, 5. Keyboard solo; scores; copyist's manuscripts in three sections (2, 2, 2 p.). 72/10 <emph render="italic">Il geloso schernito</emph>. Full score; copyist's manuscript; 109 p.

Language note: Italian

Language note: German

 72/11 <emph render="italic">Le maître de musique</emph>. Piano-vocal score; copyist's manuscript; 80 p.

Language note: Italian

 73/1 <emph render="italic">La serva padrona</emph>. Full score; copyist's manuscript; [121] p.

Contains annotations in pencil.

Language note: Italian

Numbered pages [missing p. 1-4], numbered on one side only

 73/2 <emph render="italic">La serva padrona</emph>[?]: Quello sdegno e quel furore. Piano-vocal score; copyist's manuscript; 5 p.

Language note: Italian

 73/3 <emph render="italic">Solfeggi a due voci</emph>. Full score; copyist's manuscript; 13 p. 73/4 <emph render="italic">Solfeggi a tre voci</emph>. Full score; copyist's manuscript; 108 p. 73/5 <emph render="italic">Sonate no. 3</emph>: Allegro. Keyboard solo; score; copyist's manuscript; 2 p. 73/6 <emph render="italic">Sonate no. 6</emph>: Tempo di minuetto. Keyboard solo; score; copyist's manuscript; 2 p. 73/7 <emph render="italic">Sonate no. 7</emph>: Giga. Keyboard solo; score; copyist's manuscript; 2 p. 73/8 <emph render="italic">Sonate no. 7</emph>: Menuet. Keyboard solo; score; copyist's manuscript; 2 p. 73/9 <emph render="italic">Sonate no. 10</emph>: [I.] Moderato. Two violins and continuo; score; copyist's manuscript; 5 p. Respighi, Ottorino 73/10 Recitativi per <emph render="italic">Le astuzie femminili di Cimarosa</emph>. Holograph piano-vocal score; [93] p.

In two sections p. 1-18 and p. 87-93

Language note: Italian

 Rimskiĭ-Korsakov, Nikolaĭ Andreevich 73/11 <emph render="italic">Snegurochka</emph>: [Excerpt (Act III)]. Vocal parts for SATB; copyist's manuscripts; 4 p.; 2 p.; 2 p.; 2 p. Rossini, Gioacchino 73/12 <emph render="italic">L'italiana in Algeri</emph>: [Excerpt (Act II)]. Full score; copyist's manuscript; 14 p.

incomplete after p. 14

Language note: Italian

 73/13 <emph render="italic">Il signor Bruschino</emph>: Sinfonia. Full score (67 p.) and parts for fl, ob I, ob II, cl I, cl II, bn, hn I (4 p. each), hn II (3 p.); copyist's manuscripts. Schumann, Robert 82/1 <emph render="italic">Papillons</emph>, op. 2. Arranged by N. Tcherepnin for orchestra; holograph [?] full score; 30 p. Stravinsky, Igor 74/1 <emph render="italic">Les noces</emph>. Copyist's manuscript part book (soprano/alto); 16 p.

Contains performance indications in pencil.

 74/2 <emph render="italic">Les noces</emph>. Copyist's manuscript part book (tenor/bass); 15 p.

Contains performance indications in pencil.

 74/3-7 <emph render="italic">Les noces</emph>. Copyist's manuscript part book (tenor/bass); 16 p.

Contains performance indications in pencil.

Contents:

BOX: 74/4 Copy 2 of the above. BOX: 74/5 Copy 3 of the above. BOX: 74/6 Copy 4 of the above. BOX: 74/7 Copy 5 of the above. 74/8-12 <emph render="italic">Les noces</emph>. Copyist's manuscript part book (tenor/bass); 17 p.

Contains performance indications in pencil.

Contents:

BOX: 74/9 Copy 2 of the above. BOX: 74/10 Copy 3 of the above. BOX: 74/11 Copy 4 of the above. BOX: 74/12 Copy 5 of the above. 74/13-16 <emph render="italic">Les noces</emph>. Copyist's manuscript part book (tenor/bass); 18 p.

Contains performance indications in pencil.

Contents:

BOX: 74/14 Copy 2 of the above. BOX: 74/15 Copy 3 of the above. BOX: 74/16 Copy 4 of the above. S/59 <emph render="italic">L'oiseau de feu</emph> [=<emph render="italic">The Firebird</emph>]: Berceuse. Holograph manuscript in pencil with annotations in red pencil; 2 p. (recto and verso). [Unidentified composer.] 75/1 <emph render="italic">Mazurka</emph>. Instrumental parts for vn I (5 copies), vn II (5 copies), vla I, vla II, vla III, vc I, vc II, vc III, cb I, cb II, fl, ob, cl, bn, hn, tpt (2 p. each); copyist's manuscripts. [Unidentified composer.] 82/2 <emph render="italic">The unconscious of Kathleen and Alistair</emph>. Full score; copyist's manuscript in 167 p. in five sections (11, 52, 32, 36, 36 p.).

Language note: English

 [Unidentified composer.] 75/2-4 [Unidentified]

Contents:

BOX: 75/2 Strings and continuo or chamber orchestra; full score; copyist's manuscript; [incomplete: p. 25-120 only]. BOX: 75/3 Full score (Italian); copyist's manuscript; 5 p. BOX: 75/4 [Unidentified manuscript material, 6 items.] 76 III. Personal Papers, 1750-1950

The Personal Papers series is divided into two subseries: Notebook and Correspondence. The Notebook series is represented by Diaghilev's personal notebook which the impresario used from 1926 until his death in 1929. The Correspondence series is represented by letters of Sergei Prokofiev and others.

Arrangement is by format and by correspondent.

 76/1 A. Notebook 76/1 Autograph notebook of Diaghilev, dating from 1926 until his death in 1929; also contains entries in the hands of Lifar and Boris Kochno; entries are in French, Russian and English; c. 140 p. 76/2-8 B. Correspondence 76/2 Bauchant, André to Diaghilev; TLS and ALS receipt (French); dated 1928 Mar 30; 1, 1 p. 76/3 Klemperer, Otto to Diaghilev; TLS (German); dated 1929 Jul 19; 1 p. 76/4 Prokof'ev, Sergeĭ to Diaghilev; ALS (Russian); dated 1918 Oct 1; 1 p. 76/5 Prokof'ev, Sergeĭ to Diaghilev; TLS and ALS envelope (Russian); dated 1922 Jun 26; 1, 1 p. 76/6 Prokof'ev, Sergeĭ to Diaghilev; TLS (Russian); dated 1928 Sep 21; 2 p. 76/7 Prokof'ev, Sergeĭ to Diaghilev; Photoreproduced copies of three letters, dated 1925 Nov 25; 1928 Apr 14; 1929 Aug 25 (Russian); 3 p. Gift of Mme. Prokof'eva. May not be photoreproduced. 76/8 [Unidentified/notes.] Autograph (Russian, French); 4 p. 77-81 S/67-S/69 IV. Printed Material, 1750-1950

The Printed Material series is divided into five subseries: Libretti and Synopses; Books, Monographs, Programs, etc.; Serials; Photographs; and Miscellaneous.

Arrangment is by format, composer and title.

 77-78 A. Libretti and Synopses Auber, Daniel-François-Esprit 77/1 <emph render="italic">Le premier jour de bonheur</emph>. Paris: Tresse, 1873. 86 p.

Language note: French

Libretto by Adolphe d'Ennery and Cormon, Eugène

 Delibes, Léo 77/2 <emph render="italic">L'écossais de Chatou</emph>. Paris: Stock, 1910. 52 p.

Language note: French

Libretto by Ad. Jaime and Gille, Philippe

 77/3 <emph render="italic">Kassya</emph>. Paris: Heugel, 1893. 75 p.

Language note: French

Libretto by Henri Meilhac and Gille, Philippe

 77/4 <emph render="italic">L'omelette à la Follembûche</emph>. Paris: Stock, 1911. 46 p.

Language note: French

Libretto by Eugène Labiche and Marc-Michel

 77/5 <emph render="italic">Six demoiselles à marier</emph>. Paris: Calmann-Lévy, 1883. 21 p.

Language note: French

Libretto by A. Choler

 77/6 <emph render="italic">Sylvia, ou la nymphe de Diane</emph>. Paris: Calmann-Lévy, n.d. 28 p.

Language note: French

Libretto by Jules Barbier and Mérante

 Elukhen, Aleksandr 77/7 <emph render="italic">Sotra</emph>. Typed, photo-reproduced copy; 48 p.

Language note: Russian

Libretto by Genrikh Noeren after Arthur Conan Doyle

 77/8 <emph render="italic">Orphée</emph>. Typed, photoreproduced copy; 39 p.

Language note: French

Libretto by Laura Finch

 Gounod, Charles 77/9 <emph render="italic">Mireille</emph>. Paris: Calmann-Lévy, n.d. 60 p.

Language note: French

Libretto by Michel Carré

 77/10 <emph render="italic">Roméo et Juliette</emph>. Paris: Calmann-Lévy, n.d. 68 p.

Language note: French

Libretto by Jules Barbier and Michel Carré

 Holst, Gustav 78/1 <emph render="italic">The lure</emph> [=<emph render="italic">L'attirance</emph>]. Photoreproduction of typed copy; 8 p.

Language note: French.

Synopsis by Alice Barney.

 Méhul, Étienne Nicolas 78/2 <emph render="italic">Joseph</emph>. Paris: Calmann-Lévy, 1900; 37 p.

Language note: French.

Libretto by Alexandre Duval.

 Migot, Georges 78/3 <emph render="italic">Agrestides</emph>. Photoreproduction of typed copy; 5 p.

Language note: French.

Synopsis by Louis Laloy and Georges Migot.

 78/4 <emph render="italic">Les aveux et les promesses</emph>. Photoreproduction of typed copy of synopsis; 3 p.

Language note: French.

 Mortier, Alfred [?] 78/5 <emph render="italic">Galatée</emph>. Typed synopsis; 12 p.

Language note: French.

 Paisiello, Giovanni 78/6 <emph render="italic">Il duello</emph> [<emph render="italic">comico</emph>]. [S.l.]: [s.n.], n.d.; xx, 36 p.

Language note: Italian.

Libretto by Giambattista Lorenzi.

 78/7 <emph render="italic">La finta amante</emph>. Photoreproduction of typed copy; 40 p.

Language note: Italian.

Libretto by Giambattista Lorenzi.

 78/8 <emph render="italic">Nina, o sia la pazza per amore</emph>. [S.l.]: [s.n.], n.d.; 48 p.

Language note: Italian.

Libretto by Giambattista Lorenzi.

Signed by Serge Lifar on first recto page.

 Schreker, Franz 78/9 <emph render="italic">Spanisches Fest</emph> [<emph render="italic">Der Geburtstag der Infantin</emph>.] Wien: Universal Edition, 1926; 8 p.

Language note: German.

Published synopsis (“Frei nach Oskar Wildes Novelle ‘Der Geburtstag der Infantin’”).

 Whitworth, Geoffrey 78/10 <emph render="italic">Le jardin enchanté</emph>. Typed synopsis; 6 p.

Language note: French.

 [Unidentified composer/librettist.] 78/11 <emph render="italic">Rats</emph> Autograph synopsis, in ink; 3 p. (one bifolio on music manuscript paper), “d’après la fable de La Fontaine ‘Le rat de village et le rat de campagne’.”

Language note: French.

 79-80 S/67 S/68 S/69 B. Books, Monographs, Programs, etc. D’Armana, Jean 79/1 <emph render="italic">Le crépuscule des dieux</emph>. Bordeaux: Delmas, 1936. Libretto; 61 p.

Language note: French.

 Checchi, Eugenio S/67 <emph render="italic">Rossini</emph>. Firenze: G. Barbèra, 1898; 6, 200 p.

Language note: Italian.

 Croce, Benedetto S/68 <emph render="italic">Saggi sulla letteratura italiana del seicento</emph>. Bari: Giuseppe Laterza & Figli, 1911; 23, 444 p.

Language note: Italian.

 De Guarinoni, Eugenio 79/2 <emph render="italic">Indice generale: Archivio musicale Noseda</emph>. [Milan]: [s.n.], n.d.; [2], 420 p.

Language note: Italian.

Lacking pages 1-12 (in foreword; includes page numbers 13, 14 only); 1-12 (in main text).

 Finck, Henry T. 79/3 <emph render="italic">Léon Bakst and Serge de Diaghileff’s Ballet Russe</emph>. Monograph extracted from the New York Evening Post, 1915 Nov 20; 5 p.

Language note: English.

 Gastoué, Amédée 80/1 <emph render="italic">Les primitifs de la musique française</emph>. Paris: Henri Laurens, 1922; 117 p.

Language note: French.

 Gozzi, Carlo 80/2 <emph render="italic">Théâtre fiabesque</emph>. Paris: Michel Lévy Frères, 1865; 357 p.

Translated by Alphonse Royer.

Language note: French.

 [Jullien, Adolphe] 80/3 <emph render="italic">Bibliothèque musicale de M. Adolphe Jullien. Vente du 23 juin 1933. Paris, Hôtel Drouot. Salle No. 9</emph>. [No publication data], 52 p.

Language note: French.

 Parente, Alfredo 80/4 <emph render="italic">Colori e forme nella musica: Il probleme dell'interferenza delle arti e l'estetica del futurismo</emph>. [S.l.]: [s.n.], n.d.; 20 p.

Language note: Italian.

Monograph extracted from La Rassegna musicale (Torino), no. 1, January 1930.

 80/5 <emph render="italic">Critica e storiografia musicale: Premesse metodologiche</emph>. [S.l.]: [s.n.], n.d.; 27 p.

Language note: Italian.

Monograph extracted from La Rassegna musicale (Torino), no. 5, September 1930.

 80/6 <emph render="italic">Natura estetica dell'armonia</emph>. Firenze: Felice Le Monnier, 1936; 8 p.

Language note: Italian.

Monograph extracted from La Rassegna musicale (Torino), no. 11, 1936 (p. 326-333).

Laid in: Parente's business card.

 80/7 <emph render="italic">Note sull'estetica musicale contemporanea in Italia</emph>. [S.l.]: [s.n.], n.d.; 26 p.

Language note: Italian.

Monograph extracted from La Rassegna musicale (Torino), no. 3, May 1931.

 80/8 <emph render="italic">Pensieri di F. de Sanctis intorno alla musica</emph>. Napoli: Edizioni "Aspetti Letterari", 1934; 20 p.

Language note: Italian.

Monograph extracted from La Rassegna musicale (Torino), no. 1, May-June 1934.

 Pirro, André 80/9 <emph render="italic">Les clavecinistes</emph>. Paris: Henri Laurens, n.d.; 125 p.

Language note: French.

 Scherillo, Michele S/69 <emph render="italic">L'opera buffa napoletano durante il settecento</emph>. [S.l.]: Remo Sandron, n.d.; 11, 55 p.

Language note: Italian.

 80 C. Serials 80/10 L’Arte. (Italian, French) Milano: September-December 1956 (vol. 20); 128 p. 80/11 Innen-Dekoration. (German) Darmstadt: January 1929 (vol. 40); 8 p. 80/12 Das Theater. (German) Berlin: December 1925 (vol. 6, no. 23); 20 p. 80/13 Das Theater. (German) Berlin: November 1926 (vol. 7, no. 21); 13 p. 80/14 Das Theater (German): hand-colored illustration, ca. 1920; 1 p. 81 D. Photographs 81/1 Cecchetti, Enrico

Inscribed to “Mis [sic] Leonora Sher”; dated 1916.

Photographer: Count Jean de Stre[lec]ki (partially illegible).

 81/2 Cecchetti, Enrico

In Pétroushka. Includes typed synopsis of the ballet.

Undated [ca. 1911].

81/3 Duncan, Isadora

Undated.

 81/4 Fokina, Vera

Inscribed to “Miss Shier.”

Undated.

 81/5 Fokina, Vera

Reproduction of a photograph previously signed by Fokina.

Undated.

 81/6 Fokine, Michel

Undated.

 81/7 Galli, Rosina

Undated [ca. 1914-16].

Photographer: C. Mishkin (New York).

 81/8 Hoffman, Gertrude

Inscribed, on both recto and verso, to “Senora [sic] Shier.”

Undated.

Photographer: Frank Bangs.

 81/9 Karsavina, Thamar

In Schéhérazade.

Undated [ca. 1910].

 81/10 Lind, Jenny

Photograph of a painting of Lind attributed to S.F.B. Morse.

Undated.

 81/11 Lopokova, Lydia [two copies]

Undated; second copy of photograph is dated 1917 on verso.

Photographer: Burke Atwell.

 81/12 Marmein, Miriam

Inscribed to Leonora Shier.

Dated 1947 on verso.

Photographer: DeBellis (New York).

 81/13 Nijinsky, Vaclav

In Pétrouchka.

Undated [ca. 1911].

Photographer: Mishkin (New York).

 81/14 Nijinsky, Vaclav

In Le Spectre de la Rose.

Undated [ca. 1911].

Photographer: Mishkin (New York).

 81/15 Nijinsky, Vaclav

Undated.

 81/16 Pauley, Andreas

In Bacchanale.

Undated.

Photographer: Moffett.

 81/17 Pauley, Andreas

Dated 1919.

Photographer: Moffett (Chicago).

 81/18 Pavlova, Anna

Undated.

 81/19 Revalles, Flore

Undated.

 81/20 Tchernichova, Lubov

Signed, dated 1916.

Photographer: Jean de Strelecki.

 81/21 Tchernichova, Lubov

Undated.

 81/22 Bolm, Adolph and Karsavina, Thamar

In Schéhérazade.

Undated [ca. 1910].

 81/22A Diaghilev, Serge and Cocteau, Jean, circa 1924

Photographer: Sasha (London).

 81/23 Diaghilev, Serge and Massine, Léonide

Undated.

 81/24 Diaghilev, Serge and Nijinsky, Vaclav

Undated.

 81/25 Bolm, Adolph; Karsavina, Thamar; and Nijinsky, Vaclav

In Carnaval. Includes typed synopsis of the ballet.

Undated [ca. 1910].

 81/26 Bakst, Léon: photograph of costume design for Firebird (unidentified dancer).

Includes typed synopsis of the ballet.

Undated [ca. 1910].

 81/27 Bakst, Léon: photograph of set design for Schéhérazade (unidentified dancers) [two copies].

Includes typed synopsis of the ballet.

Undated [ca. 1910].

 81 E. Miscellaneous 81/28 Souvenir book: The Art of Anna Pavlowa. (English) [No publication data; copyrighted 1914 by Max Rabinoff]; 16 p. 81/29 Souvenir book: The Real Ballet Russe. (English) New York: Metropolitan Ballet Company, Inc., 1915; 24 p. [Contains photographic reproductions and color illustrations of Léon Bakst’s costume and set designs.] 81/30 Souvenir book: Serge de Diaghileff’s Ballet Russe. (English) New York: Metropolitan Ballet Company, Inc., 1916; 40 p. [Contains photographic reproductions and color illustrations of Léon Bakst’s costume and set designs, as well as synopses of ballets performed by the company.] 81/31 Program from Ballet Russes performances. May 1917, Paris. (French) [No publication data], 59 p. [Purchased 1989; acquisition information laid in.] 81/32 Program notes from the première performance by the Ballets Russes of G. Rossini's La Boutique fantasque, arranged by O. Respighi and choreographed by L. Massine, London, 1919 Jun 5. (English) [No publication data], 6 p. 81/33 Souvenir book: Soirèe [sic] de Gala in Honour of Her Majesty the Queen of Roumania. (English) New York: Metropolitan Opera House, 1916; 40 p. [Contains photographic reproductions and color illustrations of Léon Bakst’s costume and set designs, as well as synopses of ballets performed by the company.] 81/34 Souvenir book: S. Hurok presents Ballet Russe de Monte Carlo [...] Season 1939-1940. (English) [No publication data]; 67 p. [Contains inscriptions (to “Jules”) from each company member, including those from Léonide Massine and Sol Hurok; several photographic reproductions of company members, color illustrations of costume and set designs by Picasso, Tchelitcheff, Dalí, etc.] 81/35 Catalogo delle opere teatrali complete, novembre 1922. (Italian) [Milano]: Edizioni Ricordi, [1922]; 8 p.