Aupres de Ma Blonde

http://hdl.loc.gov/loc.music/eadmus.mu005004 Vernon Duke Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress

Washington, D.C.

2007 Guides to Special Collections in the Music Division of the Library of Congress

Catalog Record: http://lccn.loc.gov/2005560806

Finding Aid encoded by Library of Congress Music Division, 2007 Finding aid written inEnglish 2011 March Editorial revisions made to this finding aid by Nancy Seeger in March 2011. 2010 March Editorial revisions made to this finding aid by Nancy Seeger in March 2010. Collection Summary Vernon Duke Collection1918-1968 ML31.D98 Duke, Vernon, 1903-1969 circa 17,500 items 145 boxes 52 linear feet Collection material in English Music Division Library of Congress

Washington, D.C.

The collection is in two series, Music and Non-music. The former includes his stage, vocal, and instrumental music, sketchbooks, lyric sheets, and music not by Duke, including the holograph of Signature for the High-low concerts by Aaron Copland. The latter consists of: correspondence with, among others, George Balanchine, Martin Charnin, Peter De Vries, Howard Dietz, Dean Dixon, Neshui Ertegun, Ira Gershwin, Bernard Hermann, George Ivask, Serge, Olga, and Natalie Koussevitzky, John Latouche, Jerome Lawrence, Robert E. Lee, Lotte Lehmann, Anthony Lindsay-Hogg, Jimmy McHugh, Johnny Mercer, Ogden Nash, Gabriel Paitchadze, Roland Petit, Serge Prokofiev, Ginger Rogers, Harold Rome, Ann Ronell, Nicolas Slonimsky, Leopold Stokowski, David Turet, William Walton, and Arthur Whitelaw, as well as ASCAP, American Guild of Authors & Composers, and the puplishers Broude Bros., Carl Fischer, Frank Music Corp., Little, Brown & Co., G. Ricordi, and attorneys Weissberger & Frosch; subject files of correspondence, clippings, and other material; photographs; programs; scrapbooks; and miscellaneous material. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

People Balanchine, George--Correspondence. Charnin, Martin--Correspondence. Copland, Aaron, 1900-1990--Autographs. Copland, Aaron, 1900-1990. Signature for the High-low concerts. De Vries, Peter, 1910-1993--Correspondence. Dietz, Howard, 1896-1983--Correspondence. Dixon, Dean, 1915-1976--Correspondence. Duke, Vernon, 1903-1969--Autographs. Duke, Vernon, 1903-1969--Correspondence. Duke, Vernon, 1903-1969. Duke, Vernon, 1903-1969. Ertegun, Nesuhi--Correspondence. Gershwin, Ira, 1896-1983--Correspondence. Herrmann, Bernard, 1911-1975--Correspondence. Ivask, I︠U︡riĭ--Correspondence. Koussevitzky, Natalie--Correspondence. Koussevitzky, Olga--Correspondence. Koussevitzky, Serge, 1874-1951--Correspondence. Latouche, John, 1917-1956--Correspondence. Lawrence, Jerome, 1915-2004--Correspondence. Lee, Robert Edwin, 1918-1994--Correspondence. Lehmann, Lotte--Correspondence. Lindsay-Hogg, Anthony--Correspondence. McHugh, Jimmy, 1894-1969--Correspondence. Mercer, Johnny, 1909-1976--Correspondence. Nash, Ogden, 1902-1971--Correspondence. Paĭchadze, Gabriel--Correspondence. Petit, Roland, 1924-2011--Correspondence. Prokofiev, Sergey, 1891-1953--Correspondence. Rogers, Ginger, 1911-1995--Correspondence. Rome, Harold, 1908-1993--Correspondence. Ronell, Ann--Correspondence. Slonimsky, Nicolas, 1894-1995--Correspondence. Stokowski, Leopold, 1882-1977--Correspondence. Turet, David--Correspondence. Walton, William, 1902-1983--Correspondence. Whitelaw, Arthur--Correspondence. Organizations American Guild of Authors and Composers. American Society of Composers, Authors and Publishers. Broude Brothers Limited. Carl Fischer Inc. Chappell and Co. Frank Music Corp. Little, Brown and Company. Ricordi (Firm) Weissberger & Frosch. Administrative Information Provenance

Gift; Kay McCracken Duke Ingalls (Vernon Duke's widow); 1980-1985.

Accruals

No further accruals are expected.

Processing History

The Vernon Duke Collection was processed in 1994 by Mark Eden Horowitz. The original finding aid was prepared with Corel WordPerfect 5.1. In 2005 the Vernon Duke Collection finding aid was coded for EAD format by Michael A. Ferrando.

Transfers

Sound recordings; transferred to Motion Picture, Broadcasting and Recorded Sound Division, Library of Congress.

Related Material

The Vernon Duke Collection does not represent or contain all works by Vernon Duke held in the Music Division's collections, but rather, only those items that were given to the Library by Mrs. Duke. This Guide does not identify items that are not part of the Vernon Duke Collection, but it may be of particular interest to the scholar to know that there exist seven folders of letters, speeches, and other literary materials by Vernon Duke in the Music Division's Miscellaneous Manuscripts Collection. Vernon Duke correspondence may also be found in, though not limited to, the following collections: Koussevitzky, Lopatnikoff, Schillinger/Music Division, Gershwin/Miscellaneous Manuscripts, Schwerké, Slonimsky, and Music Division Old Correspondence.

The status of copyright on the materials of the Vernon Duke Collection is governed by the Copyright Law of the United States (Title 17, U.S.C.).

Access and Restrictions

The Vernon Duke Collection is open to research. However, researchers must secure prior written permission from the Vernon Duke estate, and other parties where appropriate, in order to obtain photocopies of material from this collection.

Researchers are advised to contact the Performing Arts Reading Room prior to visiting. Many collections are stored off-site and advance notice is needed to retrieve these items for research use.

Electronic Format

Signature for the High-low concerts / Aaron Copland

Preferred Citation

Researchers wishing to cite this collection should include the following information: container number, Vernon Duke Collection, Music Division, Library of Congress, Washington, D.C.

Biographical Sketch Date Event 1903 Oct. 10 Born Vladimir Alexandrovitch Dukelsky, Parafianove, Minsk 1916-1919 Studied composition with Reinhold Glière and Marian Dombrovsky at the Kiev Conservatory 1920 Fled the Revolution with his family, settling first in Constantinople 1921 Autumn Sailed for New York 1924 Sailed to Paris at the behest of Artur Rubinstein 1925 Feb. 21 Katja the Dancer opens in London, two songs by Duke added to score 1925 Zephyr and Flora performed (Diaghilev Ballets Russes, Kochno-Braque-Chanel-Massine) 1926 May 22 Yvonne opens in London, half of the score by Duke 1927 April Two Little Girls in Blue closes during pre-London tryout, one song by Duke 1927 Oct. 12 Bow-Wows opens in London, one song by Duke 1928 Feb. 8 Yellow Mask opens in London 1928 June 14 First Symphony premiered by Koussevitzky and the Boston Symphony 1929 August Open Your Eyes closes during pre-London tryout 1930 Duke contributes songs or instrumentals to the films: Follow the Leader, Follow Thru, Heads Up, Hold Your Man, Laughter and The Sap from Syracuse 1930 June 4 Garrick Gaieties (Third Edition) opens in New York, partial score by Duke 1930 Oct. 15 Three's A Crowd opens in New York, one song by Duke 1931 July 21 Shoot the Works opens in New York, one song by Duke 1931 Epitaph premieres in Boston; July 31st, Shoot the Works opens, which included one song by Duke 1932 Oct. 5 Americana (1932) opens in New York, one song by Duke 1932 Dec. 7 Walk a Little Faster opens in New York, Duke's first complete Broadway score, which included his most famous song "April in Paris" 1933 May 31 "Composers' manifesto" published in the New York Times 1934 Jan. 4 Ziegfeld Follies of 1934 opens in New York, music mostly by Duke 1934 Dec. 27 Thumbs Up opens in New York, one song by Duke--"Autumn in New York" 1934-35 Duke studies orchestration with Joseph Schillinger 1935 March 8 Public Gardens ballet premieres in Chicago 1936 Jan. 30 Ziegfeld Follies of 1936 opens in New York, score includes "I Can't Get Started" 1936 April Revised ballet Jardin presented at the N.Y. Metropolitan Opera House, then Covent Garden (London) in June 1936 Dec. 25 The Show Is On opens in New York, partial score by Duke 1937 Second Symphony in Paris, conducted by Albert Wolff 1937 July 11 George Gershwin dies; Duke is a pallbearer at the funeral 1937-38 Duke completes Gershwin's score for the film The Goldwyn Follies 1938 Jan. 12 The End of St. Petersburg is premiered at Carnegie Hall 1938 Duke organizes High-Low Concerts in New York 1939 March 7 Vladimir Dukelsky becomes an American citizen and takes Vernon Duke as his legal name 1939 Dec. 26 The White Plume retitled A Vagabond Hero opens and closes in Washington, D.C., during pre-Broadway tryout, partial score by Duke 1940 May 23 Keep Off the Grass opens in New York with Duke's contribution, the ballet "Raffles," choreographed by George Balanchine for Ray Bolger 1940 Oct. 25 Cabin in the Sky opens in New York, score includes "Takin' a Chance on Love" 1940 Duke writes songs for the Seymour Felix-staged Midnight Frolics, and composes "New York Nocturne," to become Charlie Barnet's theme song 1940-41 Duke contributes songs to the shows: Crazy With the Heat, Ice-Capades of 1941 and It Happens on Ice 1941 Dec. 25 Banjo Eyes opens in New York 1942 Jan. 9 The Lady Comes Across opens in New York 1942 April Duke's mother dies. 1942 Duke contributes a song to the film White Catgo; he is drafted and enters the Coast Guard for two and one half years; composes Cello Concerto for Gregor Piatigorsky 1943 March Cabin in the Sky (film) opens 1943 March 18 Violin Concerto premiered by Koussevitzky in Boston 1943 March 22 Dancing in the Streets opens and closes in Boston during pre-Broadway tryout 1944 Jan. 13 Jackpot opens in New York 1944 May 5 Tars and Spars opens in New York and tours the country 1944 Nov. 16 Sadie Thompson opens in New York 1946 Jan. 4 Cello Concerto premieres in Boston with Piatigorsky, conducted by Koussevitzky 1946 Oct. 10 Sweet Bye and Bye opens and closes in New Haven during its pre-Broadway tryout 1946, Nov. 18 "Ode to the Milky Way" premieres at City Center in New York, conducted by Leonard Bernstein 1946 Dec. 19 Le Bal des Blanchisseuses (Ballets des Champs Elysées, Kochmo-Stanislao Lepri-Roland Petit) 1948 Feb. Paris Aller et Retour broadcast on French radio 1948 Harpsichord Sonata composed for Fernando Valenti; Duke founds the Society for Forgotten Music 1952 Dec. 15 Two's Company opens in New York 1955 Duke's autobiography--Passport to Paris--is published 1956 May 22 The Littlest Revue opens in New York (Off-Broadway,) score mostly by Duke 1957 Vernon Duke marries Kay McCracken 1957 Nov. 12 Time Remembered opens in New York, a play with two songs by Duke 1959 Oct. 14 The Pink Jungle opens and closes in San Francisco during its pre-Broadway tryout 1963 Listen Here!: a Critical Essay on Music Depreciation published. Zenda performed on the west coast 1963 Aug. 5 Zenda opens and closes in San Francisco during its pre-Broadway tryout 1964 Jan. 21 Cabin in the Sky revival opens in New York 1969 Jan. 16 Vernon Duke dies in Santa Monica, California Scope and Content Note

In addition to being a renowned composer, Vernon Duke was an author, poet, translator, gourmand, businessman, bon vivant, and an intellectual. Duke's eclecticisim is well documented in the Vernon Duke Collection. As a result, the collection is rich in research potential for a wide variety of topics. The music holographs cover the entire length of Vernon Duke's career--from compositions dating from his student days in 1918 (Morceaux pour piano, op. 1, composed when he was fifteen) to works from 1968 (the revised version of his ballet Entr'acte)--a year before he died. The collection represents the dual nature of Dukelsky/Duke as a composer of twentieth century European/Russian influenced "serious" or "classical" music, and a composer of jazz-influenced American popular and show music. Documenting his position as an international professional in the world of music, the collection contains voluminous correspondence between Duke and prominent composers, conductors, scholars, producers, lyricists, journals, universities and performers.

The Vernon Duke Collection is in two series: Music and Non-Music; Music is in eight subseries:

1. Stage Music: music for musicals, operas, operettas, ballets, films and background music and songs for plays. 2. Stage Music, Zenda: approximately half of the musical materials in the collection. 3. Vocal Music: art songs, song cycles, and popular songs. 4. Choral Music. 5. Instrumental Music, which includes works for solo instruments. 6. Sketchbooks. 7. Non-Duke Music. 8. Lyric Sheets.

When a page count appears within square brackets, the pages are not numbered and the count was supplied by the author of this Guide. When an item is described as ms. as opposed to Copyist's ms., the hand is believed to be that of an orchestrator or arranger. Ozalids, unless otherwise noted, are typically believed to have been prepared from a copyist's manuscript. Numbers in parentheses are item counts. When there were multiple copies of a musical item, we always retained at least two. If there were variant annotations, more than two copies of an item may have been retained.

When a song title in the Stage Music subseries is followed by "#" and a number or combination of numbers and letters, that designation appears on all or most of the items listed below that title, indicating its position in the running order of the stage work. These numbers are supplied here for purposes of differentiating multiple versions of the same song title or to indicate songs that at least appear to have made it into the rehearsal process for a production of the show. When a portion of a song title is crossed through on the music, it is also crossed through in the Guide.

Because of the quantity of music from Zenda, the music from that show has been divided into three sets of boxes: piano-vocal scores, piano-conductor scores, sketches; parts; and full scores. Although this Guide lists song titles alphabetically within a show, the box/folder numbers are not consecutive because of the division of types and sizes of material. Thus, if a reader wishes to consult all parts from Zenda in alphabetical order, boxes 57-72 should be requested. For every song title in Zenda, the first time a lyricist is credited (rarely on full scores or parts) his name is given in the description of that item and not again unless there is a change in the lyricist for that title. When a song title includes designations such as: "pno. cond.", "vocal", or "vocal choir", that is how it appears on the item. Unless it grossly misleads in describing the item, we have let the original designation stand.

The correspondence in the Vernon Duke Collection is extensive--approximately 4,500 items. There are some details about the organization and makeup of those items that will be useful to the researcher:

1) Not all correspondence in the collection is in the Correspondence series--some correspondence may be found in: Writings by Duke, Subject Files, and Scrapbooks; these items are not cross-referenced, but, with some familiarity with Duke's career, the researcher should be able to determine where such correspondence is likely to be found. For instance, much of the correspondence with collaborators--lyricists, librettists--may be found in the Show files; and responses to a questionnaire Duke sent to major musical figures for inclusion in his book Listen Here may be found in the Writings by Duke subseries. 2) Correspondence includes: letters, telegrams, postcards, notes, cards, and invitations; in some cases photographs are either laid in or affixed to a piece of correspondence. 3) A large portion of the correspondence is from Duke, in the form of carbons, photocopies, rough drafts, and letters marked "not sent". In some cases--where this Guide lists correspondence with a given individual--the only item(s) in the collection are from Duke, to the individual listed. 4) We have retained, to the degree possible, Vernon Duke's organization of the correspondence. This has caused some letters from prominent people to be filed with the correspondence of a certain organization. For instance, the "ASCAP" file contains letters from Arthur Schwartz, Stanley Adams, Irving Caeser, and L. Wolfe Gilbert, among others. These items are not cross-referenced. This is also true of topics; for instance, correspondence on Zenda can be found in a variety of places within the collection. 5) Correspondence in the "Miscellaneous" sections is from less-prominent people for whom we have five or fewer letters.

The researcher studying Vernon Duke's biography should note that the Writings by Duke subseries includes the original manuscripts for Duke's autobiography, Passport to Paris, including entire chapters that were deleted prior to publication.

Appendix I is an alphabetical list of all songs from Stage Music (including Zenda) that also lists the show that the song is from. The only titles that are not included are generic ones such as: "Overture," "Opening," "Exit music," and "Finale."

Appendix II is a list of the recordings (reel-to-reel tapes, accetate discs, and commercial recordings) that are a part of the Collection, but have been transferred to the custody of the Motion Picture, Broadcasting and Recorded Sound Division.

Mark Eden Horowitz, September 1994

Organization of the Vernon Duke Collection

The Vernon Duke Collection is organized into fourteen series:

Show Music Vocal Music Choral Music Instrumental Music Sketchbooks Music by other Composers Lyric Sheets Writings by Vernon Duke Correspondence Subject Files Programs Photographs Miscellaneous Scrapbooks http://lccn.loc.gov/2005560806 Container List Box Contents Show Music

Show music of Vernon Duke consisting of manuscripts, scores, parts, etc.

Arrangement is alphabetical by title.

April in Paris, 1951-2 film musical. Lyrics to english titles by Sammy Cahn. 1/1 Aupres de Ma Blonde Ozalid piano-vocal score ; 2 p.

Arr. by Vernon Duke

1/2 I ask you Ozalid piano-vocal score ; 4 p. 1/3 I don't know what I've got Ozalid piano-vocal score ; 3 p. 1/4 It must be good Ozalid piano-vocal score ; 5 p. 1/5 Life is such a pleasure Ozalid piano-vocal score ; 3 p. 1/5 Life is such a pleasure (Ray Bolger) Ozalid piano-vocal score ; 5 p. 1/6 Only once Ozalid piano-vocal score ; 3 p. 1/7 Sur le Pont d'Avignon Ozalid piano-vocal score ; 1 p.

Arr. by Vernon Duke

1/8 That's what makes Paris, Paree Ozalid piano-vocal score ; 6 p. 1/9 Who needs it? Ozalid piano-vocal score ; 4 p. Le Bal des blanchisseuses, [The washerwomen's ball], ballet suite for orchestra, 1946-47 90/1 [<emph render="italic">Le Bal des blanchisseuses</emph>] Ozalid of holograph full score ; 104 p. Cabin in the sky, 1940 musical; revival, 1964. Lyrics by John Latouche 1/10 <emph render="italic">Cabin in the sky</emph> Eric W. Knight ms. short score arrangements for 1964 revival ; [108] p.

Contents:

Overture # 1 We'll live all over again # 3 Little poppa Satan (Devil's entrance) #4 Incidental music (act I scene I) #5A The man upstairs # 6 Taking a chance on love # 7 Cabin in the sky #8 Do what you wanna do # 10 Taking a chance on love - reprise # 11 Entr'acte # 12 Not a care in the world # 13 Vision ballet # 14 It's not so bad to be good # 15 Love me tomorrow # 16 Petunia's entrance (act II, scene I) # 16A Love turned the light out # 17 Cross-over # 18 Livin' it up # 19 Savannah # 21 Storm music # 22 Incidental music - act II, scene II # 23 Cabin finale #24 1/11 <emph render="italic">Cabin in the sky</emph> Mimeograph of ms. short score ; 148 p.

Contents:

Overture Opening chant Junior's entrance Fleet foot's theme General's entrance The man upstairs Taking a chance on love Cabin in the sky Do what you wanna do Finale act I entr'acte Fugue In my old Virginia home Vision ballet Not so bad Love me tomorrow Love turned the light out Honey in the honeycomb Savannah Storm General's recitative General's entrance Opening last scene Last scene

+ Table of contents with annotations in pencil ; 1p.

2/1 Fugue Photocopy of holograph piano-vocal score with annotations ; 5 p. 2/2 General's entrance Holograph piano-vocal score ; [2] p. 2/3 It's not so bad to be good Holograph piano-vocal sketch in pencil ; [4] p. 2/4 It's not so bad to be good Photocopy of ms. piano-vocal score ; 4 p.

Same as above (waxed transparencies)

2/5 Jazz fugue ; Scotch jingle Holograph piano-vocal sketch in pencil ; [2] p. 2/6 Little poppa Satan Photocopy of holograph + ms. piano-vocal score ; 4 p. 2/6 Little poppa Satan Typed lyric sheet + carbon ; [2 p. each]

Same as above (waxed transparencies)

2/7 Livin' it up Photocopy of copyist's ms. piano-vocal score ; 3 p.

Typed lyric sheet ; [2] p.

Lyric by Vernon Duke

2/8 The man upstairs ; There's honey in the honeycomb ; Love me tomorrow (but leave me alone today) Holograph sketches ; [3] p. Holograph piano-vocal ; [3] p. 2/8 The man upstairs (verse) ; Verse (picture in the sky) ; Verse "love put the light out" ; Verse "Virginia home" ; "Savannah" verse Holograph sketches ; [4] p. 2/8 The man upstairs Photocopy of holograph piano-vocal score ; 4 p. 2/8 [The] man upstairs finish Holograph piano-vocal score ; [1] p. Ms. piano-vocal score ; [1] p. 2/9 Opening Chant ; Fleetfoot's theme Photocopy of holograph piano-vocal score with annotations ; 3 p.

Copies (2) of above, 1 (waxed transparencies)

2/10 The vision (ballet) Negative photostat of ms. piano score ; [3] p.

Same as above (waxed transparencies)

2/11 We'll live all over again Holograph piano-vocal ; [2] p.

Same as above, last p. only

2/12 We'll live all over again

Negative photostat of above

Same as above (waxed transparencies)

2/13 [Miscellaneous]

Contents:

Honey in the honeycomb. Typed lyric sheet ; [1] p. 2/13 [Unidentified] Photocopy of ms. piano score ; 4 p.

Same as above (waxed transparencies)

2/14 <emph render="italic">Cabin in the sky</emph> ; curtain call Greenwich mews Printed (2) programs 2/15 [Song listing] Holograph ; [1] p. 2/15 [Invoice to Kay Duke] Photocopy ; [1] p. 2/15 [Outline for overture(?)] Ms. ; [2] p. Casey Jones, unproduced musical. Lyrics by Sammy Cahn 2/16 The big towns and the small towns Ozalid piano-vocal score ; 9 p. 2/17 Extenuatin circumstances Ozalid piano-vocal score ; 4 p. 2/18 Fight over me Ozalid piano-vocal score ; 5 p.

Typed lyric sheet ; [2] p.

2/19 The girl with the prettiest legs in town Photocopy of copyist's piano-vocal score ; 5 p. 2/20 He said Photostat of copyist's piano-vocal score ; 4 p.

Typed lyric sheet ; [1] p.

2/21 Honor me with this dance Ozalid piano-vocal score ; 6 p. 2/22 I can take it or leave it alone Photostat of copyist's piano-vocal score ; 5 p.

Typed lyric sheets (2) ; [1] p.

2/23 I may say maybe Ozalids (2) piano-vocal score ; 7 p. 2/24 I'm goin' places Ozalid piano-vocal score ; 4 p.

Typed lyric sheet ; [1] p.

2/25 Ladies like us ; Gay little tune ; Bolero-cancion Holograph sketches ; [2] p. 2/26 The man my mother married Holograph piano-vocal score ; [4] p. 2/27 The man my mother married

Typed lyric sheets (13) various versions

2/28 Mister Harvey Pruitt

Ozalids (2) piano-vocal score ; 6 p.

2/29 Once I fall Ozalid piano-vocal score ; 4 p. 2/30 Parties Photostat of copyist's piano-vocal score ; 11 p.

Typed lyric sheets (3) ; [2] p. each

2/31 A railroad woman Copyist's ms. piano-vocal score (transparencies) ; 4 p.

Ozalid

Typed lyric sheets (5) various versions

2/32 Same as a man Ozalid piano-vocal score ; 4 p. 2/33 Step up and shake Photosat of copyist's piano-vocal score ; 8 p. 3/1 There comes a time Photostat of copyist's piano-vocal score ; 4 p. 3/2 Wait till you see New York Ozalids (2) piano-vocal score ; 6 p.

Typed lyric sheets (5) various versions

3/3 We're alone in the world Ozalid piano-vocal score ; 5 p. 3/4 With a man on first Holograph piano-vocal score ; 7 p. 3/5 With a man on first Ozalid piano-vocal score ; 10 p.

Typed lyric sheets (7) various versions

3/6 <emph render="italic">Casey Jones</emph>

Typed script (Act I) adaption by George Abbott and Arthur Carter ; 48 p.

3/7 <emph render="italic">Casey Jones</emph>

Photocopy of above

3/8 <emph render="italic">Casey Jones</emph>

Typed synopses/scenarios (4) various versions

3/9 <emph render="italic">Casey Jones</emph>

Holograph (1) and typed (3) song listings

Dancing in the streets, 1943 (film?) musical. Lyrics by Howard Dietz 3/10 Bay of Botany Ozalid of piano-vocal score ; 7 p.

Typed lyric sketch ; [1] p.

3/11 Boys, boys Holograph piano-vocal score, no lyric ; [5] p. 3/12 Cancan in the canteen Holograph piano-vocal score ; [4] p. 3/13 Comforts of home Holograph piano-vocal score ; [4] p. 3/14 Friendly bar Ms. (holograph?) piano-vocal score ; 7 p. 3/15 Hip! (the girls are marching) Ms. (holograph?) piano-vocal score ; [4] p. 3/16 In my dreams Holograph piano-vocal score ; [4] p.

Typed lyric sheets (2), 1 with additions

3/17 Keep your amateur standing Ms. (holograph?) piano-vocal score ; [6] p. 3/18 Kiss your baby goodbye Ms. (holograph?) piano-vocal score ; [2] p. 3/19 We've been through the mill Holograph piano-vocal score ; [4] p. 3/20 [Unidentified]

Ms. lyric sketch ; [1] p.

Dancing in the streets, 1943 ; or, Jackpot, 1943-4 musical. Lyrics by Howard Dietz. (see also listings under Jackpot) 3/21 Below the equator Copyist ms. piano-vocal score, no lyric (transparencies) ; 4 p. 3/22 Honeypie's dance Ms. (holograph?) piano score ; [4] p. 3/23 I'm in love with a dame (with a muscular frame) ; Ella the elephant ; Arm-in-arm ; Farewell for a while Holograph sketches ; [4] p. 3/23 I'm in love with a dame/with a muscular frame

Typed lyric sketch with holograph melody sketch ; [1] p.

3/24 Swattin' the fly Copyist ms. piano-vocal score, no lyric (transparencies) ; 3 p. 3/25 This particular party Holograph piano-vocal score, no lyric ; [4] p. Ms. (holograph?) piano-vocal score ; 4 p. 3/26 Under my umbrella Holograph piano-vocal score ; [3] p. 3/27 "Jackpot" and "Dancing in the streets"

Typed song listing ; [1] p.

3/27 Where did you come from

Typed lyric and ms. lyric sketch ; [1 sheet]

3/27 [Unidentified]

Ms. lyric sketch

Diamond in the rough (the Mark Twain musical), 1964-68 unproduced. Lyrics by John Everest 4/1 Afternoon delightful Holograph piano-vocal score ; [2 p] 4/2 Afternoon delightful Holograph piano-vocal score (transparencies) ; 2 p.

Ozalid

4/3 Ban the book! Holograph piano-vocal score ; [8] p. 4/4 Ban the book! Holograph piano-vocal score (transparencies) ; 6 p.

Ozalid

4/5 Diamond in the rough Holograph piano-vocal score ; 3 p. 4/6 Ev'ry one of us Holograph piano-vocal score (transparencies) ; 2 p.

Ozalid

4/7 The grand manner # 5 Holograph piano-vocal score ; 9 p. 4/8 The grand manner # 5 Holograph piano-vocal score (transparencies) ; 8 p.

Ozalid

4/9 I may never get well again Holograph piano-vocal score ; 3 p. + typed lyric sheet + dance ; [2] p. 4/10 I may never get well again Holograph piano-vocal score (transparencies) ; 5 p.

Ozalid

4/11 I'm not his sister anymore Holograph piano-vocal scores ; verse 2 p. ; refrain 3 p. + dance [1] p. 4/12 Jumpin' frog Holograph piano-vocal score ; 4 p. 4/13 Jumpin' frog Holograph piano-vocal score (transparencies) ; 6 p.

Ozalid

4/14 Live and love a lot # 2 Holograph piano-vocal score ; 12 p. + 12a-12b 4/15 Live and love a lot # 2 Holograph piano-vocal score (transparencies) ; 13 p.

Ozalid

4/16 The man you are # 9 Holograph piano-vocal score ; 4 p. 4/17 The man you are # 15 Holograph piano-vocal score (transparencies) ; 4 p.

Ozalid

4/18 The new Pilgrims' prayer # 1 Holograph piano-vocal score (transparencies) ; 2 p.

Ozalid

4/19 A new year filled with love # 6 Holograph piano-vocal score ; 5 p. 4/20 A new year filled with love # 6 Holograph piano-vocal score (transparencies) ; 6 p.

Ozalid

4/21 The perfect chaperone # 8 Holograph piano-vocal score ; 8 p. 4/22 Please be patient with me Holograph lead sheet sketch ; [1] p. 4/23 The quadrille (act I) from <emph render="italic">The Right Guy</emph> Holograph with ozalids pasted in piano score ; 9 p. 4/24 The quadrille (act I) from <emph render="italic">The Right Guy</emph> Copyist's ms. with holograph piano score (waxed transparencies) ; 9 p.

Ozalid

4/25 Safe little world # 3 Holograph piano-vocal score ; 5 p. 4/26 Safe little world # 3 Holograph piano-vocal score (transparencies) ; 5 p.

Ozalid

4/27 She has to be the right girl # 4 Holograph piano-vocal score ; 4 p. 4/28 She has to be the right girl # 4 Holograph piano-vocal score (transparencies) ; 5 p.

Ozalid

4/29 We're all going on a honeymoon # 12 Holograph piano-vocal score (transparencies) ; 3 p.

Ozalid

4/30 What do you wanna get married for? # 14 Holograph piano-vocal score ; 8 p. 4/31 What do you wanna get married for? # 10 Holograph piano-vocal score (transparencies) ; 8 p.

Ozalid

5/1 When I was a little boy Holograph piano-vocal score ; 7 p. 5/2 When I was a little boy # 16 Holograph piano-vocal score (transparencies) ; 5 p.

Ozalid

5/3 You are youth # 13 Holograph piano-vocal score + lead sheet sketch on verso of p. 1 ; 7 p. 5/4 You are youth # 9 Holograph piano-vocal score (transparencies) ; 7 p.

Ozalid

5/5 <emph render="italic">[Diamond in the rough]</emph>

Typed lyric sheets, some photocopies ; [25] p.

(Includes "A lad for ev'ry lass" not found elsewhere)

5/6 <emph render="italic">Diamond in the rough</emph> ; the Mark Twain musical

Typed script, book by Stanford Whitmore and John Everest ; 89 p. + [2] p. laid in

Typed script, act I only ; 61 p.

5/7 <emph render="italic">[Diamond in the rough]</emph>

Typed excerpts from script

Contents: I, i (2) ; I, iii (2) ; I, vi (2) ; I, vii (2) ; I, x ; II, i (2) ; II, iv ; II, vii (2)

5/8 <emph render="italic">Diamond in the rough</emph> ; the Mark Twain musical

Typed synopses (2) ; 20 p.

5/9 Mark Twain musical, The

Typed synopsis ; 10 p.

Typed listing of possible titles ; [1] p.

Typed notes, dated: July 18, 1967 ; [1] p.

Typed listing of music ms. ; [1] p.

Dilly, 1954-1955 unproduced musical. Lyrics by Vernon Duke, Jerome Lawrence and Robert Lee. 6/1 Another day, another buck Ozalid piano-vocal score ; 3 p. 6/2 Bachelorhood Ozalid piano-vocal score ; 3 p. 6/3 The backlot blues Ozalid piano-vocal score ; 3 p. 6/4 Dilly Holograph piano-vocal score ; 6 p. Holograph piano-vocal score ; [2] p.

Ozalid with holograph lyric piano-vocal score ; 3 p.

6/5 Don'tcha hate it (when they sing a love song) Holograph piano-vocal score ; [4] p. + 1 p. crossed out 6/6 Farewell to New York ; II.ii Holograph piano-vocal score (transparencies) ; 8 p. Ms. with holograph lyric piano-vocal score ; 5 p.

Ozalid

6/7 He's back in town ; I.3 ; <emph render="altrender" altrender="strikeout">Time passes by</emph> Ms. with holograph lyric piano-vocal score ; 3 p. 6/8 Holiday in Hollywood ; II (1) ; (12) (c) Ozalid piano-vocal score ; verse 2 p., refrain 2 p. 6/9 I sure have been in love Holograph melody sketch ; [1] p. 6/10 I'm about to become a lover Ozalid piano-vocal score, no lyric ; 4 p. 6/11 Just lucky, I guess Holograph piano-vocal score ; [5] p. 6/12 The kissing <emph render="altrender" altrender="strikeout">ballet</emph> song Ozalid piano-vocal score ; 7 p. 6/13 A lad for ev'ry lass # 11 Holograph piano-vocal score ; 4 p.

Lyric with Everest

6/14 A lad for ev'ry lass # 11 Holograph piano-vocal score (transparencies) ; 3 p. Holograph melody sketch ; [1] p.

Ozalid

6/15 Look at me Holograph piano-vocal score ; verse [2] p., refrain [3] p. 6/16 Love me now Holograph lead sheet ; [2] p. 6/17 Lucre, love or liquor Ozalids (2) piano-vocal scores ; 3 p. 6/18 Mocambo mambo Holograph piano-vocal score ; 7 p. 6/19 Now is the time for all good men Ozalid piano-vocal score ; 3 p. 6/20 Roses in the rain (canon version) Holograph vocal score ; [3] p. 6/21 Roses in the rain ; I.7 Ozalid piano-vocal score ; verse 2 p., refrain 3 p. 6/22 Since yesterday ; I.4 Ozalid piano-vocal score ; 2 p. 6/23 Small world Holograph piano-vocal score ; [4] p. 6/24 The story conference # 6 Holograph piano-vocal score ; 20 p. 6/25 Take the money (finale act I) ; I.11 Ozalids (2) piano-vocal scores ; 8 p. + 1 copy has [2] p. holograph & 1 copy has [4] p. holograph added 6/26 There's nothing like <emph render="altrender" altrender="strikeout">an</emph> this old fashioned waltz ; II.8 Ozalid piano-vocal score ; 4 p. 6/27 A village <emph render="altrender" altrender="strikeout">named</emph> called Hollywood ; I.1-A Ozalid piano-vocal score ; 3 p., Coda [1] p. 7/1 What if you're not ; Small talk, verse: ; In our chateau in Brooklyn Holograph sketches ; [3] p. ; lyric for "In our chateau in Brooklyn" by John Latouche 7/1 What if you're not ; II.4A Ozalid piano-vocal score ; verse 2 p., refrain 3 p. 7/2 Who's excited? ; II.6A Ozalid piano-vocal score + holograph material ; 3 p., verse [1] p. 7/3 <emph render="italic">Dilly lyrics</emph> Bound typed lyric sheets, some photocopies ; [36] p.

Contents:

My homes's a village called Hollywood ; Another day, another buck ; Dilly ; He's back in town ; Though I said no to you yesterday ; The story conference [contains: It's been done] ; Roses in the rain ; Just lucky I guess (2) ; Small world ; Look at me (2) ; Act one finale [contains: Take the money] ; Holiday in Hollywood ; What if you're not ; The kissing song ; Who's excited ; Lucre, love or liquor ; There's nothing like this old fashioned waltz ; Farewell to New York

Copy of above (not bound)

7/3 <emph render="italic">Dilly score ; routine - "Dilly"/audition</emph>

Typed (2) song listings ; [2] p. + [1] p.

7/4 <emph render="italic">Dilly</emph>

Typed script book by Jerome Lawrence and Robert E. Lee based on the novel "Miss Dilly says no" by Theodore Pratt ; 84 p. + 58 p.

Emperor Norton, 1954, ballet after Jacques Offenbach, scenario and choreography by Lew Christensen David Lichine ; originally titled: Girls' dormitory 102/1 <emph render="italic">Emperor Norton</emph> (after Offenbach) 1954 Holograph full score ; 251 p. 7/5 <emph render="italic">Emperor Norton</emph> Holograph piano score ; 91 p. 7/6 [<emph render="italic">Emperor Norton</emph>]. Girls' Dormitory Bound photocopy of above + laid in holographs: insert (p. 90) ; [1] p., and "Emperor Norton" coda (to follow Ballerina's variations) ; [3] p. 8-10 <emph render="italic">Emperor Norton</emph> Bound photocopy of holograph full score with annotations ; 251 p. ; holograph [9] p. laid in

Contents:

Flute parts (4) (BOX: 8/2) Oboe parts (4) (BOX: 8/3) Clarinet parts (4) (BOX: 9/1) Bassoon parts (4) (BOX: 9/2) Horn parts (4) (BOX: 9/3) Trumpet parts (4) (BOX: 9/4) Trombone & tuba parts (5 )(BOX: 9/5) Piano parts (3) (BOX: 9/6) Percussion parts (3) (BOX: 10/1) Violin I parts (4) (BOX: 10/2) Violin II parts (5) (BOX: 10/3) Viola parts (4) (BOX: 10/4) Cello parts (4) (BOX: 10/5) Bass parts (4) (BOX: 11/1) Entr'acte, ballet, 1938-1947-1968 90/2 <emph render="italic">Entr'acte</emph> Holograph full score (transparencies) ; 174 p. 90/3 <emph render="italic">Entr'acte</emph>

Ozalid of above

11/2 <emph render="italic">Entr'acte</emph> "finale", ballet orchestrated 1952 Holograph full score ; 42 p. 11/3-7 <emph render="italic">Entr'acte</emph>

Contents:

Violin I parts (2) (BOX: 11/3) Violin II parts (3) (BOX: 11/4) Viola parts (2) (BOX: 11/5) Cello parts (2) (BOX: 11/6) Bass parts (2) (BOX: 11/7) 11/8 12/1 <emph render="italic">Entr'acte</emph> ballet en 1 acte de George Balanchine ; partition de piano, New York 1947-1950 Holograph piano score (waxed transparencies) ; 52 p. Ozalids (2) of above, 1 copy to p. 50 with holograph "codetta" laid in ; p. 51-52

On p. 52: 1938-1947-1951

Girls' dormitory see Emperor Norton 12/2 <emph render="italic">Gondla</emph> prelude pour le drame de N. Gumileff ; op. 4 ; pour grand orchestre ; partition 1922, New York Holograph full score ; 29 p.

Cover signed by Serge Lifar

12/3 <emph render="italic">Gondla</emph> Parts (50) Helen of Troy, unproduced(?) operetta, music mostly by Offenbach. Lyrics by Marshall Barer 13/1 Finale (act I) Holograph piano-vocal score ; 16 p. + 9 p. + counter-melody ; [1] p. 13/2 Finale - act I Ozalids (2) of copyist's ms. piano-vocal score ; 34 p. 13/3-4 I'm called the king # II Holograph piano-vocal score, no lyric ; 2 p. Ozalids (2) of copyist's ms. piano-vocal score ; 4 p. 13/5 Invocation to Venus # V Ozalids (2) of copyist's ms. piano-vocal score ; 4 p. 13/6 The judgement of Paris # III Ozalids (2) of copyist's ms. piano-vocal score ; 10 p. 13/7-8 No one is perfect # I Holograph piano-vocal score, sans most of lyric ;13 p. Ozalids (2) of copyist's ms. piano-vocal score ; 19 p. 13/9 No one is perfect ; No. 15 duo Printed Offenbach piano-vocal score with new lyric written in ; p. 135-152 14/1-2 A queen is always on display # IV Holograph piano-vocal score, no lyric ; 6 p. Ozalids (2) of copyist's ms. piano-vocal score ; 6 p. 14/3 [Unidentified] Holograph melody sketches ; [1] p. + [2] p. 14/4 <emph render="italic">Helen of Troy</emph> (La Belle Helene) Typed script, book by Bill Hoffman ; 37 p. + 41 p. ; 2nd p. 2-1 laid in Jackpot, musical 1943-4. Lyrics by Howard Dietz. (see also listings under Dancing in the streets, or Jackpot) 14/5 Blind date # 4 Ozalid of copyist's ms. piano-vocal score ; 6 p. 14/6 Dear little cottage # 16 Ozalid of copyist's ms. piano-vocal score ; 5 p. 14/7 First night # 6 Holograph piano-vocal score ; [5] p. Copyist ms. piano-vocal score ; [4] p.

Typed lyric sheet ; [1] p. ; dated: Feb. 11, 1943

14/8 An hour ago Holograph piano-vocal score ; [4] p. Ozalid of copyist's ms. piano-vocal score ; 5 p. 14/9 I adore a saloon # 3 Holograph and ms. piano-vocal score ; 7 p. + choral arrangement ; p. 3-14 laid in Ms. piano-vocal score ; 13 p. (p. 5-9 wanting) 14/10 I kissed my girl goodbye Holograph piano-vocal score ; [4] p. (p. wanting) 14/11 I own a piece of a girl # 5 Ozalid of copyist's ms. piano-vocal score ; 5 p. 14/12 I wanna go back Ozalid of copyist's ms. piano-vocal score ; 5 p. 14/13 I'm in love with my top sergeant # 1 Ozalid of copyist's ms. piano-vocal score ; 5 p. 14/14 Jackpot (finale act I.) Holograph piano-vocal score ; 5 p. 14/15 A little marriage is a dangerous thing Ozalid of copyist's ms. piano-vocal score ; 3 p. 14/16 The little Streptococcus Ozalid of copyist's ms. piano-vocal score ; 5 p. 14/17 The long last mile Ozalid of copyist's ms. piano-vocal score ; 5 p. 14/18 Since the ballet came to Shubert Alley Ozalid of copyist's ms. piano-vocal score ; 5 p. 14/19 What's mine is yours # 19 Ozalid of copyist's ms. piano-vocal score ; 4 p. Jardin public see: Public gardens Kings and cabbages see: Zenda Lady Blue ballet de Roland Petit paroles pour la chanson "Lady Blue" de Bernard Dimey, 1961 90/4-5 <emph render="italic">Lady Blue</emph> Holograph full score (transparencies) ; 20 p. + 12 p. + 8 p.

Ozalids (2) of above

15/1 <emph render="italic">Lady Blue</emph> Holograph piano score (transparencies) ; 54 p.

Ozalid of above

15/2 <emph render="italic">Lady Blue</emph> Copyist ms. piano-vocal score (transparencies) ; 5 p.

Ozalid of above

Midwinter's night dream see: Songe d'une nuit d' hiver Mistress into maid (opera in two acts) based on Pushkin's tale, libretto by the composer, english version by Gregory Golubeff, May 1928-August 1958, revised: September 1967, London/Pacific Palisades, Calif. ; to the memory of Serge de Diaghilev 16/1 <emph render="italic">Mistress into maid</emph> ; act I Holograph full score ; 188 p. 16/2 <emph render="italic">Mistress into maid</emph> ; act II Holograph full score ;p. 189-417 16/3 <emph render="italic">Mistress into maid</emph> ; Demoiselle-Paysanne Holograph piano-vocal score ; 162 p. 17/1 <emph render="italic">Mistress into maid</emph> [copy 1] Ozalid of holograph piano-vocal score ; 162 p. 17/2 <emph render="italic">Mistress into maid</emph> [copy 2] Ozalid of holograph piano-vocal score ; 162 p. + 2 p. holograph laid in + "duet (Liza, Miss Jackson)" ozalid ; 11 p. 17/3 <emph render="italic">Mistress into maid</emph> [copy 3] Ozalid of holograph piano-vocal score ; 162 p. 18/1 <emph render="italic">Mistress into maid</emph> [copy 4] Ozalid of holograph piano-vocal score ; 162 p. 18/2 <emph render="italic">Mistress into maid</emph> [copy 5] Ozalid of holograph piano-vocal score ; 162 p. 18/3 <emph render="italic">Mistress into maid</emph> [copy 6] Ozalid of holograph piano-vocal score ; 162 p. 19/1 <emph render="italic">Mistress into maid</emph> [corrected copy] [copy 7] Ozalid and holograph piano-vocal score ; 193 p. 19/2 <emph render="italic">Mistress into maid</emph> [copy 8] Ozalid piano-vocal score (corrected copy) ; 193 p. 19/3 <emph render="italic">Mistress into maid</emph> [copy 9] Ozalid piano-vocal score (corrected copy) ; 193 p. 20/1 <emph render="italic">Mistress into maid</emph> [copy 10] Ozalid piano-vocal score (corrected copy) ; 193 p. 20/2 <emph render="italic">Mistress into maid</emph> [Duet (by Wm. Jackson of Exeter)] Copyist's ms. piano-vocal score (transparencies) ; 11 p.

Ozalids (2) of above

20/3 <emph render="italic">Mistress into maid</emph> Typed libretto, heavily annotated, in English and Russian ; [46] p. + [1] p. holograph laid in 20/4 <emph render="italic">Mistress into maid</emph>

Typed librettos (2) ; 23 p.

Nantucket, unproduced musical, 1960. Lyrics by Harold Rome 21/1 Alone (the whaling widows) # 1 Holograph piano-vocal score ; 4 p. 21/2 Diddle-daddle # 3 Holograph piano-vocal score ; [8] p. 21/3 I knew you well # 4 Photocopy of holograph piano-vocal score ; 4 p. 21/4 Je t'aime-I love you # 6 Holograph piano-vocal score ; [3] p. 21/5 Love is like an elephant # 5 Holograph piano-vocal score ; 4 p. 21/6 Made in Nantucket # 9 Holograph piano-vocal score ; [7] p. 21/7 My heart decided Photocopy of holograph piano-vocal score ; [4] p. 21/8 Nothing is too good # 2 Holograph piano-vocal score ; 7 p. 21/9 Opening (act I) Holograph piano-vocal score ; [4] p. 21/10 Pincus et cie # 11 Holograph piano-vocal score ; [6] p. 21/11-12 Song of our love Holograph piano-vocal score ; [3] p. Ozalid of holograph piano-vocal score ; [3] p. 21/13 There you are again Holograph piano-vocal score ; [4] p. 21/14 They never told me #10 Photocopy of holograph piano-vocal score ; [4] p. 21/15 They never told me (Sylvia's reprise act II) Holograph piano-vocal score ; [2] p. 21/16 Unlucky Pierre (song and trio) # 12 Holograph piano-vocal score ; [6] p. 21/17 A whaler's life # 13 Holograph piano-vocal score ; 12 p. 21/18 The whalers' return # 1A Holograph piano-vocal score ; 11 p. 21/19 When it's love Holograph piano-vocal score ; 3 p.

On back: California has a sick-/son, by name of Richard Nixon;/please don't listen to his threnody -/use your bean - and vote for Kennedy,/Vernon Duke

21/19 When it's love # 8 Holograph piano-vocal score ; [5] p. 21/20 When the devil played the fiddle (can-can) # 7 Holograph piano-vocal score ; [6] p. 21/21 You after all these years Ozalid of copyist's ms. piano-vocal score ; 3 p. 21/22 [<emph render="italic">Nantucket</emph>]

Typed (carbons) lyric sheets ; [5] p.

Contents:

Alone (song of the willing, whaling widows of Nantucket) Nothing is too good Song of our love There you are again 21/23 [<emph render="italic">Nantucket</emph>]

Holograph song listing ; [1] p.

Typed song listing (not related to Nantucket) ; [1] p.

Paris after dark, unproduced musical. Lyrics by Leonard Adelson and Dusty Negulesco 22/1 Everybody loves everybody Holograph lead sheet ; [4] p. 22/2 I haven't a bean in my jeans Holograph lead sheet ; [2] p. 22/3 It's been pleasant, pleasant Holograph lead sheet ; [2] p. 22/4 Jenny, Jenny (save your dreams) Ozalid of copyist's ms. lead sheet ; 2 p. 22/5 The language of love Holograph lead sheet ; [2] p. 22/6 Lonely in Paris Holograph lead sheet ; [2] p. 22/7 Paris after dark Holograph lead sheets (2) ; [2] p. The pink jungle, unproduced musical (?), 1959-60. Lyrics by Vernon Duke 22/8 Act II page 88 Ozalids (2) copyist's ms. piano score ; 2 p. 22/8 Act II page 112 Ozalid copyist's ms. piano score ; 2 p. 22/9 All the luck in the world # V Holograph piano-vocal score ; [4] p. 22/10 Blow the man down ; chanty Ozalid copyist's ms. piano score ; [1] p. 22/11 Brian Ozalids (2) copyist's ms. piano-vocal score ; 5 p. 22/11 Brian ; act I page 3 Ozalid copyist's ms. piano score 22/12 Chase music Ozalid copyist's ms. piano score ; 1 p. 22/13 Chic talk Ozalid copyist's ms. piano-vocal score ; 12 p. 22/14 Don't you ever cross me path Holograph piano-vocal score ; 6 p. + insert ; [1] p. 22/15 Fanfare Ozalid copyist's ms. piano score ; 1 p. 22/16 Free as the air Ozalid copyist's ms. piano-vocal score ; 5 p. 22/17 Funeral # 7-B Ozalid copyist's ms. piano score ; 1 p. 22/18 Funeral music # 7 Ozalids (3) copyist's ms. piano-vocal score ; 2 p. 22/19 Ghost music Ozalid copyist's ms. piano score ; 2 p. 22/20 Harvey's theme Ozalid copyist's ms. piano score ; 1 p. 22/21 A hundred women in one Ozalid copyist's ms. piano-vocal score ; 6 p. 22/22 It's tough to be a girl Ozalids (2) copyist's ms. piano-vocal score ; 6 p. 22/23 Love for sure Ozalids (2) copyist's ms. piano-vocal score ; [2] p. 22/24 M-10 Ozalid copyist's ms. piano score ; 3 p. 22/25 M-11 Ozalid copyist's ms. piano score ; [1] p. 22/26 Nobody but Tess Ozalid copyist's ms. piano-vocal score ; 6 p. 22/27 Persian room-ba Ozalid of holograph piano-vocal score ; 4 p. 22/28 The pink jungle Ozalids (2) copyist's ms. piano-vocal score ; 4 p. Ozalid copyist's ms. vocal arrangement by Jack Latimer ; 5 p. 22/29 Plaza music Ozalid copyist's ms. piano score ; 2 p. 22/30-31 Prelude Holograph piano score/sketch ; [1] p.

Ozalid copyist's ms. piano score ; 2 p.

22/32 Same old love Ozalid copyist's ms. piano-vocal score ; 3 p. 22/33 Tess mambo Ozalid copyist's ms. piano score ; 6 p. 22/34 There was I (and where were you?) Ozalids (2) copyist's ms. piano-vocal score ; 4 p. Photocopy copyist's ms. alternate version piano-vocal score ; p. 4 22/35 Where do you go when you arrive? Ozalid copyist's ms. piano-vocal score ; 5 p. 22/36 Where do you go when you're on top? Ozalids (2) copyist's ms. piano-vocal score ; 5 p. 23/1 [<emph render="italic">The pink jungle</emph>]

Typed lyric sheets, some carbons ; [33] p.

Includes "Just like children," "My sky without a star," "Paris in New York" not found elsewhere

23/2 <emph render="italic">The pink jungle</emph> ; third draft

Typed script, book by Leslie Stevens ; 101 p. (incomplete)

23/3 <emph render="italic">The pink jungle</emph> ; fourth draft

Typed script (bound), book by Leslie Stevens ; 123 p.

23/4 <emph render="italic">The pink jungle</emph> ; fourth draft

1st act of above (2), (2nd copy incomplete)

23/5 <emph render="italic">The pink jungle</emph> ; act two

Typed script, p. 69-123 + 11-113b (4 p.)

23/6 <emph render="italic">The pink jungle</emph>

Ms. song listing ; [3] p.

Typed song listing ; [1] p.

[Public garden] ; Jardin public, ballet, 1934-35 (revised 1945-54). Argument d'apres Andre Gide, decor et costumes de Alice Halicka, choregraphie de Leonide Massine 24/1 <emph render="italic">Jardin public</emph> Holograph piano/short score ; 70 p. + [3] p. laid in

Uniform title: Public garden

Rain see: Sadie Thompson [Rich girl, peasant girl] ; [Baryshnia - Krest'ianka], "opera in two acts, after Pushkin/(May 1928 - February 1931.)/.../scenario by the composer; text by the composer (apart from excerpts from the original)." 24/2 [<emph render="italic">Rich girl, peasant girl</emph>] Holograph piano-vocal score ; 137 p.

Dedication: to the memory of S.P. Diaghilev.

Cover signed by Serge Lifar

La Robe de Mariee, ballet de vertes 24/3 25/1 <emph render="italic">La Robe de Mariee</emph> Woodwind, brass and percussion parts (11)

String parts (12)

Sadie Thompson, musical, 1944 (originally titled: Rain). Lyrics by Howard Dietz 26/1 Any woman who is willing will do # 10 Holograph piano-vocal score ; [3] p. 26/2 Back in circulation Holograph piano-vocal score ; [4] p. Sketch for "I told a lie" crossed out on p. [4] 26/3 Codetta (act I) # 13A Holograph piano score ; [1] p. 26/4 The devil in you is strong # 20 Holograph piano-vocal score ; [3] p. 26/5 Fisherman's wharf # 4 Holograph piano-vocal score ; [4] p. 26/6 From the cradle to the grave # 21 Holograph piano-vocal score ; [4] p. 26/7 Happy again Holograph piano-vocal score ; [4] p. 26/8 He's good for nothing but me Holograph piano-vocal score ; [4] p. 26/9 A house with a piano # 18 Holograph piano-vocal score ; [5] p. 26/10 Incidental music (act I) (to follow opening) # 1A Holograph piano score ; [3] p. 26/10 Incidental music (act I) # 10A Holograph piano score ; [2] p. 26/11 Interlude Holograph piano-vocal score ; [3] p. 26/12 Join the marines # 6 Holograph piano-vocal score ; [3] p. 26/13 The key to the gates # 12-B Holograph piano-vocal score ; [4] p. 26/14 Men's dance Holograph piano score ; [4] p. 26/15 My handsome # 12 Holograph piano-vocal score ; [4] p. 26/16 Overture Ms. piano score ; [7] p. 26/17 Stayin'-in woman # 5B Holograph piano-vocal score (no lyric); [4] p. 26/18 The weeping sky # 9 Holograph piano-vocal score ; [4] p. 26/19 When you live on an island # 2 Holograph piano-vocal score ; [4] p. 26/20 Where the sun god walks # 8 Holograph piano-vocal score ; [4] p. 26/21 You-U.S.A. # 7 Holograph piano-vocal score ; [4] p. 26/22 You'll be born all over again Holograph piano-vocal score (no lyric) ; [4] p. 26/23 You're dreamlike Photocopy of holograph piano-vocal score (no lyric) ; [4] p. 26/24 [<emph render="italic">Sadie Thompson</emph>]

Typed lyric sheets, some carbons ; [6] p.

Contents:

Fool that I was (3) Life's a funny present from someone My handsome Swattin' the fly She's working her way through college, film musical, 1952. Lyrics by Sammy Cahn 27/1 I'll be loving you Ozalid copyist's ms. piano-vocal score ; 5 p. 27/2 Love is still for free Ozalid copyist's ms. piano-vocal score ; 9 p. 27/3 Stuff that dreams are made of, The Ozalid copyist's ms. piano-vocal score ; 5 p. 27/4 Who can tell? Ozalid copyist's ms. piano-vocal score ; 3 p. 27/5 <emph render="italic">She's working her way through college</emph>

Photocopy of typed song listing (also April in Paris) ; [1] p.

Songe d'une nuit d' hiver (midwinter's night dream), ballet en 1 acte, argument de Vernon Duke, décors et costumes de André Beaurepaire, New York 1949 27/6-7 <emph render="italic">Songe d'une nuit d' hiver</emph> Holograph piano score (transparencies) ; 47 p.

Ozalids (2) ; 47 p.

Sweet bye and bye, musical, 1946-1948. Lyrics by Ogden Nash 27/8 Chase music Ozalid of ms. piano score ; 2 p. 27/9 I says to him Ozalids (2) of ms. piano-vocal score ; 5 p. 27/10 Let's be young Ozalid copyist's ms. piano-vocal score ; 6 p. 27/11 My broker told me so Ozalid copyist's ms. piano-vocal score ; 3 p. 27/12 Opening-act I Ozalid of copyist's ms. piano score ; 2 p. 27/13 Singing commercial Ozalid copyist's ms. piano-vocal score ; [1] p. 27/14 Sweet bye and bye Ozalid copyist's ms. piano-vocal score ; 4 p. 27/15 Utility bridge Ozalid copyist's ms. piano score ; [1] p. 27/16 <emph render="italic">Sweet bye and bye</emph>

Typed song listing ; [1] p.

Time remembered, background score and 2 songs for stage play, 1957 102/2 Ages ago Holograph full score ; 17 p. 102/3 Time remembered Ms. full score ; 14 p. 91/1 Overture Holograph full score ; 32 p. 91/2 I time remembered Holograph full score ; 12 p. + p. 5A-6A 91/3 II lunch music Holograph full score ; p. 13-22 91/4 II-A time remembered Holograph piano score ; [1] p. 91/5 III (Amanda opens the window) Holograph full score ; p. 23-35 91/6 IV Leocadia Holograph full score ; p. 35-49 + p. 38a-39b 91/7 V last scene ; VI Amabile (Albert) Holograph full score ; 28 p. + p. A-M laid in 91/8 VIII coda (act I) Holograph full score ; 9 p. 91/9 IX act II (opening) Holograph full score ; 5 p. 91/10 X tango Holograph full score ; 9 p. 91/11 XI waltz codetta (act II) Holograph full score ; 6 p. 91/12 Entr'acte act III Holograph full score ; p. 5-[26] 91/13 XII tango (music on stage) act III Holograph full score ; 8 p. 91/14 XIII "time remembered" (waltz) act III Holograph full score ; 15 p. 91/15 XIV polka (act III) Holograph full score 9 p. 91/16 XV ages ago (act III) ; (out) Holograph full score ; 11 p. 91/17 XVII transformation scene (act III) Holograph full score ; 12 p. 91/18 XVIII Dawn music Holograph full score ; 10 p. 91/19 XIX final scene (act III) Holograph full score ; 22 p. 91/20 XX Duchess exits - act III Holograph full score, 1st p. copyist's ms. piano score ; [4] p. 28/1 <emph render="italic">Time remembered</emph> Photocopy (reverse image) of holograph piano-score (transparencies) ; 51 p. 28/2 Act II (new opening) Holograph piano score ; [2] p. 28/3 Entracte (act III) Ozalid copyist's ms. conductor short score ; 5 p. 28/4 The waltz (act III) # XIII Ozalid copyist's ms. piano conductor score ; p. 5-9 28/5 Love scene # XIX Ozalid copyist's ms. piano conductor score ; p. 21-28 28/6 Exit music Copyist's ms. short score (transparency) ; p. 3 28/7 Ages ago Printed piano-vocal score ; Chappell & co. Inc., New York, N.Y. ; p. 3-5

Photocopy of above (transparencies)

28/8 Time remembered Holograph piano-vocal score of verse ; [3] p. 28/9-10 Time remembered Printed piano-vocal score ; Chappell & co. Inc., New York, N.Y. ; p. 3-5

Photocopy of above (transparencies) ; p. 3-4

Typed lyric sheet ; [1] p.

28/11 [fragments]

Various copies and ozalids of pages of holograph piano score and full scores

28/12 [sketches]

Holograph melody sketches with some accompaniment, 3 sketches, 2 crossed out ; [2] p.

28/13 Entr'acte Parts (25) 29/1 I. Time remembered Parts (25) 29/2 II. Lunch music Parts (1) 29/3 IIa. Parts (11) 29/4 III. Amanda opens the window Parts (1) 29/5 IV. Leocadia Parts (15) 29/6 V. last scene ; VI. Albert's theme ; VII. Amanda Parts (11) 29/7 VI. Albert Parts (1) 29/8 VIII. coda (act I) Parts (1) 29/9 IX. act II (opening) Parts (2) 29/10 X. tango Parts (1) 29/11 XI. waltz codetta (act II) Parts (1) 29/12 XIII. time remembered (waltz act III) Parts (4) 29/13 XIV. polka (act III) Parts (4) 29/14 XV. ages ago (act III) Parts (5) 29/15 XVII. transformation scene (act III) Parts (1) 29/16 XVII. dawn music - act 3 Parts (1) 30/1 XIX. final scene (act II) Parts (3) 30/2 [XIX.] 19. (new) Parts (8) 30/3 XX. Duchess exits - act III Parts (1) 30/4 Exit music Parts (1) 30/5 Ages ago Ozalid copyist's ms. 3 violin arrangement ; 3 p. 30/6 Time remembered Ozalid copyist's ms. 3 violin arrangement ; 3 p. 30/7 I think you're pretty too

Carbon of typed lyric sheet ; 2 p.

Washerwomen's ball, The see: Bal des Blanchisseuse, Le Zenda, 1963 musical. Lyrics by Leonard Adelson, Sid Kuller and Martin Charnin 92/1 Alone at night # 5 Ms. full score ; 24 p. 31/1 Alone at night # 6 Holograph piano-vocal score ; 9 p. Photocopy of holograph piano-vocal score alternate section (m. 26-27 changed) ; 1 p.

Lyric by Leonard Adelson

31/2 Alone at night Copyist's ms. piano conductor score (transparencies) ; 10 p.

Ozalids (6)

31/3 Alone at night Copyist's ms. piano-vocal score (transparencies) ; 10 p.

Laid in: typed scene revision ; 2 p. with note attached

Ozalids (5)

31/4 Alone at night

Ozalids (2) alternate version than above ; 6 p.

Note: 1 copy has 1 m. correction pasted in

57/1 Alone at night

Parts (22)

31/5 Alone at night piano-vocal ; alternate opening Copyist's ms. (transparencies) ; 2 p. 31/6-7 Alone at night (interlude) Holograph piano-vocal score ; 2 p. Copyist's ms. piano-vocal score (transparencies) ; 2 p.

Lyric by Martin Charnin

Note on cover to Pembroke Davenport from Duke

Ozalids (3)

92/2 Announcement/rehearsal # 20B Ozalids (5) short scores all with revisions, some extensive ; pagination varies, approximately 9 p. 92/3 Artists # 20 Ms. full score ; 53 p.

Laid in: Breakfast (full score) ; 11 p. with 2 p. laid in

31/8 Artists # 20 Copyist's ms. (transparencies) ; 27 p.

Ozalids (6)

57/2 Artists # 20

Parts (22)

92/4 Artists B. G. # 24B Ms. full score ; 4 p. 32/1 Artists B. G. # 24B Copyist's ms. piano conductor score (transparencies) ; 2 p.

Ozalids (3)

57/3 Artists B. G. # 24B

Parts (54)

32/2 Artists - opening act II Holograph piano-vocal sketch ; 8 p.

Lyric by Sid Kuller

32/3 Artists - opening act II Copyist's ms. (transparencies) ; 8 p.

Ozalids (4) ; 9 p.

Note: 1 copy missing p. 1 & 2

32/4-5 [Artists] opening act II Ozalids (2) choral arrangement ; 2 p.

Ms. lyric sheet (sketch) ; 1 p.

Typed script revisions ; [1,3,4,5] p.

32/6 New artists Ozalids (4) piano-vocal scores ; 3 p.

Uniform title: Artists

92/5 Athena's dance/pt. 1 inst./pt. II # 26A, # 26B Ms. full score ; p. 1-17 + p. 1-8 laid in 32/7 Athena (piano-vocal) Holograph piano-vocal score ; 4 p. + ms. lyric sheet ; 1 p. 32/8 Athena's dance part I & II inst. pno. cond. Ms. (transparencies) ; p. 1-6, 8-10

Ozalids (3) ; 1 copy is 6 p., the others are 10 p. ; on t.p.: 26A & 26B

57/4 Athena's dance/pt. 1 instr. # 26AA Parts (22) 92/6 Athena's dance part III # 26C Ms. full score ; 16 p. 32/9 Athena's dance pt. III (conclusion) # 26C Ms. piano conductor score (transparencies) ; 7 p.

Ozalids (2)

57/5 Athena's dance pt. III (conclusion) # 26C

Parts (22)

33/1 Beautiful B.G. # 17A ; pno. cond. See also: Let her not be beautiful... Ozalids (2) ; 2 p.

Lyric by Martin Charnin

33/2 Beautiful curtain # 18 Ozalids piano conductor score (2) ; 2 p. 63/1 Beautiful curtain # 18

Parts (20)

33/3 A bird that never learned to fly # 20 Holograph piano-vocal score ; 5 p. + [1] p. crossed out at front

On cover: My heart [has come a tumbling down] (final title)

Lyric by Leonard Adelson

33/4 A bird that never learned to fly # 20 Copyist's ms. piano-vocal scores (wax transparencies) ; 4 p. Ozalid lead sheet/condensed score ; 2 p.

Ozalids (9)

Lyric by Leonard Adelson, in some copies crossed out and replaced with "Martin Charnin"

33/5 Reprise of "a bird that never learned to fly" Holograph piano-vocal score ; p. 6-8

Uniform title: A bird that never learned to fly

33/6 A bird that never learned to fly/reprise Copyist's ms. (transparencies) ; 4 p.

Ozalids (2)

93/1 Born at last # 21 Ms. full score ; 42 p. 33/7 Born at last # 21 Holograph piano-vocal score ; 4 p.

Lyric by Martin Charnin

33/8 Born at last # 21 Ozalids (5) piano conductor score ; 13 p. 33/9 Born at last # 21 Copyist's ms. piano conductor score/later version (transparencies) ; 22 p.

Ozalids (2)

58/1 Born at last # 21 Parts (22) 33/10 Born [at last]/insert Copyist's ms. piano conductor score (transparencies) ; 3 p.

Ozalids (3), 1 copy with note attached

58/2 Born [at last]/insert Parts (37) 93/2 Born [at last]/rescore ; (this is in the overture also used for "exit") Ms. full score ; 5 p. 34/1 Born [at last]/rescore ; (this is in the overture also used for "exit") Copyist's ms. (transparencies) ; 3 p.

Ozalids (4) ; 2 with "Born/insert" attached [6] p. ; 1 marked: exit

58/3 Born [at last]/rescore # 24B Parts 58/4 Exit ; Born [at last]/rescore # 21A Parts (22)

Uniform title: Born at last

93/3 Bounce # 1A Ms. full score ; 30 p. 34/2 Bounce # 1A Ms. piano-vocal score ; 7 p.

Lyric by Martin Charnin

34/3 Bounce # 1A Copyist's ms. piano conductor score (transparencies) ; 8 p.

Ozalids (3)

Lyric by L. Adelson and S. Kuller

58/5 Bounce # 1A Parts (23) 34/4 Bounce # 34 Ozalids (4) piano-vocal score ; 9 p.

Lyric by Martin Charnin

34/5 Bounce ; new copy Ms. lead sheet/condensed score ; [4] p. 34/6 Bounce Ozalids (3) lead sheet/condensed score ; 3 p. 93/4 Bounce #2, # 1A Ms. full score ; 31 p. + new p. 18-21 laid in, p. 19-20 in short score format 34/7 Bounce #2, # 1A Copyist's ms. piano conductor score (transparencies) ; 16 p.

Ozalids (3)

Lyric by L. Adelson and C. Kuller

59/1 Bounce #2, # 1A Parts (23) 34/8 Bounce 2 9/21/63 fix ; pno-cond Copyist's ms. (transparencies) ; [3] p. 34/8 Bounce #2 fix 8/23/63 ; pno-cond Ms. (2) ; [1] p. each 93/5 Bounce exit # 1B Ms. full score ; 3 p. + note attached to cover 35/1 Bounce exit # 1B Copyist's ms. piano conductor score (transparency) ; [1] p.

Ozalids (2)

35/1 Bounce exit-new # 1B Copyist's ms. (transparency) ; [1] p.

Ozalids (2)

59/2 Bounce exit # 1B Parts (22) 59/3 Bounce exit-new # 1-B Parts (20) 35/2 Breakfast ; pno-cond Copyist's ms. (transparencies) ; 11 p.

Ozalids (2) ; on t.p.: 20

35/2 Breakfast coda Holograph choral arrangement with accompaniment ; [1] p. 35/2 [Breakfast]

Typed script revisions with annotations ; p. [II-1-1] - II-1-3

59/4 Breakfast # 20 Parts (22) 93/6 Bridge # 3-A Ms. full score ; 1 p. ; on t.p.: segue to Wonderful sounds 35/3 Bridge # 3-A Ms. short score (transparencies) ; [1] p. Ms. piano score ; [1] p.

Ozalids (2)

59/5 Bridge # 3-A Parts (19) 59/6 Bridge # 3-A (different version from above) Parts (13) 35/4 Business or pleasure On cover: Opening act I Holograph piano-vocal score ; 8 p.

Lyric by Martin Charnin

93/7 Charming waltz (utility) # 15B Ms. full score (correction attached on p. 4) ; 7 p. 35/5 Charming waltz (utility) # 15B Ms. piano conductor score (transparencies) ; 2 p.

Ozalids (2) ; one is marked "15B", the other is marked "26D"

59/7 Charming waltz (utility) # 15B Parts (36) 59/8 Charming waltz (utility) # 26D Parts (17) 35/6 Come to me Photocopy of holograph piano-vocal score with annotations ; 9 p.

On t.p.: "Kings and cabbages"

On recto of p. 2, cover when folded: 11

Lyric by Martin Charnin

93/8 Command performance (part I) # 26 Ms. full score ; 10 p. 35/7 Command performance (part I) # 26 Copyist's ms. piano conductor score4 (transparencies) ; 6 p.

Ozalids (3)

60/1 Command performance (part I) # 26 Parts (22) 93/9 Command [performance] #2, # 26A Ms. full score ; 8 p. 35/8 Command [performance] #2, # 26A Copyist's ms. piano conductor score (transparencies) ; 5 p.

Ozalids (2)

60/2 Command [performance] #2, # 26A

Parts (21)

35/9 Montage "command performance" ; opening - fanfare Ms. short score with ozalid material pasted in ; [12] p.

Uniform title: Command performance

Sections include: ballet/derived:/1. polka/2. mazurka, 1st transition (unfurling banner), soprano and trio bit, harlequin, transition, Verdi duet (derived: "Zenda"), mazurka

35/10 Montage "command performance" ; opening - fanfare Copyist's ms. short score (transparencies) ; 12 p.

Uniform title: Command performance

Ozalids (8)

36/1 Count the stars # 17 Ozalids (2) piano-vocal scores ; 5 p.

On t.p. of 1 copy: No one owns tomorrow/Count the stars/out obsolete lyrics

Lyric by Leonard Adelson

93/10 Curtain act I Ms. full score ; 2 p. + note included on score paper 93/10 Orchestral curtain act I Ms. full score ; 2 p. + note attached 36/2 Orch. curtain act 1 # 18A Copyist's ms. (transparencies) ; [1] p.

Uniform title: Curtain act I

Ozalids (3)

60/3 Orch. curtain act 1 # 18A Parts (2)

Uniform title: Curtain act I

36/3 Curtain/act I/new # 18 Copyist's ms. piano conductor score (transparencies) ; 2 p.

Uniform title: Curtain act I

Ozalids (2)

60/4 Curtain/act I/new # 18 Parts (21)

Uniform title: Curtain act I

93/11 Curtain act II (yesterday's forgotten) Ms. full score ; 6 p. 36/4 Curtain act II ; pno.cond. Copyist's ms. (transparencies) ; 3 p.

Ozalids (3) ; on t.p. of 1 copy: 19 ; on t.p. of 2 copies: 35

60/5 Curtain act II # 35 Parts (21) 94/1 The elusive Mr. Rassendyl girls dance & vocal # 27 Ms. full score ; 18 p. 36/5 The elusive Mr. Rassendyl girls dance & vocal # 27 Copyist's ms. piano conductor score (transparencies) ; 9 p.

Ozalids (2)

Lyric by S. Kuller

60/6 The elusive Mr. Rassendyl girls dance & vocal # 27 Parts (22) 36/6 The elusive Mr. Rassendyl # 24 Holograph piano-vocal score ; 6 p. 36/7 The elusive Mr. Rassendyl (Rassendyl and girls) part 1 # 24 Ozalids (6 + one p. [1]) piano-vocal scores

Lyric by Leonard Adelson

36/8 The elusive Mr. Rassendyl (Rassendyl and girls) part 1 # 24 Copyist's ms. (transparencies) ; 6 p. + [1] p. with 4 m. marked: old-intro ; and Addelson listed as lyricist

Ozalids (4)

Lyric by Sid Kuller

36/9 The elusive Mr. Rassendyl part 2 (Rassendyl and girls) # 25 Copyist's ms. (transparencies) ; 2 p.

Ozalids (2)

Lyric by Leonard Adelson

36/10 [The] elusive Mr. Rassendyl intro Holograph piano score ; 1 p. 36/10 The elusive Mr. Rassendyl/(added verse) Holograph piano-vocal score ; [1] p.

Lyric by Sid Kuller

94/2 [The] elusive [Mr. Rassendyl] patter # 27A Ms. full score ; 6 p. 36/11 [The] elusive [Mr. Rassendyl] patter # 27A Copyist's ms. piano cond. score (transparencies) ; [2] p. with 4 m. marked: old-intro

Ozalids (2)

60/7 [The] elusive [Mr. Rassendyl] patter # 27A Parts (19) 36/12 The elusive Mr. Rassendyl # 21, # 22 Ozalid (various sections) and 1 p. of manuscript piano-vocal score ; [6] p. 36/13 Enchanting girls Holograph piano-vocal score and sketch; [4] p. 36/14 Enchanting girls Ozalids (6) ; 4 p. Ozalids (2) lead sheet marked: (-2nd chorus-) ; [1] p.

Typed lyric sheet ; 1 p.

Lyric by Sid Kuller

See later versions under titles: Girls...

36/15 Entre acte ; pno. cond. Ozalids (3) ; 2 copies are 6 p., 1 copy is 9 p.

On t.p.: Overture fine to train station ; on 2 copies: "19" ; on 1 copy: "18-A"

60/8 Entre acte ; overture fine to train station # 19 Parts (20) 94/3 Exit music Ms. full score ; 12 p.

Laid in: full score "overture #1. ending" ; p. a-b

36/16 Exit music Copyist's ms. piano conductor score (transparencies) ; 15 p.

Ozalid

61/1 Exit music Parts (20) 94/4 Fanfare Ms. full score, unfinished ; 3 p. 94/5 Festive march/inst. # 6 Ms. full score ; 9 p. 37/1 Festive march/inst. # 6 Copyist's ms. short score (transparencies) ; 3 p.

Ozalids (2)

37/2 Festive march/inst. # 6 Holograph piano score ; 2 p. 37/3 Festive march/inst. # 6 Copyist's ms. piano score (transparencies) ; 2 p.

Ozalids (2)

61/2 Festive march/inst. # 6 Parts (19) 37/4 Folk dance ; polka # 11 Holograph piano score ; [5] p. 37/5 Folk dance ; polka # 11 Copyist's ms. piano score (transparencies) ; 5 p.

Ozalids (4), 2 copies have measures removed from p. 3

37/6 A gift of love ; wedding chorus ; piano-chos Copyist's ms. (transparencies) ; 4 p.

Ozalids (2)

37/7 A gift of love Holograph choral parts SATBBa ; 1 p. each, Baritone and Bass together, for a total of 4 p. 37/8 A gift of love Copyist's ms. choral parts SATBBa (transparencies) ; 1 p. each, Baritone and Bass together, for a total of 4 p.

Ozalids (8, 2 copies of each part)

Lyric by Martin Charnin

37/9 A gift of time ; (vocal) Ozalid piano-vocal score ; p. 3-6 37/9 A gift of time ; duet version (verse wedded to chorus) Ozalid (2) piano-vocal score ; p. 7-11 37/9 A gift of time ; <emph render="altrender" altrender="strikeout">Life/Time and place</emph> (music under dialogue) Ozalid piano score ; 2 p.

Lyric by Leonard Adelson

37/10 A girl for every day of the week # 2 Holograph piano-vocal score ; 4 p. 37/11 A girl for every day of the week # 2 Copyist's ms. piano-vocal score (transparencies) ; p. 5-10

Ozalids (5)

Lyric by Leonard Addelson and Sid Kuller

37/12 Girls Holograph piano-vocal sketch ; [2] p. 37/13 Girls

Ozalids (2) piano-vocal score ; 4 p.

94/6 Girls and Rassendyl # 29 Manuscript full score ; 16 p. 37/14 Girls and Rassendyl # 29 Copyist's ms. piano conductor score (transparencies) ; 11 p.

Ozalids (2)

61/3 Girls and Rassendyl # 29 Parts (22) 94/7 Girls exit # 32 Ms. full score ; 7 p. + 1 p. crossed out 37/15 Girls exit # 32 Copyist's ms. piano conductor score (transparencies) ; 3 p.

Ozalids (2)

61/4 Girls exit # 32 Parts (21) 37/16 Girls exit - new intro # 32 Copyist's ms. piano conductor score (transparencies) ; 1 p.

Ozalids (2), 1 copy attached to "Girls exit" as above

37/17 Girls exit - new intro # 32 Ms. short scores, alternate from above (2) ; 1 p. + attached to: "Girls exit ; pno. cond." ; 3 p. 38/1 Happy horns and merry bells # 4 Copyist's ms. piano-vocal score (transparencies) ; 7 p.

Ozalids (3)

Lyric by Leonard Adelson and Sid Kuller

38/2 He wouldn't dare # 32 Ozalids (2) piano-vocal scores ; 5 p.

Lyric by Martin Charnin

Became, with new lyrics "Here and there", see below

38/3 Hello, must do a show, goodbye! Holograph piano-vocal score ; 11 p.

Lyric by Leonard Adelson and Sid Kuller

38/4 Hello, must do a show, goodbye! Copyist's ms. (transparencies) ; 14 p.

Ozalid

38/5 Here and there # 11 Copyist's ms. piano conductor score (transparencies) ; 13 p.

Ozalids (5) ; 1 copy marked : out

Lyric by Martin Charnin

The same music was used previously as "He wouldn't dare", see above

61/5 Here and there # 11 Parts (20) 38/6 Here and there # 32 Ozalids (6) piano-vocal scores ; 11 p. 38/7 I wonder what he meant by that Holograph piano-vocal score ; 8 p. + an original 1st p. that is crossed out

Lyric by Leonard Adelson

38/8 I wonder what he meant by that Copyist's ms. (transparencies) ; 12 p. + alternate p. 10 with different lyric at the bottom 39/1 I wonder what he meant by that # 15 Ozalids (10) (various) ; 12 p. ; some copies have laid in "new ending" and/or "vocal" 94/8 I wonder what he meant by that / vocal # 15A Ms. full score ; 26 p. + additional internal pages stapled or taped together 39/2 I wonder what he meant by that / vocal # 15A Copyist's ms. piano cond. score (transparencies) ; 10 p. + p. 11 "new ending", p. [12] "extension", p. [13] "insert", p. 2 (p. [14]) "insert"

Ozalids (5), cut and paste sections, and "new endings" etc. taped at end

62/1 I wonder what he meant by that / vocal # 15A Parts (26) 39/3 I wonder what he meant by that choir Ms. choral sketches ; [3] p. 39/4 I wonder what he meant by that ; vocal Copyist's ms. choral score (transparencies) ; 2 p.

Ozalids (2)

40/1 New end - meant by that Ms. piano-vocal sketch ; 1 p.

Uniform title: I wonder what he meant by that

40/1 End-meant Ms. piano-vocal sketch ; 1 p.

Uniform title: I wonder what he meant by that

40/2 "Meant by that" ; new ending Copyist's ms. piano-vocal score (transparencies) ; 1 p.

Uniform title: I wonder what he meant by that

Ozalids (2)

94/9 I wonder what he meant by that/cerem. dance # 15 Ms. full score ; 10 p. + p. "a" at front 40/3 I wonder what he meant by that/cerem. dance # 15 Copyist's ms. piano-conductor score (transparencies) ; 4 p.

Ozalids (2)

62/2 I wonder what he meant by that/cerem. dance # 15 Parts (22) 62/3 I wonder [what he meant by that]/insert (utility) Parts (17) 40/4 I won't stand in your way # 7 Photocopy of holograph piano-vocal score with annotations ; 5 p. (pages taped vertically and horizontally)

Lyric by Martin Charnin

40/5 I'll marry a soldier # 5 Photocopy of holograph piano-vocal score with annotations ; 5 p. (pages taped vertically and horizontally)

Lyric by Martin Charnin

40/6 It does not # 17, # 23 Holograph piano-vocal score ; 7 p.

Lyric by Leonard Adelson

40/7 It does not # 17, # 23 Ozalids (7) piano-vocal scores (with pasteovers) ; 9 p.

Incomplete ozalid marked "obsolete master" on the outside, containing p. 2, 3, 4, 6 & 7 of copyist's ms. (transparencies included)

40/8 <emph render="altrender" altrender="strikeout">It does not</emph> why not Ozalids (2) piano-vocal scores (later alternate version than above) ; 8 p.

Uniform title: It does not

1 copy has laid in typed script revisions with lyrics ; p. II-3-4A -II-3-4B (2 p.)

40/8 <emph render="altrender" altrender="strikeout">It does not</emph> why not Ms. listing of productions staff telephone numbers ; 1 p.

Uniform title: It does not

40/9 It's a quaint little custom # 10 Holograph piano-vocal score ; verse p. 1-3, refrain p. 1-5

In folder marked: out/replaced with # 10 A whole lot of happy

Lyric by Leonard Adelson

40/10 It's a quaint little custom # 10 Ozalids (2) piano-vocal scores ; 8 p. Ozalids (2) (alternate from above) including verse ; 11 p. ; on t.p.: 10 Ozalids (2) verse only ; 3 p. 41/1 Kings and cabbages # 8 Holograph melody sketch with some chord indications ; [1] p.

Ms. lyric sheet laid in ; [1] p.

41/1 Kings and cabbages # 8 Photocopy of holograph piano-vocal score with annotations ; [3] p.

Lyric by Martin Charnin

94/10 Let her not be beautiful # 17 Ms. full score ; 16 p. 41/2 Let her not be beautiful # 17 Copyist's ms. piano conductor score (transparencies) ; 8 p. + "Fix on let her not be beautiful" ; [1] p.

Ozalids (3)

Ozalids (2) ; "corrected" version

41/5 Let her not be beautiful # 17 Copyist's ms. piano-vocal score (alternate version from above) ; 4 p.

Ozalids (5) ; 4 p.

Typed lyric sheet with annotations ; p. I-11-4A

62/4 Let her not be beautiful # 17 Parts (22) 41/3 Let her not be beautiful (you are all that's beautiful) Holograph piano-vocal score ; 4 p. 41/4 Let her not be beautiful (you are all that's beautiful) Ozalid piano-vocal score ; 4 p. 94/11 Let her not be beautiful reprise # 33, # 17A Ms. full score (some p. are stapled on top of others) ; 14 p. 62/5 Let her not be beautiful reprise # 33, # 17A Parts (22) 41/6 Let her not be beautiful (reprise) ; pno. cond. Copyist's ms. (transparencies) ; 6 p.

Ozalid

41/7 Let her not be beautiful (reprise-new) # 33 Copyist's ms. (transparencies) ; 2 p.

Ozalids (2) these are the same ozalids as above with pasteovers from the "new" ozalids

41/7 Let her not be beautiful/reprise Ozalid (non-reprise version with annotations regarding the reprise) piano-vocal score ; 4 p. 41/8 Ending of "let her not be beautiful" reprise Ms. sketch ; 2 p.

Uniform title: Let her not be beautiful reprise

41/9 Beautiful B.G. # 17A

Uniform title: Let her not be beautiful

Ozalids (2) piano conductor score ; 2 p.

62/6 Beautiful B.G. # 17A Parts (20)

Uniform title: Let her not be beautiful

41/10 Life (music under dialogue) ; Life [verse] ; Life/duet version (verse wedded to chorus) Ozalids (2) piano-vocal score with no lyric ; 11 p.

Original title: Time and place

94/12 Love is the worst possible thing # 25 Ms. full score ; 30 p. + [1] p. "insert before last 4 bars" Short score sketch laid in: "Sexy episode" and "Punch and Judy" ; [1] p. 41/11 Love is the worst possible thing # 25 Copyist's ms. piano conductor score (transparencies) ; 11 p. + old p. 11

Ozalids (2) with various annotations

Page - 9 - new (love is the worst) Copyist's ms. (transparency) ; 1 p.

Ozalid

41/12 Love is the worst possible thing Copyist's ms. piano vocal score (transparencies) ; 6 p.

Ozalids (4) with various annotations

Dated: 8/19/63

41/13 Love is the worst possible thing Copyist's ms. piano-vocal score (transparencies) ; 4 p. Ozalid + holograph attached ; p. 4

Dated: 8/17/63

Lyric by Martin Charnin

63/2 Love is the worst possible thing Parts (23) 41/14 Love is [the worst possible thing] (counter melody) Holograph sketch, unidentified sketches on verso ; [1] p. 94/13 [Love is the worst possible thing] reprise Ms. full score ; 2 p. + note attached to front 42/1 Love [is the worst possible thing] reprise # 34 ; pno. cond. Ozalids (2) ; 6 p. 42/1 Fix 8/22/63 Love [is the worst possible thing] reprise Copyist's ms. short score (transparencies) ; [1] p. 63/3 Love [is the worst possible thing] reprise new # 34 Parts (20) 42/2 Loveless you and hateful me # 13 Holograph piano-vocal score ; 6 p. + [1] p. crossed out piano score for "National anthem"

Lyric by Sid Kuller

42/3 Loveless you and hateful me # 13 Copyist's ms. piano-vocal score (transparencies) ; 8 p. Ozalid, alternate version ; 6 p.

Ozalids (2)

95/1 Magic music # 28 Ms. full score ; 6 p. 42/4 Magic music # 28 Ms. short score ; [3] p.

Photocopy

42/5 Magic music # 28 Copyist's ms. piano conductor score (transparencies) ; 2 p.

Ozalids (4)

63/4 Magic music # 28 Parts (23) 63/5 Magic music # 31 Parts 42/6 Mazurka # 12 Holograph piano score ; [3] p. 42/7 Mazurka # 12 Copyist's ms. in ink on (transparencies) ; 3 p. Ozalids (3) ; 2 copies 4 p., 1 copy 2 p. 42/8 Montage poster # 26A ; train Copyist's ms. short score (transparencies) ; [2] p. ; on first p. "old pg. 8", from: Overture fine to train station Ozalids (2) ; [4] p. (?, 9, 5, 6) 63/6 Montage poster # 26A ; train Parts (20) 42/9 The morning you were born Photocopy of holograph piano-vocal score with holograph lyric ; [3] p.

Lyric by Martin Charnin

95/2 My heart has come a tumblin' down # 24 Ms. full score ; 15 p. 42/10 My heart has come a tumblin' down # 24 Copyist's ms. piano conductor score (transparencies) ; 8 p.

Ozalids (2)

Typed lyric sheet with annotations ; 1 p.

Lyric by Martin Charnin

64/1 My heart has come a tumblin' down # 24 Parts (20) 42/11 My heart has come a-tumblin-down ; new verse Holograph piano-vocal score ; [3] p. 42/12 My heart has come a tumblin' down - rehearsal ; pno. cond. Copyist's ms. (transparencies) ; 2 p.

Ozalids (3) with various annotations

42/13 My heart [has come a tumblin' down] - rehearsal ; change master bars 8 + 9 Ms. (2) sketches ; [1] p. each 42/14 My heart has come-a-tumbling-down (refrain - beguine version) Ms. piano-vocal score ; 2 p. 42/15 My heart has come-a-tumbling-down (refrain - beguine version) Copyist's ms. piano-vocal score (transparencies) ; 3 p.

Ozalids (2)

95/3 My heart has come a tumblin' down / vocal tag # 24A Ms. full score ; 7 p. 42/16 My heart has come a tumblin' down / vocal tag # 24A Copyist's ms. piano conductor score (transparencies) ; 4 p.

Ozalids (2)

64/2 My heart has come a tumblin' down / vocal tag # 24A Parts (21) 95/4 [My heart has come a] tumbling [down] - opt. end Ms. full score ; p. 10-12 + title p. attached 42/17 [My heart has come a] tumbling [down] - opt. end Ms. piano conductor score (transparencies) ; 2 p.

Ozalids (2)

64/3 [My heart has come a] tumbling [down] - opt. end Parts (19) 95/5 [My heart has come a] tumbling down / march int. # 23 Ms. full score ; 13 p. 42/18 [My heart has come a] tumbling down / march int. # 23 Copyist's ms. piano conductor score (transparencies) ; 4 p.

Ozalids (2)

64/4 [My heart has come a] tumbling down / march int. # 23 Parts (22) 95/6 My royal majesty # 3 Ms. full score ; 48 p. + [3] p. laid in: bar 166, new p. 46-47 43/1 My royal majesty # 3 Copyist's ms. piano conductor score (transparencies) ; 13 p. Ozalids (5) (with pasteovers), 1 copy has laid in ms.: #3A ; [1] p. 43/2 My royal majesty # 3 Holograph piano-vocal score ; 15 p. + "introduction (royal fanfare)" inside of front cover ; [1] p., and "interlude" at back ; [3] p. 43/3 My royal majesty # 3 Ozalids (7) (first version) ; 15 p. ; some dated: 6/27/63 ; 1 copy has laid in "ending" in ms., lyric sketch on back ; [1] p. with "coda" Ozalids (2) (2nd version) ; 18 p. ; on t.p.: out ; 1 copy dated: 5/31/63 Ozalid ; 13 p. 64/5 My royal majesty # 3 Parts (25) 95/7 My royal majesty ; new end ; new 183 ; not this end Ms. full score ; [1] p. 95/7 My royal majesty ; rescore 165-166 Ms. full score (crossed out) ; [1] p. 43/4 My royal majesty ; 10/17/63 new bars 175 to end Copyist's ms. piano-vocal score (transparencies) ; [1] p.

Ozalid

43/4 My royal majesty ; 10/16/63 (new revised) ; coda Copyist's ms. piano-vocal score (transparencies) ; p. 17-18 43/4 My royal majesty ; 10/15/63 (revised) ; coda Copyist's ms. piano-vocal score (transparencies) ; p. 17-18

Ozalids (2)

95/8 My royal majesty/B.G. # 14 Ms. full score ; 4 p. 43/5 My royal majesty/B.G. # 14 Copyist's ms. piano conductor score (transparencies) ; 2 p.

Ozalids (2)

64/6 My royal majesty/B.G. # 14 Parts (23) 44/1 National anthem Photocopy of holograph piano-vocal score with "dummy lyric" ; [2] p. Photocopy of holograph piano-vocal score, no lyric ; [2] p. Copyist's ms. piano-vocal (transparencies), no lyric ; 2 p. ; note attached

Ozalids (2)

Lyric by Martin Charnin

44/2 Never let them know what's going on Photocopy of holograph piano-vocal score with holograph lyric ; [3] p. 95/9 The night is filled with wonderful sounds # 4 Ms. full score ; 32 p. + [2] p. of sketch material attached at p. 16 44/3 The night is filled with wonderful sounds # 4 Copyist's ms. piano conductor score (transparencies) ; 13 p. + "new 58-59 [4] 8/13/63" ; [1] p., "[4] fix 8/8/63" ; [1] p.

Ozalids (4) (pasteovers)

Lyric by Martin Charnin

44/4 The night is filled with wonderful sounds # 4 Ms. piano-vocal score ; [2] p. 44/5 The night is filled with wonderful sounds # 4 Ozalids (2) piano-vocal scores ; 2 p. 65/1 The night is filled with wonderful sounds # 4 Parts (22) 44/6 The night is filled with wonderful sounds # 4 Copyist's ms. piano-vocal score (transparencies) ; 7 p. [The night is filled with] wonderful sounds # 4 (pages 3-4 in Ab) Holograph piano-vocal score corrections ; [1] p. 44/7 The night is filled with wonderful sounds # 4 Ozalids (alternate version from above) (5) piano-vocal score ; 7 p., 1 copy only p. 3-5 44/8 Night [is] filled [with wonderful sounds, The] Copyist's ms. (transparencies) ; p. 3-4 ; marked "obsolete"

Ozalid

Includes:

Insert on "sounds" bar 70A. Ms. sketch ; [1] p. Insert sounds. Ms. sketch ; [1] p. 44/9 [The night is filled with] wonderful sounds intro ; choir Ms. short score with choral arrangement ; [1] p. 44/10 [The night is filled with] wonderful sounds intro ; choir Copyist's ms. (transparency) ; [1] p. Ozalids (6), 1 copy attached to ozalid piano-vocal score ; 7 p. 44/11 [The] night is filled with wonderful sounds - last choir chorus Ms. choral arrangement ; [2] p. ; laid in choral sketch ; 2 p. 44/12 [The] night is filled with wonderful sounds - last choir chorus Copyist's ms. (transparencies) ; 2 p.

Ozalids (6)

95/10 [The night is filled with] wonderful sounds (utility) Ms. full score ; 8 p. + p. 47 laid in 44/13 [The night is filled with] wonderful sounds (utility) Copyist's ms. piano conductor score (transparencies) ; 4 p. Ozalids (2) with "born/insert" attached ; [7] p. Ozalid with "yesterdays/orch." attached ; [6] p.

Ozalids (5)

65/2 [The night is filled with] wonderful sounds (utility) Parts (37) 95/11 No ifs - no ands - no buts # 22 Ms. full score ; 26 p. + insert new p. 16-18 + "insert #2" ; [1] p. 45/1 No ifs - no ands - no buts # 22 Copyist's ms. piano conductor score (transparencies) ; 7 p.

Ozalids (3), inserts and pasteovers

Lyric by Martin Charnin

65/3 No ifs - no ands - no buts # 22 Parts (20) 45/2 No buts! no ifs! no ands! # 33 Ozalids (6) piano-vocal score ; 6 p. ; 1 copy has laid in revision : p. 3-9

Uniform title: No ifs - no ands - no buts

45/3 "No buts! no ifs! no ands!" 10/15/63 (revised) Copyist's ms. piano-vocal score (transparencies) ; p. 3-9

Uniform title: No ifs - no ands - no buts

Ozalid

Includes:

10/17/63 "revised" (no buts) ; insert page. Copyist's ms. (transparencies) ; m. 53-58G, 1 p. Ozalid. 10/17/63 (no buts!) ; insert page. Copyist's ms. (transparencies) ; m. 93-100, 1 p. Ozalid. 95/12 No more love # 2 Ms. full score ; 32 p. + "new intro" attached at front ; p. a 45/4 No more love # 2 Copyist's ms. piano conductor score (transparencies) ; 16 p. Ozalids (4), 1 copy has "no more love intro" attached ; [1] p. 45/5 No more love # 2 Ozalids (5) piano-vocal scores ; 10 p. ; 1 copy 1st p. of "pno. cond." attached ; + [1] p.

Dated: 7/12

Lyric by Martin Charnin

45/6 No more love # 2 Copyist's ms. piano-vocal score (transparencies) ; 10 p. Ozalids (6) ; 12 p. ; 1 copy has "interlude (1), (2) & (3)" laid in ; [3] p., 1 copy has holograph 3 m. sketch laid in ; [1] p., 1 copy has "pno. cond." attached, and holograph sketch of "interludes" laid in ; [1] p. each

Dated: 7/1/63

65/4 No more love # 2 Parts (20) 96/1 No more love new intro # 2 Ms. full score ; 5 p. 65/5 No more love new intro # 2 Parts (5) 46/1 No more love new intro # 2 Copyist's ms. piano conductor score (transparencies) ; 2 p.

Ozalids (2) with various annotations

46/1 No more love intro # 2 ; pno-cond ; 8/1/63 Copyist's ms. (transparencies) ; [1] p.

Ozalids (2)

46/2 No more love ; vocal Copyist's ms. choral score (transparencies) ; 4 p.

Ozalids (2)

46/3 No more love interlude (1) 7/16 ; No more love interlude (2) 7/16 ; No more love interlude (3) 7/16 Ms. piano-vocal sketches (3) ; [1] p. each Copyist's ms. (3) (transparencies) ; [1 p]. each

Ozalids (6) (2 copies of each)

46/4 New end no more love Ms. piano-choir score ; [1] p.

Uniform title: No more love

46/4 No more love/new (new ending) ; pno. choir ; 7/27/63 Copyist's ms. (transparencies) ; 2 p.

Uniform title: No more love

Ozalids (2)

Above items were found in a folder marked: out

46/5 No one owns tomorrow Copyist's ms. piano-vocal score (transparencies) ; 5 p. + note attached

Ozalids (4), 1 copy missing p. 5

Typed lyric sheet with annotations ; [1] p.

Lyric by Leonard Addelson

46/5 "Tomorrow" ; 7/1/63 Ms. 3 m. piano-vocal sketch ; [1] p.

Became "Yesterday's forgotten" with new lyric

46/6 No one owns tomorrow # 17 Ozalids (4) piano-vocal scores, various versions ; 5 p. 46/7 No two ways about love Holograph sketch ; [1] p.

Lyric by Martin Charnin

46/8 Old friend Copyist's ms. piano-vocal (transparencies) ; 4 p.

Ozalids (2)

Lyric by Leonard Adelson

46/9 One night ago Holograph piano-vocal score ; 8 p. ; on cover: (instrumental in act I; sung in act II) 46/10 One night ago # 19 Copyist's ms. (transparencies) ; 11 p. Ozalids (4), 1 copy has typed lyric sketch laid in ; [1] p., 1 copy is 5 p. long with an alternate p. 5, and missing measure numbers on p. 2-5

Lyric by Leonard Adelson

46/11 One night ago (dance interlude) Holograph piano score ; [2] p. 46/12 Opening act I Holograph piano score ; 1 p. 46/12 Act one opening # 1 Copyist's ms. piano-vocal score (transparencies) ; 4 p.

Ozalids (2)

Lyric by Leonard Adelson and Sid Kuller

96/2 Opening act II Ms. full score ; 5 p. 47/1 Opening act II # 19 Copyist's ms. piano conductor score (transparencies) ; 3 p.

Ozalids (2)

47/1 Opening/act II # 35 Ozalids (2) piano-vocal scores, 1 copy leads into "Artists" ; 9 p., the other copy is 2 p.

Lyric by Sid Kuller

66/1 Opening act II # 19 Parts (22) 47/2 Organization ; (act II) opening # 14 Holograph piano-vocal score ; 15 p. + taped on extension on p. 5

Lyric by Leonard Adelson

47/3 Organization Ozalid piano-vocal score ; 19 p. 47/4 Overture ; pno. cond. Copyist's ms. (transparencies) ; 10 p. Ozalids (2), "insert" attached ; 17 p. (approx.) 66/2 Overture # 1 ; overture insert ; born/rescore ; born/insert Parts (23) 47/5 Overture (insert) Copyist's ms. piano conductor score (transparencies) ; p. 11-17

Ozalid

66/3 Overture (insert) Parts (17) (transparencies) 96/3 New overture # 2 Ms. full score ; 36 p.

Uniform title: Overture

96/4 Overture # 2 Ms. full score ; [34] p., p. 1, 3-4, 7-8, 18-46

Dated: 8/22/63

66/4 Overture # 2 Parts (26) 47/6 Overture # 2 ; 8/23/63 Copyist's ms. piano cond. score (transparencies) ; [16] p. 1-13 + 8A-8C Copyist's ms. short score fixes (transparencies) ; [6] p.

Ozalids (3)

Note: "Overture # 1 end 8/26/63", "Overture # 2 8/23/63", "Overture #2", "Overture # 2 fix 8/23/63", Overture # 2 fix 8/23/63", "Overture # 2 8/23/63"

96/5 Overture fine to train station # 1C Ms. full score ; 18 p. 47/7 Overture fine to train station # 1C Copyist's ms. piano conductor score (transparencies) ; 7 p. Ozalids (3) ; 9 p. 67/1 Overture fine to train station # 1C Parts (35) 47/8 Orland national anthem Holograph piano score ; 1 p. ; on t.p.: Kings and cabbages 48/1 Patroness of art (opening act II) Holograph piano-vocal score ; 9 p. + 2-A and 2 crossed out p. including sketch for "interlude I wonder what he meant" 48/2 Patroness of Art # 18 Copyist's ms. piano-vocal score (transparencies) ; 16 p. Ozalids (2) ; 16 p. Ozalid, alternate version ; 15 p.

Lyric by Sid Kuller

48/3 Pull a rabbit out of the hat Ozalids (2) piano-vocal score ; 8 p.

Lyric by Leonard Adelson

96/6 Queen mother's crossover Ms. full score ; 26 p. 48/4 Queen mother's crossover Ms. short score sketch ; [8] p., p. 1-3, 3A, 4-6, [unnumbered] 48/5 Queen mother's crossover Copyist's ms. piano conductor score (transparencies) ; 14 p.

Ozalid

67/2 Queen mother's crossover Parts (22) 96/7 A royal confession # 13 ; (my son-in-law the king) Ms. full score ; 19 p. 48/6 A royal confession # 13 ; (my son-in-law the king) Copyist's ms. piano conductor score (transparencies) ; 8 p.

Ozalids (2), final corrections dated: 8/7/63

Ozalids (2), final corrections dated: 8/5/63

Ozalids (2), dated: 7/22/63

Ozalids (2), undated

Lyric by Sid Kuller

67/3 A royal confession # 13 ; (my son-in-law the king) Parts (23) 48/7 My son-in-law the king # 14 Holograph piano-vocal score ; 4 p.

Uniform title: A royal confession

48/8 A royal confession ; My son-in-law the king Ozalids (7) piano-vocal scores ; 7 p. 96/8 Segue to palace # 34-A Ms. full score ; [4] p., last p. crossed out 49/1 Segue to palace # 34-A Copyist's ms. piano conductor score (transparencies) ; 2 p.

Ozalids (2)

67/4 Segue to palace # 34-A Parts (20) 49/2 Sign on the dotted line Holograph piano-vocal score ; [3] p.

Lyric by Leonard Adelson

49/3 Sign on the dotted line Copyist's ms. piano-vocal score (transparencies) ; 4 p.

Ozalid

49/4 Sign on the dotted line (instrumental) #22A Holograph piano score ; [1] p. Copyist's ms. (transparencies) ; 2 p.

Ozalid

49/5 Something new Holograph piano-vocal score ; 6 p.

Lyric by Leonard Adelson

49/6 Something new Ozalids (2) piano-vocal score ; 6 p. 49/7 Thanks to love # 21 Ozalids (2) piano-vocal scores ; 11 p. ; on t.p.: out

Lyric by Leonard Adelson and Sidney Kuller

49/8 That was then, Mr. Rassendyl Photocopy of holograph piano-vocal score with holograph lyric ; [4] p. Copyist's ms. "ending of 3rd chorus" ; [1] p. Copyist's ms. 3 m. of melody ; [1] p.

Lyric by Martin Charnin

49/9 There are girls Holograph piano-vocal score ; 20 p. + crossed out and unnumbered p.

Lyric by Leonard Adelson

49/10 There is nothing like a wedding ; coda Holograph piano-vocal score ; [1] p. 49/11 There's nothing wrong with marriage Holograph piano-vocal score ; 5 p.

Laid in: typed lyric sheet with annotations ; [1] p.

Lyric by Martin Charnin

96/9 New title "there's room for her" # 11 ; <emph render="altrender" altrender="strikeout">here and there</emph> Ms. full score ; 42 p. + laid in: here and there (new intro) ; 1 p.

Uniform title: There's room for her

49/12 There's room for her # 11 Copyist's ms. piano conductor score (transparencies) ; 8 p. Ozalids (3) ; 1 copy has laid in ozalid of "Here and there ; pno. cond." ; 13 p. 67/5 There's room for her # 11 Parts (21) 96/10 Tour de force Ms. full score ; [27] p., p. 1-15, 19-21, 21a, 22-29 49/13 Tour de force Copyist's ms. piano conductor score (transparencies) ; 8 p.

Ozalids (2)

49/14 Tour de force Holograph piano score ; 3 p. 49/15 Tour de force Copyist's ms. piano-vocal score (transparencies) ; 14 p.

Ozalids (2)

Lyric by Sid Kuller

67/6 Tour de force Parts (21) 49/16 Train music # 28 Holograph piano score in pencil ; 2 p. 49/17 Train music # 28 Copyist's ms. (transparencies) ; 2 p.

Ozalids (2)

49/18 Trust in me Holograph piano-vocal score ; [8] p.

Lyric by Leonard Adelson

49/19 Turlututu Holograph piano-vocal score ; [4] p.

Photocopy of above

Typed lyric sheet ; [1] p.

Lyric by Vernon Duke

97/1 Verdi duo Ms. full score ; 11 p. 50/1 Verdi duo Copyist's ms. piano conductor score (transparencies) ; 6 p. Ozalids (3) 1 copy has laid in ms. short score sketch "Command performance #3" ; [2] p. 68/1 Verdi duo Parts (21) 50/2 Vernon Duccini Holograph piano score ; [1] p. Copyist's ms. (transparencies) ; [1] p.

Ozalid

97/2 Waltz fantasy # 15AA Ms. full score ; 60 p. + "Waltz fantasy new end "attached ; 2 p. 50/3 Waltz fantasy # 15AA Copyist's ms. piano conductor score (transparencies) ; 16 p.

Ozalids (5) (various items attached and/or laid in)

Composed by: Vernon Duke, Irv Kostal and H. Mackay

50/4 Waltz fantasy # 15AA Ms. piano score sketch ; 6 p. + "Mambo" ; 10 p. 50/5 Waltz fantasy # 15AA Copyist's ms. piano score (transparencies) ; 15 p.

Ozalids (2)

68/2-3 Waltz fantasy # 15AA Parts (11 + 28) 97/3 New new waltz/fantasy fix # 15AA Ms. full score ; p. 13-21

Uniform title: Waltz fantasy

50/6 Waltz fantasy ; new 9-17-63 Copyist's short score (transparencies) ; p. 4-7 97/4 Waltz fantasy rescore Ms. full score ; p. 13-20

Ozalids (2)

50/7 Waltz fantasy ; [new 9/1/63 Copyist's short score (transparencies) ; p. 4-6

Ozalid

50/8 Waltz fantasy - (old) Ozalid short score, new ending pasted over last p. ; p. 14-16 (p. 16 pasted over) 50/8 Waltz fantasy - (very old) Ozalid short score, new ending attached ; p. 14-16 + attached p. 69/1 [Waltz fantasy] old Parts (19) 97/5 Waltz fantasy new new end Ms. full score ; p. 1-5, m. 202-221 97/5 Waltz fantasy new ending 8/10/63 ; 15AA cont. Ms. full score ; p. a-b + a-h, m. 192-221 50/9 Waltz fantasy new end 9/17/63 Copyist's ms. short score (transparencies) ; p. 2-3, m. 200-221 50/9 Waltz fantasy - new end/revised 9/1/63 Copyist's ms. short score (transparencies) ; p. 2-4, m. 200-221 50/9 Waltz fantasy - new end Copyist's ms. short score (transparencies) ; p. [2]-4, m. 192-221 50/9 Waltz fantasy (new ending) Ozalids (2), dated: 8/7/63 ; 1 p., m. 234-a - 238-a 51/1 We Photocopy of holograph piano-vocal score with holograph lyric ; 4 p. 51/1 Interlude Holograph lead sheet ; [1] p.

Uniform title: We

Lyric by Martin Charnin

51/2 We just might # 13 Holograph piano-vocal score and piano score ; 5 p. + [3] p.

Lyric by Leonard Adelson

51/3 Wedding march # 7 Holograph piano score ; [3] p.

Also on cover: Now the world begins again (wedding music) Wedding march

51/4 Wedding march # 7 Copyist's ms. piano score (transparencies) ; 4 p.

Ozalids (6)

69/2 New wedding march # 7 Parts (20)

Uniform title: Wedding march

51/5 New wedding march ; pno. cond. Copyist's ms. (transparencies) ; 5 p.

Uniform title: Wedding march

51/5 New wedding march # 7 ; pno. c[o]nd. Copyist's ms. (transparencies) ; [1] p. ; m. 40-42

Uniform title: Wedding march

51/5 New wedding march ; pno. cond. ; 9-4-63 ; <emph render="altrender" altrender="strikeout">Love is the worst possible</emph> Copyist's ms. (transparency) ; 1 p., m. 24

Uniform title: Wedding march

51/5 [Wedding march] Copyist's ms. (transparencies), 4 fragments ; m. 3-10, 15-16, 19-20, 29-33 51/5 New wedding march # 7 ; pno. cond. ; 8/6/63 Ozalids (3) (pasteovers) ; 5 p.

Uniform title: Wedding march

97/6 Wedding march/insert # 7 Ms. full score ; 12 p. + 1a and 6a laid in 51/6 Wedding march/insert # 7 Ozalids (3) piano conductor score , 1 copy has note attached ; 5 p. 69/3 Wedding march/insert # 7 Parts (23) 51/7 Wedding music Holograph piano-choral score, note attached ; 5 p. 51/8 Wedding music (world begins) Copyist's ms. (transparencies), note attached ; 5 p.

Ozalids (2), 1 copy has note attached

Lyric by Leonard Adelson

51/9 Wedding music ; choir ; 9/20/63 Copyist's ms. (transparencies) ; [2] p.

Ozalid

51/9 Wedding music ; choir ; 7/23 Holograph ; 1 p. Copyist's ms. (transparencies) ; 2 p.

Ozalids (4)

51/10 Wedding music (world begins) ; vocal choir ; 7/5/63 Copyist's ms. (transparencies), note attached ; 3 p.

Ozalids (6)

97/7 Wedding song/orch # 6 Ms. full score ; 4 p. 51/11 Wedding song/orch # 6 Copyist's ms. piano conductor score (transparencies) ; 4 p.

Ozalids (2)

69/4 Wedding song/orch # 6 Parts (21) 51/12 [Wedding song] ; [Wedding music] Holograph and ms. piano-vocal/choral sketches (4 items) ; [5] p. 51/13 What does one do? # 4 Photocopy of holograph piano-vocal score with holograph lyric ; 3 p.

Lyric by Martin Charnin

97/8 When you stop and think # 5 Ms. full score ; 28 p. 51/14 When you stop and think # 5 Copyist's ms. piano conductor score (transparencies) ; 11 p.

Ozalid with annotations

52/1 When you stop and think # 5 Holograph piano-vocal score ; 9 p. + 2nd p. 5 Holograph piano-vocal score ; 6 p. + 1 p. laid in

Lyric by Martin Charnin

52/2 When you stop and think # 5 Copyist's ms. piano-vocal score (transparencies) ; 8 p.

Ozalids (2)

69/5 When you stop and think # 5 Parts (22) 102/4 A whole lot of happy # 10 Ms. full score ; 27 p. + "added intro" attached at front ; 1 p. 52/3 A whole lot of happy # 10 Copyist's ms. piano conductor score (transparencies) ; 12 p.

Ozalids (3)

Lyric by Martin Charnin

52/4 A whole lot of happy # 10 Ms. piano-vocal score ; 5 p. 52/5 A whole lot of happy # 10 Ozalid piano-vocal score ; 5 p.

Typed script revision of lyric (2) ; p. I-7-1A

52/6 A whole lot of happy # 10 Copyist's ms. piano-vocal score (transparencies) ; 13 p.

Ozalids (4), 1 copy has 3 laid in ozalids with annotations: "new opening" ; "four bar interlude" ; and p. 1-5 (5th copy)

69/6 A whole lot of happy # 10 Parts (22) 52/7 A whole lot of happy ; vocal choir Copyist's ms. ; 8 p.

Ozalid

52/8 Intro to happy # 10 Copyist's ms. piano conductor score (transparency) ; [1] p.